Out of curiosity, any thoughts on the anime Bleach?
I consumed a fairly good chunk of it when I was younger. It's since faded in my passions. I think Rolling Star by Yui is by far my favorite of the openings but a lot of them are very good.
I think the visuals are fairly stylish but it suffers the shonen problem- granted, I think a lot of this is in the format of how long running shonens are produced- of starting out with a bold exciting concept and then sort of petering out in weird directions the longer it goes on. In Bleach's case, I really loved the design and concept of the early hollows, but from the Soul Society arc onward, this entire fascinating afterlife concept boils down to Fashion Sword Boys Fightin' It Out.
Most of my residual fondness for it has me eyeing @gallusrostromegalus's An Elephant Is Warm And Mushy, because it seems to be taking a lot of the later series and injecting that sense of weird monsters and afterlife ramifications back into it.
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i never played disco elysium but i could have sworn harry du bois was a famous musician (real life) before the game came out. so when ppl started talking about it im like "wow they named a character after that famous musician :)" but now its 100% impossible to find out who i was thinking of and i dont think theres actually a famous musician by that name ??? so.. did i make this up ?
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briefly picked up pq again after not having played it in a month, i got through the cutscenes that happen when you start the second labryinth, but didn't progress past that! thoughts™ below
i basically spent my time in Many Cutscenes (all strolls available to me, the abilities 1/2/3, what do we call each other, navigational differences, and why a group date cafe) + also did the fuse xiezhai request as well as help with the trading showdown.
i think the only downside from this play session is seeing how... how badly they exacerbate teddie's "comedic" relief traits. this isn't a problem exclusive to pq (i've watched arena all the way through and am maybe halfway through ultimax, and teddie also suffers there). but MAN. it's so hard to remember that teddie has a good arc in golden sometimes 😭
bitching about teddie aside, i do appreciate him being there because teddie's origin story of being from the TV world and then leaving it to be with the investigation team acts as such a nice metric of comparison for whatever zen and rei is supposed to be. i've been over this a billion times but the way the game explicitly has made note of this in cutscenes is just so!! juicy to me!!! it does feel like a low hanging fruit for me to latch onto in terms of "clues regarding zen and rei's identity," but it's definitely the easiest to understand.
naoto prompting an attempt to investigate of the clock tower and the lore surrounding it's real-world counterpart was very interesting! i have faith in the writers for this cutscene to make sense later down the line with more context, but it does feel like a clue. i just. need some more time with the game (and possibly more details) to put things together.
i can't help but feel that rei expressing the want/hope to "go back" (in lieu of what teddie did with going to inaba) isn't going to end well... i mean, maybe it will! but to be able to "go back" (whatever that contains) is hardly guaranteed in the first place and i feel like hoping for something like this is bound for heartbreak (i would be interested in that given that rei's entire personality is based around food and zen LOL)
the velvet room scene too!! super juicy, i really enjoy all of the angles that theo, liz, and margaret all presented in regards to the distortion of the p3 + p4 casts from different times being gathered into this one place. given how the wild card power has been neutralized and changed it really makes me wonder about the power of the end-game entity... perhaps so powerful that zen and rei could be considered "shards" of that entity who forgot about that? very interesting for margaret to refer to the world as "finite," me thinks.
the game did give a brief glimpse to a silhouette sitting on a crystal(?) and was obscured by broken glass/spider web of sorts... i wonder whatever it could need from bringing TWO wildcards, i mean, yeah that's powerful but. i wanna know the motive!!! not that. divine entities and the like always have motivations in this series but. y'know. LOL.
anyway that's all for now! short progress today bc wahoo cutscenes and i got things to do but. really intriguing, i'm super interested in seeing how this gets followed up on. also i love yosuke whenever i see yosuke's animations in this game it makes me so happy!! he's so expressive and fun i love him a lot. and it'd be very interesting to play this game again on the p4 side to see minato speak but also see what has changed between versions, as well as catching any details i've missed.
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I made a new suitor for my horror-comedy dating manga concept I Escaped My Genre!
At this community cooking college, majoring in dinner theatre of course means that you must master the art of theatre AS WELL AS the art of cabaret-appropriate foods that align with the themes of whatever show you are doing!
But the college also has a vibrant student theatre scene: Phoenix is actually directing the Drama Club's production of Romeo & Juliet this spring as their end-of-year final! I wonder if Samo will try out! (And I wonder if Phoenix will end up looking romantically into Samo's eyes and finding that in that moment, all zyr carefully-curated bravado drops away, and suddenly, ze is no longer acting; ze is simply feeling, and it changes everything.)
Also, since I put so much work into this character design, Phoenix will absolutely be making an appearance in my graphic novel! (You can find my published scripts and concept art here, if you wanna make my day!)
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like theres inevitably going to be comparisons between tgcf and mdzs bc they were written by the same author and mdzs feeds into tgcf and they do have a lot of points of similarity but they’re also so different. and it makes for interesting stories in conversation with each other bc they’re basically inverted.
like they both have the same focus on the main relationship that makes the story revolve around them but the thing abt mdzs is that even though it’s abt wangxian, it’s also not abt them. tgcf is explicitly abt xie lian, the whole story and plot revolves around him not just bc he’s the main character but bc he’s the focal point of the antagonist which is what makes him the main character in the first place. like xie lian isn’t a passive character but he’s not very active in moving the story along, he’s kind of just floating through it while other characters bring him into it. and it culminates with bwx and that entire confrontation but even from xie lian’s first ascension it was all something that was orchestrated for him to respond to.
but with mdzs, yes wangxian are incredibly active characters making all these choices that move them forward in the story but they’re just a footnotes in the novels action. wei wuxian and lan wangji’s story is abt them and their relationship and the bigger plot serves as a backdrop for that. in the drama it is a little different bc the bigger story kind of “clears” wwx’s name and kind of changes things for him in that regard but in the novel, it doesn’t even really do that, it offers questions about morality and righteousness that do change how certain characters feel abt wei wuxian and challenge the structure of the world they live in. in the end, the big confrontation is abt other characters finally revealing themselves while wangxian basically make out in the corner like they don’t give a fuck who killed whose brother! yeah wwx still saves the day but it’s not abt him even though it is quite literally abt him as the main character.
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