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#show: bridgerton
daeneryssansa · 2 years
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100 days of favorite characters ★ day 46 - kate sharma (bridgerton)
i take issues with any man who views women merely as chattels and breeding stock.
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thebearchives · 2 years
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daphne and simon have me kicking my feet and shit 🤭🤭
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yeoldenews · 3 months
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A Guide to Historically Accurate Regency-Era Names
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I recently received a message from a historical romance writer asking if I knew any good resources for finding historically accurate Regency-era names for their characters.
Not knowing any off the top of my head, I dug around online a bit and found there really isn’t much out there. The vast majority of search results were Buzzfeed-style listicles which range from accurate-adjacent to really, really, really bad.
I did find a few blog posts with fairly decent name lists, but noticed that even these have very little indication as to each name’s relative popularity as those statistical breakdowns really don't exist.
I began writing up a response with this information, but then I (being a research addict who was currently snowed in after a blizzard) thought hey - if there aren’t any good resources out there why not make one myself?
As I lacked any compiled data to work from, I had to do my own data wrangling on this project. Due to this fact, I limited the scope to what I thought would be the most useful for writers who focus on this era, namely - people of a marriageable age living in the wealthiest areas of London.
So with this in mind - I went through period records and compiled the names of 25,000 couples who were married in the City of Westminster (which includes Mayfair, St. James and Hyde Park) between 1804 to 1821.
So let’s see what all that data tells us…
To begin - I think it’s hard for us in the modern world with our wide and varied abundance of first names to conceive of just how POPULAR popular names of the past were.
If you were to take a modern sample of 25-year-old (born in 1998) American women, the most common name would be Emily with 1.35% of the total population. If you were to add the next four most popular names (Hannah, Samantha, Sarah and Ashley) these top five names would bring you to 5.5% of the total population. (source: Social Security Administration)
If you were to do the same survey in Regency London - the most common name would be Mary with 19.2% of the population. Add the next four most popular names (Elizabeth, Ann, Sarah and Jane) and with just 5 names you would have covered 62% of all women.
To hit 62% of the population in the modern survey it would take the top 400 names.
The top five Regency men’s names (John, William, Thomas, James and George) have nearly identical statistics as the women’s names.
I struggled for the better part of a week with how to present my findings, as a big list in alphabetical order really fails to get across the popularity factor and also isn’t the most tumblr-compatible format. And then my YouTube homepage recommended a random video of someone ranking all the books they’d read last year - and so I present…
The Regency Name Popularity Tier List
The Tiers
S+ - 10% of the population or greater. There is no modern equivalent to this level of popularity. 52% of the population had one of these 7 names.
S - 2-10%. There is still no modern equivalent to this level of popularity. Names in this percentage range in the past have included Mary and William in the 1880s and Jennifer in the late 1970s (topped out at 4%).
A - 1-2%. The top five modern names usually fall in this range. Kids with these names would probably include their last initial in class to avoid confusion. (1998 examples: Emily, Sarah, Ashley, Michael, Christopher, Brandon.)
B - .3-1%. Very common names. Would fall in the top 50 modern names. You would most likely know at least 1 person with these names. (1998 examples: Jessica, Megan, Allison, Justin, Ryan, Eric)
C - .17-.3%. Common names. Would fall in the modern top 100. You would probably know someone with these names, or at least know of them. (1998 examples: Chloe, Grace, Vanessa, Sean, Spencer, Seth)
D - .06-.17%. Less common names. In the modern top 250. You may not personally know someone with these names, but you’re aware of them. (1998 examples: Faith, Cassidy, Summer, Griffin, Dustin, Colby)
E - .02-.06%. Uncommon names. You’re aware these are names, but they are not common. Unusual enough they may be remarked upon. (1998 examples: Calista, Skye, Precious, Fabian, Justice, Lorenzo)
F - .01-.02%. Rare names. You may have heard of these names, but you probably don’t know anyone with one. Extremely unusual, and would likely be remarked upon. (1998 examples: Emerald, Lourdes, Serenity, Dario, Tavian, Adonis)
G - Very rare names. There are only a handful of people with these names in the entire country. You’ve never met anyone with this name.
H - Virtually non-existent. Names that theoretically could have existed in the Regency period (their original source pre-dates the early 19th century) but I found fewer than five (and often no) period examples of them being used in Regency England. (Example names taken from romance novels and online Regency name lists.)
Just to once again reinforce how POPULAR popular names were before we get to the tier lists - statistically, in a ballroom of 100 people in Regency London: 80 would have names from tiers S+/S. An additional 15 people would have names from tiers A/B and C. 4 of the remaining 5 would have names from D/E. Only one would have a name from below tier E.
Women's Names
S+ Mary, Elizabeth, Ann, Sarah      
S - Jane, Mary Ann+, Hannah, Susannah, Margaret, Catherine, Martha, Charlotte, Maria
A - Frances, Harriet, Sophia, Eleanor, Rebecca
B - Alice, Amelia, Bridget~, Caroline, Eliza, Esther, Isabella, Louisa, Lucy, Lydia, Phoebe, Rachel, Susan
C - Ellen, Fanny*, Grace, Henrietta, Hester, Jemima, Matilda, Priscilla
D - Abigail, Agnes, Amy, Augusta, Barbara, Betsy*, Betty*, Cecilia, Christiana, Clarissa, Deborah, Diana, Dinah, Dorothy, Emily, Emma, Georgiana, Helen, Janet^, Joanna, Johanna, Judith, Julia, Kezia, Kitty*, Letitia, Nancy*, Ruth, Winifred>
E - Arabella, Celia, Charity, Clara, Cordelia, Dorcas, Eve, Georgina, Honor, Honora, Jennet^, Jessie*^, Joan, Joyce, Juliana, Juliet, Lavinia, Leah, Margery, Marian, Marianne, Marie, Mercy, Miriam, Naomi, Patience, Penelope, Philadelphia, Phillis, Prudence, Rhoda, Rosanna, Rose, Rosetta, Rosina, Sabina, Selina, Sylvia, Theodosia, Theresa
F - (selected) Alicia, Bethia, Euphemia, Frederica, Helena, Leonora, Mariana, Millicent, Mirah, Olivia, Philippa, Rosamund, Sybella, Tabitha, Temperance, Theophila, Thomasin, Tryphena, Ursula, Virtue, Wilhelmina
G - (selected) Adelaide, Alethia, Angelina, Cassandra, Cherry, Constance, Delilah, Dorinda, Drusilla, Eva, Happy, Jessica, Josephine, Laura, Minerva, Octavia, Parthenia, Theodora, Violet, Zipporah
H - Alberta, Alexandra, Amber, Ashley, Calliope, Calpurnia, Chloe, Cressida, Cynthia, Daisy, Daphne, Elaine, Eloise, Estella, Lilian, Lilias, Francesca, Gabriella, Genevieve, Gwendoline, Hermione, Hyacinth, Inez, Iris, Kathleen, Madeline, Maude, Melody, Portia, Seabright, Seraphina, Sienna, Verity
Men's Names
S+ John, William, Thomas
S - James, George, Joseph, Richard, Robert, Charles, Henry, Edward, Samuel
A - Benjamin, (Mother’s/Grandmother’s maiden name used as first name)#
B - Alexander^, Andrew, Daniel, David>, Edmund, Francis, Frederick, Isaac, Matthew, Michael, Patrick~, Peter, Philip, Stephen, Timothy
C - Abraham, Anthony, Christopher, Hugh>, Jeremiah, Jonathan, Nathaniel, Walter
D - Adam, Arthur, Bartholomew, Cornelius, Dennis, Evan>, Jacob, Job, Josiah, Joshua, Lawrence, Lewis, Luke, Mark, Martin, Moses, Nicholas, Owen>, Paul, Ralph, Simon
E - Aaron, Alfred, Allen, Ambrose, Amos, Archibald, Augustin, Augustus, Barnard, Barney, Bernard, Bryan, Caleb, Christian, Clement, Colin, Duncan^, Ebenezer, Edwin, Emanuel, Felix, Gabriel, Gerard, Gilbert, Giles, Griffith, Harry*, Herbert, Humphrey, Israel, Jabez, Jesse, Joel, Jonas, Lancelot, Matthias, Maurice, Miles, Oliver, Rees, Reuben, Roger, Rowland, Solomon, Theophilus, Valentine, Zachariah
F - (selected) Abel, Barnabus, Benedict, Connor, Elijah, Ernest, Gideon, Godfrey, Gregory, Hector, Horace, Horatio, Isaiah, Jasper, Levi, Marmaduke, Noah, Percival, Shadrach, Vincent
G - (selected) Albion, Darius, Christmas, Cleophas, Enoch, Ethelbert, Gavin, Griffin, Hercules, Hugo, Innocent, Justin, Maximilian, Methuselah, Peregrine, Phineas, Roland, Sebastian, Sylvester, Theodore, Titus, Zephaniah
H - Albinus, Americus, Cassian, Dominic, Eric, Milo, Rollo, Trevor, Tristan, Waldo, Xavier
# Men were sometimes given a family surname (most often their mother's or grandmother's maiden name) as their first name - the most famous example of this being Fitzwilliam Darcy. If you were to combine all surname-based first names as a single 'name' this is where the practice would rank.
*Rank as a given name, not a nickname
+If you count Mary Ann as a separate name from Mary - Mary would remain in S+ even without the Mary Anns included
~Primarily used by people of Irish descent
^Primarily used by people of Scottish descent
>Primarily used by people of Welsh descent
I was going to continue on and write about why Regency-era first names were so uniform, discuss historically accurate surnames, nicknames, and include a little guide to finding 'unique' names that are still historically accurate - but this post is already very, very long, so that will have to wait for a later date.
If anyone has any questions/comments/clarifications in the meantime feel free to message me.
Methodology notes: All data is from marriage records covering six parishes in the City of Westminster between 1804 and 1821. The total sample size was 50,950 individuals.
I chose marriage records rather than births/baptisms as I wanted to focus on individuals who were adults during the Regency era rather than newborns. I think many people make the mistake when researching historical names by using baby name data for the year their story takes place rather than 20 to 30 years prior, and I wanted to avoid that. If you are writing a story that takes place in 1930 you don’t want to research the top names for 1930, you need to be looking at 1910 or earlier if you are naming adult characters.
I combined (for my own sanity) names that are pronounced identically but have minor spelling differences: i.e. the data for Catherine also includes Catharines and Katherines, Susannah includes Susannas, Phoebe includes Phebes, etc.
The compound 'Mother's/Grandmother's maiden name used as first name' designation is an educated guesstimate based on what I recognized as known surnames, as I do not hate myself enough to go through 25,000+ individuals and confirm their mother's maiden names. So if the tally includes any individuals who just happened to be named Fitzroy/Hastings/Townsend/etc. because their parents liked the sound of it and not due to any familial relations - my bad.
I did a small comparative survey of 5,000 individuals in several rural communities in Rutland and Staffordshire (chosen because they had the cleanest data I could find and I was lazy) to see if there were any significant differences between urban and rural naming practices and found the results to be very similar. The most noticeable difference I observed was that the S+ tier names were even MORE popular in rural areas than in London. In Rutland between 1810 and 1820 Elizabeths comprised 21.4% of all brides vs. 15.3% in the London survey. All other S+ names also saw increases of between 1% and 6%. I also observed that the rural communities I surveyed saw a small, but noticeable and fairly consistent, increase in the use of names with Biblical origins.
Sources of the records I used for my survey: 
Ancestry.com. England & Wales Marriages, 1538-1988 [database on-line].
Ancestry.com. Westminster, London, England, Church of England Marriages and Banns, 1754-1935 [database on-line].
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kneelb4kesha · 1 month
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Love how Jonathan Bailey was like, I'm gonna be an openly gay man in this industry, and also, ladies? this is how a man should look at you when he's interested.
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when a story has a predestined ending and you thought you already knew who the characters would become, but then you're hit with the fact that no, you actually didn't know these characters at all, they were unknowable to you until this very moment when a larger portion of their life has been revealed to you, and you realize, abruptly, that they had lives and losses and the aching desperation of a love they guarded with every piece of stubborn will they could muster, and the unknowable is suddenly rendered sublime for its opacity
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sunfortune · 14 days
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penelope featherington would’ve slayed so hard as a character if she went for the men of the ton as an anonymous gossip sheet. LIKE full anonymity and that kind of influence as a woman..just to regurgitate what the average member of the ton is already itching to say about young girls who can’t defend themself? like all the mystery and allure of the column just to humiliate and ruin WOMEN using the established rules of the PATRIARCHY?? WHATS even the point then?! countess boochie flagrant ass character
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lizzibennet · 12 days
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this visual is everything i’ve been wanting from this show for so long i’m gonna be INSUFFERABLE when it comes out
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vengerb3rg · 1 month
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weaver-z · 1 year
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I am sick to DEATH of "attractive" celebrities being cast in period dramas. The "face that knows emails" problem is so much more pervasive than people acknowledge. Even actors who haven't had obvious plastic surgery have shaved, waxed, and polished their faces into absolute submission. Bring back actors who look 1000% suited to living in a time period before the inception of Sephora.
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bingiessm · 16 days
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WARNING, LONG POST
Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).
So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.
This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.
Also, "I burn for you" anyone?
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FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.
I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.
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SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.
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THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.
Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.
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FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).
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FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.
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SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.
THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE
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SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).
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EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).
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NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.
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TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.
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ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.
So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________
And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.
Anyway, if any more of this fire/flame stuff comes up I might add on later.
TLDR: they are using fire and candles to represent the burning love between these two.
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hauntedfictionland · 3 months
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BRIDGERTON: first look of Colin & Penelope in S3 Director. Tom Verica
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thebearchives · 2 years
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feeling very heartbroken for penelope ☹️☹️
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wwinterwitch · 11 months
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right person, all the wrong times - anthony bridgerton
summary: you and anthony have been in love with one another from the moment you met, but it seems as though nothing will ever happen between you. after you catch the attention of another gentleman, he realizes perhaps it's time to finally do something about his feelings pairing: anthony bridgerton x fem!reader word count: 7.3K tags: mutual pining, best friends to lovers, angst and fluff, period-typical topics (marriage is everything, gender roles, all that stuff), daphne being match maker as always, kissing, it gets briefly suggestive like once, if i skipped anything please let me know. note: i started this show two days ago and i'm already halfway through season 2. i couldn't hold myself from writing whatever this is and i thought i'll share since it's the longest fic i've ever written. english is not my first language so writing in a way that resembles the show was a whole challenge for me!
a reblog and/or comment really helps me out as a content creator so thank you in advance if you take the time to do either!
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all masterlists | read on ao3
You and Anthony have been best friends for years now. Even when he's a few years older than you, the two of you became inseparable shortly after knowing one another. No one seems to know or understand you quite like he does, and you've become the person he always turns to when he needs someone.
It happened just a few months after you were introduced into society. You were lucky to bump into him that night in Ms. Danbury's ballroom, and after repeated apologies and quick introductions, you stayed with him for the rest of the event.
Your families were excited to see the two of you talking, already picturing the moment when he shows up to your house and asks for your hand in marriage. However, as time passed, it was evident for everyone that nothing was ever going to happen.
And as embarrassing as it is to admit, you were just as disappointed to realize Anthony considered you to be just a friend. From day one, you were absolutely captivated by him, and you truly thought he was as interested as you were. Unfortunately, it seems as though your feelings have never been –and never will be– reciprocated.
Of course, you never let that stop you from trying to find in others what you so effortlessly found in Anthony from the moment you laid eyes on him. It hasn't been easy, but you continue to look for that special someone.
Despite everyone knowing about your proximity to the Viscount, a fair share of suitors were always there available for you. Some move past the mere privilege of dancing with you if they prove to be interesting enough, but none of them have made it far enough.
Perhaps the search would be easier if you weren't deeply in love with your best friend, but there's no way you'll ever be able to control how you feel. You can't control the butterflies in your stomach when you notice him approaching you, or how it seems as though everyone around disappears when you two are together.
Anthony doesn't contribute to making your situation any easier. His friendship is one of the greatest gifts you've ever received, but it has caused you a great deal of pain and confusion. Even when he's nothing but your friend– even when he has confided in you many times that marriage is the last thing on his mind, you can't help but notice certain things. Certain gestures, certain stares...he has surely given you reasons to believe your feelings might be reciprocated.
One of the many things he does that inevitably lifts your hopes up is the fact that he absolutely despises every possible suitor you've ever had. Whether he claims to know them and they're the worst person imaginable, or he starts speculating based on his own prejudices, it seems as though no man is worthy of you in Anthony's eyes. You've always wondered why he's so adamant about that claim.
"There you are!" Daphne excitedly greeted you one evening at yet another social gathering. "I was afraid I'd miss the chance to spend even a moment with you tonight, considering how busy you seem to be with all your suitors," she smiles, quickly glancing across the room.
"Well, I could say the same thing. I've seen you dance for most of the night," you remark. "I bet your brother is furious."
"Oh, believe me, he is! But I'm not the only one he's concerned about," her smile only grows after her insinuation. It's no secret that Daphne has always hoped for you to officially join their family, as she's convinced her brother is ridiculously in love with you. "I was only able to escape from him because he couldn't stop telling Benedict just how awful the men you were dancing or talking to are."
"He does have that habit, yes. Poor Benedict," you joke, turning around to spot the two brothers still talking.
Before Daphne could say a thing, a man approached the two of you. As you laid eyes on him, you recognized him as the first gentleman you had a dance with tonight. Both of you smiled at him as he extended his hand your way. "May I have another dance with you, my lady?"
You look at Daphne, who quickly takes a step back to let you know you can go. He gently grabs your hand once you've accepted his invitation, guiding you to the dance floor.
Mr. Demrick is a fine gentleman. He's been nothing but kind, charming and attentive, not to mention he's ridiculously handsome. This isn't the first evening you two have crossed paths, having the honor of dancing a few times before. He seems to have a strong interest in you. Your Mama has expressed many times that it's a matter of time before he's asking for your hand.
You do, however, notice a big flaw in this seemingly perfect man. He's no Anthony Bridgerton.
And speaking of, as you're dancing with Mr. Demrick's hand on your back and the other gently holding one of your own, you can't help but notice Anthony exactly where he once was. He's already looking your way and even from a distance you notice he's as stiff as ever, arms crossed, muttering things to Benedict.
It leaves you to wonder once again if he's being protective over his friend or if there's a deeper meaning to his apparent disgust for all the men that have ever shown interest in you.
After that night, Mr. Demrick's interest in you was more evident than ever. All Daphne could talk about with Lady Bridgerton and your Mama during supper the next day was the different bouquet of flowers he sent you and how breathtakingly beautiful they were.
"Needless to say, I'm very happy for you," Daphne seems to be finished with her talk about the flowers, turning to look at you from across the table. "You two make a very lovely match."
"No doubt you'll be very happy with such a nice and handsome gentleman for a husband," Lady Bridgerton agrees.
Everyone quickly turns to look at Anthony when he lets out a quick chuckle, looking down at his food and pretending he was barely listening.
"Something wrong, Anthony?" Lady Bridgerton asks shortly after with a rather serious tone.
He finally looks up, smiling at his mother. "Not at all. Please, continue with your...delightful chat."
You glared at him and despite you trying to ignore it, something deep within you made it impossible not to say something else regarding Mr. Demrick just to upset Anthony further. "He has invited my family to a picnic to meet his own," you say, noticing the way your best friend immediately turns to look at you with a horrified expression.
"We're really looking forward to that," your mother chimes in, trying to keep the conversation going after Anthony's interruption.
"Cheers to that!" Eloise exclaimed ironically, and you noticed she was looking directly at her eldest brother. "A man brave enough to pursue the heart of a lady is always a reason to celebrate, right?"
Now it was Colin and Benedict the ones who couldn't hold back their laughter after noticing their brother's reaction to that comment.
"What's so funny?" Hyacinth asks, looking impossibly confused.
Eloise's comment evidently made everything a lot worse. Little Gregory joins his sister in their inquiry to know what was going on, until Lady Bridgerton ordered them to stay quiet.
You didn't like El's insinuation one bit, as it does nothing to help with your delusions, but at least you were appreciative of the fact that she was willing to be with you on this one despite her disgust towards the whole idea of marriage and the position a woman is put in because of it. Perhaps she's willing to overlook that detail for the sake of upsetting one of her siblings.
As soon as dinner was over, Anthony offered to accompany you and your mother outside to your carriage. You didn't protest, and quickly calmed Daphne and Lady Bridgertons worries after they started apologizing fervently for his behavior during the evening.
Anthony immediately knew you were upset. It was evident in the way you walked in complete silence without acknowledging he was there next to you.
"Can I have a word with you before you leave?" Anthony asks as soon as the three of you are outside the Bridgerton home.
"Is it okay? If you're too tired we can leave right away."
"It's perfectly fine, dear. I'll wait in the carriage," your Mama replies. "Thank you, Lord Bridgerton, but there's no need," she quickly added when Anthony offered his arm to help her walk down the steps of the entrance. "Please reiterate my gratitude to my dear Violet for having us today."
"Of course," he nodded, returning your Mama's smile. Even when he behaves rather poorly, your mother absolutely adores him. It warms your heart to see how good they get along.
Your Mama walks to the carriage, leaving you and Anthony alone. "I apologize for my behavior tonight."
"I don't think your apologies are sincere."
"I don't know what else do you expect, if I'm being honest," he replies, and immediately knows he has to say something because of your reaction to that comment. "That man is not a good match for you. He's not on your level, and I'm quite certain that he won't be able to make you happy."
"How could you possibly know that?"
"Because I know you. And I know when someone is not right for you."
You scoffed. "No one ever seems to be good enough for me."
Anthony nodded. "Yes, exactly."
"Can't you just be happy for me? Or at least pretend that you are?" you ask, exasperated. It's one thing that he doesn't reciprocate your feelings, but to stand here and claim to be your best friend when he acts like this is something entirely different. Something you can't and won't stand for. "I don't understand why you have to try to ruin every chance I get to find someone."
"Because," he says sternly, as if it was obvious. But is it really that obvious? Is it obvious to you, or even to him?
A dim light of hope shines through in the depths of your heart, knowing very well how dangerous that has been in the past. "Because what?"
He stood there in front of you, looking rather troubled. You notice the way he hesitates and for a moment you almost could've sworn he wanted to take a step closer to you.
But that never happened, and instead all you got was a "because you're my best friend, and I care about you," from him. The same thing you've heard over and over. That godforsaken phrase that has shattered your heart into million pieces over the years.
You try to hide your disappointment, looking up at him with a stern glance. "If I'm truly your best friend, you'd support my decisions instead of brutally questioning them like you always do."
With that said, you didn't wait for any sort of answer as you quickly walked towards your carriage, barely acknowledging your driver and your mother as you headed back home.
Anthony watches as you walk away, once again feeling like a complete fool for not saying something else. For not daring to take that extra step and reveal the real reason why he won't accept anyone else as your husband. It's quite simple, really. The real reason is that he wants to be the one you marry.
But he didn't say anything yet again, and all that's left for him to do is go back inside his house to listen to Eloise and Daphne calling him a fool while the rest agree with them. He doesn't say much about their claims, as they couldn't possibly be more true.
This is exactly what he deserves for acting so cowardly. He gets shamed by his siblings for not doing something about his feelings while you go home, probably thinking about that absurd picnic with Mr. Demrick until you go to sleep.
Next day, you try to forget all about Anthony Bridgerton and focus on your date with Mr. Demrick. Your families were sitting around all together while he asked if you would like to take a walk with him.
He's lovely. Offering his arm for you, complimenting you every chance he gets, making you laugh with his endless anecdotes and quick remarks. He's everything you should need, yet your mind wanders back to your best friend. You can't help it. All you want is for him to be the one kissing your hand and telling you you're the most captivating sight of all.
Your Mama could barely hold her excitement when she read what Lady Whistledown had to say about you and Mr. Demrick after the families were seen spending time together. "The union of the season", she called it. And it shouldn't come as a surprise, as both of you come from wealthy and respected families. It's evident everyone takes a great interest in the possible union.
Still, you were very much intimidated by it, as all eyes will be on you until there's news about an engagement.
And just as you predicted, every lady turned to look at you as you went to visit the modist for a new dress for the next ball. You must look absolutely perfect to earn the approval of everyone and capture Mr. Demrick's heart for good.
At that point, the realization finally started to settle. You're soon becoming a wife, moving to your own home and starting a family. And all of that with a man that you respect and care for, but are incapable of loving.
But perhaps this arrangement will make your feelings for Anthony become nothing but a memory. A memory you won't even care to think about when you have such a wonderful husband by your side.
Days passed and Mr. Demrick continued to send all sorts of gifts to your house. You made the choice of inviting him over so the two of you could spend more time together before the next ball. He was sitting on a couch with your mother while you played the piano for them.
"That was certainly a very beautiful performance," he says once you're done playing. "And you said you composed that yourself?"
"Indeed. I like spending my days playing the piano," you smile brightly.
The entire reunion was quickly ruined when someone burst inside the room. You turn around in your seat to find Anthony standing there, barging in completely unannounced and unexpectedly. It was unclear to you why you felt the need to stand up from your seat to greet him but you did, feeling your heart rapidly beating in your chest at the sight of him.
Oh, how badly you've missed him.
"What are you doing here, Anthony?" you ask, immediately remembering your soon-to-be fiancée and your mother are also in the room. "I'm afraid I'm with a guest right now. Whatever it is, it'll have to wait, my lord."
You never call him that, ever. It was evident by his reaction that he absolutely hated the fact that you refer to him as such.
"My apologies. I didn't mean to disrupt, but I believe it's an urgent matter."
"My lord, I–"
"I must insist," he quickly cuts you off, looking rather desperate.
You try to come up with something to say, knowing you should stand your ground and make him leave, but you were so happy to be in his presence again that the feelings completely clouded your judgment.
"No worries, my lady," you hear Mr. Demrick say, standing up from his seat and sending you a reassuring smile. "I'm sure whatever Lord Bridgerton is here for requires your immediate attention, given his insistence," he added shortly after, giving Anthony a not so friendly look. "I'm sure we can visit the gardens while we wait?"
Your mother nodded after his question. "Of course. That should be more than enough time for Lord Bridgerton to communicate his urgent matter."
Neither Mr. Demrick nor your mother were pleased by Anthony's presence, but you couldn't thank them enough from sparing you this one time. You know this man like no one else does, and you're certain that he wouldn't take a no for an answer and that would've made the situation a lot worse.
"Perfect," Mr. Demrick says before gesturing for your mother to lead the way. Before he leaves the room, he gives Anthony one last look before turning his attention back to you. "Perhaps we should discuss where you'd like your new piano to be in our future home once I'm back. I'd love for my wife to continue doing what she enjoys, especially when she's so extraordinary at it."
You smile after his comment, trying your best not to look at Anthony until Mr. Demrick is officially gone because you can imagine his features are clearly expressing his thoughts regarding that last comment. Once both of them are out of sight, you finally look at him.
"What is wrong with you?" you snapped almost immediately. "I'm glad Mr. Demrick is a patient and understanding man! He could've easily decided to leave the very instant you walked through that door demanding to have a word with me."
"I think he's captivated enough, my dear. I doubt you'll ever get rid of him," he replies, evidently disgusted by the thought of him.
"I don't intend to get rid of him. And do not call me that again."
"Why not? I've always called you that."
"That was before I met Mr. Demrick. Now, it is completely inappropriate."
"Oh, please. It's not like you're already his wife."
"But I will be soon," you point out. He's quiet after that, which gives you room to continue talking. "You must understand that a married woman cannot have other men calling her such things."
"So am I supposed to start addressing you like you're nothing but a stranger? Or perhaps you'd like me to already start calling you Mrs. Demrick? Is that how things will go? You marry this insufferable man and I have to just accept the fact that I no longer have my best friend?"
"I don't know what else you want me to say," you mutter, feeling like you could cry any minute now. "This was going to happen sooner or later."
"It was never supposed to be this way," he sighs, and your soul aches for him when you notice the way he's looking at you. Defeated, exhausted, disappointed, frustrated. You've never seen this particular mixture of emotions reflected in his eyes before.
"And how exactly it was supposed to be?"
Anthony was quiet, too quiet for your liking. You see his hesitation once again and you brace yourself to hear yet another confirmation of the fact that you're nothing but a friend. It doesn't matter that he glances at you from across the room like he can't help himself. It doesn't matter that all the Bridgerton siblings have made insinuations about you and Anthony's relationship. It's all in your head, because you're nothing but a friend.
In a surprising turn of events, you watch as he takes a few steps closer to you. He's cautious of every move, not wanting to scare you– or himself. The beat of your heart speeds up and your hands shake slightly when he's finally in front of you.
You look up at him like a deer coming face to face with a hunter, but in this case you're unable to run away for your life. He's dangerously close to you, gently moving his hand up to touch your face.
The second his fingers brush against your cheek, a shiver travels down your spine and you can't help but close your eyes because his touch is absolutely heavenly. Your breath hitches in the back of your throat when his digits trace down your neck until his hand settles there, holding you with his fingers behind your ear and his thumb still caressing the skin of your face.
"It should go like this," he whispers, and you finally open your eyes to see him looking at you with such adoration, you were certain your legs could betray you any second now and completely give in, causing you to fall straight to the ground.
He leans slightly closer after seconds of just contemplating you, and even though you closed your eyes again, feeling his nose brushing against yours, you're able to snap out of your trance before he could actually kiss you.
"It's not right..." you're able to say, pulling back from him but not nearly enough. He's still very much holding you.
"It is, my dear. I can tell you wish for this as badly as I do."
"Please, Anthony..." you try, but your body betrays you when your hand is resting on his bicep.
"I've always adored the way my name sounds when it's you the one calling me," he confesses, and your stomach fills with butterflies.
You realize he's leaning closer again, but before he can do so you manage to gather all traces of self-control that were almost stripped from you to move back, setting free of his touch.
Anthony stands there, absolutely confused and heartbroken, and is right then when you can't keep your tears in any longer.
"I'm afraid it is too late," you mutter. This has got to be the most painful thing you'll ever have to do. "I'm getting engaged soon."
"But you're not anyone's yet. There's still time if you haven't accepted any proposals."
"Please, don't make this any harder than it should be," you sob, wiping your tears away.
"Darling–"
"Believe me, no one would want this more than me," you interrupted. "You have no idea how many times I've found myself fantasizing about this very moment. For you to say all of this, to be yours forever..." Tears continue to roll down your cheeks and the sight is too much for Anthony to endure, as his own eyes are starting to fill with tears as well. "But it is not possible anymore. I'm sorry, I really am. I won't ask you to understand or accept my decision, but I'd appreciate that you can at least respect it."
"I won't. I refuse to let you marry someone else when we both know we belong together."
"Anthony, Mr. Demrick–"
"You still can't even call your future husband by his own name?"
You sigh, frustrated. "Charlie will become my husband. I don't doubt that he'll be an excellent companion, and that you'll find someone else in time. Soon enough, we'll be nothing but a memory."
"Is that really what you want?" he asks, and your heart sinks when you notice his voice breaking slightly.
You take a few seconds to answer. Of course that's not what you want. You want Anthony to be your husband. You'll always want him and him only. But it's already too late for any of that.
Feeling more heartbroken than ever before, you have to look back at Anthony and fight the urge to run to his arms. "Yes. And I also want you to leave."
Anthony was barely keeping it together, not wanting to cry in front of you. He's once again taking a few steps closer to you, but stops at a reasonable distance to grab your hand to kiss it. "Very well, my lady," he says with a quick bow of his head. "I apologize for wasting so much of your time. Let me assure you, I'll never bother you again."
He let your hand go and immediately turned to the door to leave. As soon as you no longer hear his footsteps, you fall to your knees and allow yourself to cry, feeling like the sorrows from this conversation will haunt you for the rest of your days.
Knowing Mr. Demrick and your mother could be here any minute, you decided to stand up from the ground as soon as you could to lock yourself in your room, where you could be away from everyone for a while until you feel ready to go downstairs and pretend you're content with this life that you've chosen for yourself today.
You really know you shouldn't, as you've played a part just as big as his in the downfall of everything you could've had together, but you can't help it as you curse Anthony for taking so long. You curse him for deciding to do something about his affection for you when it's far too late. And most importantly, you curse him because despite knowing it's over, you are certain that there's nothing you can do to ever get over your feelings for him.
As soon as you realize you're being unfair by putting all the blame on him, you also curse yourself for being as blind and coward as he was. And you curse life itself while you're at it, because you feel like making everyone and everything responsible for not being able to live the life that you wanted.
It's been a few days after the last time you and Anthony spoke. Just days, but it has felt like years and years without him. He hasn't reached out to you, and you couldn't deny that not having him around was absolute torture. There was no greater pain than this.
But you were hopeful that you could see him again at tonight's ball. It was all you could think about as you were getting ready.
"You look lovely, sister," the youngest of your family says, watching as one of the maids is finishing with your hair. "I can't wait to join all of you next season!"
"Thank you, my dearest," you smile at her. "I cannot wait for that either. Perhaps I can help you choose your dress and do your hair for your first ball."
"Yes, please!"
Your youngest sister stayed in your room with you until it was time for everyone to leave. Your father waited by the door while your mother put all of your siblings in line to check their appearance and make sure everyone was looking flawless.
Like the Bridgertons, your family was also quite large. Your older sister is already married so she no longer lives with you, but your parents still have a handful of children to take care of. Your two older brothers haven't married yet and neither have you. There's also your little sister, who's debuting next season, and your baby brother who's barely ten years old.
To this day, you have no idea how they were able to handle the chaos that six children can bring. For that, you admire them deeply.
Once your mother made sure everything was in order, you and your brothers followed her and your father to the carriage. They start a conversation, but you're barely paying any attention, as Anthony is keeping your head occupied again.
Eventually, you reach the residence where the ball's taking place and the five of you make your way inside. As all of you are standing outside the doors of the hall where the event is taking place, you feel a hand reaching out to grab yours. You turn around to look at your mother staring at you with a sympathetic smile.
"I'm so sorry, Mama," you say out of nowhere, though it's practically the only thing you've been able to say to her lately.
"You made the right choice, dear," she reassures you. "Are you ready?"
You nod, inhaling deeply before your mother lets go of you, standing with your father as they wait for you to take the first step. As soon as all of you are entering the room, you notice everyone staring your way, their eyes still filled with expectancy and excitement.
They still believe you're going to marry Mr. Demrick.
You quickly scan the room as you walk down the stairs, the familiar feeling in your stomach appearing when you spot Anthony along with his siblings, his eyes never once leaving you. Despite everything that has happened, he still looks at you like you're the only person in that room.
Your parents go off one way to mingle with other parents attending the event while your siblings scatter around the ballroom to greet their friends and find possible matches.
Having a chance to talk to Anthony was the only reason you decided to attend. Still, you didn't know how and when it'd be okay for you to approach him. Things didn't end on the best of terms, so it's normal for you to have your doubts.
Instead of immediately approaching him, you walk around the room, never losing sight of him. You couldn't help but smile to yourself the first time you catch him looking around the room, unsuccessful to locate you.
"I was hoping to see you tonight," you hear Daphne's voice next to you, sending you back to reality. "You look as beautiful as ever."
"Thank you, so do you."
Your friend smiles at you, briefly looking to where you previously were. "Are you looking for someone?"
"No, not at all," you immediately shake your head, imitating her smile.
"I apologize for what I'm about to say. I don't believe it is the time nor place, but I cannot hold myself back," she says with obvious concern as her smile is replaced with a frown. "My brother told me everything that happened the other day. I don't think I'll ever be able to express how sorry I am."
"Oh, Daphne, that's really not necessary..."
"But I think it is. As ashamed as this makes me, I'm afraid I was the one responsible for his actions."
"What do you mean?"
"I couldn't help but notice the way you two look at each other, or the way you smile when you're together. Believe me, I've never seen my dear brother so infatuated with anyone else before. To see you slip away from him and him doing nothing about it was not only painful, but it angered me enough to intervene," she explains. "After much convincing to do, I finally made him realize he needed to do something about his feelings. Evidently, I stood out of line and got myself involved in something I never should have, and for that I'm terribly sorry."
"You didn't do anything wrong. I know you had good intentions. There's absolutely nothing to forgive."
Daphne reaches out for your hands, relief evident in her features. "I was afraid you wouldn't want to talk to me again. You had all the right to do so, but I'm happy to see I was mistaken."
"I would never do such a thing."
She nodded, glad to know you two are still friends. "Well, with that situation out of the way, allow me to say I'm still very happy about you and Mr. Demrick. My love for my brother won't change the fact that I support your decision entirely."
You debated whether or not to say something, but the hesitation quickly slipped your mind when you looked at Daphne. She's been a great friend, you know there's nothing wrong with confessing this news to her.
She looks a bit confused when you grab her arm to guide her to a corner of the room, as far away from other people as possible. "I appreciate your words, but I'm afraid Mr. Demrick and I are no longer courting."
"Really? Did my imprudence make him change his mind?" she asks, worried she was to blame for this.
"Not at all. He actually proposed to me that very same evening."
"And...you said no?"
"I couldn't marry him, Daphne," you sighed. You'll never forgive yourself from breaking a good man's heart in the way you did with him, but deep down you knew it was the right thing to do. "I couldn't doom him to spend the rest of his life with a woman that doesn't love him the way he deserves."
"I don't judge you for it. My Mama has always taught us that marriage should be formed out of love. It's the only way a union like this can work," you friend offers, immediately wanting to show her support.
"If anything, my dear friend, I should be thanking you for your intervention," you quickly add. "If you never had that chat with your brother, I would've been engaged to a different man by now."
"I...Oh my, are you–?"
"I was as much of a fool as him. I could've said something a long time ago and yet I remained silent. And when he went to my house to give us a chance, I was once again deciding not to do a thing about my feelings. It was only when he left that I realized I made a terrible mistake."
Daphne is once again reaching for your hands, looking more excited than ever after your words. "You have no idea how pleased I am to hear you say all of this."
"You don't think it's too late, do you? I came here to talk to him, after all."
"No, no, not at all! He was devastated when he came back, I've never seen him like that in my life. We got to talk a little– and it's probably best if he's the one who confesses his true feelings in detail to you personally, but there's no doubt in my mind that from everything he said to me, he's deeply, madly and truly in love with you."
"I assure you I love him just as much."
"I don't doubt it either. And I think I speak for all my family when I say there's no one else we would like to be Anthony's wife but you."
"That makes me so happy to hear," you say with obvious excitement. Even Daphne looked like she could start crying any second. "Should I go talk to him now?"
"Please, I'm sure you can't wait any longer! He's over there, with Benedict and Colin."
"I shall tell you how it goes then."
"It'll go wonderful," she assures you, giving you one last smile before she allows you to leave.
Every second of that walk towards Anthony felt like centuries. Your mind spins with all the possible scenarios and everything you're going to say to him, but by the time you're in front of the three siblings your mind is completely blank.
"Gentlemen," was all you could say. The three of them immediately greet you with a quick bow. You notice Benedict and Colin exchanging looks, while Anthony's eyes are fixated on you. "I'd like to have a word with you– alone, if that's okay."
"Of course, my lady," was all he said.
"Oh my, you could cut the tension with a knife," Colin says suddenly. Anthony is so focused on you he barely acknowledges his comment.
"Shush, brother!" Benedict quickly warns, lightly pushing his little brother so he would start walking. "Excuse us," he smiled your way, starting to follow Colin.
You and Anthony are finally alone, but the people around you are still bothering you. "Is it okay if we go outside for a walk?"
"If it's okay with you," he says, a bit confused at first since you two had apparently agreed that you must keep your distance.
Anthony follows you to the gardens in complete silence. The music and chatter could still be heard. You were glad to realize it was only the two of you outside.
"What is it that you wanted to say to me?" he immediately asks, starting to walk next to you.
"I wanted to apologize for everything that happened."
"No need. Like you said, you made your choice and I'll have to respect it."
"It was the wrong choice. I see that now."
He was a bit surprised to hear that, but agreed with you nonetheless. "I'm afraid I can't say otherwise. At least I hope you find comfort in the fact that Mr. Demrick will be a fine husband, as you so fervently claim."
The two of you have reached a part of the garden that surrounds the two of you with large hedges decorated with beautiful flowers. It was then that you stopped walking and turned to look at him, knowing no one would be able to see or interrupt you here.
"I wanted to let you know that Mr. Demrick proposed and I said no," you blurted out simply, not wanting to keep it from him any longer.
"Why?" was all he could say.
"Because," you say, and this time it was painfully obvious.
Anthony couldn't believe your revelation at first, which would explain why he didn't move from his spot at first. As the realization of it all starts to sink in, he immediately walks closer to you and grabs your face with his hands. This time, you let him touch you as your hands move up to place them above his own.
"You're not marrying him?" he asks, barely above a whisper, still not entirely believing it. He really thought he had lost you forever.
You shake your head, unable to hold back your smile any longer. "There's only one man I'd like to marry."
Anthony smiles wider than ever after your comment and he's not able to control himself any longer, immediately closing the space between the two of you as he kisses you.
His kiss is everything you expected and more. So gentle, yet so passionate. It makes you feel like you're the most delicate thing in the entire world, but he must take a taste, so he does eagerly, yet carefully.
The moment doesn't last as much as you expected as he's abruptly pulling away. "Forgive me, I shouldn't have done that."
He takes a step back but he's gladly surprised when you wrap your arms around his neck to stop him. "Don't," you immediately say, "I want you close."
"I really shouldn't, my dear," he insisted, but you can tell it takes everything in him not to kiss you again at that very same moment.
"Is that so?" you tease him, inching just enough. "So you won't continue to kiss me? Not even if I'm so clearly desperate for you to do so?"
He's really trying to remind himself to be a gentleman. "I don't...it's not appropriate."
"Alright, them. It's perfectly fine, Mr. Bridgerton," you promptly agree, moving back from him entirely as you start walking away from him. "Perhaps we should go back then, before anyone notices our absence."
You're barely able to turn around to face him before he's one again in front of you, grabbing the back of your neck to pull you in for another kiss.
This time, the kiss is anything but gentle. His tongue explores your mouth with a hunger completely unknown to you as his hands explore your body. The hand previously holding the back of your neck trails your collarbone before it explores further down, cupping one of your breasts while the other holds you close to his body, resting dangerously close to your ass.
His lips move down to your jaw until they settle on the skin of your neck. You close your eyes as you enjoy the way he explores you, a few moans escaping past your lips that only seem to encourage him further.
"Anthony," you whisper into the darkness of the night, holding onto his shoulders for dear life while he kisses all over your neck.
"You're such a delight, my love," he mutters against your skin. "You drive me absolutely mad."
He moves back to your lips now, your mind clouded with desire for him and making it impossible for you to think of anything else other than how badly you need him to continue to touch you and kiss you. You could never get tired of this.
But much to your disappointment, he's pulling away from you again shortly after. His forehead rests against yours as both of you are gasping for air. You open your eyes when he's no longer leaning against you, just to catch him looking down at you with a smile.
"You're so beautiful," he comments, one of his fingers tracing your lower lip. "I could kiss these lips all day if I could."
"And I'd have no complaints about that."
He chuckles after your comment before taking a second to contemplate your beauty under the moonlight. "I deeply regret wasting so much time we could've spent as husband and wife."
"We have many years to make amends for that."
"Is that so?" he asks with a smile, his arms wrapped around your waist to keep you close.
"Well, that is if you ask for my hand."
"We'll go back to the ball and I'll talk to your father right away."
You fake to be offended by his comment. "Without asking for my opinion on the matter, Lord Bridgerton?"
"Forgive me, how rude of me," he follows along with your theatrics, but you immediately notice the shift in his eyes before he continues. They look softer than ever and shine as bright as all the stars in the sky combined. And you feel warm, at peace, so loved by the man standing before you. "My dearest, from the moment I met you, I knew we were destined to be together. You not only captivated me with your beauty, but with everything that you are. And as I started to know you, you kept proving me right. I saw it in the way you'd stay practicing your music for hours with such intent and passion. I saw it in the way you care so deeply about the ones fortunate enough to have you in their lives. I saw it in the way my mother instantly adored you, and how Hyacinth wouldn't stop asking me to invite you over so she could play with you. There's no doubt in my mind that you are the one for me."
You were completely speechless, absolutely mesmerized by his words. He takes a moment to gently wipe a few tears falling down your cheeks. He has always said to you how he's terrible at things like this, yet here he is proving himself wrong.
"If all previous words hold any room for confusion, allow me to clear it all right away. I've been yours from the moment we met and I couldn't possibly be more in love with you. And there's nothing that would make me happier than spending the rest of my life with you," he continues, finally taking a step back to grab both of your hands as he kneels in front of you. "Would you make me the honor of accepting me as your husband?"
You couldn't stop smiling at that point, immediately nodding after his question. "Yes. Now and forever, it'll always be yes."
Anthony kisses both of your hands before standing up to pull you in for a hug. "It pleases me to hear you accept. For a moment, I feared the tears were a bad sign."
You laugh at his little joke before breaking the hug. "Perhaps we should get back. I'm afraid we've been gone for quite a while now."
"That shouldn't be much of a problem now that we're engaged. I shall ask to have a word with your father as soon as we get back– and ask my mother for her ring."
"Is it okay if I inform Daphne?"
"I have absolutely no objections if you decide to announce the news to every person inside that ballroom, my love. Let everyone know you'll be the next Viscountess. Nothing would make me happier."
He offers his arm and you immediately accept it, starting to walk back to the ball with him– your future husband. At that very moment, you've sworn you've never been happier.
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samaraweaving · 1 year
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George! I will stand with you between the heavens and the Earth. I will tell you where you are. Do you love me? I love you! From the mo... From the moment I saw you trying to go over the wall... I have loved you desperately. I cannot breathe when you are not near. I love you, Charlotte. My heart calls your name.I wanted to tell you. I wanted you to know. This... madness has been my secret my entire life. This darkness is... is my burden. You bring the light. George. It is you and me. We can do this. Together.
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hiyyihrts · 2 months
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I really like the theory of colin being inexperienced and not as ‘well traveled’ with the ladies like his brothers are. anthony alludes to it with the marina situation as ‘marrying just to get his wick wet’ so it’s a possibility maybe? like that’s just smth you hardly ever see in media and it’d be a nice change of pace to have both him and penelope exploring that side of themselves for the first time together like imagine the giggling and fumbling hands bc they’re so nervous but yet know they want each other so desperately in the same way??? like that’s LOVE
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lizzibennet · 17 days
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god bridgerton is not a flawless show by any stretch of the imagination however the locals have now gotten wind of s3 and the takes i’ve been seeing are genuinely SO FUCKING STUPID it makes me want to claw out my eyes with a fucking spork
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