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#ruff ryders anthem
deadthehype · 11 months
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DMX - Ruff Ryders Anthem
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thefamex · 10 months
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Happy Fathers Day
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newestmusic · 1 year
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(XERTOF)
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matcha-latte-lover · 1 year
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“TALK IS CHEAP, MOTHAFUCKA!!!!!!!!”
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charmac · 1 year
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Frothing a little at the mouth
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uutempirenj · 11 months
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DMX SON PLAYS PIANO, PAYS TRIBUTE TO DAD!
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tinkabelle24 · 17 days
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Raph's Workout Playlist
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I remember curating one of these early on into my old TMNT-centred blog; figured I'd bring it back cos I remember having a lot of fun 😊
For those on Spotify, here's the playlist. Not all songs listed below are on there however, as they weren't available.
This should go without saying, but...
This list contains songs with explicit language.
Act a Fool - Remix (S-BEATS MUSIC, BLAZZE BEATZ)
AIN'T SO (thatboykwame, Arno Faraji)
Astronaut in the Ocean (Masked Wolf)
Bass (Merkules, Tech N9ne, Hopsin)
Beast - Southpaw Remix (Bob Bailey & The Hustle Standard, Busta Rhymes, KXNG Crooked, Tech N9ne)
Bezerk (Big Sean, A$AP Ferg, Hit-Boy)
Big Gangsta (Kevin Gates)
Break Ya Neck (Busta Rhymes)
Can't Be Touched (Roy Jones Jr., Mr Magic, Trouble)
Cinderella Man (Eminem)
Come On (Bonecrusher)
CLOUDS (NF)
Confident (Tasman Keith)
Crank That (Soulja Boy) [Travis Barker Remix] (Soulja Boy, Travis Barker)
DNA (Kendrick Lamar)
Erbody But Me (Tech N9ne, Bizzy, Krizz Kaliko)
Face Off (Tech N9ne, Joey Cool, King Iso, Dwayne Johnson)
Get Up (50 Cent)
Godzilla (Eminem, Juice WRLD)
Go Get It (T.I.)
Goosebumps - Remix (Travis Scott, HVME)
Grindin (NF, Marty)
Higher (Eminem)
HUMBLE - SKRILLEX REMIX (Kendrick Lamar, Skrillex)
I Don't Dance (DMX, mgk)
If I Can't (50 Cent)
King Sh*t (Yo Gotti, T.I.)
Kings Never Die (Eminem, Gwen Stefani)
Kumbaya (Hopsin)
Leave Me Alone (NF)
Let's Go (Trick Daddy, Twista, Lil Jon)
Like I Ain't (Tech N9ne)
Mask Off - Marshmellow Remix (Future, Marshmellow)
MIDDLE CHILD (J. Cole)
Mount Everest (Labrinth)
Movin' Bass - GTA Remix (Rick Ross, JAY-Z)
Never Enough (Eminem, 50 Cent, Nate Dogg)
New Level (A$AP Ferg, Future)
No Excuses (NF)
NO NAME (NF)
Numb / Encore (JAY-Z, Linkin Park)
Outcast (NF)
Phenomenal (Eminem)
POWER (Kanye West)
Push It (Rick Ross)
RAMPAGE (GRAVEDGR)
Real (NF)
Reptile's Theme (Skrillex)
Rip Your Heart Out (Hopsin, Tech N9ne)
Ruff Ryders' Anthem (DMX)
The Search (NF)
Shell Shocked (Juicy J, Wiz Khalifa, Ty Dolla Sign, Kill The Noise, Madsonik)
SICKO MODE - Skrillex Remix (Travis Scott, Skrillex)
THAT'S A JOKE (NF)
Till I Collapse (Eminem, Nate Dogg)
U Don't Like Me - Datsik Remix (Lil Jon, Diplo)
Warm Up (NF)
The Way I Am (Eminem)
What's Up Danger (Blackway, Black Caviar)
When I Grow Up (NF)
Wolves (Big Sean, Post Malone)
You Should've Known (Hopsin, Dax)
I'll add more as I go 😅
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alchemisoul · 5 months
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DMX | Woodstock 1999
"Ruff Ryders Anthem & Slipping"
All the Lads listened to DMX. If you were in middle or high school in the late 90s when DMX dropped his first album and then fucked around and dropped a second Platinum album in the same year then you remember that even white dudes who loved nothing resembling hip-hop and or hated everything about it couldn't help but love The Dog.
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eddie-kingstons-wifey · 4 months
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TONIGHT IS THE NIGHT!!! GOOD LUCK TO EDDIE!!!🖤💛👑🙏🏾
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blackthisorthat · 1 month
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blogformusicandthatsit · 11 months
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comfortfoodcontent · 2 years
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I was talking to some friends about old hip hop music and thought I’d play a little game of - If I could only pick 10 Rap Albums to exist forever, what would I pick?
These are a blend of my favorite albums ever. To me it’s the best of the best here. I had some painful cuts like Biggie’s Ready To Die, Nas’ Illmatic, Method Man/Redman - Blackout, Ruff Ryders’ Ryde or Die 1 & 2, Jay-Z’s Vol. 2 and Vol. 3, any album by Big L, N.E.R.D.’s In Search Of.., Dr. Dre’s Chronic & Chronic 2001, The Lox, Jadakiss, Ghostface, Raekwon - Hell any Wu-Tang solo album really. But I had to think strategically and go with my gut.  What would be the best variety and which albums do I like pretty much every single song on them. Here they are, in no particular order:
Wu-Tang Clan - Enter the Wu-Tang (36 Chambers): Wu-Tang Forever and future solo and team-up albums by the individual members also rank very high but nothing beats this original album that is memorized in my brain. Probably THE quintessential 90′s rap album. Generational anthems and a mind blowing amount of talent on display here.
Kanye West - Graduation: I have always loathed the man Kanye West but I can’t deny that for a little while there he had some crazy talent and made some great jams. But yeah FUCK that dude. I have to separate the art from the artist here. This album hit at a time in my life when I really needed it and it’s a foundational part of me forever even if I want to leave Kanye behind forever.  I’ve never really been a fan of Kanye’s lyrics or messages and I think this album is him at his LEAST serious and that’s why it works so well. It’s dare I say, a fun record.  Just a talented dude doing fun, basic rap shit with great collabs and iconic beats. No dreary slog through whatever fixation the man had that year or watered down pretentious dork message he feels he needs to tell. Sometimes even a circus clown can make you chuckle. I had a hearty guffaw here. 
Timbaland - Shock Value: Just like Graduation, this album hit me at a really transitional period in my life and got me through a lot. While a lot of music for me unfortunately becomes attached to specific periods in my life and I end up outgrowing said times and preferring to abandon what I listened to at the time, this one has persevered and I can reminisce as well as live in the current day and enjoy the tracks equally.  The collabs on this one are INSANE and so delightful. Timbaland may be the most underrated rap creator ever.
Puff Daddy and the Family - No Way Out: This takes the spot over Biggie’s Ready To Die and as devastated as I am to lose “Gimme The Loot”, this album has all bangers. Ever single song. This is that very small period of time when Bad Boy had The Lox signed on and was super cozy to people like Ginuwine and Foxy Brown. It seemed like they had or collaborated with the best of the best and that’s what you get here. Such a varied mix of tone throughout leads to thoughtful introspective songs mixed with go hard party beats. It’s crazy.
Nujabes - Metaphorical Music: RIP. Real talk, I could fill this whole list with Nujabes albums and mixtapes. Such an eclectic mix of East and West to create an incredible fusion of sound. I absolutely love all of his work. It is legendary and on another level. This album takes the spot as I feel it is the strongest overall package of songs and it contains my fave Nujabes beat - “Latitude Remix”.
2Pac - All Eyez On Me: 2pac will always be one of the greatest rappers and fly as hell guys for me. I’ve listened to all his albums so many godamn times. Even as a little kid and a stupid teen I always fucked with that dude. He just really cultivated that cool as hell aura. This one was actually harder than I thought as this album battled with Makaveli for this spot. In the end this won out due to the sheer volume of content as well as the fact it has my favorite 2pac song, “Picture Me Rollin. Disc 2 is definitely kind of weak but the collabs he has on here are legendary. This is prime Death Row Records bullshit and I am so here for it. Iconic. Sensitive. Hard. 
Lil Wayne - Tha Carter 3: Man, I remember just playing this CD on repeat whenever I drove anywhere for like a solid year. Surprisingly, it’s not one I play a lot over the years like the rest of this list, but anytime a song from it comes on I remember how great this one really was. Incredible talent, incredible rhymes, a sense of humor, a message, great collabs, inventive and wildly varied beats, this is the very rare album that honestly has it all.
Mos Def - Black On Both Sides: Let’s start off by giving Mos Def his due. This man may be the most underrated rapper to ever exist.  Constantly overshadowed by the big names, the party beat rappers, the clowns, and the pretentious bullshit rappers who think they’re him.  A musical genius if I’ve ever heard one. Amazing beats, top tier songwriting, a flow delivery that can be as fast or as slow as the song demands, he possesses just an unparalleled musical talent. I also adore this one because it encapsulates that 1999 y2kcore new millennium era that I miss so much. I had Ms. Fat Booty playing on a Winamp playlist for years and never got tired of it. So good.
Outkast - Stankonia: This is my shakiest pick. Not for Outkast, they are ALWAYS going to make my top music list, but for which album to represent them.  Southernplayalisticadillacmuzik is fantastic, one of the best debut albums ever, but the intros & interludes drag on you and although it channels that Southern Hip-Hop feel so perfectly, this isn’t them at their full power. ATLiens has them finding new lyrical vistas as they bring some of their strongest rapping skills to the forefront, but you can almost feel the alien theme, the beats and their self-producing trip them up a bit here (Still one of the finest rap albums ever made!). Aquemini, again terrific, but this always felt to me like the duo went to college, threw on some drugrugs, dropped acid and wouldn’t shut up about how amazing their grandmother’s vintage record collection was. Growing pains and a melange of different eras of and styles of music make this one feel disjointed to me. Love the collabs on this one though. Stankonia comes next and to me this is the duo at the absolute height of their power, a prime Shaq and Kobe. Such a wide range of subjects to rap about. Smart, impactful, creative lyrics blend with some of their catchiest beats. The collabs are great as these rap gods sook out basically younger versions of themselves to elevate. Not a fan of the interludes returning but this one is just a perfect example of quite possibly the best to ever do it DOING IT! Probably Stankonia’s biggest competitor for this spot is Speakerboxxx/The Love Below. Two separate packages from Big Boi and Andre, each maximizing their respective strengths. Big Boi absolutely murdering it as he just goes hard like a fullback giving you pure hardcore rapping excellence while Andre cooks up a pop/funk/jazz hybrid masterpiece (what Aquemini tries to be a little too much). It’s phenomenal.  The only reason it doesn’t take this spot is simple - you’d rather be watching Shaq and Kobe play together than separately. 
Ma$e - Harlem World: Ok let me get this out of the way. Dozens, probably hundreds of rappers are more talented than Ma$e.  I know this, you don’t have to tell me. But, do I care? Hell nah! Ma$e is the first rapper I can remember being MY guy. I was 7 or 8 when he first debuted.  I have 4 older brothers so I was able to osmosis so much stuff from them just by being around them. I remember just loving this cool young guy hanging out with Puffy rapping over some fun as hell ear worm songs. He was just so cool. I don’t know why but I really identified with him and he was my favorite rapper as a little kid. Harlem World was essentially my first CD. Not a hand me down or whatever but a CD I got for myself. MINE. And look, while in retrospect my man wasn’t the best to ever do it, he did have a literal Dream Team of people producing (Puffy, Steven "Stevie J" Jordan, Jermaine Dupri, Ron "Amen-Ra" Lawrence Deric "D-Dot" Angelettie, and The Neptunes), as well as an all star cast of collabs (Jay-Z, Lil' Kim, Busta Rhymes, 8Ball & MJG, The Lox, Total, and DMX).  What a massive combination of elite level talent. It’s such a mix of styles and voices that influence every single song to be something creatively different and wonderful. I also think this album’s biggest strength is it just oozes FUN. Every track makes you want to dance, laugh and just have a fun ass time (”Jealous Guy” is playing in my head making me crack up as I write this.) Of all rap albums throughout history, this one is the most “Me” of all of them.
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note-a-bear · 7 months
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To the person who pulled up blasting Ruff Ryder's Anthem while I was waiting for the trolley at 5am:
God bless and godspeed
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cyarskaren52 · 9 months
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In 1998, the mainstream Hip-Hop landscape was dominated by No Limit soldiers, Bad Boys, and Wu-Tang killer bees. There was a preoccupiation with floss and, in the wake of the high-profile murders of 2Pac and the Notorious B.I.G., the industry seemed to want to shine as much as possible. Understandable — but out of Yonkers, N.Y., there came a crew. 
With a production wizard, a brash beauty, a trio bred from the streets, and a tortured superstar who was taking the rap game by storm, the Ruff Ryders put the streets squarely on the late 90s pop charts. In doing so, they helped usher in the new millennium of East Coast hardcore: grimy enough for the hood; polished enough for the charts. They owned the streets and the radio. 
Here's 25 of their best bangers.
#26
"JENNY FROM THE BLOCK" - JENNIFER LOPEZ FEAT. JADAKISS, STYLES P [BONUS SONG]
Our BONUS SONG pick is a celebrated classic guest spot! J. Lo got to reconnect with some of that Uptown swag and Yonkers connection when she hooked up w/two-thirds of the LOX. 
#25
"THEY AIN'T READY" - RUFF RYDERS W/JADAKISS, TIMBALAND, BUBBA SPARXXX
They crew from Yonkers made it clear that they had love for that Dirty South swag. VA superproducer Timbaland laced the track, which also features Athens, GA's own: Bubba Sparxxx. 
#24
"WW III" - RUFF RYDERS W/SNOOP DOGG, YUNG WUN, SCARFACE, JADAKISS
Swizz Beatz pulled together a who's-who of legendary emcees for this track from RYDE OR DIE VOL. 2. The song also served as the album opener for the hit compilation.
#23
"NIGGAZ DIE 4 ME" - DRAG-ON FEAT. DMX
X was Ruff Ryders' biggest star, and he had underrated chemistry with the young gun from The Bronx. The lead single from Drag-On's gold-selling 2000 debut album, OPPOSITE OF H2O, is one of the best from Y2K. 
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#22
"WHO'S THAT GIRL" - EVE
The single from Eve’s sophomore album, SCORPION, is one of her most memorable, mostly due to the catchy hook. She’s clearing up any confusion about who she is as a woman and what she brings to the table artistically, carving out space to shine completely on her own.
#21
"KNOCK YOURSELF OUT" - JADAKISS
Never sleep on Jada's ability to craft radio tracks. From his solo debut KISS THA GAME GOODBYE, Jada's second single wasn't a Swizz beat; it was actually produced by The Neptunes. 
#20
"GOT IT ALL" RUFF RYDERS W/EVE AND JADAKISS
Jada and Eve pull off the classic "Battle of the Sexes" with this stellar back-and-forth over a steel drum-driven beat from Teflon. Released a single from Ryde Or Die, Vol. 2, it revived a classic pop music formula (seriously, everybody from Otis Redding and Carla Thomas to Ice Cube and Yo-Yo have done it) for the hardcore bling era.
#19
"WHO WE BE" - DMX
The surging beat is one of the most anthemic X ever rhymed over, and his aggression belies a tour-de-force performance that caps the tail end of DMX's most classic run. The kiddie chorus is the right kind of foreboding:  both a warning and a call-to-arms. 
#18
"MY NAME IS KISS" - JADAKISS
Kiss and The LOX had been well-established by the time he released this declaration of self. It's a showcase for his particular brand of pensive street rap and lyricism, a pronouncement more than an announcement. And proof positive that Kiss has a lane all his own. 
#17
"WHAT'S MY NAME" - DMX
By 1999, the whole world knew who this guy was. But X's hunger was still palatable in every single. Even as the vids got glossier and the collabos got Sisqo-ier, X managed to bring grittiness to hip-hop's surging mainstream over a skittering backdrop by Irv Gotti & Co.
#16
"LET ME BLOW YA MIND" - EVE FEAT. GWEN STEFANI
She'd begun her career on Dr. Dre's Aftermath, but we didn't really get to hear what E-V-E could do with the Good Doctor (and Scott Storch) until this monster hit from the early 00s. Paired with soon-to-be-solo superstar Gwen Stefani, the Philly rhymer delivered a bouncy single that still seems to capture the best of its era.
#15
"SLIPPIN'" - DMX
One of the best examples of DMX's tortured brilliance, the autumnal sadness of this classic perfectly conveys the hopelessness and vulnerability in X's verses. He's an artist who came to embody "write your pain," and this single from his second album is proof positive that few wore angst better.
#14
"LOVE IS BLIND" - EVE
An examination of domestic violence that lingers long after that first listen, Eve's heartfelt single was dedicated to her high school best friend. The Ruff Ryders' First Lady struck back for victims everywhere — and struck a chord with anyone who'd endured, known someone who'd survived, or had lost someone to the pain of abuse.
#13
"WHAT THEY REALLY WANT" - DMX FEAT. SISQÓ
DMX was on quite the singles run, Sisqó was at his post-"Thong Song" peak and over a slinky beat that could only come from Nokio, X rattles off his frustrations as a gruff ladies' man. The infamous name-dropping of "Brenda, LaTisha, Linda, Felicia..." made it one of the most quotable tracks in X's oeuvre and birthed a viral internet challenge almost 20 years after its release.
#12
"GOOD TIMES (I GET HIGH)" - STYLES P
Swizz's inspired flip of Freda Payne is the perfect backdrop for Styles P's ode to herbal refreshment. The hit leadoff single from his A GANGSTER AND A GENTLEMAN album, the track was close to inescapable in 2002; turning up everywhere from Swizz's own compilation to the Kevin Hart comedy SOUL PLANE.
#11
"STOP BEING GREEDY" - DMX
It sounded like a warning, issued from a newcomer ready to take on the flossy chart-toppers dominating the rap game. DMX had a few major hits under his arm when he unleashed this anthem, letting everybody know, regardless of where you stood in hip-hop's hierarchy, you were going to have to contend with the dark rhymer's hunger. 
#10
"WHY" - JADAKISS
Over soulful production from Mobb Deep's Havoc, Jadakiss poses the hood's hardest questions. It proved to be one of his most resonate tracks, and it's not hard to see why. Referencing everything from the prison industrial complex to the early 2002 Oscar race, it became a smash hit in the summer of 2004, skyrocketing all the way to No. 11 on the Billboard Hot 100. 
#9
"JIGGA MY NIGGA" - RUFF RYDERS W/JAY-Z
NYC-based rap labels were enjoying a friendly competition in the commercially lucrative late 90s. Roc-A-Fella and Ruff Ryders were two of the hottest brands in Hip-Hop. Jay-Z and Roc-A-Fella understood how to walk the balance between ballerific raps and street grit. Hov pairing with Ruff Ryders made all the sense in the world circa 1998. 
#8
"RIDE OR DIE BYTCH" - THE LOX W/EVE AND TIMBALAND
It became a phrase that defined Bonnie & Clyde-esque solidarity for a generation. And it was the single that announced The LOX's second act, as the street rap trio had landed on Ruff Ryders after a highly-publicized departure from Puff Daddy's Bad Boy Records. The Timbo-produced track made it clear the trio from Yonkers could craft radio hits and keep it street. 
#7
"WE GONNA MAKE IT" - JADAKISS FEAT. EVE AND STYLES P
An epic single that served as the first solo hit from Jadakiss, this street anthem (has any song ever epitomized that phrase better?) is one of the best in Ruff Ryders' enviable oeuvre. Alchemist laced Kiss with one of his most inspired beats, and Jadakiss delivers as only he can: the kind of rabble-rousing call to arms that resonated on many a corner.  
#6
"GOTTA MAN" - EVE
There had been odes to thug love before, but none had managed to be so cute, so sweet and so street — all at the same time. Eve's brand of everygirl relatability was unique in the high glamour late 90s, but make no mistake — nobody could blend swagger and sex appeal like the Ruff Ryders First Lady. The kind of song that made many a thug wish they had this sorta girl by their side.
#5
"GO HEAD" - THE LOX
Sometimes you just know an artist is in their element, and just enjoy watching them work. The LOX were, in many ways, the soul of Ruff Ryders. The grimy street tales from the Yonkers trio were always a better fit for Ruff Ryders than Bad Boy, and Sheek Louch, Styles P and Jadakiss do what they do best on this melancholy masterwork from TJ Beatz.
#4
"DOWN BOTTOM" - RUFF RYDERS W/DRAG-ON, SWIZZ BEATZ, AND JUVENILE
Proof positive that nobody does synth-driven fanfare better than Swizz, this epic single gave Drag-On a huge boost leading into his solo career and was one of the few late 90s East Coast/Dirty South collaborations that didn't’ feel forced or awkward. Juvie repped for NOLA’s Cash Money and, circa 1999, this was the two hottest new labels in the rap game joining forces.
#3
"GET AT ME DOG" - DMX FEAT. SHEEK LOUCH
Everybody knew Dark Man X was coming. He’d been making noise via underground performances and several star-making appearances on hit singles by Ma$e and LL COOL J for almost two years. But his first major label single dropped like a grimy bomb in a landscape littered with shiny suits. With his first hit, X made it clear who he was, and also made it clear that the game wasn’t going to drown in jigginess as we raced towards Y2K.
#2
"WHAT Y'ALL WANT" - EVE FEAT. NOKIO OF DRU HILL
She finally had her moment. The "Illest Pitbull In A Skirt" had been waiting in the wings for almost three years, but it was this catchy, salsa-inflected single from the RYDE OR DIE, VOL. 1 compilation that not only let the world know the Philly firebrand had arrived, but made it clear the RR was taking over the radio.
#1
"RUFF RYDERS ANTHEM" - DMX
Could there be any doubt? The song that all but announced the genius of Swizz Beatz, its an anthem in every sense: instantly memorable; a call to arms for the crew; and a song that transcends its time and era. It's the label's theme song, and captures a moment in time that feels immediate and fresh every time you hear that infectious chorus -- but it never feels stuck in 1998. It's a street rap masterpiece. And to think, X didn’t even like the beat when he first heard it
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saltymid · 2 years
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“ruff ryder’s anthem” ft mjf, ruby soho, and powerhouse hobbs
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