Soap knows Ghost is beautiful. He doesn’t need to see his real face to know. It’s in the way he carries himself, his thick British accent, the arrogant quirk of his eyebrow that shifted under his mask. He never had any urge to take a peek at his face under that mask, always respected his boundaries, always stayed fairly within line.
But during the mission in Las Almas, where Ghost had so unwaveringly pulled off his mask, Johnny felt like his whole world had been shaken. Maybe it was because Ghost was his whole world Soap had been obsessed ever since. The crooked curve of his nose, his clipped and messy dirty blonde hair, the slight curve of his Cupid’s bow on his upper lip, the jagged scar that had been carved into pale, almost sickly skin. It was all so utterly Simon. Soap felt unhealthily obsessed. Genuinely, he thought that he could not be any more head over heels, and he goes and does this.
It was stupid how eager Soap was to draw his face. It was like he was a puppet on a string, pulled by his untethered compulsiveness. He had to be cautious. He yearned rip off the mask Ghost has just put on again to kiss him stupid in front of everyone. 141, maybe. But not the Los Vaqueros. He does have that sliver of sanity to hold himself back. But god, if that doesn’t just open up a door of opportunities for him behind closed doors. The extra areas of skin that were now not so unreachable was like dangling a candy in front of a child and expecting them to not take it.
Simon is beautiful. Simon is so pretty. Simon is stunning. Pure Bonnie.
Soap wills himself to shut the fuck up and focus on the mission. He wants to see Simon again. Preferably, in a setting with more light. Soap feels like he’s rediscovering ghost all over again, he wants to see his smile, his annoyed expression, his huffs and grunts, everything on his face. Good lord, does he have dimples? Soap thinks he might just die.
The act of seeing ghost’s skin lights something in soap. He doesn’t know what it is, but he feels the impatience and desperation to find out what it is. He grapples and tries to identify it, but like his callsign, it slips away and he’s left with a frustratingly empty feeling he knows only ghost can fill. I’ll find out. I swear, I’ll find it out.
Soap has never been a patient man.
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GOOD AFTERNOON FELLOW ROB ENJOYERS!!
DO YOU WANNA DRAW YOUR FAVORITE GUY? ARE YOU TIRED OF USING THE SAME THREE STOCK IMAGES FOR THAT PESKY STATIC BODY? WOULD YOU LIKE TO LEARN HOW TO ACHIEVE THE SAME EFFECT USING ONLY YOUR PEN AND LAYER EFFECTS?
WELL THEN BOY DO I HAVE A TUTORIAL FOR YOU!!!
IF YOU FOLLOW THE SIMPLE STEPS LAID OUT DOWN BELOW, YOU TOO CAN BECOME CLINICALLY INSANE LEVEL UP YOUR ART SKILLS BY LEARNING HOW TO MAKE REALISTIC STATIC IN THE DIGITAL MEDIUM!!
okay i'll stop yelling at you now. on with the tutorial!
Step One: Blocking!
this is usually part of the coloring process for me, so you'll need a mostly complete drawing to start out with.
now, draw out where you want the static to be with white. the average hard round brush will be good for this step, but you can use whatever you like! i for example prefer to use the polygon lasso tool to get more crisp edges (however this effect can also be achieved with the eraser tool).
for his arms and legs, just outline them in white and color them in.
depending on the pose/perspective you might have to separate certain pieces into different layers. for example, here his left arm and lower torso are clipping through the line art
so we move them to be below the line art layer and boom! problem solved.
important note: you can not use another color for the blocking. the white base color is critical in achieving the most convincing static look!
Step Two: Brushes and Blues
now for this step, we will be using these four shades of blue-grey, as well as plain black and white. for your convenience, the hex codes are also included!
HEX: 1d2427
HEX: 4d5c65
HEX: 899eac
HEX: cce6f6
now go to the different brush presets for whatever program you're using. chances are, they'll have some variety of a paint-splatter brush (and if they don't, there's probably a way for you to download one or make your own).
the best kind to use is one where all of the particles are fully solid and not varying too much in opacity.
Step Three: Jackson Pollock That Shit!
now's the fun part! make a new layer and start layering the blues with your splatter brush in any order you like. just color vomit all over your canvas and don't worry about getting any of the particles outside of the base!
go back and re-layer any particular color as many times as you like until you're satisfied.
sometimes, all of this layering can result in loss of the original base color, like you can see here.
but don't worry! this can be fixed by tossing some white back into the mix.
once you're happy with that, go through and lightly sprinkle in some black. remember: a little is a lot! keep it subtle.
Step Four: Layer Effects!
this is where the magic happens! turn your blue splatter layer(s) into a clipping mask!
ka-boom! looks great, right? well, its about to get even better! go into your layer effects panel and select "Hard Light"
Step Five: Motion Blur
now, this step is optional depending on whether or not your program has more than one kind of blurring effect, but for the sake of the tutorial we'll pretend that it does.
find the motion blur panel and open it. set the angle to zero.
(ignore that i had my distance set to 2 here i just needed to have an example screenshot lol)
now crank that shit up!!
if your static layers had to be separated like in our example, make sure to do the same amount of blurring there as well. depending on your preferences, you can change the level of distance to highlight some kind of feeling. having it at 2 allows the viewer's eyes to rest on the darker colors, but having it at 7 brings out the brighter colors, calling attention to how annoyed he is with me right now.
depending on how you mix the different colors and level of blurring, you can get a lot of different variations in the static's look. feel free to experiment with it!
Step Six: Glow (optional)
unless you're drawing a dark/low-light setting, you can skip this part entirely. again, for the sake of the tutorial, lets pretend its dark!
now, since its supposed to be super dark here, i've selected the base layer for the static and deleted the black from it.
now for the fun part! make a new layer above the one we just made, then take the lightest blue color and cover the static with it! in the next step, this will become your glow!
i like to use a typical hard round brush and then apply a gaussian blur until i think it looks appropriately blurry, but you can also use your average pressure-opacity airbrush! both have their strengths, which you'll see in the next step!
for this step it helps to already have some knowledge of how light interacts with objects, but its not required! if you don't have a lot of prior experience, take this as an opportunity to practice! take it from me, making fan art of specific things is a great way to get good at drawing in general.
once we have an appropriate amount of glow and blur, we set the layer mode to Linear Light! your program might not have this layer mode, so try to find a mode that does something similar or is close enough
here you can see the strengths i mentioned before!
in the areas where i used the solid round brush + gaussian blur, i had a bit more control over how concentrated the light was at the center and how far it could spread, making it look more artificial/computerized.
meanwhile in the airbrushed areas, there's a very different vibe! on the right side where i applied the airbrush harshly in one stroke, it has a sort of cloudy look, but on the left where i applied it in multiple strokes, the varying opacities create a more painted aesthetic, which adds a lot of visual interest!
now we have arrived at the final step of this process! go to the current layer's opacity box and lower that sucker!
you should raise/lower this meter depending on how dark it is. Keep messing with it until it feels right. for our specific example(and more specifically the gaussian blur areas), a good opacity level is 73% !
and with that, we're done!
thank you for reading this! i had a fun time putting it together :)
before you go, please know that you don't have to follow every step of this to the letter!! feel free to break away from my methods and do your own experiments! mess with the hue of the static colors, use different brushes for the glow lighting, add variation in your particle sizes - go crazy with it!! half of art is experimentation and i wouldn't even have this process without it! :3
if you end up using this tutorial for Rob art on tumblr, please tag me in it!!! i would be absolutely overjoyed to see whatever you make :D (not a requirement though! either way, i'm very proud to have put this out into the world)
if you need help with any of these steps or the process in general, feel free to reach out in the replies of this post or in my ask box! i'd be happy to help out with whatever you need :3 thank you for reading this and i hope you have a wonderful day!
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Billy Batson at a convention
Hear me out on this-
Yes I know I have a billion fic ideas on my list waiting to be written, but shush!
Imagine the Justice League deciding to attend a huge superhero convention as guests of honor for their fans and meet everyone, and to also help raise their public image. They don't all appear on the same day, showing up on separate days bc of security reasons, and Captain Marvel, being a long standing member of the JL, is invited, too. He is completely ecstatic about it, but decides to decline. He says he has important Champion of Magic duties to attend to and before anyone can ask, he Flys off. JL is a bit disappointed he won't be there, but understanding.
On the days of the convention, the JL are met with endless happy fans overjoyed to meet them. They all sign autographs, shake hands, etc. They all even remember one cute fan by the name of Billy Batson who handed them all adorable hand drawn pictures of them as a little gift. He was so sweet and even got to take a picture with all of the members.
The reason CM couldn't attend the convention as CM was bc he wanted to express his love, respect and admiration to his coworkers fully. He also was too nervous to ask for their autographs before, so this was a golden opportunity to have some fun as just Billy.
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