Late at night got me thinking about the beauty of physical media oh I love you cassettes the beauty of the magic regarding magnetic waves turning into human expression oh film photography holding you in my hands to see your images in the sun makes the light of the day feel less like a fact and more like a blessing and a chance to seize its beauty
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It’s incredibly important to me that the anime decided to include this scene that wasn’t in the manga. In the manga, Maomao does pass out in Jinshi’s lap after saving him from what was obviously an assassination attempt.
HOWEVER, the manga cuts off at this point, keeping strictly in Maomao’s perspective, and cuts straight to when she regains consciousness in bed after being treated for her injuries. The manga doesn’t show how she got back. They SAY how, and she briefly mentions, “wow that must have been embarrassing; he carried me back,” but we don’t SEE it. We don’t get to feel the true impact of what that means. But the anime DID show us, and holy shit.
They SHOW us how taboo this is. They show Jinshi carrying her out of the temple, after a public attempt on his life.
They show us the shock and horror on Lakan’s face as Jinshi silently walks past him. Horror at the state his daughter is in, horror at another man—a man with a status he could never dare to question—staking such a public claim over his child, horror at the fact that he could never have this level of closeness with her (as Maomao would never allow it).
Everyone hides their gazes, as is their custom when someone of his rank passes by, but the air is different this time. Jinshi is furious, he’s terrified, and he could not give a single shit about how inappropriate it looks to these palace officials.
The shot that slowly follows her trail of blood—even though it’s a small detail—that in particular leaves such a intense impression of how poignant this is for him.
Maomao talked about this scene in the manga like it was nothing to her. She did what she set out to do: she saved the person who was targeted by the attack. She didn’t even know the target would be someone she knew. But she has no idea that this happened afterwards as a result of her bravery. To her, it likely wasn’t even an act of bravery at all. She acted on impulse; she did what she knew was the right thing to do.
The anime didn’t need to include this, because the manga didn’t show it. But damn, I’m so glad they did.
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i was obsessed with them when i was 8 and i am still obsessed with them now
[image description: a page of drawings of marceline and simon from adventure time. on the left is marcy wearing a white cropped sweater, a short black skirt, red tights, black fingerless gloves, and black boots. there is a caption that says "Average Bisexual" next to her. next to that is a short comic of marcy and simon, where marcy is floating over simon as he reads a book. marcy asks, "hey simon. ever kiss another man before?", to which simon replies "well sure." below them there is a caption that says, "he then failed to elaborate." next to that is a drawing of simon with his hands clasped together, with a smaller, uncolored sketch of simon looking surprised above him. the entire page is colored in a watercolor style. end id]
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pro tip: if you're ever drawing your ocs in drag, you need to use the Queen metric to make sure you're getting it right. optimal success happens when two of your characters are obviously doing it for a joke, one is clearly in drag but still looks amazing, and one is indistinguishable from the average beautiful woman/man
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Marcille is actually one of the biggest reasons it took so long to pinpoint which Chilchuck was the imposter in today’s episode.
The Senshi and Marcille imposters had their own reasons for being hard to decipher, but that was a joint effort on the party’s part. Chilchuck was the only example where a single member’s bias actually swayed the others so strongly that it made them all doubt themselves.
Ryouko Kui did an excellent job of giving us a rich background on how different races interact, and how they may descriminate against each other. Each of the races in this series struggles with these prejudices. Our main characters are not exempt from this, and we see it clearly in the way the shapeshifter manifested as each party member, showing us how the others percieve them.
Marcille knows Chilchuck well, and cares deeply for him as a friend. But she’s not immune to assumptions and biases that come from her elven background. The Chilchuck imposter we are faced with, when it’s down to two of them left, is Marcille’s memory of Chilchuck, Marcille’s perception of how he behaves.
One of the first manifestations of this bias occurs when shapeshifter Chilchuck can’t get a jar open.
The real Chilchuck knows that this would never happen—at least not in this way. Chilchuck is proud, yes, but he asks for Laios’ help all the time. Laios is actually one of the party members he is the most likely to ask help from, given how long they’ve known each other, and how much mutual trust exists between them.
However, the whole scenario isn’t right. Chilchuck wouldn’t give up so easily on opening something; his whole job is opening and unlocking things. He would never quit an attempt like this within 5 seconds, then run to Laios so that “big strong adult tall-man” can open it for him.
Marcille is the one who asks, “Huh? Why do you say that?” because Marcille is partially right. Chilchuck does rely on Laios, and Marcille knows this to be true. But she fails to realize how he relies on Laios.
Chilchuck respects many of Laios’ talents, but the most important ones are his combat skills, his emotional fortitude, and his quick thinking when delegating tasks. He trusts Laios as someone he is comfortable following (he literally said to him and Shuro in the last episode: “Laios!! Tell us what do!! Give us orders!!” when chimera Falin was quickly overpowering them).
So while Marcille almost understands Chilchuck’s confidence in Laios, she tends to accidentally infantilize him in the process.
She immediately believes that Chilchuck B (the imposter, who is specifically using her own memory as its base for Chilchuck’s personality) is the real one, and says so, because she’s blinded by her perception of him as being childlike and adorable because of the very common racial prejudices that half-foots deal with all the time.
She dotes on the imposter, and is open with her affections, as usual (again, her care for him is clear), but doubles down on that bias, on her own assumptions of Chilchuck’s behavior shown through her own lens.
And ultimately, Laios was able to tell the difference, but only because he watched how the Chilchucks handled other minute tasks. Marcille’s stance on which Chilchuck was real truly did throw the others for a loop, at least until the threat passed. And honestly, that’s part of what makes the shapeshifter so terrifying. Its strategy almost worked.
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