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#qi ying
xielianlover2 · 2 days
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Shi Qingxuan: There are three chairs and five kids! What do you do?
Xie Lian: Get two more chairs
Mu Qing: Cut each chair in half to make six
Qi Ying: Make them fight for their seats!!
Feng Xin: I would never be near children in the first place
Pei Ming: Get rid of two kids
Hua Cheng: *Has already made two chairs for Xie Lian*
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roremy · 3 months
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goatpunches · 6 months
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general qi ying invents the art of glomping
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ahwait-no-yes · 4 months
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there is no danger he just wants a hug
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jemkha · 4 months
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He’s blowing up Yin Yu’s personal communication array bc he doesn’t realize the cursed shackle prevents Yin Yu from accessing it…🙄🤕😈
OG reference photo:
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nat-but-free · 2 months
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Quan Yizhen and Yin Yu
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piedoctorcow · 2 years
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Quan Yizhen is the epitome of head empty, no thoughts. Hualian kissing? Yeah, that was definitely the necessary way to transfer spiritual powers. See, the divine statue became stronger! Buried in a wall? OMG SHIXIONG! Told to turn into a martial god sword? Sure, don’t know what’s going on but might as well. Jun Wu assigns the western domain to the martial god of the west? No idea why.
As always, MXTX said it best:
“There was not a single point where he’d figured out what was happening.” tgcf ch. 203
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friedwizardwhispers · 6 months
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One thing I love about Quan Yizhen is that for all that he is described as someone who has no idea what's happening (and ...maybe if someone actually sat him down and explained instead of dropping him in the middle of the action with no explanation), he is one of the gods who instinctively understand that the Heavens sucks and he kinda proceeds to do his own thing.
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symphonyofsilence · 5 months
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Noble Jie, the bridge builder, the relationship expert, the communication queen.
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samairuart · 1 year
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New six fanarts!
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dayafterdayna · 1 year
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quan yizhen holds my entire heart in his hands
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Yin Yu: Quan Yizhen, I don't like you.

Quan Yizhen: What did you say?

Yin Yu: You heard me!

Quan Yizhen, internally: And it turns out I actually didn't hear what the fuck you just said.
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Finished heaven official’s blessing and I really enjoyed writing an analysis on helluva boss I want to make this a regular thing because it’s fun so here’s my thoughts on
Heaven Official’s Blessing
Spoilers (duh)
I think it’s incredibly impressive when someone can make an overarching narrative in which different seemingly disjointed events are significant without A) putting a giant exclamation mark on top saying “REMEMBER THIS IT WILL BE IMPORTANT LATER” and B) Significantly over or under emphasizing the importance of the scene in the moment. Each event stood on its own and I liked that.
There were several janky sentences and word choices but that’s a translation issue, this writer clearly knows what she’s doing.
Characters were a lot of fun and distinct, my favorites were Feng Xin, Pei Ming, Qi Ying, and Ling Wen whenever they were on the page I was like Ah yes, these pages are gonna be enjoyable and I was right, they’re all delightful (cept the brocade immortal stuff, but like I don’t care, Google assistant is fun) Xie Lian and San Lang are delightful, love them, and San Lang is so effed in the head it’s enjoyable to try and imagine what unhinged thing he’ll do next
Tbh there isn’t much plot breakdown I want to do with this series because it knows what it is, it’s a fanfic ass book with good times, trauma, gay fluff, and fights. Need I say more? That’s not a detractor, it’s a strength. Be what you are and own it because a house with a house’s foundation is a great house but slap a building on that house’s foundation and it fails in both regards.
The only aspect I’m going to analyze is the narrative voice the books are written in because holy crap is it super impressive. Xie Lian is a super mature (or ditzy, depending on your point of view) character, he doesn’t dwell on things, doesn’t hold grudges, doesn’t really care that much about people’s histories or even their present, doesn’t focus much on externals and it comes through in the way the book is written. I noticed this when throughout the books San Lang would do fucked up stuff like make it rain blood and kill a pit’s worth of people and Xie Lian kinda didn’t really seem to care and at first it pissed me off, why isn’t the author letting consequences occur because of these peoples’ actions, but then as it held consistently throughout the book and other people kept being super concerned about stuff, like Pei Constantly asking after Shi Qingxuan (I don’t know how to spell their name, it’s so hard to keep track I’m so sorry) or people bringing up Banue, I realized this is just Xie Lian, other people in the book are regular people like me, this one guy is just experiencing things, going “Well, ain’t that something” and then just moving on. Honestly iconic, but also I was halfway through book six when I realized. Especially since whenever they do flashbacks Xie Lian does all normal stuff. He describes settings he’s in, he mentions events that happened a few pages ago, he tells the reader how he feels, it’s after he experiences all his shit he goes through that this all kinda slips away. In “present” scenes he’ll reference things as they come up but like in the flashback after Mu Qing leaves they talk about it a few times and I find that aspect of acknowledgment to be noticeably absent in the “present” scenes. After the black water arc there is a complete lack of discussion about the frankly trauma inducing event that just transpired but sure Cie Lian, you and San Lang have to not hold hands for the billionth time. At first I thought is this author high but then I realized what shes doing is characterizing through prose which is IMPRESSIVE AS HELL. This may be a point I noticed and am now misremembering the entire series just to bolster my take and if that’s the case then I shall sheepishly shrug and say I’m sorry. I’m not rereading 8 books to write a tumblr review. Maybe if I ever start a YouTube channel
I don’t know, I just find it to be an incredible feat of actually good writing when a story is being told through the lens of the main character and you can characterize that character by simply reading the story and seeing how it’s written, not even through dialogue and action. It’s kinda like the Great Gatsby or a Separate Peace, and it’s super cool that a book like this can accomplish the same thing that makes those classics great. There isn’t as much symbolism or analytical potential but those books wouldn’t be nearly as impactful as they were without great execution, which this book pulled off in spades.
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jemkha · 4 months
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Working on a Hualian drawing, and I was like damn Hua Cheng’s hand is so pale he literally looks dead. Then I was like “wait, he is dead”, so I’m keeping it.
(Edit: here’s the finished piece)
Plus other sketches:
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snalsupremacy · 7 months
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The long awaited sequel of my tgcf character-chart-turned-shitpost (1/2)
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pieridae-art · 5 months
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