Tumgik
#public domain trans characters
Oswald the rabbit is public domain, and now, trans and a cane-user! In the first short film, Oswald has a detachable leg, which I've decided is a prosthetic :)
Here's a link to the HD version of this file on the web archive for you to download and do whatever you want with. Literally anything!
You can also buy this design from my Threadless store!
Tumblr media
[ID: A digital drawing of Oswald the rabbit, a black and white cartoon rabbit on a white background. Oswald has black fur, white shorts, and a white face, with round black eyes and nose. In his left hand, which we see on the right, Oswald is holding a sign that reads, "Disabled trans rights". In his right hand, which we see on the left, Oswald holds a cane with a black tip. Oswald's chest has two top surgery scars from a double mastectomy, and his left leg below the knee has a curved line going across it to mark a prosthetic shin and foot. End ID.]
70 notes · View notes
furbearingbrick · 3 months
Text
Tumblr media
unbothered. moisturized. happy. in my lane. focused. flourishing.
20 notes · View notes
justajoshe · 2 months
Text
Tumblr media
Some Krum doodles - and Sherbert
Both characters are in the public domain, and so is this piece. You can get a hi-res download form my Ko-Fi. You do not need to be a supporter to access the download.
Listening to affection - BETWEEN FRIENDS
Drinking Water
Craving Cocoa and Mint
9 notes · View notes
Text
031: Alterhuman Advancements: December 2122
Neopronouns: vey/vem/veir/(veirs)/veirself, which follow the same rules as they/them/their/(theirs)/themself
Replace they with vey
Replace them with vem
Replace their with veir
Replace theirs with veirs
Replace themself with veirself
EX:
"They are going to adopt a new puppy soon, as soon as they get a fence set up around their yard so the puppy can go outside without them having to walk it. Their uncle is going to help set up the fence, since he has a set of power tools he's letting them use, since they lost theirs."
Becomes:
"Vey are going to adopt a new puppy soon, as soon as vey get a fence set up around veir yard so the puppy can go outside without vem having to walk it. Veir uncle is going to help set up the fence, since he has a set of power tools he's letting vem use, since vey lost veirs."
= = =
“Alright,” Dr. Bird said, “Now I want you to stretch your arms over your head, as high as you can reach without hurting yourself. We want to make sure the fur covers everything equally, and I need to know if the movement hurts at all. I'm going to set a thirty second timer, try to keep your arms up the whole time if you can, but stop if anything hurts at all.”
Canidae was pretty confidant it wouldn't hurt, considering the poses vey'd already held while getting veir friends to take pictures of vem, not to mention vey had already checked vemself over in the bathroom mirror to look at veir new fur.
But vey still did as vey was told, stretching veir arms up high up towards the ceiling. Vey flexed veir paws, sheathing and unsheathing veir claws as vey did so, no less overjoyed at the ability now than vey had been when vey first woke up after the surgery.
(Well, once vey had actually been lucid after waking up from the surgery. The first two hours of being awake were still a bit of a confused, foggy blur from the lingering affects of the anesthetics.)
Dr. Bird paced a circle around vem, examined vem from the front, each side, and the back, then said, when he was standing in front of vem again, smiling with his pointed teeth, “Alright, you can lower your arms again, that was perfect. Any pain at all? Any sensation of tightness of the skin? Anything feel uncomfortable at all?”
“Nope.” Canidae replied cheerfully, unwilling to stop veir tail from wagging. There was nothing fragile nearby, so there was no reason to suppress it. The new long, beautifully iridescent maroon fur on veir tail made a soft swishing noise as it went through the air.
Dr. Bird smiled at the moment. “I'm guessing this means there's no problems adjusting to your new tail?”
Canidae let veir tail wag harder as part of veir answer: “Nope!” And just to prove vey could control it, vey lifted one hand to demonstrate, closing veir fist when vey stopped veir tail from moving, and opening it again when vey let it wag again. “See? Perfect control!”
The hand signals were used in very early training for new limbs, to get you used to the idea that the thing attached to you was under your control the same way your hand was.
Dr. Bird nodded, still smiling, and the fluorescent lights in the ceiling reflected off his orange, yellow, and black scales. Dr. Bird's species was, in his own words, “Best described simply as a dragon, so as not to arouse any fury in my very good friend, Jim Dodd, who is extremely passionate about paleontology and would become extremely irritated with me if I went around telling people I was a dinosaur when my alterations take inspiration from several dozen species of dinosaur and other ancient species, rather than just one single species of dinosaur. Trust me. You do not want to see Jim fired up about paleontology.”.
Canidae didn't know enough about actual dinosaurs to figure out which species Dr. Bird had incorporated, or exactly how he'd done so, but vey took him at his word.
Most of Dr. Bird's exposed skin (which meant his face, neck, and hands, at the moment, because he was wearing his lab coat) was covered in shiny orange-gold scales, with stripes and spots of yellow and black.
Canidae knew, from seeing him on the fourth edition of Alterhuman Advancements, where Dr. Bird had taken a selfie underwater with some sharks, that he had plates of black scales on his torso and belly, which extended all the way from the point of his chin down to the tip of his tail.
His tail was almost as long as his torso, and similar to an alligator's, but with a fin running down the top center of it that he could lower and raise at will, helping him swim more efficiently. His face was a long, sturdy, lizard-like muzzle, with small ridges over his nostrils, and larger ridges around his eyes.
His face was the same orange-gold as most of the rest of him, except for right around his eyes, where it was black, with four thin lines tracing to the end of his nose, almost like a zebra, or a skink.
He had kept his hair, and modified the left half of it so that it grew out bright yellow to match the spots on his scales, whole the right half was still its natural black. His eyes, complete with reptilian slitted pupils, were bright gold, and always friendly.
His smile, too, was already ready and friendly, even now that it was filled with sharp teeth. It was part of the reason Canidae had chosen Dr. Bird to perform veir alterations, aside from the fact that he was probably /the/ top alterist in the world.
It had taken three months of waiting to get veir appointment for the alteration surgery, and the wait had been worth it. It had taken that long for Dr. Bird to design and create the bases and codes for Canidae's ears, tail, fur, and, most complicatedly, veir new muzzle, complete with functioning nose, tongue, taste buds, teeth, and all the nerve ending and muscles and too many complicated things for Canidae to remember the names of.
Veir vision had also been improved, so vey would no longer have to wear glasses just to see anything more than two inches away from veir nose. Well, veir old nose – the new one was much longer, so without the eye adjustments vey probably wouldn't even be able to focus on veir own nose, let alone see anything further away than it.
Vey were still getting used to the fact that vey could see things in detail the moment vey woke up in the morning, and didn't have to worry about taking veir glasses off at night or before they got in the shower. And now vey could go swimming and still be able to see! Vey would finally be able to go to the beach and actually get in the water and still be able to see veir friends and the people on the shore!
And the smells! Not only did veir new nose reduce veir over-sensitivity to strong chemical smells by actively filtering them before they could cause pain, it warned vem when dangerous fumes were in the air even if they weren't something vey would have been able to notice before. It would also tell vem when food was starting to go bad, and when it was safe to eat, so vey wouldn't have to stress about leftovers that had been in the fridge for a few days.
But veir favorite thing was, by no contest at all, the fur. Vey could change the colors and patterns anytime vey wanted, and the default had been picked out inch by inch while vey'd been waiting for the final day of veir appointment.
Most of veir fur was deep red, real red, not the orange you saw on actual foxes. That was the base color. Then, starting on the top of veir muzzle, tracing down veir throat and to veir belly, was pastel blue and green, fading in and out in a gentle gradient. Around veir eyes, now pastel green with a circle of white stars around the pupil, was a mask of pastel orange that faded to yellow, and traced its way up to veir ears before fading to red again.
The longer hair vey'd kept on the top of veir head was undercut, and set so it would always be parted to one side. It was stark white, with a few streaks of cyan just for fun.
They hadn't grown in just yet, but soon, vey would have the first stages of grown on veir antlers, and vey would be able to customize their shape and final size as they grew in.
Vey could have just gotten attachable antlers like with veir ears, but vey wanted the experience of growing them veirself, and having Dr. Bird be the one to create them was an opportunity too good to pass up. Dr. Bird had been the alterist to design and create Altera's wings, the first functioning wings of any cyberfurry, and had helped invent the alteration technology in the first place.
Canidae's antlers would be another first for the technology, and vey couldn't wait to see how they turned out. Even if they never got to full size, it would still be a technological breakthrough, and Canidae could always have them removed and switched out for a moddable base vey could attach any antlers or horns they wanted to.
Technically, vey could have stopped wagging veir tail any time vey wanted, but over the course of the rest of the appointment - - Dr. Bird running them through a checklist of tests to make sure everything was working the way it should, with a break every hour and lunch provided at no cost, where vey got to hear stories about the adventures Dr. Bird and his friend Jim had gone on together - - veir tail kept wagging the whole time.
This had definitely been worth the wait.
3 notes · View notes
katabay · 3 months
Text
Tumblr media Tumblr media Tumblr media
SUBTEXT
so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!
Tumblr media
Perceval, de Troyes (trans. Burton Raffel)
Tumblr media Tumblr media Tumblr media
introduction to Confessions, Augustine (trans. Sarah Ruden)
so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?
Tumblr media
Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow
and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.
Tumblr media
le Morte d’Arthur
and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)
⭐️ credits for the collage panels! (all open access or public domain, etc.)
-Saint George and the Dragon -Saint George and the Dragon (different one lmao) -Pages and Knights, Frontispiece for "The Man at Arms" -Cloisters
⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!
⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app
668 notes · View notes
Text
As we celebrate public domain day and the start of Letters from Watson, I just want to say....
All queer Holmes headcanons are good.
All of them are meaningful to a multitude of people, and everyone finally has free reign to explore them in published works.
And I want to see all of them. They aren't in competition with each other.
I love explorations of what it would be like to be gay in Victorian society and all of the intricate historical connections people make. Both the painful ones and the ones that say fuck it, let's show some joy.
I love when characters are allowed to be bisexual and all of their relationships are treated with respect. I love when Watson gets to love Mary and Holmes, and when this isn't made out to be some competition.
I love aro and/or ace Holmes, and I beg certain corners of the fandom to remember that these explorations are not the same as simply not addressing the subject of Holmes' sexuality. They are so much more, and these interpretations are fundamentally queer. I love explorations of what it means for a queerplatonic partnership to be the most important relationship in someone's life, especially when they don't have the words to explain it.
I love explorations of Sherlock Holmes and gender. Whether it is someone concealing their gender to play a certain role in society or it is an exploration of being trans historically. All possibilities have something different and interesting to say.
Sherlock Holmes and the relationship between Holmes and Watson appeals to so many of us for a reason, and there are so many stories we can tell. There are so many ways authors can now say "I have always seen myself in this. Let me show you why." There is no limit.
I guess what I'm saying is this. Sherlock Holmes is now legally allowed to be kind and compassionate (and treat female characters well).
Here's to fandom doing the same.
1K notes · View notes
koboldgirltummy · 4 months
Text
"Mickey Mouse should be treated nicely and made to hold better values" "We need to punish Mickey for his crimes" "Mickey Mouse should be trans and married to [other public domain character]"
The beauty of the public domain is you can do whatever you want with everything it contains and no one can tell you otherwise.
117 notes · View notes
bonzos-number-1-fan · 17 days
Text
TMAGP 11 Thoughts: Anchors Aweigh
We're finally back. Not much to say up top except it was a long wait.
Spoilers for episode 11, and light spoilers for TMA season 5, below the cut.
A very strong cold open to welcome us back. Celia doesn't just wake up in a strange location, she's got no memory of getting there, it's not her first time doing it, and she's looking for a character we've not yet been introduced to. Honestly there are a load of things this could be. If she's TMA's Celia it could be after effects of her time in the domain that stole her name. Or it's not after effects but the same effects now being re-triggered if she's in a universe with the same entity that did it. Or it's a side-effect of crossing between universes. Or the way she crossed between universes isn't how Anya Villette did it and she's actually occupying TMP's Lynne Hammond's body but not entirely suppressing Lynne in the process. Or Lynne has taken on Celia's memories and Celia never truly left TMA's universe at all. Lots of ways I can see that playing out.
The first office section is a bit of a recap of last episode with some banter more than it is anything substantive. However, Alice does think she's being followed which is probably something that'll come up later. I think the obvious thing to jump at here is that it's [Error]. It's not the first time we've seen someone dig through the Institute's soggy ruins only to come away with some paranoia though. It doesn't seem to be hitting her quite as hard as RedCanary but it certainly mirrors their reaction. Either way I think this could easily be a RedHerring and [Error] has nothing to do with it and it's just TMI magic.
For a small thing during that interaction there is another "lie detector" audio distortion. I'm not sure I've been mentioning all of these in these posts but when Alice says "Hm? Nah, it’s nothing." there is a distortion afterwards. Likely because such distortions signify lies. This exactly a new observation but I can't remember if I'm making an effort to note when they happen.
So for the first case back it's a pretty chill one all in all. Some spooky happenings where nothing major really happens but does contain a good bit of world building.
So for some general musings in order. First off Alison Leshi's email address is G.Leshi instead of A.Leshi. It's not likely important as there isn't a Leshi in CHDB (see masterdoc link below), so it's probably nothing. Could just be some subtle trans rep but I figure it could somehow come up later and so is worth a mention.l
Next up we've got our second mention of ink5oul. The "big snake tattoo" on their arm is pretty clearly the same as the "gorgeous floral serpent design" Daria mentions in episode 2. Daria also explains that ink5oul is a popular influencer and like most of those they try and throw that weight around here. They're a very big deal online don't you know. Something that I think is interesting, but maybe not intended, is that ink5oul's Instagram account is flagged with the alchemic symbol for salt and this case is deeply tied to the sea. That account might not be official but it's a nice connection if it is.
There are a couple of name drops that will likely prove pretty important. Oscar Jarrett is likely a character we'll meet later and as of right now the name is all we have. Sutherland Macdonald, on the other hand, is a very real person and given how TMA likes to use historic characters I have a feeling they'll be quite important. Macdonald was Britain's first professional tattoo artist. Insofar as he had a public business in which he tattooed people as his work. He was exceptionally talented, very popular, and highly sought-after. More than that though of his documented works serpent-motifs, both snakes and dragons, are very common. Given ink5oul's own, well, ink I'm pretty sure that's not a coincidence. Sutherland Macdonald could very well be another figure like Smirke. A real historic person with embellished and occult history for the show. Oscar Jarrett could be a protégé or rival of Sutherland, and tattoos might end up being the new Leitners.
There isn't much to dig in to beyond that but I will say I really enjoyed this episode. Excited to see where this all goes.
Back in the office we've got Gwen trauma, Celia trauma, and Lena being Lena. Which is all great stuff. Bonzo is likely hunting Klaus given that conversation too. That's the only figure Gwen has any real knowledge of and Lena obviously has some unresolved business there. The transcript sheds some additional light on the interactions here too as both times external is mentioned it's capitalised. Which does seem to imply it's an official position at the OIAR rather than something euphemistic. Mr. Bonzo getting more detail here is also great. It's another reinforcement that whatever he now is very much isn't how he started. "Green custard" getting a shout out is also very welcome. That's not so much a Mr. Blobby thing but people getting slimed was a big fixture of that era of children's TV in Britain.
Sam finally looking to cross reference these things is great to hear as well. I crave more data. Speaking of data, now it's time for the nerd shit.
------------------------------------------------------------------------------
Incident/CAT#R#DPHW Master Sheet
DPHW Theory: 5246 is pretty unremarkable and so I don't think I've got much to explain there. 4 is a little lower than I was expecting but not off by so much that I think something is wrong.
CAT# Theory: CAT23 sure is a category. I was hoping to have something solid by the time the break was over. There are enough outliers in every theory I've seen to pretty confidently think no one is on the right track with this or some people are but the data we have is faulty. Which to be fair we know is the case. It's just about which parts of the data should we be ignoring.
R# Theory: C fits in perfectly with my theory. Not much to say on that one.
Header talk: Tattoo (corpse) -/- compulsion is mostly interesting because of how it creates problems with Daria's case. If Tattoo is a section that would strongly imply that Daria's case should have been Tattoo rather than Transformation. But that one did also show up on Klaus which implies that it's correct. Just a weird section in general. The subsection is about the sort of mess you'd expect at this point. The crosslink is also just a crosslink.
24 notes · View notes
Hauntlight and Cenotaph, a pair of original, public domain characters created for the also public domain book Flatland: A Romance of Many Dimensions, by Edwin Abbot Abbot.
This character reference sheet took like four days to make.
Tumblr media Tumblr media
[ID: Two images, both compilations of drawings of two original characters, Hauntlight and Cenotaph.
The first drawing, which focuses on Hauntlight, is titled, "Hauntlight - it/its/itself pronouns only, yes, even in mundane, 'all-human' AUs. It's not human, only human-passing, even if born to human parents.
From top to bottom and left to right, the following drawings are labled:
"Daemon / aether / familiar is always a rabbit", showing a simple drawing of a tan rabbit, and a purple and grey shape with three lobes to represent a Flatland rabbit.
Next is a simple black line that has zig-zags and a fork at the end, with the same Flatland rabbit shape next to it for scale, showing it comes up to around where the back section forks.
Next to this is the same zig-zagged line, colored in orange, labled, "Can be thicker, though its exoskeleton is abnormally thin".
Next to this is a crude scribble drawing of a humanoid figure with ink-black skin, withd a dark brown heart shape in the center of its torso, with three stripes on either side like a rib cage. Each ankle and wrist, along with its spade-tipped tail, has two more brown stripes, one thin, one thick. It is missing one eye, with the other orange with a brown pupil. It has pointed ears, a tall asymetrical horn on one side of its head, and grey flopped over hair on the other.
It is labled, "Huamnoid! Asymetrical hair. Triped, cat face, animal ears, 1 horn, stylized grey hair, ink-black skin, 1 eye, needs glasses." Next to its right hand, which we see on the left, is a orange and yellow cane.
After this is a pale human seen from the knees up, labeled, "Human-passing! Earth (with daemons). 'Disguised' as a boy (not really, lol). Gets to have crutches!".
This version of the character is wearing a brown eye patch over its missing left eye, with its other eye black, wearing a grey-brown shirt under a dark brown vest, and warm brown pants with a dark belt. It has wooden forearm crutches, and wears a dark brown newsie cap.
After this is another version of the line from before, labled, "Most simplified! If drawn as a solid shape, should be black or orange", with a smiley face emoji. Next is a "Literal Line", purple with a grey outline, labled, "too short, ran out of paper. Grey exo, 2x repro organs, 1 set functional".
The last form is a humanoid form with three legs and two arms, with a single large cyclops eye in the center of its round head, which is tipped with a swooped arrow like a spear point. It has the same colors and pattern as the earlier humanoid, with ink-black skin and brown markings.
It has the same yellow and orange cane drawn over its right hand, which has an uncolored pencil drawing below it showing three rounded, "long webbed fingers". The rest of the labels are, "three legs", with an arrow pointing at its far left leg, which we see on the right, labeling it "worst leg: left leg", with its simple rounded feet "like hooves". Next to it is a separate spade-tipped tail, labled, "Can have spade tail [because] tails are cool, but not required. Finally, there is a drawing of a large, yellow and orange cyclops goggle labled, "could wear eyeglass if not living under The Current Regime".
The last part of text reads, "Black skin like pen ink, just light enough 2 differentiate from lines, or lineless.".
The second drawing shows three digital drawings on a black background, with white outlines, showing different styles of an original Flatland character, Cenotaph.
The first style is labeled, “Literal Line”, and shows an upward pointing arrow with a small box around the straight tail, with small curved lines coming off the sides, like cilia.
The second is labeled, “Speculative”, and shows a more detailed Flatland version as seen from above. In this form, Cenotaph has a grey exoskeleton, and a body with a rounded main section, and two long ear-shaped sections at the top, with its eye in the center. Its blood is purple, and its brain, lung, stomachs, heart, and reproductive organs are in different shades of pink and dark red.
Attached to the sides of its main body section are two cage-like contraptions with five points boring into Cenotaph’s exoskeleton, with the outside covered in the same short curved likes as the simplified version as cilia or fins. One side of the “swimmer” is colored gold to make it easier to see, the other is greyscale. Where the barbs are injected into Cenotaph’s exoskeleton, there are thick black lines of scar tissue around them.
The final drawing is labled, “Stylized”, and shows a three-dimensional cartoon rabbit walking on all fours, with an orange and yellow wheelchair holding its back legs up off the ground, with orange straps and yellow cushioning. The rabbit is dark brown, with three black stripes on its back, a black fluffy tail, and two stripes, one thick, the other thin, on its ankles and ears, with a single large orange eye with a brown slit pupil in the center of its face instead of a mouth.
End ID.]
---
An original character / self insert created for the setting of Edwin Abbot Abbot's Flatland: A Romance of Many Dimensions, which is public domain.
You can read or download it for free from Project Gutenberg here:
"https://www.gutenberg.org/ebooks/201"
There's a great free audiobook on the web archive here:
"https://archive.org/details/Flatland_Book/01+1+-+Flatland.mp3"
My art (including many more than shown here!) of this character can be downloaded in HD from the web archive here:
"https://archive.org/details/hauntlight-the-irregular-line"
You can also check out the tags here on tumblr, "Hauntlight the Irregular Line", and "Cenotaph the rabbit aether".
4 notes · View notes
rjalker · 4 months
Text
Buy here from my Threadless store. (There's over 60 flags so far)
Download from the web archive to print out yourself (again. cannot stress there's over 60, it's not just these ones.)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
[ID: Nine versions of a drawing of Mickey Mouse holding up a large flag against a transparent background, with the art having a white outline, each one reading, "Have pride in the public domain!". at the top. The first is the ace flag, with stripes of black, grey, white, and purple. The second is the aro flag with stripes of dark green, light green, white, grey, and black. The third is the aroace flag with stripes of dark green, light green, white, grey, black, grey, white, light purple, and dark purple. The fourth is the aroace flag with stripes of orange, yellow, white, light blue, and dark blue. The fifth is the genderqueer flag, with stripes of light purple, white, and dark green. The sixth is the MOGAI flag, with stripes of cyan, teal, green, yellow, purple, and brown. The seventh is the rainbow pride flag, with stripes of red, orange, yellow, green, blue, and purple. The eighth is the Queer chevron flag, with a cream background and two chevron stripes of light and dark purple. The ninth is the progress trans flag, with stripes of purple, black, blue, pink, white, yellow, black, and brown. In the center are concentric circles of black, dark purple, and gold. End ID.]
If you don't see your pride flag (no matter how specific), let me know! I will be happy to add it!
16 notes · View notes
furbearingbrick · 3 months
Text
Tumblr media Tumblr media
15 notes · View notes
ogsherlockholmes · 1 year
Text
Since all the Sherlock Holmes stories are in the public domain, here is a list of things, both from the canon and not, that I believe should be included in the adaptations which I’ve invented in my head and should be real. 
(To preface: I know there are adaptations which include some of these, but I’m still limited so I haven’t seen many which do. Also, these aren’t just my own ideas, a lot of people have said them too.)
-Sherlock respecting women (obvious)
-Sherlock respecting most people in general apart from the rich antagonists or police.
-Watson actually being smart (he’s a doctor, yes in the Victorian era, but they did have some medical knowledge)
-Irene Adler being... Irene Adler. Not sexy dominatrix no-purpose-other-than-to-flirt-with-Sherlock.
-Not straight Sherlock.
-Not straight Watson.
-I would say Johnlock but I know some people see Sherlock as more aroace so I want it to be more inclusive. But. Maybe one Johnlock adaptation. As long as he’s not flirting with Irene Adler I’m happy. 
-Garridebs. 
-Actually exploring the drug addiction as more than a quirk or a joke. Like, at the end of The Sign of Four, it was so depressing how Sherlock spoke about it.
-More detectives other than Lestrade. I have nothing against Lestrade personally, but there are so many other detectives. May I suggest my guy Stanley Hopkins?
-Sherlock being Sherlock. Like, doing stuff like lying on the floor to investigate footprints or laughing when the clients are stupid or humming to music. Instead of being... like everyone else (*restraining from pointing at Henry Cavill’s Holmes).
-Autistic Sherlock. Not just implied (*glares at BBCSherlock*) but actually confirmed. (Yes, this is difficult since I don’t think autism was diagnosed in the Victorian times, but if Sherlock can survive the Reichenbach fall, he can be autistic.)
-ADHD as well.
-Sherlock and Watson going to concerts (that’s literally so cute, it should be obligatory that every adaptation includes it). 
-An adaptation of The Blue Carbuncle. It’s just a Christmas goose chase really but I love it.
-Mary Morstan not being Watson’s wife. She’s so much better without him, I’m sorry. 
-Female characters that win, or ones that are not there to be flirted with (*squints at every Adler adaptation*). I’m not just talking about her though, I mean other women, like the one who killed Charles Augustus Milverton (she’s iconic).
-Garridebs x2
-The thing about Sherlock reading horror stories and knowing every detail.
-Trans Sherlock. Again, difficult with the Victorian thing, but we can move past that.
-A female Sherlock. 
-A female Watson.
-Actually make them all women just to enrage every misogynistic Holmes fan.
-Exploring Watson’s PTSD. I mean, he was a soldier. Alone in London. Having no purpose in life. Injured from the war. That can’t be ignored. 
-Sherlock meeting an alien. I have no idea why I thought of that, but I think I saw that there was a story (obviously not by ACD) about that. I don’t know, I think it would be funny. (”Good God, Holmes, what on Earth is that?” “I don’t know, my dear Watson, but it seems to be breathing fire on Mrs Hudson’s plants.”)
-Housekeeper Sherlock. According to Sherlock, his housekeeping skills are underappreciated. 
-Sherlock retiring to the countryside to be a beekeeper. Please, he’s getting old and he’s been running around London for over a century.
Please add more, we have an opportunity to be creative here. It’s like fanfiction but to the extreme.
253 notes · View notes
Text
Seeing posts on the dash that r like “reminder that every Dracula character would be racist and sexist and homophobic and would hate you specifically” and I’m like. Yeah. We know. But we also like to take characters and go “but what if they were Like Me, Instead” and spit on the author’s grave Cause the fact of the matter is that people Like You (whether you’re gay, trans, intersex, a poc, of a minority religion, etc) have always existed. White literature didn’t depict them much, because Society. But that doesn’t mean you shouldn’t be able to say “fuck that, actually, I see the potential for a story With People Like Me In It in here, even if it wasn’t meant to be that way, and the public domain is free for the taking”
Does the fandom have problems with racism and sexism and various -phobias? Absofuckinglutely. This is tumblr. Sometimes people on here are stupid. But when it comes to people who are having ultimately harmless fun saying “how would the story be different if this character was a person like me?” just like. Let them do that.
Also the same “ohhh they’d hate you cause they’re From The Past” argument could be applied to almost any historical media lol. If you’re a fan of other white-authored classics and you think that it’s a Cool Argumentative Point to say that the Dracula characters would hate their fandom then…buddy idk what to tell you but by your logic then every white character from earlier than the 1980s would be the same way. But shocker, people don’t like being told that their blorbos would hate crime them. Let people play with their fictional blorbos so long as they’re not being actually harmful. Some Dracula fandom problems ARE an issue (ex. people being ableist about Renfield and to a lesser extent Jonathan, people prioritizing Jonathan over Mina, people not questioning the hidden xenophobia in the original Dracula character when they’re creating their own adaptations, etc). however if someone is like “what if Mina was a WOC” or “what if Quincey was gay” then like. they are just doing the public domain equivalent of tumblrites playing with jpegs like dolls, trying to see themselves in a story that originally left them out of it.
I guess what I’m trying to say is
Tumblr media
24 notes · View notes
neopronouns-in-action · 9 months
Text
Did you know you can submit your own neopronoun-centric short stories to this blog for people to read?
You can submit stories with any neopronouns, even if I’ve already used them! I’m trying to use as many as possible, so I’m trying not to repeat them, but you are allowed to use any you want!
Submitted stories should be about original characters, or public domain characters, like Sherlock Holmes, characters from Dracula, Flatland, Frankenstein, and other public domain stories.
As a cheat sheet, if you can find the book on Gutenberg.org, you can use the characters here :)
I'm mostly just not accepting fanfiction because I don't want to have to research all the characters submitted to make sure people aren't misgendering cannonically trans or nonbinary characters that use other pronouns.
Remember -- you cannot create representation by taking it away from other people!
Submitted stories will be given their own separate list on the pinned post, and you can submit them through either the ask or submission buttons, including submitting them anonymously!
18 notes · View notes
aerypear · 11 months
Text
TLDR on Fanworks legality
Fanworks are under Fair Use laws, these vary in countries. (Hint: It is your job to acquaint yourself with your Country’s variation of Fair Use laws.) 
Fanworks are not Public Domain. A piece must be within the Public Domain (have no active license holder due to ineligibility of copyrite protection or copyrite has expired) to be classified as such. The IP (Intellectual Property) is, usually, not in Public Domain. (Hint: it is your job to acquaint yourself with your Country’s variation of IP laws) Here’s a website that has Resources for Public Domain Materials.
Creational spin offs of Public Domain media can become new IP. However, would still need to be registered Copyrite to become Formal Intellectual Property protected under Copyrite laws. (Hint: It is your job to acquaint yourself with your Country’s variation of Copyrite laws.)  Example: Just because Beethoven’s songs are in Public Domain, does not mean I can go and use TSO’s ( Trans-Siberian Orchestra ) variations of Beethoven’s songs. TSO’s Beethoven creational spin offs are under Copyright © – Atlantic Recording Corporation & Copyright © – WEA International Inc.
Fans hold ownership to non IP elements in their Fanworks. This is under Fair Use laws and IP laws. 
The Licensed IP Owner does not have ownership of Fanworks. They only hold ownership over their IP such as Character Designs, Character Names, Location Appearances, Location names, and (sometimes) Plot. All is dependent on what the IP license Protects. Restrictions do apply. (Hint: It is your job to acquaint yourself with the IP restrictions of the Media you create Fan pieces of.)
It is theft of both informal and formal IP to use Fanworks to train AI without permission from both IP holders. (Hint: Copyrite Laws, Fair Use Laws, IP Laws.)
33 notes · View notes
Text
Psycho Analysis: He-She
Tumblr media
(WARNING! This analysis contains SPOILERS)
The public domain is filled to the brim with some of the best and most fascinating characters that you, dear reader, can use without issue in your very own stories! Nothing can stop you from slapping Dracula, the Martians from War of the Worlds, Gilgamesh, Cthulhu, and Sherlock Holmes into some big stupid crossover story! And if you plumb the depths of the public domain you’ll find even cooler and wackier characters who had their licenses expire ages ago. Why not put Six-Gun Gorilla or Stardust the Super Wizard into your works? You’ll get a lot more points for originality there.
But sometimes when you go deep into the depths of free-to-use characters, you find… Well, you find stuff like He-She.
In 1943’s Boy Comics #9, the world was given an answer to Two-Face that nobody had asked for, mainly because he’d only existed for about a year. But did Two-Face have the greatest fucking tagline ever?
Tumblr media
I don’t think so! Still, the name alone might make you raise an eyebrow, and the mere concept sure does seem a bit… iffy in this day and age. I imagine there’s a reason I discovered this character through lists of old comic villains who are incredibly offensive (for some reason, Snowflame kept appearing on those lists too, even though there is nothing offensive about him except how much cooler he is than every other villain ever), although… is that really fair?
Motivation/Goals: All they want is money, money, money. Ain’t it funny? I mean, honestly, what do you expect from the villain in a Golden Age comic book? All the villains back then either wanted boatloads of cash or to destroy the city, with no in between. We wouldn’t get cool motives like “turn the population of New York into dinosaurs” or “Go on a gorilla rampage” until later. Most villains, however cool they appeared, were fueled by simple greed back in the day.
Final Fate: So, uh… They get executed for their crimes.
Tumblr media
Like, what, they committed a murder and stole some money? Does that really warrant the death penalty? I’m thinking there was some other reason He-She got put to death...
Best Scene: Over the span of two pages, He-She uses their better half to seduce Crimebuster and then some random guy into doing their bidding. There’s just something genuinely hilarious about a villain using the exact same ploy twice in a row and having it be effective both times, especially since it’s one of the most transparent and silly ones ever used.
Tumblr media Tumblr media
Best Quote:
Tumblr media
Final Thoughts & Score: There is just so much to unpack here, and yet at the same time so little.
Let’s start with the obvious question: Is He-She offensive? Well, they refer to them as an “it” right off the bat, which isn’t particularly great, and we have our police character acknowledge there are people like them… in circus freak shows. Crimebuster is a little nicer in the end, saying they’ll pay for “his or her crimes,” but yeah, it’s not exactly tasteful by modern standards.
Of course, considering when this was made, it genuinely could have been a lot worse. Golden Age comics were rife with problematic characters, and by those standards He-She could have been some walking transphobic stereotype. But being trans wasn’t really the big topic it is today; I don’t really see He-She as being any sort of commentary on gender identity or trans people beyond having a name that is incredibly unfortunate with the benefit of hindsight because I really don’t think it was an issue mainstream enough to mock. I’m not going to pretend like this is tasteful or well done—it’s definitely not—but if they were genuinely trying to be transphobic it doesn’t really come off that way. He-She is just a generic criminal with a very weird gimmick that has aged a bit awkwardly.
And that’s really the long and short of it right there: He-She is, ultimately, a generic criminal. If not for their absolutely bizarre premise and design, I think they would be completely unremarkable. And even the gimmick falls a bit flat because it is truly poorly implemented into the story. He-She marries a landlady within the first page of the comic, but it’s only after their marriage during a big fight that their wife finds out that they’re He-She. Did she just never once see the other side of their face? Did they not kiss them at the wedding? Is the trench coat and hat really that great of a disguise? The entire plot would collapse if anyone bothered to look at He-She from the other side. Do they have some superhuman ability to make people never question why they always stand so you can only see their profile?
There are a few humorous moments like the aforementioned seduction trick, but the gimmick isn’t utilized well beyond that. What we’re stuck with is a historical curiosity that’s too bland to be offensive, too tasteless to garner a fanbase, and just a baffling creation in its own right. 4/10 seems about right. But that’s where you, dear reader, come in!
You see, as He-She is in the public domain, you can take them and put them in your own stories, free of charge! Give them complex motives and deeper characterization! Give them a more appealing design, or at least have their odd physical condition make a bit more sense! And most importantly, change their fucking name and write them with respect! Literally nothing is stopping you from rehabilitating this bizarre piece of comic history!
Except for the fact that, you know, He-She sucks. But that's why you gotta make them better.
17 notes · View notes