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Psycho Analysis: Dee Vasquez
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(WARNING! This analysis contains SPOILERS!)
“Turnabout Samurai” was always a case I skipped on my replays, because when I originally played the game I found it to be a tedious filler case loaded with bland characters and little plot progression. On my most recent playthrough, though, I realized how wrong I was; while the case is overly long and does require some obnoxious backtracking, it’s honestly an extremely fun and funny case that really helps develop Miles Edgeworth and flesh him out as a character, which kind of makes me baffled at my initial perception of the case as pointless filler. This is no “Turnabout Big Top,” that’s for sure, and that’s all the more apparent when we uncover who the true killer is.
Dee Vasquez marks a true turning point in the killers I the franchise. Frank Sahwit and Redd White are certainly not out of place in the series, but they are both one-dimensional goofballs. Not Dee; she’s an incredibly three-dimensional villain with motivations that go beyond simple greed and an actual sympathetic motivation for her crime.
Motivation/Goals: Dee Vasquez is actually rather interesting in that her motivation for murder has one of the first twists in the series: She had no motive. The murder was an accidental one in self-defense, as the victim Jack Hammer had come to her with the intent to kill her. When he did so, she shoved him off the steps and impaled him on a fence—something Hammer himself had accidentally done to another actor five years prior.
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It’s pretty interesting to think that there wouldn’t be another killing in self-defense until Spirit of Justice, and even then there’s a big twist to that too—but that’s a story for another time.
Breakdown: Fitting her terse and stoic personality, Vasquez actually has one of the single most understated breakdowns in the whole series, followed by her sadly and graciously accepting her defeat:
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That really is it, and honestly, it's all she needs. Someone with her demeanor losing her composure for even a moment like that is pretty impressive.
Best Scene: Vasquez actually gets one of the most unique scenes in the franchise, as at the end of the third day of investigating she lures Maya and Phoenix into her trailer, where she proceeds to call upon her mafia goons in an attempt to “erase” them.
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It’s pretty notable because the mafia goons actually get art here, and this is also the only time Vasquez’s mob connections are really brought up in any capacity as they aren’t mentioned during the trials, only getting briefly mentioned in discussions while investigating. It’s doubly notable because it gives Gumshoe one of his first “Big Damn Heroes” moments when he bursts in and saves our dynamic duo’s lives.
Final Thoughts & Score: Dee Vasquez is a really solid villain, and her case is where the series really grew the proverbial beard.
I think what’s most fascinating about her is how you only get some vague hinting at the relationships that surround the crime she committed, and the true nature of her relationship with Hammer is based entirely on hearsay from biased parties—can you trust what she says in regards to Hammer, considering she was blackmailing him and clearly had a great disdain for him for killing her possible lover? Can you trust Oldbag’s account of it being a tragic accident when she’s a Hammer superfan? It all makes her the sort of character where you can come up with multiple interpretations of her and have different levels of sympathy depending on how you view her actions. Like sure, it was in self-defense, but it becomes a lot less sympathetic if you see Hammer more as a victim of manipulation for something that wasn’t really his fault (although his willingness to frame his co-star Will Power out of petty jealousy certainly doesn’t make him look very good).
Helping this is just how grounded and low-key she is. She doesn’t really get wild, over-the-top reactions like some of the other killers, and while that may seem like a detriment in a series as silly as this, it actually makes her stand out a lot more especially with how later villains would become even more wild and wacky. It also helps build her up as a genuinely formidable opponent in court, and she’s actually a pretty tough egg to crack when you get her on the stand.
While I’m not going to pretend like she’s the greatest, most complex, or most tragic of all the villains (how can she be when characters like Ini Miney, Geiru Toneido, or Acro are around?) but for a first attempt at a more complex villain that isn’t just killing for the money, she’s a really solid one. A nice solid 7.5/10, I’d say. I think really her biggest problem is that the case immediately following hers features perhaps the single most sympathetic murderer in the original trilogy, as well as another stoic hardass villain who has a far more glorious breakdown, which leaves her being a bit overshadowed. Still, for what she is, she's a remarkably solid villain.
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mellohd · 9 months
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Sitting here psycho analyzing Overtime over lunch, I also have like 6/7 pages of notes. THIS IS SO FUNNN I NEED TO DO THIS MOREE
After I take notes on Bleeding Edge I’m gonna do a more in depth character analysis of everyone I deem important! My brain is just rapid firing theories rn
PLEASE PLEASE SOMEONE ASK ABOUT MY THEORIES 😭😭😭
Again if you have any theories, interesting facts or screenshots etc please dm me, put it in my asks or comments! I’m making a video essay/wiki article over Overtime as a passion project hahaha
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mochamuslim · 6 months
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and if I decide to psycho analyse all the prophets companions and wives?? what then???
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lehrven · 2 years
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I love the idea that despite being the youngest mikey is the most emotionally intelligent
So unlike donnie who is scientifically smart and says outwardly how dumb everyone else is in comparison mikey is sitting in the corner just, thinking about it. Keep ing it to himself because he doesn’t wanna be mean (he still loves them he just worries that theyr pushing down their traumas because you know they all have trauma 😀
basically dr feelings is one of his many personas he created for himself so he can express these thoughts out loud (and dr delicate touch is the one he created to express his anger because being the “sweet youngest sibling” on the outside can really often lead you to being too nice and having pent up rage like that)
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zololacan · 5 months
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BASED !
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moonriseoverkyoto · 6 months
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I love studying psych but some days I just wanna believe humanity can be good :(
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mapstomyhouse · 7 months
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“It is interesting, though, that a strong psychological tendency is now manifesting itself to restrict and defy the force of love in erotic relations, and this is because such relations do involve to every individual some measure of compulsion and dependence. One type of the present younger generation will not acknowledge any feelings of love, even for a sexual partner or a child, trying to base every human tie on reason alone, so greatly dependence feared by them” - Melanie Klein Love Hate and Reparation (1964)
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bhgy123 · 1 year
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Sin
https://www.youtube.com/@ziashabir7601 Kindly subscribe my channel ..I will post more informative and Life videos in future [email protected] +923058021983 Ghari Ikhtiar Khan, Rahim Yar Khan, Punjab 64200Pakistan ضیاء شبیر zia shabir What is a sin according to the human psychology? A sin, according to human psychology, is a behavior that goes against one’s moral or ethical code and is…
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nothingbizzare · 2 months
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To be a sunflower looking at the sun
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hisenemy · 11 months
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Psycho Analysis: Princess Azula
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(WARNING! This analysis contains SPOILERS!)
This is one of those characters I should’ve done a long time ago, but just never got around to because I felt it was just way too obvious. I mean, come on, Avatar: The Last Airbender is considered one of the greatest works of western animation. Everyone and their mother has talked about this show at some point, so what could I even add?
Well, as it turns out, the way people talk about Azula is exactly what inspired me to write this! I have never seen a character so completely and critically misunderstood! Hell, this is a character that people like to disregard the core themes of the story to talk about! Discussion of her online made me so genuinely angry that I decided fuck it, it’s Azulain’ time! So here we go, my 200% anger-fueled analysis and review of the mentally-unstable Fire Nation princess who terrorized the Gaang!
Motivation/Goals: Azula has basically made it her life’s mission to be the ultimate tool of the Fire Nation, and specifically her father Fire Lord Ozai. To that end, she does basically whatveer he tells her to do? Kill the Avatar, conquer Ba Sing Se, take out her brother and uncle… So long as what she does has a net benefit for the imperialistic goals of her country, she’s down for it, and doubly so if she thinks it will get her even a little crumb of daddy’s attention.
Performance: Superstar voice actress Grey DeLisle of Literally Every Fucking Cartoon Ever Made fame lends her voice to the crown princess of the Fire Nation, and her smug, condescending delivery really sells Azula as a manipulative schemer who is constantly playing 4D chess to outmaneuver her opponents. I think I might even go so far as to call this one of DeLisle’s finest performances ever, for reasons pertaining to her delivery of lines in certain parts of the story that will be described below.
Final Fate: Azula’s fate is a perfect example of the show’s excellent writing because it robs us of catharsis in an extremely narratively satisfying way.
Throughout the finale, we watch as Azula’s mental health rapidly declines as literally everything in her life spirals out of her control for the first time. This is a girl who has defined herself as always being two steps ahead, always having everything firmly in her grasp, and yet her brother has run off with the heroes, her two best friends “betrayed” her, her father gives her the throne but only because he is crowning himself the Ultra Super Cool King Deluxe, and she is constantly grappling with feeling as if her mother viewed her as a monster while also subconsciously knowing that Ursa did truly love her. Keep in mind, all of this is happening to a teenage girl, so is it any wonder she completely and totally snaps?
Her final Agni Kai with Zuko during the height of Sozin’s Comet is epic, but it’s the conclusion where she is defeated by Katara and left as a sobbing, flailing mess that really knocks Azula’s character arc out of the park and cements her as the ultimate antithesis of Zuko. He had the guidance of a good, kind father figure, while she was stuck with Fire Hitler; he had a group of friends to love and support him, while she only had companions who put up with her out of fear and turned on her when they finally had enough; he was able to come to terms with his past traumas and grow to be better because of his numerous support systems, while all she had were toxic influences that led to her essentially collapsing under the weight of her internal conflict. She is what Zuko could have been if no one lent him a helping hand… and it is soul-crushingly tragic. The last we see her, she is a broken mess of a person, someone who has literally lost everything in their life, had the sole purpose of their existence stripped from them, and has just been reminded that she lost because she is a lonely, miserable, pathetic individual without any friends.
After her being on top for almost the entire show, this should feel like a triumph! But it’s not. It’s sad. It’s tragic. There’s no joy to be found. And boy oh boy, is it fucking powerful.
I’m just going to ignore what happens to her in the comics. It’s better that way.
Evilness: So here’s where things get really interesting, because while Azula does some truly evil things throughout the show, there is a tendency to exaggerate just how awful she is because most of her evil actions are just things she says she wants to do/has done. Combined with her smug, arrogant demeanor and it’s easy to believe she would do these things, but we don’t actually witness them. To wit, while she taunts Sokka about torturing Suki to the breaking point, when he finally reunites with her she sure doesn’t seem as cripplingly broken as Azula implied. I think it’s important to note that, as Azula is a massive liar, if we don’t actually see her do something (even something she’s threatening to do), it’s not really a mark against her. She’s a cunning manipulator, after all, conquering an entire city without lifting a finger.
On that note, though, she does have plenty of wicked moments under her belt. She conquered Ba Sing Se for the Fire Nation, she constantly tried to kill Aang and her brother while they were on the run in the Earth Kingdom, she had her friends locked up for defying her… Like she’s one messed up daddy’s girl. Even taking into account the inherent tragedy of her character and the fact she’s a teenage girl, she still kind of steps up to crossing the moral event horizon. She’s very much the product of grooming in an environment meant to espouse the joys of fascism and imperialism, and since she never had a strong guide like Iroh her moral compass is busted.
With all that being said, I think she’s a solid 5/10. She does some really nasty things, but at the same time a lot of what colors the perception of her is stuff she only implies. Also I’m not considering any of her pre-breakdown fights with Zuko as truly evil; this is just how siblings are. You bet your ass sibling squabbles would look just like that if they could shoot fireballs from their hands.
Best Episode: For all her badass moments, awesome schemes, incredible fights, and powerful moments… “The Beach” might be her best episode. This might sound crazy, but I stand by it; I think showing us an awkward, human side of her really helps to sell that Azula isn’t actually some unstoppable force. She’s just a teenager who has no social skills and can’t exist outside of the confines of being a royal or a warrior without looking like an absolute weirdo.
Best Quote: After outmaneuvering season 2’s arc villain Long Feng, who concedes to he rand says she’s beaten him at his own game, she flippantly replies, “Don't flatter yourself. You were never even a player.” I don’t think even Jet got so brutally murdered. It’s the sickest burn in the series aside from Zuko’s scar.
Final Thoughts & Score: The whole reason I even wrote this Psycho Analysis is because the constant and critical misunderstandings of Azula I see online constantly piss me the fuck off.
There is a subset of Avatar fans who completely and steadfastly believe that Azula is in fact an irredeemable monster, a complete sociopath with no redeeming qualities who needs to suffer and die. They reject any attempts at assessing the character in a more nuanced light, because “why can’t villains just be evil?” They treat her as if she’s some sort of pure evil being instead of an emotionally stunted child.“She’s crazy and she needs to go down” might as well be the mantra of these media illeterate Avatar fans, parroting opinions that mirror the words of Iroh after Azula almost killed him but ignoring that crucial context as well as Iroh’s entire character. Like, do these people actually pay attention to the core themes of the entire show? You know, mercy, redemption, humanity, the importance of all life? Did they miss the part of the finale where these core themes were cemented by Aang removing Ozai’s firebending with energybending, or were they too busy bitching about it being a deus ex machina to realize it’s thematically appropriate?
Like they want Azula to just be this evil, unredeemable cartoonish villain in a show that explicitly says no one is like this. There’s even a point in the final episodes where it’s pointed out that genocidal colonizer tyrant Ozai was once a sweet, cute little baby, and didn’t just spring forth as a fully formed Red-Hot Hitler. Azula is a person groomed by an unrepentantly evil father to be the Fire Nation ubermensch, the ideal tool for the conquest of the rest of the world. She was never allowed to have a normal childhood, as evident by her awkward behavior and social ineptitude when she’s actually allowed to cut loose and be around people her own age in a relaxed setting. Everything that she is—a liar, a manipulator, an attempted murderer, an egomaniac—are all the result of Ozai’s upbringing, being entrenched in the propaganda of her nation, and a lack of authority figures with a moral compass in her life. She didn’t have an Iroh to guide her, all she had was Ozai. In this sense, Azula is as much a victim as she is a victimizer.
But she is a victimizer. She is still consciously making bad decisions, she is still doing evil and sometimes appearing to enjoy it. There’s no reason to believe she couldn’t turn things around if given a helping hand like her brother was (though there would need to be a lot more effort due to her being in Ozai’s company unimpeded for way longer than Zuko), but she’s not some innocent little bean who’s being persecuted by others. Azula is still a villain, and viewing her as just a mere victim is a disservice to the character just as much as painting her as an inhuman monster. She is a very nuanced character, but she never gets the sort of POV work Zuko does to fully flesh out what’s on her mind and let us see the world through her eyes so the work done for her is more subtle, at least until her final breakdown. At that point, the show is literally beating you over the head with the fact she is an incredibly tragic character whose entire existence is pitiful and broken, and who lives as a mirror to Zuko, showing him a dark path he could have walked down if he didn’t receive love, support, and compassion.
Ultimately, Iroh wasn’t wrong when he said “She’s crazy and she needs to go down,” but I take it with emphasis on and. Azula is, in fact, crazy. She is incredibly mentally disturbed, her mind warped and molded by her father to the point she breaks if she starts to lose control even a tiny bit. And, as an antagonistic force working against the heroes, she does indeed need to go down. I’m sure he wasn’t too happy with his near-death experience, but you will not convince me that the sweet old Iroh, who himself changed and redeemed himself after being a fucking war criminal who nearly conquered Ba Sing Se, could not see the nuance in the Azula situation and genuinely saw his niece as some beast to be slaughtered.
But that’s enough with the ranting, let’s get to the actual final thoughts and score for Azula. She is one of the most engaging and magnificent villains in animation, a real firebrand (heh) whose numerous schemes are gripping to watch, building her up as someone you want to see finally get defeated only for the writers to pull the rug out from under you and remind you just what Azula really is. Avatar had no shortage of brilliant and subversive writing, but I think Azula’s ultimate arc is an unsung masterpiece among it. The character is so mired in discourse these days it’s easy to forget it, but she genuinely is a grand character.
For her score, I’m gonna say she gets a 9/10. She’s easily the best villain on the show, far outshining her rather generic father, the deliciously hammy but ultimately rather shallow Zhao, and the scheming but relatively minor Long Feng (to say nothing of the numerous minor villains that range in quality from wastes of time like Combustion Man to genuinely amazing and horrifying like Hama). I think the only thing holding her back from a perfect score is that sometimes it feels like things fall into place a little too perfectly for her, and she doesn’t face setbacks too much until the very end, but considering the immensely powerful culmination it’s nothing that ruins her. Azula is a character just as rich and deep as anyone else from the show, and I really wish more people looked at her with nuance.
I also wish the fucking comics didn’t exist. Maybe I’m asking for too much.
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ahmobbu · 1 year
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i would like to talk abt how yuzuru tachikawa went OFF in storyboarding/directing the separation arc w/ the use of natural and artificial light on reigen.
we only see his face w natural light before opening s&s
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and then after his fallout with mob, it’s only behind him.
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his face becomes illuminated by only his laptop in his apartment
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also after mob leaves him, the blinds in the office are closed compared to when he first started. this is the window that originally showed him the light. he is subconsciously shutting out that dream of “being somebody”
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more under cut!!
the only exception to this rule is his convo w/ ekubo, who is the character he can be the most honest to.
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when we get to the bar scene, it’s nighttime, so there’s ONLY artificial light. it’s framed similar to him looking out the s&s window, which was the last time he was able to live w/o the fake “psychic” title. except now, it’s lit blue instead of warmly.
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he wants the same thing, but the second time is leading him to a path of self destruction: like a moth to a flame.
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when we get to the Cancellation, he’s under studio lights and, later, camera flashes. the lights are brighter but his shadows are harsher. he’s being seen but in the worst way possible.
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lastly, you’d expect sunlight to be on his face when mob tells him he’s a good person, but it stays in the shadows because reigen doesnt Say it. he hasnt Told mob hes a fraud. you can see the shadows creep into his face when he lifts his face. the good part of him is acknowledged
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exilepurify · 1 year
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Studio Bones’ and ONE’s masterful work with the extremely nuanced and allusive facial expressions in Mob Psycho 100 adds so much subtext and subtlety to scenes. Like there’s a rich world of emotions behind the text of a lot of important scenes—stuff said only through furtive movements and charged looks. It’s very fun to go back through the context of the anime or the manga and really pay attention to the details. People who won’t watch or read MP100 because of the art style are really missing out
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cultpastorkevin · 5 months
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Kevin Day was a child prodigy who didn’t stand a chance against the adults in his life because like almost all adults with child prodigies, they weaponized what was considered extraordinary and viciously flattened everything else about him
Note the Foxes did that to Kevin as well bc they only saw him as useful for his play and not good for anything else; dude literally got shut down so hard for talking abt anything that interested him that he gave up and only talked Exy and then in turn got made fun of for being Exy obsessed like yall let the man talk about history he’s fucking depressed
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ellionwrites · 5 months
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I cannot stop thinking about this part of the JJK opening credits for the Star Plasma Vessel arc. It is SO SUGGESTIVE.
Gojo just chilling as he plummets off a skyscraper, because he trusts that Geto's shikigami will catch him...
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Then Geto does this FLIRTY 'COME HERE' GESTURE/FACE (and Gojo smiles like the fcking simp he is)...
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THE WINK AND SMIRK?????
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(P.S. don't get me started on the symbolism of Gojo/Geto being literally each others' 'other half')
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zuzu-draws · 10 days
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So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.
I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!
Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.
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This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!
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This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.
What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.
Eating is an instinct, a necessity for the survival of every single living being.
And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)
In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.
On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.
Btw, this tweet and this thread gives additional characterisation to Sukuna:
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Link to the original thread: Link.
More context (and reactions :P):
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Link to original thread: Here
This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.
When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:
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When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?
No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.
This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.
This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.
Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )
I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.
He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.
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I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.
Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.
Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.
This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.
I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:
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Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.
Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.
But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:
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This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.
Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.
If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3
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