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#position i end up in
odetolovers · 6 months
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everyday i wake up and have to repeat in the mirror "babe you're not cursed you're just in your twenties"
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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gejnialnie · 2 months
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hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D
+bonus:
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look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-
(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)
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beybuniki · 4 months
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:D
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bananasunflowr · 1 month
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scared to get close to people. scared everyone will leave. scared no one likes me. scared scared scared
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iintotheunkncwn · 1 year
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The level of anger I have right now toward WB and James motherfucking Gunn… I can’t even put into words right now how angry I am.
How do you fucking do that to someone? Have them announce he’s Superman PRIOR TO HIRE…then HIRE HIM…only to then say NAH WE ARE GIVING THE ROLE TO SOMEONE ELSE THANKS FOR YOUR TIME DONT LET THE DOOR HIT YOU ON THE WAY OUT!!! And THEN POST ABOUT IT AND SAY ‘…but we’re big fans of his and we talked about a number of future possibilities!’ Get the fuck out of here with that shit, trying to smooth your biggest fucking mistake out. We don’t want it.
Like you have to have some fucking balls to really rip the rug out from someone like that. And that someone was so ready to get back into that suit and rebuild Superman and the universe he would be in… only to just let him down so fucking hard.
And not just Henry.. we, the fans! The ones who wanted him back in the first place, and the ones who were excited or at least somewhat hopeful about this whole rebuilding of the DCU! You go and do us AND him dirty like that? Fuck you, man. Honestly, go fuck a cactus.
This really takes the fucking cake, WB. Wow.
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ohno-the-sun · 7 months
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Brain empty only fish 🐟
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deathberi · 1 month
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FINAL FANTASY VII REBIRTH (2024) ↳ Zack chooses to help Cloud because...?
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I like to think how at some point Ciel relearns to embrace physical affection rather than run away from it, especially with Sebastian, to the point of it becoming his second nature.
An encouraging hand casually lying on his shoulder or back. A brush of lips to his temple while serving him tea. A grounding weight of Sebastian's body, ordered to sit idly on his master's lap much to ever busy butler's slight annoyance.
Basically Ciel going from "is it really necessary for him to touch me all the time??" to "it's nice, it calms me down, I shall probably just order him to do it from now on."
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freakadr0id · 2 years
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Oh my GOD, I just realized why Donnie acts so weird in Man vs. Sewer. I always thought his behavior was odd in that episode, particularly in his nonchalance towards finding and saving Raph - but I had the most random thought occur to me during work that TOTALLY explains it. I'm sure some people have probably pointed this stuff out already, but I wanted to put this out there anyway.
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The episode 'Man-vs-Sewer' is a personal favorite of mine. I love the episodes where the boys are just goofing off, and this episode is that plus some. We see get to see the boys having fun for a bit at the start of the episode, but it also adds a bit more depth to some of the turtles. We see a really surprising side to Raph's character with his fear of being alone, and Leo gets to shine a bit as a leader and hint at his true potential.
However, I was always a bit puzzled by the way Donnie and Mikey were written in this episode. As a rule, Rise is pretty good about keeping its characters, well, in character, so their behavior struck me as kind of strange, particularly Donnie's.
If there is one thing Rise NAILS about Donnie's character is showing that despite struggling with emotions and empathy, he is still NOT AN ASSHOLE. Donnie genuinely and deeply loves his family - he just has a hard time expressing it externally.
'Man-vs-Sewer' kind of stood out to me as an exception to that, however. At this point, Donnie's care for his brothers is an undisputed fact, so why does he seem so unconcerned about finding Raph after being separated? Even for Donnie, this seems like an ooc level of indifference towards the well-being of his brother (at least that's how I saw it).
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Except, it isn't. In fact, this episode only reinforces that Donnie does care for his family, it's just a *bit* harder to see here.
One thing many neurodivergent people struggle with is a sudden change in plans. When they expect to do something that day it can be very difficult for some neurodivergent people to deal with it emotionally and can lead to immense frustration or even shutdowns. Since Donnie is confirmed to be, at the very least, autistic coded, this would absolutely apply to him as well.
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The turtles planned to have a nice, relaxing day floating along New York's sewers and enjoying a small break from all the stress of finding the Dark Armor. No fighting, no mystic metal, no foot clan. Just a calm day of fun without a care in the world - only for it to be ruined by a bad pass and a lost brother.
I know if my plans were ruined like that, I would be in an absolutely FOUL mood. It can be hard to transition into a different mindset when the expectations for the day change like that, and it can make anyone frustrated, but Donnie doesn't appear to be that way. In fact, he's acting extremely casual.
Even though everything he was going to do today was upended and his brother is now missing in the New York sewers, why does Donnie seem so unconcerned about the whole situation?
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Answer: It's a coping mechanism.
It would be very easy for him to be a bit more annoyed and frustrated at the whole situation (I definitely would be), but he isn't. Instead, he avoids getting overwhelmed and emotional by continuing through the day as if nothing has really changed.
The whole time they are finding Raph, Donnie behaves as if they are still on a peaceful, carefree mini-vacation. He makes snide jokes and jabs toward Leo, enjoys the drinks he brought in his shell, and constantly reminds the others that it is his "day off." If he can act as though he's still relaxing, it becomes easier to adjust to unexpected alterations in his day. This isn't Donnie being willfully inconsiderate towards Raph being lost and alone, this is just him trying to manage with the sudden changes the best he can in that moment.
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If Donnie really was an uncaring asshole (as some may be inclined to believe given his apparent lack of empathy), he simply would have resumed their original plans, or been more vocally resistant to going after Raph. Instead, he joins his brothers in their search, and although he may not provide the best input for finding Raph because of his coping method (his brain is in "day off" mode which is why he keeps missing clues about Raph), he is still making an effort.
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In a way, the episode which I thought portrayed a slightly out-of-character version of Donnie actually provides yet another example of how Donnie really loves his brothers, despite how it may seem on the surface.
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~-~-~
(Actually, depending on the way you interpret his character, the same can be said for Mikey in this episode as well. Mikey is always a bit of a goofball in the show but in this episode, it is dialed up to 11. He also doesn't seem to much care or effort into finding Raph and acts like a child who managed to snag one of their parents' energy drinks. If we consider that maybe he is also struggling to adapt to the changes of the day, this could be him adopting a similar coping method to Donnie, it is just amplified because of his hyperactive behavior and personality.)
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vesperosy · 1 year
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illustration for class about transness, the divine alchemy of the self and the bravery of coming out
ko-fi
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blorb-el · 3 months
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fellas is it gay to orient the universe around your best friend. is it gay to take his suffering into yourself because you can’t bear to lose him. is it gay to save him even though you know he wouldn’t want that because for once in your god damn life you’re choosing to be selfish. is it gay to need him that much. is it gay to see how the stars reshape themselves into his form. is it gay to point out how he’s infinitely more than his worst enemy... is it gay for your love and respect for him to be what saves the fucking universe.................
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meamiiikiii · 2 months
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what to do when you forget your umbrella!
i will not elaborate.
((these drawings are a GSNK rain scene reference ADSAFFASD))
bonus isolated (isalated?) running isa as a treat for his birthday:
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jahiera · 8 months
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one of the things that hits really nicely for me with Astarion's romance is that he never really encourages or wants you to be some kind of "protector." there are several instances where you can offer him that; protection, swear to him you'll kill cazador, or after his personal quest--I don't have the screencaps on hand, but you can directly say to him that he'll never have to need something like the ritual, because you'll protect him, and HE says back something along the lines of "It would be nice to not need you as my grand protector.... but I appreciate the thought." -- there's tinges here early in act 1 maybe of distrust of faulty promises yes, and considering Tav naive / not comprehending the power of cazador and therefore unhelpful, but even as you proceed, he's never interested in trading a lack of protection for a dependency on a protector.
in fact, the only time he's like "I'm doing it for US... to keep US safe <3" is when he's trying to manipulate/convince Tav into letting him do the ritual. "You want whats best for me right <3333" is the thing he actively uses to try and sway you over to his side, because he knows that's an emotional string to pull on.
there's an insistence of preferring equality in the subtext there; that protection or a skewed imbalance is not what Astarion wants, at his core. he doesn't want a nurse, or to be pitied, or be beholden to anyone. to try and pity him invites his irritation, even outrage. trying to swear to protect him at best gets a fond "I appreciate the Thought" and at worst a "don't be a fucking idiot." it would be veeeeery easy for the narrative to slip into something generic about being able to fix him, but it insists on someone to depend on as equals. give and take in true partnership. and in the post-ritual ending you can really feel the lack of equality there too--only now, he's in the position of both """"protector"""", and more so than that, obsessive beholder of Tav, and he exercises it in overt fashion; of course he'll protect you, your future, your life, is his after all. (and there's a LOT about that that's very interesting to me, and equally as complex & intricate as the no-ritual route in which two people meet on equal footing.) the game never shames this approach of wanting to protect him either, it acknowledges the good intent, and simply shows in Astarion's reactions that there's more here to it than that.
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yourtinseltinkerbell · 11 months
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5x01 | 5x09
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canisalbus · 11 months
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a few quick questions on Machete, what breed is he? I love the angles of his snout and the proportions remind me of a borzoi though I don't think he is one. Also, does he have a set age for when he's a cardinal? I picture him to be around mid-30s or so. Wonderful art! love your stuff and find you an inspiration :)
He's a fictional breed called Podenco Siciliano, which is closely related to modern day Ibizan Hound (pictured below) and other Mediterranean rabbit-hunting podencos. I usually just default to calling him a sighthound since he's somewhat of a provincial mongrel and not meant to be purebred anyway.
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As for the age, mid-30s sounds about right. I think the current timeline goes something like this:
0 - Born to a lower-middle class family in Sicily, father is a tradesman, has three older brothers. Generally considered a runt, is weak and sick all the time, parents suspicious of his unusual colors.
3 - Gets left at a monastery and raised by monks as a foundling. Nervous and meek kid, but the monks think he's endearing and do their best to support him. Is taught to read and write, which is a massive advantage at that day and age, and learns rudimentary Latin through exposure.
9 - Apprenticed to a Neapolitan priest, moves to southern part of mainland Italy (or Kingdom of Naples as it was called, it was ruled by Spain actually). Does chores and runs errands in exchange for education and experience.
15 - The priest gets elevated to a bishop and decides to sponsor Machete's further studies at an acclaimed university in Venice (in Northern Italy). There he studies theology, medicine, arts, law, philosophy and gets fluent in Latin and adequate in Greek. Befriends Vasco but their relationship is short-lived.
21 - Ordained a priest. Leads a parish somewhere in Papal States (Central Italy). Is generally well liked but doubts his career choice from time to time.
26 - Becomes a part of the Papal Court in Vatican, mostly because of the recommendations of his former mentor and professors, good reputation, excellent track record and sheer luck. Still a priest but assists bishops, cardinals and the pope himself directly. Moves to Rome. Becomes pope's unofficial confidant due to his obedient and hardworking nature and because of his lack of prestigious family connections that would render him a threat. Slowly starts to gain wealth.
30 - Created a cardinal (which is the second highest position in the church after the pope, and it's at the sole discretion of the pope who becomes one). Is also a bishop as a technicality. Handles administrative jobs, tons of paperwork, at some point he's in charge of a lot of the political correspondence and diplomatic missions. Still the old pope's trusted advisor but disliked by the majority of the cardinals, who see him as an outsider, sycophant and a potential disruptor of the status quo.
34 - Meets Vasco again. Vasco has become a succesful politician in Florence, he's married with three children.
38 - The pope dies and Machete's status falters. He starts to work with the Roman inquisition more. Oversees trials, torture, excommunications and executions of heretics, witches and most of all, protestants (since we're reaching Counter Reformation times and the Vatican is Very Worried about the spread of Luther's ideas). Isn't having a good time at all but keeps up the appearances. Gets infamous. The beginning of the true villain era.
40 - Grows increasingly more disillusioned with life and his ideals, as well as the corruption of the Curia. Burned out, paranoid and desperate. Uses scare tactics, extortion and legal trickery to expose and undermine his enemies, but gains them faster than he can keep up. Employs spies, thugs and assassins. Feared and loathed.
43 - Gets assassinated and dies in disgrace.
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