Arms And The Boy
- Wilfred Owen (1893-1918)
Let the boy try along this bayonet-blade
How cold steel is, and keen with hunger of blood;
Blue with all malice, like a madman’s flash;
And thinly drawn with famishing for flesh.
•
Lend him to stroke these blind, blunt bullet-leads,
Which long to nuzzle in the hearts of lads,
Or give him cartridges whose fine zinc teeth
Are sharp with sharpness of grief and death.
•
For his teeth seem for laughing round an apple.
There lurk no claws behind his fingers supple;
And God will grow no talons at his heels,
Not antlers through the thickness of his curls.
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no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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I’m actually serious about this, if at all possible, right now is a very good time to request queer books from your local library. Whether they get them or not is not in your control, but it is so important to show that there is a desire for queer books. I will also say getting more queer books in libraries and supporting queer authors are pretty fantastic byproducts of any action.
This isn’t something everyone can do, but please do see if you are one of the people who has the privilege to engage in this form of activism, and if you are, leverage that privilege for all you’re worth.
For anyone who can’t think of a queer book to request, here is a little list of some queer books that I think are underrated and might not be in circulation even at larger libraries:
Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown
Silver Under Nightfall by Rin Chupeco
Harvard's Secret Court: The Savage 1920 Purge of Campus Homosexuals by William Wright
The Perks of Loving a Wallflower by Erica Ridley
God Themselves by Jae Nichelle
IRL by Tommy Pico
The Pink Line: Journeys Across the World's Queer Frontiers by Mark Gevisser
Passing Strange by Ellen Klages
The New Queer Conscience by Adam Eli
Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir by Kai Cheng Thom
Queering the Tarot by Cassandra Snow
Wash Day Diaries by Jamila Rowser
Queer Magic: Lgbt+ Spirituality and Culture from Around the World by Tomás Prower
Before We Were Trans: A New History of Gender by Kit Heyam
Beyond the Pale by Elana Dykewomon
Hi Honey, I'm Homo! by Matt Baume
The Deep by Rivers Solomon
Homie: Poems by Danez Smith
The Secret Life of Church Ladies by Deesha Philyaw
The Companion by E.E. Ottoman
Kapaemahu by Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu
Sacrament of Bodies by Romeo Oriogun
Witching Moon by Poppy Woods
Tell Me I'm Worthless by Alison Rumfitt
Dead Collections by Isaac Fellman
Disintegrate/Dissociate by Arielle Twist
Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi
Peaches and Honey by Imogen Markwell-Tweed
Nepantla: An Anthology Dedicated to Queer Poets of Color by Christopher Soto
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