#plenty of potential

[becca-e-barnes]

It's been a really busy week so I'm just going to indulge myself and talk about exactly what I'd love to be doing rn with CEO!Bucky

When I imagine CEO scenarios though, I don't think of the reader as his assistant or an intern. Maybe the CEO and his comms director. Someone he considers an equal because I think that's a hell of a lot more sexy and still has a power imbalance 🥵

He knows you're incredibly capable. He knows you've got more drive than anyone else in the company. He knows you've spent years pushing yourself to get to where you are and you're determined to keep climbing.

But at the same time; it's nice to get a break from that too. Sometimes it's nice to just be tossed around and given orders. You get to switch your brain off and give in to whatever feels good.

And that's how you found your knees hitting the plush grey carpet of the CEO's office on a Friday afternoon.

"Good girl. So fucking pretty." Bucky's hand on your chin directs your face upwards. He's continuing the task you started a few minutes prior; stroking his own cock at a leisurely place and enjoying the sight of you in front of him with your blouse missing the top few buttons.

There's nothing else you'd rather be doing right now. There's no other release that lets you unwind like this. You don't have to think about anything other than the glossy bead of precum gathering on the tip of your boss' dick and the way that even the sight of it makes your mouth water.

His other hand is still holding your chin but you don't want to just watch when you can do so much more than that. You lean over, taking the head of his cock in your mouth, flicking your tongue over the very tip to lap up the precum you've been craving.

Your hand replaces his, jerking his length slowly with a measured pressure while your tongue swirls, keenly licking away any fresh evidence of his arousal.

"Fuck." He groans, melting into your eagerness. He's had a long week too. You know he needs this as much as you do but he's just as respectful as ever, conscious not to press himself into your waiting mouth.

"I bet you're wet already, aren't you? You look like such a sweetheart. No one would ever guess that you get off on sucking my cock. I bet everyone thinks you're so innocent but they don't get to feel the way you drip down your own thighs after you swallow my cum." You imagine that mouth of his has got him in plenty of trouble over the years but fuck, you love it. You swear he could probably get you off just by talking to you.

You hum happily, taking as much of his length into your mouth as you can manage, wincing slightly the first time his tip nudges the back of your throat. Your flat tongue rolls against the underside of his length, your hand cupping his balls and you feel his palm settle on the back of his head.

"You're so fucking keen." His blunt fingernails scratch gently against the nape of your neck and it feels like such a tender gesture. You get to be unashamed of how keen you are with him. There's no embarrassment or reservation. You don't have to hold yourself back to save face and it's refreshing to want someone this much.

You head bobs on his length, your lips forming a perfect tight ring and every now and again, you're rewarded with the sharpness of some fresh precum smeared onto your tongue.

"You should slow down, sweetheart. I don't want to finish yet." His voice is a little strained and it's beautiful. Now you're torn though. You don't want this to end but you're desperate to feel hot ropes of his cum splash over your waiting tongue and across your face.

Somewhat selfishly, you do as you're told. Your body reminds you of your own desperation and you don't want to ruin your chances of getting bent over that desk.

#becca writes spice #becca's thots #ceo!bucky #dom!bucky #I survived the big scary thing I had to do this week besties #I'm told my speech had a few people teary eyed #big win #and I quite like the house I went to view this week #plenty of potential #gonna put an offer in if dad thinks it looks okay #I'm getting my new glasses tomorrow too #and I'm really excited to get my hair done #I'm so over the pink rn #I'm sick of looking at it #but I'm booked in to do some recording on Friday and I thought I'd have to cancel my hair appointment on Friday afternoon #which sucks because my hairdresser is always booked a month out #but I got talking to the videographer last Friday night and I was joking that the time he'd set for filming was so inconvenient #but he's fine with setting a time on Friday evening after my hair cut so I wouldn't have to reschedule my appointment #AND my hair would look nice for the video #I just thought it was really sweet #he calls me 'one take becca' because it takes him longer to set up than it takes me to get my pieces recorded #legend

[kym-vampire47]

This is so legit😮

#floor plans #so cool #this is dope #house aesthetic #plenty of potential

[cosmikirby]

Was a little bit of Silly Shenanigans too much to ask for

#my art #doodles #hfjone #osc #hfjone airy #traditional #please please please their dynamic is underrated #there is plenty of silly shenanigans potential with them........ #and angst too #which youll see a little bit of in the next post👀

[the-badger-mole]

"he'd be shockingly smooth"??? We saw him with Mai, he wasn't smooth. 🫤

I think basing that opinion on his relationship with Mai is selling him short. That relationship was bad because Mai didn't actually like him. She also didn't appreciate or reciprocate his small romantic gestures. That seashell thing? Absolute gold, and something that just came natuarally. But because Mai had a bug up her nose it went over like a lead balloon. That wasn't his fault. Like I said, Zuko in a relationship where his partner actually likes him would be smoother than a fresh jar of Skippy. I'm basing that on how well his date with Jin ended once he got out of his own head. Imagine if they'd been able to go out a couple more times. Jin would've melted over that lil' seashell. And that's exactly why I'm baffled by the amount of people who seem to think canon Maiko was the height of romance. She didn't seem to like the boy, and he felt it. And he acted accordingly. He was dating someone just like his father. Of course he was weird and awkward.

#atla #zuko #jinko #sorta #anti-maiko #anti mai #zuko had the potential to be the smoothest operator in all the lands #but look at who taught him about girls #would you expect less? #i DID say that this was an unpopular opinion #doesn't make me wrong tho #mai on the other hand would make don juan look like an awkward schoolboy #she didn't actually like zuko #i will fight and die on that hill #and the show provides plenty of evidence

[beskarfrog]

what good would i be to you? my hands have no memories of peace, my mouth no soft words of comfort

#dinluke #the mandalorian #digital art #dinluke art #tw blood #the sad boi hours continue #i feel like din and luke both would struggle with how to be in a relationship outside of what the other person needs from them #and they're both used to being the powerhouse in most situations so its not like they need someone to fight their battles #in fact it might be a bit insulting to a mandalorian lol #plenty of good angst potential and self discovery between these two #in less sad news #schooooools out for summer schools out FOREVER #idk if i even graduated but im done wheee

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!! #Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off) #will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

[wittywallflower]

I give tumblr till the end of summer before they alienate another sizeable fraction of their userbase.

#mostly by design. there’s no profit here. #long term predictions #current frontrunners for a potential exodus are trans women #and artists who don’t want their work fed to AI #(but there’s plenty of time for tumblr to go all in supporting Zionism or something)

[iwozlegit]

|| 🍍• Never thought my arachnophobia would allow “yes, the SPIDER deserves every good thing” onto my 2024 bingo card, but here we are still sobbing hours later…

#|| ooc • #|| not transformers • #|| jess speaks • #Y’ALL #DID YOU SEE THOSE LOOKS 👀 #we were sustained on mere crumbs of what’s potentially to come #lol…come XD #the ideas I have in my head are plentiful #it’s gonna be our year #hazbin hotel #angel dust #husk #huskerdust #I’m completely normal about them #@legitconcrusher

[semisolidmind]

I'm watching "Mother Krampus", and honestly? It would be an interesting family dynamic.

Like imagine that family dinner with Krampus, his mother and reader.

(i have not seen it, but a quick google has shown its about a witch who kills kids during the twelve days of christmas)

given how large my krampus is, that'd be a massive dinner table. or a normal sized one that he has to size-change to eat at.

he'd probably have to preface to his mom that no, this human isn't for eating, this one is his paramour. of course, meeting witch-mothers is much more dangerous than normal ones.

mama krampus would probably have a few magical tests for her son's dear frau.

#plenty of almost hexes and potential poisonings occur #she just wants to make sure her precious son has picked out the right one #someone on his level yknow

[thaliagrayce]

y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!

How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!

I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.

Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.

#hazel levesque #hoo #mj talks #like. i am fascinated with characters who die and come back different and it JUST hit me that there was so much potential for hazel there #the idea of how death lingers was not explored At All in heroes of olympus #of course there's the obvious part in that there were what. 3 named character deaths total? 4 if you count leo #which i very much don't because it didn't stick! there were no consequences to this gigantic war! #the first series did well with that because we had plenty of named characters who died #even though some of them were introduced only to die like six chapters later. we still knew them on some level #and more importantly percy knew them. he felt their loss in a way that made consequences seem real #heroes of olympus didn't have any of that. hazel could have been a great way to talk about it a little more! #also i just love characters who have obviously gone through death. that has to change a person! tell me how it changed you! #anyway. i think i'll make hazel creepier from now on in my writing #she deserves it <3 #nico is creepy in an obvious way. he's got power over death and that clings to him like a second skin. he can't hide it #and he's learned that he doesn't have to. there is power in being othered #hazel seems lovely when you first meet her! none of the death power all of the glitter and gold and riches #and then she'll look you dead in the eye and say 'you really don't know how lucky you are to be able to breathe until you can't anymore' #and move on like it's nothing! what! #underworld siblings

[misted-buttercup-enjoyer]

One of my favorite headcanons for Watcher Grian is that he's totally unbothered by his Watcher status and powers. Even thinks it's kind of cool. He can't help that people get scared when he's like this, he's the same Grian as when he's "normal." It does get on his nerves when the other Watchers tell him he was only ever meant to watch and tries to withdraw him from the games, but he always slips away. Maybe he gets a little insecure about the whole "you weren't even supposed to be there" thing. Maybe it hurts a little when his friends are scared of his Watcher side, when he shows it. But his prankster soul also loves it, because everyone knows how much Grian loves messing with his friends. But overall, he's completely okay with it. Other players and watchers are the ones making it seem like a problem.

#watcher grian has plenty of angst potential sure #but at the same time Grian strikes me as the kind of guy to find out he has eldritch powers and just say “cool” #this was longer than i wanted it to be #might delete and simplify later #grian #watcher grian #life series #trafficblr #mcyt

[nishicchikouchi]

HUEHEHEHEHEH. A friend of mine whose read ORV is now reading LCF. HEHEHE. She ship joongdok. And also starting to ship alcale. I have introduced ao3 to her last week. I sent the link of the tags for both. I haven't recommended a fic yet. I'm gonna break her in hehehe. HUEHEHEHEHEH

#lcf #orv #alcale #joongdok #I'm quite worried that she started with good novels though #It's gonna be tough to find other novel on par with them #Well there are plenty of novels out there #But most importantly I finnly have a friend irl that I can potentially drag to the hell called ao3 #my sis doesn't count cus she's my sis #I'm happy I'm thrilled #She's finished orv but only at chap 98 for LCF (novel) #Told her shit hits the fan at somewhere 170 #But the foundation of the early chapters will be relevant in the later chapters so it'll be important

[prince-liest]

Hey Mr Prince, for a question about Val in your 666 series! He was very chill with Alastor interrupting him and Vox last time, but do you think he might get jealous of Alastor in the future, as Vox's obsession for him is only deepening now that they're spending more and more time together? He seems possessive and volatile enough for this... (mostly with Angel Dust who he sees as his property, but Vox also expects to be the "ungrateful whore" Val is angry at in ep2)

Hello! I've gotten some fic comments that are a similar question to this over the last couple of 666 fics, so I appreciate the opportunity to answer it on my blog, haha.

I'm going to be totally honest, as much as the radiostatic side of 666 is part of my aroace agenda, the staticmoth side of it is just as much my poly agenda and I don't (currently) have any intention of writing a jealousy plot of any sort from Valentino's side of things! This is for a few reasons:

I'm just not a huge fan of jealousy plots as a whole, and despite being Like That, this fic series is kind of a comfort series for me.

This isn't very clear from the lack of timestamps and whatnot (though this makes me inclined to be clearer about it in future fics), but radiostatic aren't actually spending very large swathes of time together. Alastor's "dealing with Vox" meter is too resource-poor for that, lmfao.

I think Valentino is a possessive fuck but the way that I write him, he wouldn't register what radiostatic are getting up to as worth getting legitimately jealous over, especially because:

Part of Vox's character progression in this series is actually transitioning from obsession to genuine affection, not increased obsession!

The natures of their respective relationships are really different. (As is the nature of Valentino's relationship with Angel Dust.)

Val and Vox already have their own relationship bullshit going on in the background at any given point in time. Someone should financially compensate Velvette for that. Oh, wait, that's probably what Love Potion is for.

#ask #personal #mr prince anon #there's plenty of room for toxicity in poly done wrong but I'm just not super interested in writing it so I'm choosing not to #they have so many other things to be fucked up about HAHA #also I don't think I personally interpreted Vox as thinking “ungrateful whore” was potentially about him in episode 2 #so much as it being unclear due to how many sex workers other than Angel Dust that Valentino actually “employs” #hazbin hotel #my writing #666 live on air

[marcmorrigan]

Released to [REDACTED]. SPK 02-04-10 6:45 PM

also released:

3 - One (1) sealed bag s/c cigarettes & lighter which were found in right exterior vest pocket of unnamed male accomplice.

4 - One (1) sealed bag s/c polaroid photo which was found in left interior vest pocket of unnamed male accomplice.

Note: victim posthumously identified as one Mail Jeevas, DOB 02/01/1990 (aged 19yrs at time of death). Request that Gevanni update documentation accordingly. - N

always thinking about the polaroids matt and mello didnt get to take + the amount of clean up and paperwork near and the SPK probably had to do after they seized all the kira case files from 'L'... also like. do you think near had to identify matts body. who else was there that couldve done it. anyway whatever teehee <3

+ 'clean'(er) version without all the scratches and stuff:

#death note #mellodramattic #mellomatt #mihael keehl #mail jeevas #my art #full color #posts only show up in the first five tags right... whatevs thats plenty #literally based the caption off an evidence release related to the jfk assassination so if i wrote the documentation out wrong no i didnt!! #anyway. theyre trans + in love + deserved to take cute photos of themselves #and whenever i added the frame iwl ohhh. theres only one person who COULD have this picture. which is when i decided to add the blood stain #i PERSONALLY dont think matt and mello were in contact until after mells left lidners hotel but we can pretend. for the sake of the art #re: the date on the photo + mello not having his scars i mean #also mello is a type o negative fan you CANNOT change my mind its so real to me. i Know It. anesthesia is ON my mellodramattic playlist #obviously ref'ed from that one GQ shoot w jesse rutherford and devon carlson... idk them but i LOVE those photos theyre so fun #i need to look up more of taylor rainbolts photography bc i feel like theres a looot of potential insp to be had there for my work #ANYWAY! theres a plain-er version under the cut if u wanna see it w/out as many overlays and scratches and such #im so glad 2 be done w this piece i have been working on it on and off since. NOVEMBER OF 2022... #ITS AUGUST OF 2023 NOW. I DRAW AT A NORMAL SPEED DW ABOUT IT <3 #death note spoilers #<--- for my beloved nat

[dirtytransmasc]

Hi! I’m really sorry to bother you, but I was wondering if you had any Aegon x Helaena x Aemond hcs? They circle my mind all day everyday lol!!

not a bother at all, I would never give up an opportunity to talk about our holy trifecta, as they plauge my mind day in and day out. so here are my Helaegond HC's (most of these are very soft and domestic and have no particular order)

Aemond got dragged into their relationship when Aegon noticed how glum he and hel were after the betrothal and wedding. he hoped letting them be together would make everything easier. it did. what he didn't know what just how much he could love his siblings. it doesn't take them long to realize maybe a three headed dragon was better than a two headed one, so to speak.

Aegon is needy as all hell. when it comes to receiving affections, he needs touch and quality time and words of affirmation, he needs it all the love and his siblings are so willing to give it him. Helaena likes to dote on him, whereas Aemond will 'give in' to his whining and begging (he secretly loves it, he's just an ass to the untrained eye)

Aemond is the most distant when it comes to receiving affections, which his brother and sister will not allow. they find he enjoys quality time the most, but touch is not unwelcome, and they make sure he feels welcome to ask for attention. its an ongoing battle to get that boy to allow himself attention, but they're armed, ready, and down for a challange.

Helaena likes gifts, body doubling, and quality times but in the nuerodivergent ways. gifts could mean giving her boys a pretty rock or a random trinket she found, or being given a new insect or oddity. quality time could be one of her boys heads in her lap as she talked about her latest favorite bug. she does like touch, just at certain times and in certain ways.

the boys keep every gift she gives them and makes sure to put them somewhere that she can see so she knows they care about them. they will also go to great lengths to fetch her bugs.

they are mischeivious, Aegon and Helaena more than Aemond, but he'll play along. they're always exploring the secret passage ways, stealing snacks from the kitchen, or escaping to Flea Bottom cause they're bored. Aemond is the voice of reason and uses his "mommy's favorite" privileges to get them out of trouble.

Aegon and Helaena share a room as they are officially betrothed, but Aemond always sneaks in during the night. Aegon needs to be spooned... by both of them, so he's always squeezed in the middle. he tends to use Helaena as a pillow, while altching onto his brothers arms as they wrap around his middle. Helaena likes to play with the boys's hair as they fall asleep, muttering feather light words that serve as a bit of a lullaby. Aemond, who is perpetually on guard (the other two try and make him less tense, but its to little avail most times) is the last to fall asleep, only after he's sure his siblings are safe and sound in their dreams. he's the one who holds the three together, literally, taking hold of both his brother and sister in a gentle but still vice grip, safely tucked under the covers.

Aegon and Aemond take turns being the insecure sibling. Aegon always doubts himself, his ability to love and be loved, to not let his drinking get out of hand again, that he can be a good brother. Aemond worries he is not enough, that he is invading Aegon and Helaena's marriage, that he was destined to be the second choice, that he will always be behind the others, that his scars are ugly. Helaena is always good at pulling them out of their heads, but so are the boys, at least the one not currently spiralling. those are the nights they stay up late, tangled together in a heap, bathed in moonlight. its not always words that are needed, just softness. other nights they will go over each and every one of their siblings perfectections and perfect imperfections, until all their minds are at ease.

Helaena loves going to Flea Bottom, more than either of her brothers could ever imagine. she loves the colors and the sounds and the vibe of all the people bustling around. she's someone who can see the art and divinity in just about anything, so going to see bustling marketplaces, nude shows, and crowded pleasure houses always leaves her with something philosophical to say that throws the boys through a loop. finding out their sweet sister was not so innocent or naive as she always most to view her was quite a surprise. its even better for her cause she has two guard dogs for brothers who make sure her visit goes undisturbed.

they will evade their duties for a day to go out on dragonback to find somewhere to hide away and have a day in the sun. they typically find a soft prairie to land in and lay out in the grass together until it gets late. they end up playing childish games like tag (normally Aegon starts that game, typically by annoying Aemond) or hide and seek.

most of the public has a sneakign suspicion that something is going on between the three, cause Aemond is always a tad too close to the couple than what is considered "normal" for a brother to be. for example, instead of taking his own seat at an event, he will sit with the pair or stand right behind them, giving them little space. Aegon always seems a little too touchy, too eager to hang off his brother or reach for her hand. Helaena is similar, allowing both of them inter her space when prior to truly falling for aegon, and aegon for her (as their was resentment after the forced betrothal, though not for each other, it took time for them to truly take to one another), she would barely allow anyone as close to her as she allowed the two of them. no one says anything though, for different reasons. many suspect and/or fear they will be a repeat of Aegon the Conquorer and his sister wives, which they are easily amused by.

there mother most likely knows, but also doesn't say anything. she knows if she tries to put a stop to it, they will only double down. if she supports it, they might become even more of a disaster. there's a silent agreement that no one says anything, for all of their sakes.

Aegon calls Helaena 'laena' whereas Aemond calls her 'hel". Aegon typically gets shortened to 'aeg' and Aemond to just 'aem' but if Aegon wants to annoy him he'll call him 'aemy' (he has a death wish possibly)

they all use pet names, but mostly Aegon. he loves to see 'laena smile over being called his dearest wife or love or queen. he likes seeing Aemond fluster over being called sweetheart. Helaena also uses pet names, typically simple things like love and dear. Aemond uses titles as petnames, cause the power dynamic gets him going, "sweet brother" "sweet sister" "my king" "my queen".

the boys being very doting and sweet during her pregnancy, wanting nothing more than to serve her every beck and call. both boys being absolute disasters when Helaena was delivering the babes, pacing her corridor when she kicked them out and holding her hands faithfully when she requests them, both scared shitless.

taking care of the kids is honestly their idea of bonding and strengthening their relationship. adding more little bodies to their cuddle pile at night. getting to bathe the kids together or struggling to make it through a meal without a mess. one of the three reading to both their siblings and their kids until they fall asleep. being parents is so fulfilling and doing it together makes them feel more connected.

Helaena having both her boys on a leash. they both essentially serve her willingly.

Aegon is sweet on his siblings, not always as brash as some would expect of him. he likes to hold Helaena's hand, just cause, or to kiss Aemonds eye when they're in private. he's not against a hug either, longing for intimate closeness that isn't sex.

the boys are experts in bugs cause they love listening to their site talk, so they've just picked up knowledge as times gone on.

when nervous or upset or stressed and on their own at the time, they tend to run their fingers over their wedding scars (they did it themselves without a Maester to help or advise them, and it was a bit of a heart of the moment sort of thing, so they accidently cut a bit to deep or too long, leaving them with distinct scarring between them). Aegon tends to pick at his lip where a little white scar hangs off the edge of his lip, ever so slightly raised. Helaena rubs at curve of her thumb and forefinger where her skin shines in the light. Aemond traces the length of the scar on his palm, back and forth, back and forth. they remember they have each other.

Aegon doesn't like to read but likes being read to. Hel and Aemond are always willing to read to him.

Hel likes to dance and her boys make sure to always indulge her. Aegon's not the best dancer. but the childish air of laughter is always worth it. Aemond certainly less clumsy, but stiff as a bored, which typically turns to playful teasing and childish arguing between him and Aegon.

Aemonds very protective and a bit possessive of his siblings, which gives them scary dog privileges (if he was scary in canon, he's terrifying with them as a throuple).

vaugely erotic sword training in the courtyard between Aemond and Aegon, Hel watching from the grass with her spider friend.

[spice below the cut cause I'm in the mood and have concepts I need to dump out of my head for my own well being]

Sex is frequent amongst them, especially as time passes and they become a strongly woven throuple. Aegon is forever eager, ready to be whatever he's needed to be; submissive, dominant, something in between. he just wants to touch and feel pleasure. Helaena is more reserved, but not against it at all, finding it to be a very sensual and emotional thing that is sacred to her and her brothers. Aemond is again, insecure that he's an intruder, but with a little bit of guidance, finds his confidence.

there is worry of bastards, but that only leads to the discussion of true valyrian marriage between the three of them. lets just say sexy blood rituals comense.

Aegon is easily the most skilled, so for the first couple times he's typically taking a guiding role. he knows all the little tips and tricks to getting his siblings off. he's also the most mouthy and uses his teeth a lot, especially when it comes to his brother. he's softer with their sister and lets himself be commanded around, service dom style. willing to get his hand (and mouth) messy.

Helaana is like a feather, light and soft, fluttering against her brother's skin, making them squirm with ease. she's also really good at dirty talk, but in such a regal and delicate manner. she can be quite bossy, but her boys are well behaved so it normally doesn't take much to get them to listen.

once Aemond is confident in his position he is very... mission focused. he's the one who tends to put Aegon on his back and really cultivates that needy subby side in him that Helaena had only began to uncover by the time he joined the pair. definitely the physically strongest of them all with a whole hell of a lot of stamina. he can take Hel and Aegon a few times before tucking out.

Aegon's loud as hell, gripping the sheets and not holding back a single sound. Hel's a bit quieter, but not silent. Aemond's gotta have all the right buttons pushed to hear a sound out of him (aegon see's this as a challenge)

Aegon cries every time they have sex. its just sorta his thing. its a big emotional release so he always ends up a little teary eyed.

aftercare typically consists of a nice long bath and cuddles.

#I can't think of anymore at the moment but I think this is plenty enough #they sit in my head all day #I can't stop thinking about them #they're like termites eating away at my brain #helaegon #helaegond #helaemond #aegond #hotd #house of the dragon #aegon ii targaryen #aegon targaryen #helaena targaryen #aemond targaryen #pro team green #I may have potentially reach text block limit. I already have this whole post copied to a google doc. lets see if this posts right #tried to keep this focused on them as a throuple but I kinda wanna do individual posts for them as pairs #maybe if I find the motivation #anyway. I hope this was satisfactory <3

[catkin-morgs-kookaburralover]

The phrase 'to carry a child' is to me such an unbearably tender description. You're carrying it? Nurturing and protecting it? Freely giving it what it needs until it is ready for birth? 'Going to have a baby' speaks of the hope of promise, but 'carrying a baby' gives the same implication to me, only with an added beauty of what is happening immediately as well as the future.

#midwifery #i just i have so many feelings about pregnancy and babies and women and motherhood #and i want it #i unironically think 'this would fix me' about certain things #like one of the things we get taught about is how to approach and what to avoid when dealing (specifically antenatally tho we'll go into it #more when we learn specifically about postnatal care which is next semester) with women with a history of eating disorders #specifically anorexia but also any other one. obvs yo ube more careful around weight and potentially watch her more closely because #pregnancy can trigger relapses for obvious reasons #but also there are plenty of cases where pregnancy helps #in some cases it is literally what helps them to recover from an active eating disorder #i don't know the intersection between pregnancy and eating disorders is so interesting to me #honestly if i were to go into research in any way that would probably be my preferred field of research #there are many things that make me go absolutely feral and midwifery is a field that does that to me so much