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voguefashion · 9 months

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Ava Gardner and Paul Newman photographed by Terry O’Neill on the set of The Life And Times Of Judge Roy Bean in Tucson, Arizona, 1972.

#ava gardner #paul newman #terry o'neill #the life and times of judge roy bean #1972 #film #photography #1970s

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gatabella · 2 months

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Ava Gardner

"One time when Ava and Frank had Paul Clemens, the well-known portrait painter, in for dinner, Clemens remarked on Ava’s appetite. Sinatra broke into a wide grin. “She eats,” he stated, “as if she were going to the electric chair."

-Modern Screen, Nov. 1955

#ava gardner #frank sinatra #paul clemens #quote #food #eating #diet

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wwprice1 · 10 months

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Yes! This V Ken Marion cover celebrating 90’s DC heroes is everything!

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citizenscreen · 9 months

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Ava Gardner and Paul Newman in Tucson, Arizona during the making of ‘The Life And Times Of Judge Roy Bean’, 1972. Photos by Terry O'Neill

#ava gardner #paul newman

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swordofazrael1992 · 1 year

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hands u these. runs away.

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dailysudeikis · 7 days

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Rob Riggle, Heidi Garner, Paul Rudd, Jason Sudeikis and Eric Stonestreet for Big Slick.- May 31, 2024.

#rob riggle #heidi gardner #paul rudd #jason sudeikis #eric stonestreet #big slick 2024 #big slick #31/05/2024

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cantsayidont · 5 months

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For a long time, the main impetus for DC reprinting any its voluminous back catalog was some promotional or licensing tie-in: a movie, a TV show, some merchandise they were trying to push, or just a popular ongoing book. Given how prominently Dr. Fate was featured in the recent BLACK ADAM movie, therefore, it's surprising and somewhat disheartening that DC didn't take the opportunity to do some kind of greatest hits compilation for the character, who was certainly the best thing about that mostly terrible film.

This is especially unfortunate because you could fit quite a bit of Dr. Fate's Silver Age and Bronze Age non-JSA appearances in a single volume, starting with the two 1965 SHOWCASE team-ups with Hourman shown above, by Gardner Fox and Murphy Anderson. There are also a number of later team-ups with Superman and Batman:

Fate then got a couple of solo features in the '70s:

Kubert cover notwithstanding, the 1ST ISSUE SPECIAL story, which is written by Marty Pasko, has some really outstanding early Walt Simonson art, while the SECRET ORIGINS OF SUPER-HEROES story has an eight-page retelling of Fate's origin, narrated by Kent Nelson's wife Inza, by the ALL-STAR team of Paul Levitz and Joe Staton.

In 1982, Doctor Fate got his own eight-page backup feature in, weirdly enough, THE FLASH #306–313. Despite what a couple of the covers imply, there wasn't a team-up between the Flash and Fate (who in those days still existed on separate parallel Earths); the Fate strip was just an unrelated second feature.

This strip, written by Marty Pasko and Steve Gerber with spectacular art by Keith Giffen and Larry Mahlstedt, presents an array of interesting ideas (some of which obviously paved the way for Giffen's 1987 revamp). Pasko had already established (in the 1975 1ST ISSUE SPECIAL story) that Doctor Fate wasn't exactly Kent Nelson: He was really the ancient Lord of Order Nabu, the entity who trained Nelson in the magical arts, who possessed Nelson's body whenever he put on the Helm of Fate. In other words, the Dr. Fate of these stories isn't so much a man wearing a magical helmet as a magical helmet wearing a man. Nabu has made both Kent and Inza ageless — they both appear about 25, but by this time, they're really in their 60s — but allows them little real control of their lives. Kent has more or less resigned himself to it, but Inza is feeling the strain of being trapped in a magical menage à trois with her husband and an inhuman entity that has little regard for Kent's welfare and even less for hers. Nabu, for his part, seems to exist in a state of constant mystical urgency in which human frailties are an unaffordable distraction.

This could have been really compelling, and it's both graphically interesting and quite strange, but all that is a lot to squeeze into eight-page installments, and having them crammed in the back of one of DC's most conventional superhero books was obviously not optimal. It was also having to compete for Giffen and Mahlstedt's attention with LEGION OF SUPER-HEROES, which I assume was why the Fate strip was dropped after only eight installments.

To everyone's surprise, there was even a Doctor Fate action figure in 1984 as part of the Kenner Super Powers line. This came with a little minicomic, which to my knowledge has never been reprinted:

All of this stuff would add up to something in the realm of 230 pages, which would easily fit into a single trade paperback collection with a digestible price point. Maddeningly, DC has already done the color remastering for roughly three-fifths of this material, so even that probably wouldn't be a huge chore (although the Giffen/Mahlstedt stuff, which has a lot of color holds and graphic effects, really calls for more care in remastering than DC has tended to give its older material of late.)

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terrence-silver · 2 months

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Terry Silver's mother and father; an Aesthetic edit.

#or at least how i envision them and keep envisioning them #faceclaims being paul newman and ava gardner respectively because only the most two beautiful of people can produce a terry silver #terry silver #kk3 #cobra kai #edits #aesthetic #terry silver's father #terry silver's mother #terry silver's family #silver family

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casualsavant · 7 months

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There were - have always been - many kinds of love. And oh how they burned with passion for it.

#classic hollywood #spencer tracy #katharine hepburn #frank sinatra #ava gardner #humphrey bogart #lauren bacall #richard burton #elizabeth taylor #paul newman #joanne woodward

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p-c-ba-dcforever · 1 year

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It's Gardner Fox's birthday, so I'm celebrating with my favorite of his co-creations, Hawkman!

#dc comics #hawkman #michael golden #alex ross #mike mignola #chris samnee #neal adams #rags morales #shelly moldoff #paul smith #steve lieber #bart sears #gardner fox

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supercalifragipopculturevomit · 2 months

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Saturday Night Live S49E16: Kristen Wiig

How epic was last weekend's episode of SNL?? Wiig is one of the all-time greats, it shouldn’t be a surprise, but you never really know with this show. Sometimes the host’s humor doesn’t gel well with the cast or translate to the audience. Sometimes the energy is just... off.

Wiig's been beloved as a comedian for a long time, but I gained even more appreciation for her after this episode. The sketches she picked, not only did they play to her strengths but also gave other people the opportunity to shine. And her humor is so fluid: she can do loud, physical comedy as well as subtle, niche comedy. Like the secret ingredient to everything, she elevates any dish.

Let’s start with the cameos because IT WAS STACKED. Any of the guests on any given night would have been enough, but she is getting inducted into the “Five-Timers Club”, so the show pulled out all the stops.

It starts off with Paul Rudd and Matt Damon in the audience; cuts to Jon Hamm, Martin Short, Fred Armisen, and (my beloved) Will Forte off to the side; and — as if that wasn't enough — it ends with Ryan Gosling bequeathing her the coveted jacket. JUST BANANAS. Full monologue HERE.

It was reminiscent of her last episode as a cast member, with legend after legend seeing her off.

NOW, ONTO THE SKETCHES:

JUMANJI – Andrew Dismukes is his own person but there’s something about him that reminds me of Forte. His humor is not as unconventional but he has a similar dedication to absurdity. With sheer commitment, he makes a lot of stuff work that really shouldn’t. So it made sense to me that Forte was invited to this sketch—which I can only assume came from the mind of Dismukes.

No offense to the current SNL batch, I like them a lot, but this episode made it apparent that Wiig, Forte, (and also Armisen) are on another level. Wiig, the reigning queen of the batshit lady, set the tone for this bizarre scenario. She made it work. Forte, the ultimate king of 10 to 1 sketches, added credibility to it. I'm trying to imagine it with Heidi Gardner and Mikey Day as placeholders for Wiig and Forte, respectively, and while I could still see it kind of working, I don't know if it would be as memorable.

PILATES (Pre-Tape) – this could should be an actual movie. Wiig as the creepy, high-energy instructor calling everyone "Mamas" cracked me up. Partly because it reminded me of Kaley Cuoco’s irritation with the pet name, which she recently griped about on the Conan Needs a Friend podcast.

SECRETARIES – this sketch wasn’t made for Jon Hamm but it was also made for Jon Hamm. Trudy made her first appearance when Pete Davidson hosted at the start of the season. Gardener carried that sketch the best she could but now she had two aces up her sleeve: Wiig and Hamm. Wiig, as Tootie, dived into the screwball comedy complete with mid-Atlantic accent; while Hamm only needed to revisit his role as Don Draper. I was near tears seeing them at the brink of breaking near the end. Also made me miss seeing them in Bill Hader’s Vincent Price sketches. It's got a similar vibe.

RETIREMENT PARTY – my favorite sketch of the night. This was the closest an alumnus has ever gotten to recreating the mid to late-aughts vibe of SNL, my favorite era. I've not thought about this sketch much or particularly missed it, but when Wiig came out with her oxygen tank, Armisen in his knee-length trousers, and Forte in his Hamilton wig, I was hit with so much joy and nostalgia. Made me realize how much I, as a viewer, took for granted, spoiled with such a wealth of hilarious recurring sketches.

Jason Sudeikis was often the perfect straight man for these sketches, but Day did a good job reacting to all the unhinged guests. I also wonder if he had a hand in writing it as Wiig’s lines sounded like something his character Supercentenarian Mort Fellner would say.

WEEKEND UPDATE – once again, Marcello Hernandez ruled behind the desk, this time as the 4.8 Magnitude Earthquake that recently (very gently) shook New York. He was later joined by Keenan Thompson as the Solar Eclipse. Not the biggest fan of Thompson but I do enjoy his dynamic with Hernandez. Wiig, on the other hand, reprised her favorite character, movie critic Aunt Linda. Her film reviews are always a riot but she had me cackling the moment she referred to Colin as Seth.

GO-KARTS – solid sketch that got me so invested and left me with many questions: What’s the bad thing? Why would it get Daddy drinking again? But mostly, who’s Sheila? Chloe Troast’s reveal off to the side was a nice touch. And the nickname, Big C, had me hollering.

LA MAISON DU BANG! – this was the sort of sketch Wiig used to do a lot with Maya Rudolph and Amy Poehler back in the day and while I enjoyed seeing how much fun they were having, it was never something I got overly excited about. But seeing a version of it reborn was a delight. Molly Kearney leaping into frame with a saxophone was a welcome surprise. Reminiscent of Sudeikis’ tracksuit-wearing dancer in What Up With That?.