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total-drama-brainrot · 2 months

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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽

Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.

I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.

Area 51:

Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.

I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.

When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.

Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.

The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.

Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.

Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)

Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.

Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.

Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?

Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.

Tyler's voted out, yada yada yada.

The Jet:

Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.

Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.

Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.

"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.

Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.

"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."

Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.

"Does that mean you don't like Al?"

"I never said that."

"Well, how do you feel about him, then?"

Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.

"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.

"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."

Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.

He's always been the type to play his cards close to his chest, so why...?

"I, uh, didn't mean to go off like that."

And he also didn't mean to admit it, either. What was going on?

The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.

"Sounds like someone has a cruuuush!~"

What? No? No! Not at all, where would Owen even get that idea?!

Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.

Alejandro has a lot to think about in regards to a certain cynic, it seems.

#I'd like to apologise for taking this idea and running with it.#Cutting myself off here before I breach 2k+ words or else I'll be here all day.#Sort of entered actual Writing Mode at the end there instead of Outline Mode but this idea is. So Full Of Potential I couldn't help myself.#But from here it'd basically be Alejandro using his newfound knowledge of Noah's crush on him to his advantage.#Whilst Noah's doing his best (and failing) to deny that he has any feelings for Alejandro.#Eventually leading to the two of them having a Bonding Moment where Alejandro gets Noah to divulge some personal information.#And in turn- or an effort to garner some trust (to be abused later)- Alejandro also lets himself be vulnerable towards Noah.#Something something Alejandro tries to use Noah as a pawn but ends up catching feelings of his own.#Then of course the potion wears off and Noah goes back to being just as prickly and standoffish as he was before.#A point of conflict maybe? Imagine bearing your soul out to someone only for them to close themself off to you not even days afterwards.#...Also imagine being practically forced to divulge information about yourself to someone you don't trust because of a truth potion.#Oh yeah. That's some good angst material right there.#Especially is you have Alejandro be- if not fully aware- than at least suspect that Noah's not being agreeable on his own terms.#Anon why have you given me The Thoughts?? I can't keep brainstorming AUs when I already have fics to work on!!#ophe's ranting in the tags again #total drama #td noah #td alejandro #team chris is really really really really hot #alenoah #-ish #silly ideas #other's ideas #long post #replies #kinda drafty in here (posts from the drafts)

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madamemiz · 10 months

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small things i've been turning in my head like a microwave: when the dca is rebooted, the eye representing moon remains red just as sun's stays yellow. i know we all love pre-virus blue-eyed moon, but i think that detail cements that moon has always had red eyes

also, while there's still room for interpretation, i think the dlc heavily supports the shared headspace headcanon. sun is trapped in their head, but he’s hands down the most aware of their situation between them. moon screams at him that his plan won't work, for sun to take his nap. they both refer to themselves as "us" and "we" multiple times. and, most importantly, there's the jumpscare with the classic fanon moment of sun's rays popping out that moon hastily shoves back in--sun is aware enough of their surroundings despite being inactive that he tries (and fails) to stop him

#fnaf sb #fnaf daycare attendant #fnaf sun #fnaf moon #fnaf eclipse #fnaf ruin #ruin spoilers #oof so many tags now jsbdjzng #i know the shared headspace thing has been the general consensus of the fandom for a while but #tbh i always subscribed more to the idea that when one is aware the other is not #but canon shared headspace (or at least dual awareness--i guess how much they can actually communicate is unclear)#makes their situation so much worse. virused moon being locked away and forced to watch sun pretend everything is fine #while the corruption eats away at him. at -them-#anyway. thinking

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metalyre · 9 months

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and then infinite googles "how do you exorcise a chaos energy demon and make sure it goes to hell"

also. bonus panel:

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butchladymaria · 10 months

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Immortality, Motherhood, and Pain: A Closer Look at Annalise and the Doll

Finally revisiting this from ages ago, because the parallels between these two are just SO fascinating. Content warnings for discussions of misogyny, genocide, abuse, and pregnancy/childbirth.

This analysis will cover the parallels between Miss Doll and Queen Annalise through the lenses of the misery of immortality, the trauma of marginalization, and the liberation they find in motherhood. Both the Doll and Annalise are undying, both coded as mother figures, both marked by death, and both very, very alone.

Miss doll and Annalise are the only characters in the whole game who are undying. You can kill them, but not meaningfully - not in any way that matters - and they seem to know it. Neither will try to stop you, nor will they fight back, should you choose to attack them. They will come back, and your violent betrayal will have seemingly meant nothing to them. They both are very aware they will outlast whatever violence you may inflict upon them. It's evidenced in their dialogue:

If you attack, Annalise says:

“Enough. If only Our life was so easily forfeit… Grieve not, for Us.” “How sad this is. If only Our life was so easily forfeit…”

If you attack Miss Doll, she used to say:

“I must have displeased you. Go on, shut me down… Even so, this vessel will remain in your service… So have no fear."

I think this point of comparison highlights just how deeply they've both been desensitized to violence and abuse. They do not beg for mercy, they do not put up a struggle - they only remark on it with distant chagrin. They both seem keenly aware that their flesh need not be in one piece to fulfill its purpose.

But where Miss Doll was made to embody the Victorian patriarchal ideal of womanhood, Annalise wields womanhood as her last weapon against the dehumanization of the church’s genocide through her queendom. Upon being resurrected the next time you return to the dream, Miss Doll will act as though nothing had happened at all. However, if you bring her flesh to the Altar of Despair, Annalise will call you an arrant fool, and remind you that “Vileblood or no, forget not; We are thy Queen”. Miss Doll kneels to serve the hunter, while the hunter must kneel to serve Annalise. Miss Doll has been conditioned to passively accept dehumanization and submission, yet Annalise demands respect through your submission even in her dehumanized state. Miss Doll is subjugated by the trappings of womanhood, while Annalise is lifted from subjugation by her womanhood, in some ways.

I find this fascinating, however, because while Miss Doll appears in every way as a pure, demure Victorian woman was meant to, they are also dehumanized through the denial of gender. To Gerhman, their creator, they are nothing more than another tool of the workshop. An object. Even the Doll themself uses neutral "I" pronouns to refer to themself in the original translation. I think it is pertinent to note that the only canonical reference to Miss Doll as a "woman" comes from Eileen. In the original Japanese text, she refers to the Doll with a term of endearment reserved for young girls. Miss Doll's appearance is the historical ideal of the subjugated woman - yet when Eileen confers upon her the status of "woman", she does so in an endearing and humanizing way. Therefore, for both Miss Doll and Queen Annalise, the status of womanhood is a rebuttal of their own dehumanizing subjugation: Annalise as "queen", and Miss Doll as "daughter".

Both characters are arguably seeking/find liberation through motherhood. Miss Doll gets "Childhood's Beginning": their creator and animator have both been put down, the hunt is finally over and they are no longer bound to serve its participants, nor must they watch their beheadings. They cradle the newly ascended hunter. It is a highly atypical “motherhood”. It exists in the performance of the role rather than the biology of childbirth. In the same way, the Doll possesses a highly atypical “womanhood” which exists in performance alone, rather than in biology or even identity — but nonetheless, it is real, and it is hers. I, perhaps too optimistically, choose read it as humanizing for them; because unlike their “womanhood”, Miss Doll is allowed to choose this for themself rather than having it imposed upon them.

In the same vein, Annalise seeks to birth a child of blood for a similar but perhaps more somber reason. She wants a child because she wants an heir — which is to say, because it is the only way she may once again have kin. Because it is the only way she may fulfill her duty as Queen. She witnessed everyone she ever knew or loved — surely her own family included — slaughtered before her eyes. Annalise seems to seek motherhood in order to be a homemaker - in the most literal sense possible. She wants to rebuild the community, the home, which was so brutally torn away from her. She wishes to restore honor to Cainhurst. For Annalise, having a child is an open act of rebellion against the genocidal eugenics-frenzied bloodthirst of the Church. I can't help but wonder if part of the reason Alfred is so hellbet on destroying her, why the Executioners imprisoned her the way they did, was to strip her of bodily autonomy so she couldn’t “reproduce”. Her desire for a child is her way of seeking liberation for her and her people.

In this sense, taking up the role of a mother, of "women's work", is what confers the agency upon both Annalise and Miss Doll which had been otherwise stripped from them. Annalise's by the genocidal eugenics of the Church, and Miss Doll by the pact of servitude she was seemingly born into.

#percy theoryposts :)#i'm aware this is a generous interpretation #miss doll #bloodborne is very much about womanhood and the trauma it brings but i think its a stretch to say that message is executed perfectly #the few fem-presenting characters who get hopeful endings do so by escaping/trying to escape a cycle of violence #but it also involves taking on very traditionally feminine roles which have historically been subjugating in and of themselves #so you kind of have to take from that what you will #but at least the pattern seems to be that those roles are liberating and powerful when they are CHOSEN rather than forced #ie: arianna is FORCED to become a mother #and this is not remotely empowering to her #i think it comes down to the concept of socialization though: the doll CHOOSES to become a “mother” in the symbolism of the game #but they also have been conditioned their whole life to know nothing but serving others #so its....................... iffy #i also dont know if i'm certain this was Intentional on the part of fromsoft. bc especially in elden ring they dropped the ball slightly im #but its MY interpretation god damn it #plain doll #bloodborne #queen annalise #annalise queen of the vilebloods

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crinkle-eyed-boo · 12 days

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#it’s the way Maya #is 100% using a pay to publish company #to publish her HACK JOB Y/N FIC #her Mary Sue has HER INITIALS #she moved Liam’s initials by literally three letters #from LP to OS #I’m SCREAMING #she writes a fictionalized version of the first m&g #CARY is the most popular guy #LANCE is the kindest and most aware of fans #I mean!#and she says OLIVER is the LEAST POPULAR #acts like he’s older than all of them #everything is forced #I’m just GAGGED that she’s going this route #in the worst way #😱😱😱😱#also the writing is BAD #any real publisher would be paying HER to publish this #releasing direct to Amazon had me 👀👀#and then looking up the supposed publisher #like I said it’s 100% a pay to publish #and she’s paying for the literal copies of the book #paying Amazon to distribute #etc #embarassing #don’t fuck with me I work in publishing #K*itlin T**fany at least had a real publisher #and a real agent #LOL

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hadesknockedupintheunderworld · 7 months

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Hhhhh brainrotting over Ianfinite <- man who should not be this obsessed over the psyche of someone's Sonic oc

Anyways, I think it's a common misconception that Infinite simps for Ian Jr, but Ian Jr would never reciprocate feelings

What if the feelings are mutual but each of them thinks the other does not feel the same

Like Infinite thinks Ian Jr is cool, and that he can see right through his attempts to be cool and edgy (even if he also simultaneously thinks he is how he tries to be). He wants to please Ian Jr so he can win him over, or at the very least so Ian Jr will keep him around. Pathetic Jackal trying to impress his crush and make his crush see him as super cool and great, but also afraid that his crush can see through him and will notice every slip up or mistake. Doesn't think Ian jr feels the same but wants to make it happen by just being so appealing

And what's funny is that Ian Jr *does* see right through him. He can see that Infinite is pathetic and cringe. He *does* notice when Infinite slips up and fails. Except that's what Ian Jr likes about him. Does this make sense? Someone would be like "Infinite is cringe!" and Ian Jr would counter with "I know! It's what makes him appealing!" Or at the very least he knows and doesn't care. But even though that Ian Jr can see Infinite's attempts to look cool in front of him and what would be Infinite's attempts to woo him, it does not occur to Ian Jr that Infinite likes him romantically.

Ian Jr looked for Infinite after he "went missing" (I have not played forces. I heard Infinite got trapped in the phantom ruby or something? Idk I'm thinking from a specific comic I'm pretty sure Ian made), but Infinite doesn't know this. Infinite isn't just acting the way he does because he wants to prove himself better than Shadow, but also because he frankly wants to make Ian Jr swoon (and be considered cool by the mobian he thinks is just so incredibly cool), and Ian Jr doesn't know this.

This could be solved if they just talked about it, but they won't!😂

Because Infinite is dedicated to his plan of winning over Ian Jr without having to reveal himself (basically getting Ian Jr to confess and choose him)

And Ian Jr believes Infinite doesn't feel that way and is just glad Infinite is around and alive at least, so he doesn’t see any reason to talk about anything

Idiots idiots someone should force them to kiss

It wouldn't fix this, but it would be funny