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greatworldwar2 · 4 years

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• 28th Māori Battalion

The 28th (Māori) Battalion, more commonly known as the Māori Battalion, was an infantry battalion of the New Zealand Army that served during the Second World War.

The 28th (Māori) Battalion had its origins before the start of the Second World War. In mid-1939, as war in Europe began to be seen as inevitable, Sir Āpirana Ngata started to discuss proposals for the formation of a military unit made up of Māori volunteers similar to the Māori Pioneer Battalion that had served during the First World War. This proposal was furthered by two Māori MPs, Eruera Tirikatene and Paraire Paikea, and from this support within the Māori community for the idea began to grow as it was seen as an opportunity for Māori to participate as citizens of the British Empire. At first the New Zealand government was hesitant, but on October 4th, the decision was announced that the proposal would be accepted and that the battalion would be raised in addition to the nine battalions and support units that had already been formed into three brigades of the 2nd New Zealand Division. Nevertheless, it was decided that the battalion's key positions, including its officers, non-commissioned officers (NCOs) and signallers, would initially be filled largely by New Zealanders of European descent. This decision was met with some consternation, so assurances were made that over time suitable Māori candidates would take over these positions. In this regard, it was decided that the battalion's first commanding officer would be a regular officer, Major George Dittmer later promoted to lieutenant colonel in January 1940 and that his second-in-command would be a Reserve officer, Lieutenant Colonel George Bertrand, a part-Māori who would take up the position with the rank of major.

Almost immediately effort was focused upon selecting and identifying the officers and NCOs. To this end volunteers were called for among units that had already formed as part of the 2nd New Zealand Expeditionary Force (2NZEF) and from new recruits. At the end of November, 146 trainees reported to the Army School at Trentham, where even serving officers and NCOs were required to prove their suitability for positions in the new battalion. Concurrently, recruiting of men to fill the other ranks positions began in early October and within three weeks nearly 900 men had enlisted. The process was carried out by recruiting officers who worked closely with tribal authorities, and the recruits were restricted to single men aged between 21 and 35, although later married men were allowed to join, but only if they did not have more than two children, of similar ages. On January 26th, 1940 the battalion came together for the first time, marking its official raising at the Palmerston North Show Grounds. Upon formation it was decided that the battalion would be organised upon tribal lines. The unit consisted of a headquarters company and four rifle companies, designated 'A' through 'D': 'A' Company (Kamupene ā – Ngā Kiri Kapia – the Gumdiggers) was recruited from the Northland to Auckland ; 'B' Company (Kamupene B – Ngā Ruku Kapa – Penny Divers) from Rotorua, the Bay of Plenty and Thames–Coromandel; 'C' Company (Kamupene C – Ngā kaupoi – The Cowboys) from the East Coast from Gisborne to East Cape and 'D' Company (Ngāti Walkabout) from Waikato, Maniapoto, Hawkes Bay, Wellington and the South Island, as well as some Pacific Islands and the Chatham and Stewart Islands.

February saw the issuing of equipment and the commencement of training; punctuated by medical inspections and dental treatment as well as ceremonial duties. A lack of previous experience in technical trades also hampered the battalion's training, as the unit was short of men who were able to serve in roles such as clerks, drivers and signallers – most personnel were drawn from mainly rural backgrounds. Consequently, candidates for these roles had to be trained from scratch. The organisation of the battalion was finally completed in March, when the men were allocated to their respective companies, and on March 13th, 1940 the 28th (Māori) Battalion was declared on active service. After 14 days leave, the battalion conducted a five-week concentration period before embarking on May 1th, 1940. The battalion's strength at this time was 39 officers and 642 other ranks. Sailing upon the Aquitania via Fremantle and Cape Town, the battalion arrived at Gourock, Scotland, after six weeks at sea. Initially they had been destined to join the rest of the 2nd New Zealand Division in the Middle East, but due to concerns about a possible invasion of the United Kingdom by the German Wehrmacht, the decision was made to divert the division's second echelon, a brigade-sized force that included the 28th (Māori) Battalion, to Britain to help bolster the island's defences. In late June or early July 1940 the 28th (Māori) Battalion was attached to a mixed brigade under Brigadier Harold Barrowclough. During this time they manned defences in the south of England and undertook further training. The battalion suffered from a lack of equipment, largely due to the priority given to re-equip British units following the losses suffered by the British Expeditionary Force in France, and consequently training was largely focused upon anti-gas procedures and route marching. On July 6th they were inspected by King George VI and he was said to have been impressed by the "smartness of the close order and arms drill of the Māori Battalion" and "by the fine physique, keenness and determined demeanour" of the men.

Shortly afterwards the Mixed Brigade began quick deployment and defensive manoeuvres in earnest, as fears of invasion grew. In between exercises, further training was undertaken and the battalion also worked to improve fixed defences throughout July, August and into September. In September, a divisional review was undertaken and amidst massive German air raids upon London, the New Zealanders were declared to be ready for front-line service in the event of a German landing. Warning orders for deployment to Egypt were cancelled and the New Zealanders were placed under command of XII Corps, taking up defensive positions in the Folkestone–Dover region. In October, the Māori Battalion was attached to "Milforce", under Dittmer's command, along with a squadron of tanks, a squadron of cavalry and a medium machine gun company. Later in the month, the battalion received the order to begin preparing for redeployment to Egypt and an advance party was dispatched in mid-December. On January 7th, 1941 the rest of the battalion left for the Middle East. After sailing via Freetown, Cape Town and Durban, the Athlone Castle sailed up the east coast of Africa and entered the Suez Canal, arriving at Tewfik harbour on March 3rd, 1941. In the afternoon the battalion entrained and two days later they arrived in the desert, where they were met by motor transport which carried them to camp Garawi, about 20 miles (32 km) from Cairo. At this point they were met by about 300 reinforcements which were used to replace men who had been laid down with influenza and to bring the battalion up to a higher establishment. Shortly afterwards they were moved to Alexandria, where they embarked on the Cameronia, bound for Greece.

On April 6th the German invasion of Greece and Yugoslavia began. In order to help defend Greece, a composite force of three divisions of Australian, British and New Zealand troops were to be deployed, and were grouped together under the title of 'W' Force. However, by the time the invasion began only two of the three divisions had arrived, and the New Zealanders were consequently spread thin, holding a position to the north of Katerini, where they were tasked to defend the strategic Olympus Pass to the south. During this time, the 28th (Māori) Battalion was attached to the 5th Infantry Brigade, which was later grouped with other Australian and New Zealand units to form the Anzac Corps. Vastly outnumbered, within two days the situation for the Allies was not good as the Germans had broken through the defences along the Bulgarian border and the Yugoslav resistance had collapsed. As the situation worsened, orders came down from brigade headquarters that the passes would be held "to the last man and last round".

On April 9th, the fall of Salonika precipitated the order for the battalion to withdraw from their positions at Katerini south to Olympus. As events unfolded elsewhere, the battalion remained in position, digging in and constructing defences until April 12th when they were ordered to withdraw behind the Mavroneri Gorge and reposition themselves on the western aspect. At this time the 5th Infantry Brigade's orders were changed from a holding action to a delay and withdrawal. It was in the Petra Pass, alongside the 22nd Battalion, that the 28th Battalion fought its first engagement of the war. In preparation for the coming attack, the Māori built their position, running out barbed and concertina wire and digging in while German bombers droned overhead. As German forces were halted at Platamon by the 21st Battalion, thrusts towards Larisa once again put the battalion's position in doubt and they were again ordered to withdraw. In the end the Māori remained in position until April 17th. Throughout the previous two days the battalion worked hard to repel repeated attempts by elements of the German 2nd Infantry Regiment to infiltrate their lines, before they finally received the order to fall back. Withdrawing over difficult terrain towards the pass, the manoeuvre continued into the night as the Germans continued to harass their rearguard units. The move was carried out with considerable urgency because the intention was to blow a bridge up just after the battalion had withdrawn across it in order to delay the German advance. In the end the battalion only just made it. After meeting motor transport, the battalion moved back to Ay Dhimitrios, which they began to prepare to defend in order to help seal off the exit of the Olympus pass. The withdrawal continued, though, and on April 19th the Māori Battalion was called upon to conduct a delaying action as the rest of the 5th Infantry Brigade pulled back through Larisa towards Lamia, 80 miles (130 km) south. Here they took up position in a marsh and as they made preparations for its defence, on April 22nd, in Athens, the decision was made that the units of the British Commonwealth forces would be withdrawn from the country.

Over the course of the next two days, the battalion withdrew towards Athens, where they arrived in the early morning on April 24th. They continued on to the beach at Porto Rafti, destroying their vehicles and other equipment as they went. In the confusion of orders and counter orders, the battalion's carrier and mortar platoons had gotten separated from the rest of the unit. By 9:00 pm on April 24th when the final move to the beach commenced they still had not arrived. Of the various groups that had become detached from the battalion, some were able to make their own way to the embarkation beaches, but a number of them were ultimately captured. The battalion's casualties in Greece were 10 killed or died of wounds, six wounded, 83 captured, 11 wounded and captured. After being evacuated from Greece, the Māori Battalion embarked upon the landing ship, infantry HMS Glengyle and was taken to Crete where they formed part of the island's hastily formed garrison. On May 20th, 1941, the Germans launched the opening stages of their campaign with large-scale glider and parachute drops of troops from Maleme to Canea. The landings were focused around the airfield and no troops landed in the area being held by the Māori, nevertheless, a small force of glider troops were found to be occupying a house on the beach about 0.5 miles (0.80 km) from them. A platoon was dispatched to attack them and after a brief fire-fight in which two New Zealanders were wounded and eight Germans were killed, the 10 remaining men in the house surrendered. The main German attack was focused upon the 22nd Battalion which was defending the airfield. Hard pressed, late in the day the 22nd requested reinforcements and the 5th Infantry Brigade commander, Brigadier J. Hargest, sent one company from the 23rd and one from the 28th. The task was given to 'B' Company and, as the company commander only knew the direct route, they had a night approach march of over 8 miles (13 km) to cover. During the march they came in contact with a platoon-sized force of Germans which briefly held up the company before reinforcements could arrive.

The German force surrendered, but in doing so one of their number threw a grenade at the New Zealanders, wounding two men. In response the Māori fixed bayonets and carried out the first bayonet charge by a New Zealand force during the war, killing 24. A short while later they killed another eight in a separate engagement. Continuing on towards the 22nd Battalion, they bumped into a number of small pockets of Germans before eventually linking up with the 22nd Battalion's headquarters where they were told to return to their own lines as the decision had been made to withdraw. Eleven hours later the company reported back to the 28th Battalion's lines. Over the course of the next ten days the battalion was involved in a series of engagements as they fought to defend the island, with the most notable probably being the bayonet charge that they undertook with the Australian 2/7th Battalion at 42nd Street on May 27th, in which 280 Germans were killed, with the Māori accounting for 100. However, it soon became clear that the garrison on Crete would need to be evacuated and on 28 May the bulk of Creforce began to disengage the Germans and begin the retreat towards Sfakia. The 5th Infantry Brigade took turns with two Australian battalions and the commandos of Layforce to carry out a rearguard action to guard the pass through which the troops had to traverse in order to escape. On May 30th, the final order was received, although due to shipping losses it was not possible to evacuate everyone. In order to maintain fairness, each battalion was allotted a certain number of men who would have to remain and defend the embarkation beaches to allow the others to get away. The 28th Battalion was allocated 230 men to embark, while six officers and 144 men would have to stay behind. A large number of men volunteered to remain, and at midnight the remainder headed down to the beach and were taken off on a landing ship two hours later. The battalion suffered 243 casualties during the brief defence of the island, including 74 men killed and 102 men wounded.

After their escape from Crete, the 28th (Māori) Battalion was evacuated to Egypt where they were re-issued with summer uniforms and began to receive reinforcements. In June they carried out a ceremonial parade for King George VI and the Queen, and the commander of the 2nd New Zealand Division, Lieutenant General Bernard Freyberg. Throughout July, the battalion undertook desert familiarisation training before moving to Kabrit where they concentrated with the rest of the 5th Infantry Brigade for a three-week combined operations exercise. Later, in August, they moved to a position 20 miles (32 km) west of El Alamein, known as the "Kaponga Box" where throughout September and into October they undertook the unfamiliar task of road construction. In October, the brigade received orders to link up with the rest of the division in preparation for their commitment to the battle along the frontier. Their first task was to capture the seaside town of Sollum, which was taken on 23 November from its Italian garrison with only a few casualties. Follow-up artillery inflicted 18 killed and 33 wounded. Two hundred and forty-seven Italian prisoners were taken. Following this, the 5th Infantry Brigade was placed under the command of the 4th Indian Division and the 28th Battalion took up positions near Bardia. Three days later the battalion attacked a column of tanks and motorised infantry before ambushing a column at Menastir on 3 December. Later, notable actions were undertaken at Gazala and at Sidi Magreb where over 1,000 Italians prisoners were captured. Following this, the battalion was deployed to Syria before returning to Egypt in June 1942. Now officially under the command of a Māori for the first time Lieutenant Colonel Eruera Love.the Māori took part in the 2nd New Zealand Division's breakout from Minqar Qaim, undertaking a successful bayonet charge. At this time, the battalion's skills with the bayonet earned them a reputation as "scalp hunters" among German commanders, including Rommel. In September and October the battalion took part in important actions as part of the offensive in the Munassib Depression and at Miteiriya Ridge during the Second Battle of El Alamein. In November the battalion supported the final breakthrough by Allied forces that decided the outcome of the battle. Nevertheless, the battalion remained in the fighting and in March 1943, at Medenine it undertook a defensive role before switching to the offensive at Point 209 in the Tebaga Gap, where it was responsible for almost completely destroying a German panzer grenadier battalion. Two weeks later, on the night April 20th, 1943, the battalion took part in the 5th Infantry Brigade's attack on the Tunisian village of Takrouna. The village was situated atop a steep slope, and the attack stalled due to heavy concentrations of indirect fire and landmines, which wounded a number of men. The battalion returned to Egypt with the 5th Infantry Brigade in late-May and underwent a period of refit and retraining, during which the bulk of the original unit was given three months leave and returned to New Zealand.

Having taken no part in the Allied invasion of Sicily in July August, the 2nd New Zealand Division was committed to battle again in late 1943 as part of Eighth Army during the Italian Campaign. The Māori Battalion subsequently arrived in Italy on October 22nd, landing at Taranto. 5th Infantry Brigade undertook a period of training in close-country tactics, remaining in camp at Taranto until 18 November when it was ordered to move north 250 miles (400 km) to join the Eighth Army. The 2nd New Zealand Division had moved into the front line in November in order to relieve the 8th Indian Division and would take part in the advance across the Sangro planned for the end of the month. The brigade subsequently occupied positions around Atessa, with the Māori Battalion in brigade reserve, occupying a series of low hills which formed the Sangro river valley. During December the 2nd New Zealand Division took part in the Moro River Campaign. By this time the attacking battalions had exploited forward towards the Winter Line and the Māori Battalion moved forward by truck on December 1st, crossing the Sangro. Heavy congestion on the road delayed the battalion's movements, and although scheduled to assault towards Elici, they arrived to find the 23rd Battalion and the Division Cavalry had already completed the task. The Māori were again ordered into reserve, occupying positions 1 mile (1.6 km) east of Castelfrentano. As part of the Fifth Army's advance up the Liri valley, the Māori Battalion's next major engagement came in early 1944 when they took part in the fighting around Monte Cassino. The position at Cassino was dominated by an historic Benedictine monastery. Throughout January the Allies continued their advance, but as they were checked by the German positions at Cassino the advance stalled. They met very stiff resistance, and although they managed to reach the railway station they were unable to wrest control of it from its defenders. Lacking armoured support, which had failed to arrive, they fought through the morning and into the afternoon, but when their position was assaulted by two German tanks they were forced to withdraw. In March they were again involved in fighting around Cassino, however, it was not until May that the position was eventually captured, by which time the New Zealanders had been withdrawn from the line, and transferred back to the Eighth Army.

In April 1945 the battalion returned to the front line to take part in the final stages of the war. On April 1th, the battalion entered the line near Granarolo along with the rest of the 5th Infantry Brigade and for the next month they were involved in five main battles along the Senio, Santerno, Sillaro, Gaiana and Idice rivers as the Allies pursued the Germans back towards Trieste. It was in Trieste that the Māori Battalion's war came to an end. Their involvement in the final stages of the fighting in Italy had cost them 25 killed and 117 wounded, while losses for the entire Italian campaign were 230 men killed, and 887 wounded. On May 2nd, 1945 news was received that all German forces west of the Isonzo River had surrendered. While this did not officially end the fighting in Italy, it was all but over. Five days later, on the night of May 7th, the battalion received the news that Germany had surrendered unconditionally to the Allies, and that the war in Europe was over. Nevertheless, tensions remained high and concerns about the intentions of Yugoslavia regarding the disputed province of Istria meant that the 28th (Māori) Battalion remained on high alert. This continued until early June when an agreement was reached and Yugoslavia withdrew its troops east of the Isonzo River. Following this the routine of the battalion became more settled. Afterwards, preparations began for the battalion's return to New Zealand. The war with Japan continued however, and at the time it was believed that the Māori would take part in further operations in the Pacific. New Zealand policy at the time was that long serving men were to be repatriated and their places taken by men with less time in service. In this regard, commencing in late May, drafts of men departed in the order of their arrival at the battalion. On 15 August 1945 news was received of Japan's unconditional surrender, ending plans for the battalion to take part in further combat in the Pacific. In September it was decided that as part of the departure of New Zealand troops from the theatre, memorial services would be held at the locations of the division's major battles. The last batch of long service men had departed shortly after the battalion's arrival at Lake Trasimene.

Throughout the course of the war, 3,600 men served in the battalion. Of these, 649 were killed or died of wounds while another 1,712 were wounded. Another 29 died as a result of service following discharge, while two were killed by accident during training in New Zealand. The Māori Battalion's service against the Germans in North Africa earned them a distinguished reputation. Such was the respect that Allied commanders had for the Māori Battalion that they were frequently used as a spearhead unit. Bernard Freyberg, the General Officer Commanding of the 2NZEF, commented, "No infantry had a more distinguished record, or saw more fighting, or, alas, had such heavy casualties, as the Maori Battalion." The battalion's reputation was also acknowledged by their opponents. Some sources state that the Afrika Korps commander, Erwin Rommel remarked,"Give me the Maori Battalion and I will conquer the world".

#second world war #world war ii #world war 2 #military history #wwii #history #british history #new zealand #maori history #new zeland history #british commonwealth #long post #unsung hero #badass history #desert soldiers

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jerryb2 · 4 years

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In my ongoing quest to create the ultimate Expanded Universe® Grand Master® Luke Skywalker® Lightsaber® (shut up, that’s totally my latest quest 👀), here we have some side-by-side pics of the ROTJ Luke V2 & V3 sabers, as well as the MK1 for scale and reference.

I’ve just recently added the blade plug to the V3, as well as replacing the original D-Ring on the pommel with one that has a more rounded shape, which I personally think looks better. Not too shabby, if I do say so myself. 😎

Breaking character for a moment though; ever since I learned about the different versions of Luke’s Lightsaber I’ve been sort of mulling over a metanarrative that I’d like to share (this’ll take a while, so strap in):

For those that might not know, Luke’s lightsaber from Return of the Jedi has a complicated history, to say the least; there are actually multiple screen-used lightsaber props for Luke in ROTJ. If nothing else, this simple fact serves as a testament to the sheer disorganization of the early Star Wars films. In general, movie scenes are rarely shot in sequential order - in fact, they’re shot in an order that’s the most cost-effective. Pressed for time, and shooting the climactic throne room duel with Darth Vader early in the production, the prop department was forced to re-purpose several "stunt sabers" and turn them into on-camera props. These were originally FX/stunt sabers for Ben Kenobi (the MK1) in ANH, and that had since been repurposed so that the actors could practice with them. There’s some really neat footage out there of Mark Hamill and Bob Anderson (Vader’s stunt double) practicing the fight from ESB where Mark is actually using the V2. This led to the V2, V3, Yuma and later, the Hero versions of the same (technically) lightsaber. This also goes a long way to explain why Luke & Ben’s sabers have such a similar profile. How did no one notice this for literally decades? Well, when you take into account that there was no such thing as a high-definition picture, as well as the fact that most kids watched the OT on VHS tapes in the late 80′s and early 90′s, you can start to see why the filmmakers weren’t too worried about smaller details like that.

It was a different time - and in that way - worse.

If we look at the V2 (that is, the one with the gaffer tape around the neck and the overall aesthetic of ‘let’s just get this over with’) we see something that fits the part it played in ROTJ; a weapon made by a burgeoning Jedi Knight, who was probably just glad that it didn’t blow up in his face when he hit the activation plate. For my money though, I’d say that this is Luke’s saber for only a few days to a week, at most.

For anyone who hasn’t read Shadows of the Empire, here’s a brief aside; Luke built his lightsaber using plans he found in Ben Kenobi’s Hut on Tatooine, hence an in-universe reason why the sabers look so similar. After losing to Vader on Cloud City, Luke and his allies spent the next several months recuperating and making plans to rescue Han from Jabba the Hutt. During this time, Luke was able to scrounge the parts necessary to build his new lightsaber; a high-energy reflector cup, diatium power cell and a focusing lens, etc. The only thing he needed to complete his blade was the main crystal. Due to a lack of resources (thanks to Old Palpy himself), Luke was forced to use a synthetic crystal. After a solid month of work, he finally completed his saber and it’s here where we more-or-less meet the narrative of the film. There are dozens of pictures that depict Luke fighting on the sail barge, on Endor and on the Second Death Star - and in the vast majority of them, he’s holding the V2.

So where does the V3 come in, within the context of this story?

Well, after the conclusion of ROTJ and the events of the next several days as depicted in The Truce at Bakura, I would imagine that Luke took some time to reevaluate his saber. Maybe it had begun to malfunction? Maybe the insulation wasn’t properly protecting the power source from the superconductor after all? Or maybe he was just slightly embarrassed that his (not-so) shiny new Jedi weapon had a strip of tape holding it together? The point is, I would imagine that he probably made a trip or two down to the ol’ hangar bay and had a chat with one of the chief mechanics, who was then able to procure some slightly higher-quality components.

The gaff tape is outta there; it doesn’t provide proper insulation and it just doesn’t befit the only Jedi Knight left in the whole galaxy. After the insulator was properly (re)installed, it’s conceivable that Luke took the neck to a milling machine and polished it to expose the metal underneath, revealing its copper-brass color. For that matter, Luke probably gave the whole thing a good once over with some steel wool. Now at least it doesn’t look like a Bantha shat it out after an evening meal. And as it turns out, with proper dimetris circuitry, he doesn’t need the nipple on top of the emitter to stabilize the blade, so he just removed it.

That’s the way it probably stayed for several years; it looked more polished and was properly functional. It would still have the long clamp lever and the unique circuit card over the activation plate, as well as the cone knob and mystery chunk, but we’re already starting to look more like the V3. Then we get to the Thrawn Campaign and shortly after, Operation Shadow Hand with the reborn Emperor. After these threats had passed, we do know (via The Jedi Academy Trilogy) that Luke spent some time contemplating his place/role in the galaxy - it was shortly after this that he decided to establish the Jedi Praxeum on Yavin IV, after all.

By now the clamp lever is getting a bit sad; probably more trouble that it’s worth to replace just the clamp lever, so why not replace the whole thing? And that clamp card is pretty grotty, so it’s time to fix that. And I would imagine that he would be a bit tired of having the cone knob & mystery chunk cutting into his hand (I can relate, fam) so let’s just rework that booster. What we come away with is something that looks almost bang-on like the stock Rudy Pando V3; no emitter nipple, copper wind vane, new activation card and clamp, and no extra greeblies.

From then on his saber stays pretty much the same for a couple of decades....until he recovers it from UnuThul/Lomi Plo after The Dark Nest crisis.

Now, because we know that Luke did build a replacement after UnuThul confiscated his first saber (one which apparently looked almost identical to his OG saber - sure, okay, Troy Denning), I think this is where the Hero saber enters the narrative. Most likely only a short time after he claimed the title of Grand Master of the Order (around the time when the Jedi were preparing to launch an all-out attack on the Dark Nest and thus the newly minted GM would need a functioning saber), I’d like to think that Luke let his natural mechanical ability and technical knowhow run a bit wild - he builds a very close facsimile of his saber, but this time with a proper control box and indicator lights, better basic construction, etc. Once he recovered his original saber, I don’t think it would be out of the question for him to carry over a few design tweaks he had just made with the Hero. Notably, he added back the nipple on the emitter - in the long run, it’s just better to have it since it prevents power bleed-off (or something - lads, I’m literally pulling all of this out of me arse) and more than anything, because it improves the overall profile. And on top of that, it looks like he added some mesh coverings to some of the heat venting ports(?), probably to prevent grime or dirt from building up over time. Smart man, that Luke Skywalker.

And at last, we have arrived at the construction we see in the pictures above; this is (for me) Luke’s saber as he carries it in his duels with both Darth Cadeus & Lumiya, when he goes into (more-or-less) self-imposed exile and through to when he confronts Abeloth and eventually becomes one with the Force.

This has been my TED Talk. Thank you for coming. 😅

Oh, and because I suspect that some of the more eagle-eyed readers out there will be wondering - where does the Yuma fit into all this? Well hey, this is my metanarrative. Go make your own. 😉

#star wars #Luke Skywalker #lightsaber #hero #v2 #v3 #rudy pando #meta #ted talks #dear lord that was longer than i thought it would be #i am so sorry

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arcticdementor · 3 years

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[This is the fourteenth of many finalists in the book review contest. It’s not by me - it’s by an ACX reader who will remain anonymous until after voting is done, to prevent their identity from influencing your decisions. I’ll be posting about two of these a week for several months. When you’ve read all of them, I’ll ask you to vote for your favorite, so remember which ones you liked. If you like reading these reviews, check out point 3 here for a way you can help move the contest forward by reading lots more of them - SA]

What went wrong in the 1970s? Since then, growth and productivity have slowed, average wages are stagnant, visible progress in the world of "atoms" has practically stopped - the Great Stagnation. About the only thing that has gone well are computers. How is it that we went from the typewriter to the smartphone, but we're still using practically the same cars and airplanes?

"Where is my Flying Car?", by J. Storrs Hall, is an attempt to answer that question. His answer is: the Great Stagnation was caused by energy usage flatlining, which was caused by our failure to switch to nuclear energy, which was caused by excessive regulation, which was caused by "green fundamentalism".

…

Before reading this book, I thought flying cars were just technologically infeasible, because flying takes too much energy. But Hall says we can and have built them ever since the 1930s. They got interrupted by the Great Depression (people were too poor to buy private airplanes), then WWII (airplanes were directed towards the war effort, not the market), then regulation mostly killed the private aviation industry. But technical feasibility was never the problem.

Hall spends a huge fraction of the book on pretty detailed technical discussion of flying cars. For example: the key technical issue is takeoff and landing, and there is a tough tradeoff between convenient takeoff/landing and airspeed (and cost, and ease of operation). It’s interesting reading. But let’s return to the larger issue of nuclear power.

Nuclear power started off well; “the cost of nuclear plants was decreasing by about 25% for each doubling of capacity in the 50s and 60s”. Then, in 1977, Jimmy Carter established the Department of Energy. Costs immediately skyrocketed, and never came back down. It’s hard to briefly convey the regulatory issues because it’s death by a thousand cuts.

…

Why is regulation so crippling? The public is wrongly terrified of nuclear energy, but they shouldn’t be. Radiation killed 0 people at Fukishima; the radiophobic evacuation killed >1000 (“Some 1600 of the evacuees died from causes ranging from privation in refugee camps (notably loss of access to health care) to suicide”), and the tsunami/earthquake killed >10000. Hall quotes an estimate from the Guardian that Chernobyl - by far the most serious nuclear disaster - killed “approximately” 43 people.

Why are people so terrified? Hall says we were a victim of our own success from World War II. Before the War, America was an individualistic nation. Then came the Depression, the New Deal, and most of all the War. America won the war with a “completely centralized bureaucratic government structure” - and it was a huge success. And for a while, that worked: the generation forged in the war had a “cooperative “same boat” spirit” that “[made] the centralized corporate structures work.” But then it didn’t. Hall blames the hippies:

“The Baby Boomers—my generation—split into two cultures which, as far as I can see, not only didn’t agree on values but which fundamentally couldn’t even understand each other. Ask any Boomer what was the greatest, most pivotal event of 1969. Half of us will say the Apollo 11 moon landing. The other half will say Woodstock. Both sets, hearing the other’s opinion, will emit an honestly uncomprehending “Huh!?!?” From the Fifties to the Seventies, the average American followed the lifecycle of Sinclair Lewis’ Babbitt from conformity and cooperation to non-conformist rebellion in a search for personal meaning. The corporate state worked with the cooperating, self-sacrificing Greatest Generation. It didn’t work so well with Aquarians.”

His theory, basically, is that the next generation - the Baby Boomers - got spoiled. Automation had come into its own, and people didn’t need to struggle for survival anymore. America was on top of the world, and there weren’t enough real challenges to work on. But people need challenges. So they made some up.

Hall says the most damaging strain, still common today, is “green fundamentalism”, the idea that human agency over nature is fundamentally bad. An early example is Rachel Carson’s Silent Spring, which got DDT banned on the grounds that it was causing cancer; in reality the cancer increase was from smoking, and from technology improving living conditions (the healthier you are, the more likely you’ll survive long enough to get killed by cancer). “The Green religion has essentially superceded Christianity as the default religion of western civilization, especially in academic circles”. Hall is dismissive of climate change, citing an estimate that it will cost only a few percentage of GDP by 2100 even in the worst case. (This is something that always confused me; there’s such a big gap between quantitative economic estimates of climate change and qualitative ones. My impression is the quantitative ones are way too optimistic. Hall does not agree with me). Anyway, he says, climate change is all the more reason to embrace clean nuclear power and flying cars (highways use a lot of land; if flying cars replaced highways, that land could be returned to nature).

The upshot is there is strong intellectual skepticism about increasing energy usage. As government has taken much more centralized power, “we have let complacent nay-sayers metamorphose from pundits uttering ‘It can’t be done’ predictions a century ago, into bureaucrats uttering ‘It won’t be done’ prescriptions today.” As a result, “a lot of inventiveness and engineering resources got shifted from doing new things, and doing things better, to doing the same old things, usually not as well, but using less energy.” Our machines use less energy, but they don’t work any better. Is single-mindedly improving efficiency really the best use of our time? And anyway, the efficiency gains - while real - are basically on the same trendline as they were before all this regulation. The difference is that we used to have efficiency *and* more energy every year; now all we get is efficiency. The twin tragedies are that so many talented people went into activism instead of engineering, and that the activism was so often opposed to progress.

…

Hall blames public funding for science. Not just for nanotech, but for actually hurting progress in general. (I’ve never heard anyone before say government-funded science was bad for science!) “[The] great innovations that made the major quality-of-life improvements came largely before 1960: refrigerators, freezers, vacuum cleaners, gas and electric stoves, and washing machines; indoor plumbing, detergent, and deodorants; electric lights; cars, trucks, and buses; tractors and combines; fertilizer; air travel, containerized freight, the vacuum tube and the transistor; the telegraph, telephone, phonograph, movies, radio, and television—and they were all developed privately.” “A survey and analysis performed by the OECD in 2005 found, to their surprise, that while private R&D had a positive 0.26 correlation with economic growth, government funded R&D had a negative 0.37 correlation!” “Centralized funding of an intellectual elite makes it easier for cadres, cliques, and the politically skilled to gain control of a field, and they by their nature are resistant to new, outside, non-Ptolemaic ideas.” This is what happened to nanotech; there was a huge amount of buzz, culminating in $500 million dollars of funding under Clinton in 1990. This huge prize kicked off an academic civil war, and the fledgling field of nanotech lost hard to the more established field of material science. Material science rebranded as “nanotech”, trashed the reputation of actual nanotech (to make sure they won the competition for the grant money), and took all the funding for themselves. Nanotech never recovered.

Flying cars didn’t have the same issues; they were being developed privately. But regulation doomed them. Harold Pitcairn was almost successful in developing a flying car, but then in World War II the government nationalized his helicopter patents (they promised to give them back after the war, but reneged) and he spent the rest of his life in court. He won, 17 years after his death. Bruce Hallock had a promising design, but he sold a plane to a missionary group in Peru and was arrested as an “arms trafficker”. Robert Fulton had a successful prototype, “however, Fulton’s financial backers had become discouraged with the seemingly endless expense of meeting government production standards, and they withdrew their support.” Molt Taylor “was actually in serious negotiations with Ford as late as 1975 to have the Aerocar mass-produced. The monkeywrench was thrown into the negotiations by the FAA and the DOT. Taylor already had an airworthiness certificate for the Aerocar, granted by the CAA (predecessor of the FAA) after a delay of 7 years from its first flight. He claims that the agencies turned thumbs down on the Aerocar ‘because everybody would have one, and we couldn’t handle the [air] traffic.’ Airplane regulation has only gotten stricter: “The entire F.A.R. / A.I.M., which every airman is responsible for knowing, is 1085 pages long. At least it was in 2013; a new one comes out every year.” So in the end, we have none of these technologies. No flying cars, even though they were prototyped almost a hundred years ago. Some nuclear energy, but crippled, aged, feared, and hated. 3D printing, but no nanotech. No level 5. Because the state needs legibility, and progress is not legible. The bureaucratic incentives are to calcify. If no one does anything new, no one will do anything wrong.

…

The book is 550 pages long, so there’s a lot I didn’t cover. I thought the political/social analysis was its weakest aspect, basically a strongly worded but conventional version of the libertarian case against regulation, although I appreciated the detailed examples of how regulation harmed flying cars and nanotechnology (And I’ll admit I haven’t heard the libertarian case against funding science before!). I’m more convinced than ever that not embracing nuclear power was one of humanity’s worst mistakes (partially because I’m more afraid of climate change than Hall is). I found the book most valuable as a statement of “definite optimism” - a concrete vision of attainable yet extraordinary technological progress. I recommend it on that basis.

#read the whole thing #book review #where's my flying car?#j storrs hall #substack

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hellyeahheroes · 4 years

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Building Rikki Barnes in D&D 5e

I will confess something. lately D&D has been a kind of comfort hobby for me, in wake of all this fucking madness around us that is this year. This includes these builds but also my campaign that I just wrapped up and before I kick off with a sequel I felt like doing some celebration with blog-related content. So I decided - let’s build a character I planned to build on Pride Month but didn’t manage to. One funky, gun-toting, shield-wielding, dimension-hopping immortal lesbian.

As always, credit to Tulok the Barbarian from whom I lifted the teamplate for those builds and like him we will start with Goals for the build. First of all, we need to fight like someone who studied under not one, not two but dozens of Captain Americas across the worlds. Second, we need to have knowledge and skills like someone who lived all kinds of lives, picking up all she learned along the way. Finally, we need to be able to use both shield and a gun in accord.

For Ability Scores we will stick to Standard Points Array - 15, 14, 13, 12, 10, and 8 - but if you want to roll, use points buy or other form of generating abilitty scores, go ahead and treat these as guidelines. Keep your Charisma and either Strength or Desterity at at least 13 for multiclassing purposes.

Strength: 15, say it after me RIKKI. IS. BUFF!

Dexterity: 14, your armor varied from short-shorts to what would pass for a leather armor and you have no problem jumping from one rooftop to another to catch-up with your Spider-Girlfriend.

Constitution: 12, you’re not as tough as Toro, but you can still take a hit.

Intelligence: 10, wish it was higher but we cannot have everything

Wisdom: 8,remember that time you didn’t recognize main universe counterpart of your brother is into you and didn’t recognize guy replacing Steve as Cap is your own grandfather?

Charisma: 13, say what you want but Rikki knows how to pick up girls.

Race: Rikki is a human, we will stick with Varian Human because we need a feat but Revenant Human could work as well if you want to go into technicalities about her ressurections. Variant Humans get +1 to two Abilitty Scores, boost up Strength and Dexterity, a bonus Skill, pick History and a feat. Pick a Soldier for a background since this is closest we get to “trained by most American American to ever American and reborn across the multiverse to do it again”. It gives you proficiency in Athletics and Intimidation, land vehicles if you want to borrow grandpa’s bike and a gaming set. Military Rank feature let’s you be recognzied as a fellow veteran by other soldiers who may be more letient to your requests. You lead two superhero teams so that adds up.

Shield Master will be our feat of chocie and we need to talk about it because it gives you not one but three fun features:

It let’s you add a bonus from your Shield to your Armor Class to any saving throws against spells and other harmful effects as long as they target only you. The way it is written means you could technically cover your eyes with shield when someone tries to hypnotize you, which is very much how I imagine members of Captain America Family (Cap Family?) dealing with mind-control.

If you take an attack action on your turn, you can use your bonus action to try to shove a creature within 5 feet from you with your shield. Shoving is normally an action that forces the target, say Bob Agent of Hydra, to make Athletics or Acrobatics check against your Athletics. If Bob fails (and he will because it’s Bob), he is either pushed 5 feet away from you or knocked prone. Maybe that will make him realize he needs a better job than fucking nazis.

It also let’s you use your reaction to cover with your shield if you are subjected to an effect that demands you make a saving throw to take half damage or full damage if you don’t, like for example FUCKING FIREBALL. With your shield up if you do make that saving throw you’ll take no damage. This is a bit weaker version of Evasion, a feature Rogues and Monks get at 7th level. Meaning that you will spend that many levels making them horribly jealous.

Speaking of Rogues, guess what we’re NOT picking for out Class. Instead we go with...

1st Level: Fighter! You gain proficiency with all Armors, shields, simple and martial weapons, Strength and Constitution saving throws, and two skills, I’d go with Acrobathics and Perception. You gain Second Wind, letting you recover as a bonus action 1d10+your fighter level of HP. Rikki is determined enough to chase the Maker across worlds and hit points can reflect will to fight.

You also get fighting style - unarmed Fighting lets you deal 1d6+your Strength modifier on your Unarmed Attacks, 1d8 if you use both hands (or do a dropkick I pressume) and if you grapple a creature, you can deal 1d4 damage when you innitiate it succesfull and then on future hits while grappling.

2nd Level: Fighter gets Action Surge, letting you once per short or long rest take an extra action during your turn.

3rd Level: Fighter gets to chosoe a Martial Archetype: Battle Master gainst a proficiency with Artisan’s tool of your choice but moe importantly, gains Combat Superiority. You Gain 3 Maneuvers that are fueled by your Superiority Dice - which at this level are 4 d8s. When you use a Maneuver you spend Superiority Dice, you get them back after a short or long rest. If those effects ask for a saving throw, it must beat 8 Your Proficiency Bonus + either your Strength or Dexterity modifier.

Bait and Switch let’s you switch places with an ally within 5 feets of you without provoking Opportunitty Attacks and until the start of your next turn that ally adds result of your Superiority Dice roll to their Armor Class. Julie power can overextend herself easily, this will keep her safe.

Sweeping Attack let’s spend one Superiorirty die when you hit an opponnent in meele to try to also hit another one within 5 feet of it - if the original attack roll was high enough to beat its AC you deal it damage equal your roll on Superiority Dice. So when ypu kick Red Skull you can also carry your kick toreach Crossbones as well, breaking two jaws with your heel in one strike.

Brace let’s you spend your reaction to attack a target that moves within 5 feet of you and add result to the damage if you hit. So if Sif tries to rush to help her father, you will deck her in the face without even having to look.

4th Level: Firghter gets an Abilitty Score Improvement or a Feat. We will pick Gunner from newest Unearthed Arcana for Feats. it let’s you add +1 to your Dexterity, gives you profficiency with firearms and let’s you ignore their loading quality, letting you shoot a gun for each of your attacks for a single turn and you don’t have disadvantage on an attack if you shoot a target within 5 feet of you..

Alternatives: Not every DM allows firearms in their setting. If that is the case the Crossbow Expert will do roughly the same for you. If you don’t like idea of Rikki with guns at all, then Crusher from the same Unearthed Arcana will let you push any target you hit with your fist and make attacks against them have an advantage for a turn whenever you crit on an attack. Martial Adept meanwhile can let you learn two more maneuvers and gain an extra Superiority Dice.

5th Level: Fighter can now attack twice on each turn attack action. Meaning You can in one turn roundhouse kicks Red Skull, use sweeping attack to carry that kick over to Crossbones, shoot Anirm Zola, knock Bob to the ground and use another Superiority Dice to deck Sin in the face if she comes to help her daddy on her turn. And that’s without using Action Surge and last Superiority Dice.

6th Level: Fighter gains another Abilitty Score Improvement. And you know what? Boost up your Strength.

7th Level: We have combat skills but what about other Skills? We can grab an extra one, like Stealth, by picking up a level of Bard. 1st Level Bards gain Bardic Inspiration, a set of 3 d6 dices you can give to your allies as a bonus action, letting them add it to an attack roll or a saving throw.

You also learn Bardic spells. You know a small number of those and spend spell slots to cast them. If your spell makes an attack roll, it does so with a bonus equal your Profficiency Bonus + Your Charisma modifier. Add to that bonus 8 and you get a number that has to be beaten if your spell reqires a saving throw.

You start knowing 2 Cantrips that you can always cast and 4 1st level Spells and have 2 1st level Spell Slots

Light is a flashlight you can use to make an object shine bright light in 30 feet and dim light in next 30 feet. Useful since you cannot see in the dark

Message is a communicator, letting you send a short message to another creature and be able to receive equally short reply

Comprehend Languages let’s you understand any language you hear for 1 hour. Rikki lived many lives, she likely picked a few.

Heroism you can cast on yourself to show how brave you are or on an ally, cherring them up. until the spell ends the target has an advantage on saving throwsagainst being frightened and gains an extra temporary hit point at the start of each of your turns.

Identify let’s you use your vast knowledge of other worlds to recognize legendary or jsut enchanted effects or what spells are affecting a creature or an object. After all, you have seen it all.

Cure Wounds is a first aid kit, healing 1d8+1 hit points on you or another target

8th Level: 2nd Level Bards gain Jack of All Trades, letting you add half of your Proficiency modifier to all skills you are not profficient with. You also get Song of Rest, letting you let your commrades roll an extra 1d6 whenever tehy roll to regain hit points - as a soldier of many Battlefields makes sense you will be tending the wounds of your allies and rising their spirits between battles. You also get another spell known but we will exchange it for something else on next level.

9th Level: Bards of 3rd Level can pick bardic College. College of lore lets you gain 3 more Skills. Survival, Investigation and Insight feel msot in character. You also get Expertise, doubling your Proficiency Bonus, in two skills of your choice that you are profficient with, I’d go with Athletics to make sure you knock down all opponnents, and Stealth. Finally you learn cutting words - you can use your reaction and spend one of your Bardic Inspiration dices to say some bit of multiversal knowledge that distracts an enemy - you roll that dice and subtract the result from one attack roll or saving throw an enemy makes.

You also learn more spells, letting us to pick two 2nd level spells:

See Invisibility let’s you see invisible creatures and those on Etherial Plane like Ghosts or Phase Spiders. Play it as you being so experienced you learned to see such creatures coming.

Enchance Abilitty let’s you gain or grant someone else an advantage on all rolls related to choosen Abilitty. When you need an extra show of skill.

10th Level: 4th Level bards gain an Abilitty Score Improvement. Boost your Dexterity for more accurate guns and better AC. You also learn one more Spell and a new Cantrip:

Vicious Mockery forces a target to make a Wisdom saving throw or be dealt 2d4 psychic damage from your quip and have disadvantage on its next attack roll Knock let’s you open a single lock, be it on doors or containers.

11th Level: back to Fighter. 7th Level Battlemaster gains an addition Superiority Dice, Two more Maneuvers and can Know Your Enemy - if you study a creature for at least a minute you will learn if it is your superior, inferior or equal in any of the two: Strength, Dexterity or Constitution score, Armor Class, Current hit points,Total class levels, if any or Fighter class levels, if any. Use it if you run into a black-clad silent Bat0themed girl from another dimension and btw Marvel, Dc I would pay gold for this fight to happen.

Our new Maneuvers will be:

Disarming Attack let’s you add a superiority dice roll to damage roll of your attack and force target to make a Strength saving throw or drop whatever they’re holding at the moment. Works with ranged attacks meaning you can shoot Cosmic Cube out of Red Skull’s hands.

Ambush let’s you spend a Superiority Dice to add the roll of it to a Stealth or Initiative roll

12th Level: 8th Level Fighter gains an Abilitty Score Improvement, get your Strength to 20 for better hits and better showing down the enemies.

13th Level: 9th Level Fighter gains Indomintable, letting you once per long rest reroll a failed saving throw. Including Death Saving Throws.

14th Level: 10th Levle Battlemaster improves their superiority dice to 1d10 and gains two more Maneuvers.

Riposte let’s you make an attack when a creature misses you with a meele attack you can use your reaction to make one attack against them and add roll of Superiority Dice to the damage.

Meanicing Attack let’s you spend a superiority dice to add it’s roll to damage dealt to a target and force them to make a Wisdom saving throw or be Frightened of you until end of your next turn.

15th Level; 11th Level Fighter can now make two extra attacks on each of attack actions. Meaning you can with Action Surge and your maneuvers shoot cosmic cube out of Red Skull’s hands, shoot Anirm Zola and Baron Zemo so hard the latter will not approach you out of fear, deliver roundhouse kick to Skull so hard you hit Crossbones too, knock down Bob and deck Sin in the jaw when she rushes to help her father.

16th Level: 12th Level Fighter gains an Ability Score Improvement, round up your Dexterity to 20 for better AC and more acurrate guns.

17th Level: 13th Level Fighter can use Indomintable twice per long rest. Meaning you are that much harder to kill and that more likely to survive fireballs from Onslaught.

18th Level: 14th Level Fighter gets another Abilitty Score Improvement. Boost up your Constitution for Better Concentration and mroe hit points (remember they add retroactively, giving you extra 18 HP at this level)

19th Level: 15th Level Battlemaster means two mroe maneuvers, one mroe Superiority Dice and now if you roll initiative on combat without any you regain one.

Rally lets you roll a Superiority Dice whenever you hit on an attack to give it’s result + your Charisma modifier as temporary hit points to another creature until end of your next turn.

Goading Attack also adds roll from Superiority Dice to damage dealt on attack and if Target fails a Wisdom saving throw, it has disadvantage on attacks against any other creature than you until end of your next turn. You know, i ncase Maker plans to blow you all up, make him punch you instead.

20th Level; We will finish with 16th Level of Fighter for one last Ability Score Improvement, investing either in Constitution for better hit points, or Charisma for better healing. Or picking a Tough feat to gain extra 40 hit points, which would be my preferred option.

Overview: My take on Rikki barnes is Battlemaster Fighter 16, College of Lore Bard 4. Let’s see how good this build is:

Pros: You can make a lot of attacks, making you excellent agaisnt crowds of mooks like Goblins or Hydra Agents. You have an answer for a lot of things an opponnent may do and several ways to control the battlefield to your advantage. You can also double as a skill-monkey, being skilled in enough things to make Rogue jealous. In fact, you basically are a discount Rogue, able to fill in for a lot of things Rogue would normally do. And you can heal too.If you have focused on your Constintution at the end you will also have pretty strong HP, maybe even up to 160-180 and with Shield Master or Indomintable it will be hard to hurt you as well.

Cons: Sadly, a lot of your abilitties compete for Bonus Action or Reaction, meaning you need to carefully consider what you will use each turn. You do nbot deal magic damage so a lot of late game enemeis will be resistant or immune to your hits un;ess DM gives you a magic gun. Finally, there is a big possibility you will burn out of your Superiority Dice early on, leaving you without many options later.

But you are still a valuable part of any team. Protect your allies, give them opennings to strike. Knock Bob down. Break Red Skull’s jaw. Just remember you need to rely on your teammates to survive - unless you want to be reborn in a different campaign.

-Admin

#Nomad #bucky #Rikki barnes #Dungeons & Dragons #Marvel

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dustedmagazine · 4 years

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Dust Volume 6, Number 9

New Bomb Turks

Late summer in the oddest year in memory, and we are still, improbably, deluged by music. The world, it seems, will go out with a bang and a whimper and a steady four-on-the-floor, and we at Dusted expect to have headphones on when it all blows to smithereens. This month’s Dust covers the usual gamut, from milestone ambient reissues to several varieties of improvised jazz, from eerie folk to honest punk rock, from surprising debuts to unlooked for but welcome re-emergences. Two hurricanes, a hinged and unhinged convention, wildfires, confusing hybrid school plans and scorching days won’t stop us, and they shouldn’t stop you either. Some days music is the only thing that makes sense. Listen along with Ian Mathers, Bill Meyer, Tim Clarke, Jennifer Kelly, Justin Cober-Lake, Andrew Forell, Ray Garraty, Nate Knaebel, Jonathan Shaw, Ian Forsythe and Patrick Masterson.

Aix Em Klemm — Aix Em Klemm (Kranky)

Aix Em Klemm by Aix Em Klemm

If there’s one word that probably applies to most fans of Stars of the Lid and its many peers and offshoots, it might just be “patient.” Which means the fact that Aix Em Klemm, the so-far one-off duo between SotL’s Adam Wiltzie and Labradford/Anjou’s Robert Donne, put out this stunning record just under 20 years ago and haven’t followed it up yet is probably regarded more as unfortunate than maddening. With Kranky issuing Aix Em Klemm on vinyl for the first time, though, and even saying of the duo “they still collaborate musically so new Aix Em Klemm recordings remain a possibility,” it’s a perfect time to both appreciate what they did actually give us and maybe just gently lament that there hasn’t been any follow up (yet?). From the reserved vocals that introduce “The Girl With the Flesh Colored Crayon” before it ebbs into beautifully reassuring drones, to the closing, improv-ed highlight “Sparkwood and Twentyone” (written and recorded on the day, after a year or more of trading tapes and mulling a collaboration), Aix Em Klemm stakes out its own unique place in the oeuvres of its creators and its transporting enough that a little over 40 minutes never feels like enough. Still, we can wait for more.

Ian Mathers

Lina Allemano’s Ohrenschmaus — Rats and Mice (Lumo)

Rats and Mice by Lina Allemano's Ohrenschmaus

Pop the word Ohrenschmaus into a translator program and you’ll find that it’s German for “ear candy.” The choice of language makes sense, since the name applies to Canadian trumpeter Lina Allemano’s Berlin-based trio. But the imagery breaks down, since the music that she, electric bassist Dan Peter Sundland and drummer Michael Griener play isn’t sweet and easy. Allemano’s compositions are concentrated, full of events that are involving to follow and demanding to negotiate. One might expect the group’s configuration to leave plenty of room, but between the contrasting written events and the enthusiastic elaborations that the players work upon them, this music does not feel spacious at all. Griener shifts between skin and metal surfaces, and Sundland detonates flurries of activity, but the busyness of their activity never seems gratuitous. No, it’s just the thing to amplify the eventfulness of their leader’s fluent and wide-ranging playing.

Bill Meyer

Jaye Bartell — Kokomo (Radiator Music)

Kokomo by Jaye Bartell

2016 Light Enough introduced me to Jaye Bartell’s pleasingly deep and measured vocal delivery and his elegant way with a tune, reminiscent of Leonard Cohen or M. Ward. There and on this new album, his words have the precision and droll humor of a writer sharply aware of the impact of a well-turned phrase. Kokomo takes its title from the faintly ridiculous and pathologically catchy Beach Boys song featured in the soundtrack to Cocktail. Bartell posits here that too often we live trying to bridge the gulf between our dreams and reality — and how tragi-comic this can be. Tellingly, Bartell’s music is sober and deftly played, but with a lightness to its step and a glint in its eye. (Look no further than the lovely, lilting “Sky Diver,” with its brushed drums and harpsichord.) He’s a smart, reassuring companion, someone who has gone the extra mile for his craft and doesn’t see the need to jump through hoops to catch your attention.

Tim Clarke

Kath Bloom—Bye Bye These Are the Days (Dear Life Records)

Bye Bye These Are The Days by Kath Bloom

You might know Kath Bloom from her 1980s work with Loren Mazzacane Connors or from her spectral “Come Here” featured prominently in the 1995 film “Before Sunrise.” Her high flickering soprano, fluted with vibrato, is instantly recognizable, grounded in down-to-earth folk music, but tinged with otherworldly spiritual resonance. And oddly, her voice hasn’t changed much over the years. Up to last year (before the world fell apart), she was still performing periodically in Connecticut and Western Massachusetts, and now we have a new record from her, some 40 years past her Daggett Records debut. Here, her songs are gently shaped around her distinctive voice and twining dual guitars (she plays with fellow Connecticut musician Dave Shapiro of Alexander), yet not soft. They have a wiry idiosyncracy and a resistance to cliché, and the way the guitars work together is rather lovely. I like “When Your House Is Burning,” a song where the central metaphor—a burning house—is so precisely described that it may not be a metaphor at all, not a stand-in for musings on the value of connection, the fleetingness of stuff, but the thing itself. Bloom adds harmonica for the pensive “How Do You Survive,” a song about aging with grace and humor, and in her worn-in voices, the melody stretches out like spider web, transparent but nonetheless very strong.

Jennifer Kelly

Catholic Guilt — This Is What Honesty Sounds Like (Wiretap)

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Catholic Guilt really want us to get their honesty (there's no irony in the new EP's title This Is What Honesty Sounds Like). Authenticity has long been a vaunted (or derided) element of pop music, but the Melbourne-based quintet aren't posturing. They deliver straightforward rock with straightforward thinking, but that doesn't mean the music's easy. The group looks at the world with a mix of dismay and hope, as if they recognize that life is difficult but we don't have to let it kill us. The new EP leans into pop-punk, letting the upbeat approach direct the energy of the two standout tracks. “A Boutique Affair” looks at the challenges of increasing isolation as we age: “It's hard to make friends in your 20s / It's even harder to make 'em in your 30s / At this point I'm really dreading / The thought of making it to my 40s.” Vocalist Brenton Harris might wonder why we should bother growing, but he's determined to age loudly. Single “The Awful Truth” turns its pop guitars into rage as it looks at the sex abuse scandal in the Catholic church. By the time Harris says, “I can't wait to watch you burn,” it's clear that the truth may be awful, but at least it's honest.

Justin Cober-Lake

Cutout — Cutout (Driff)

Cutout by Jorrit Dijkstra, Jeb Bishop, Pandelis Karayorgis, Nate McBride, Luther Gray

The name Cutout implies removal, but that won’t get you very far in understanding this Boston-based jazz quintet’s music. Quite the contrary, Cutout’s performance dynamic involves judicious addition by a group of musicians who have made a long-term commitment to playing together. Alto and soprano saxophonist Jorrit Dijkstra and pianist Pandelis Karayorgis have been business and creative partners for years. They are the co-operators of Driff Records, all of whose releases feature one or both musicians, and they have shared several ensembles, including the large band Bathysphere, the Steve Lacy-themed Whammies, and Cutout. Trombonist Jeb Bishop, bassist Nate McBride, and Luther Gray often show up in these groups, and their smooth execution of sharp corners and sudden turnarounds reflects their shared understanding. What distinguishes Cutout from their other bands is the way they bring material by all five members into the set. Some of this album’s six tracks are single compositions, but others are sequential suites joined by improvisations. There’s plenty of dynamite soloing at work here, but the most intriguing turns come when one of the players elegantly links a couple of his bandmates’ compositions.

Bill Meyer

Tim Daisy & Ken Vandermark — Consequent Duos: series 2a (Audiographic)

Consequent Duos: series 2a by Tim Daisy & Ken Vandermark

Ken Vandermark is a notoriously busy guy; in any ordinary year, the multi-reedist logs an extraordinary number of miles traveled, gigs played, records released and musical partners engaged. This 75-minute long recording braids together three threads of inquiry. It inaugurates the second volume of Consequent Duos, a shelf-full of improvised duos played in North America, mostly with Americans. And as with the other volumes of series 2a, it is a download-only release, part of a sequence of album-length recordings that may not be deemed to be major efforts, but that nonetheless don’t deserve to be filed away forever on some hard drive. Finally, it shares one night in Vandermark’s two decades and counting relationship with drummer Tim Daisy. It takes about ten seconds of any random selection from this concert recording, which preserves what went down one Sunday night in August 2011, to hear why these guys keep working together. The trust and empathy forged by playing literally hundreds of concerts together manifests in music that feels effortless, no matter how technically demanding it actually is. Whether it is the sound of drums being played at a galloping pace with the lightness of knitting needles while the baritone sax pops and roars eruptive masses of sound, or the bass clarinet leaping and trilling with joyous abandon while the percussion swings with dance beats that could get you arrested in certain countries, these guys know just how to make each other sound really good.

Bill Meyer

The Dillards — Old Road New Again (Pinecastle)

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The Dillards' influence on popular music outstrips their own fame (they might even be as well remembered for appearing on The Andy Griffith Show as they are for their proper recordings). The group became an important part of the development of country-rock, especially as they expanded the possible sounds of bluegrass. Nearly 60 years after their first release, they return with Old Road New Again. Only Rodney Dillard (sounding younger than his age) remains from the initial lineup, but he brings along a number of guests to fill out his act. Don Henley appears, and if “My Last Sunset” drifts into Eagles territory, that's no surprise, but Ricky Skaggs, Sam Bush, and others prove the act has plenty of flexibility left in it, whether cutting an original or reworking a classic like “Save the Last Dance.” The album winds down with “This Old Road” and a recounting of some musical history through playful allusion. Even as Dillard looks back, though, he thinks about new ways to push forward. Although the record could work just as reminiscence, the artists show more interest in what comes next.

Justin Cober-Lake

Fire! Orchestra / Krzysztof Penderecki — Actions (Rune Grammofon)

Rune Grammofon · Fire! Orchestra - Actions (excerpt)

The Fire! Orchestra is not so much Swedish saxophonist Mats Gustafsson’s big band as his big house, the place where he can bring his myriad interests together and invite them to interact. They have already taken on free jazz, krautrock and abstracted songcraft, so why not one of the earliest documents of post-third stream classical-jazz interaction? Polish composer Krzysztof Penderecki originally composed Actions for Free Jazz Orchestra after hearing the Globe Unity Orchestra and handed it off to trumpeter Don Cherry to realize its first performance in 1971. Cherry’s imprint upon Gustafsson is deep; where do you think his long-running trio, The Thing, got its name? But this is no mere recreation. Some of Fire! Orchestra’s members weren’t even alive when the first version was performed, so the task is to find a way of playing the piece that makes sense now. So, they stretch things out, letting passages evolve organically. Special credit is due to the three-piece, whose contributions melt and glow.

Bill Meyer

Ganser — Just Look At That Sky (felte)

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Chicago quartet Ganser explores the bewilderment, claustrophobia and anxiety induced paranoia of the times on their latest album Just Look At That Sky. Brian Cundiff’s lockstep drumming anchors the record as Charlie Landsman whips out driving chords and intricate riffs that summon touchstones like Ian MacKaye, Thurston Moore and Rowland S Howard and push the songs to the edge of control. Spiky, equally detached and declamatory, Alicia Gaines (bass) and Nadia Garofalo (keyboards) share vocal duties working inside the kinetic rhythms to explore an interior world reactive to circumstance but seeking paths forward.

Centerpiece “Emergency Equipment and Exits” demonstrates what the band can do when they stretch out and build layers of dread; Cundiff and Gaines drop into a propulsive groove as Gaines sings of parties past and now lost to the new reality: “Swallowing negative space/Like DB Cooper falling/Until I too am nothing/And it all seemed so big.” The tempo drops, a lonely keyboard riff, the song builds as Gaines intones “It’s a long way down” and Landsman’s guitar howls into the ether. The combination of exhilaration and enervation encapsulates the power that makes Ganser stand out amongst their peers working at similar intersections of post punk and art noise.

Andrew Forell

Godcaster — Long Haired Locusts (Ramp Local)

Long Haired Locusts by Godcaster

Possibly it’s the pandemic, though the trend seems to predate early 2020, but we have not heard a lot of over-stuffed, over-instrumented, over-the-top art-prog ensemblery lately. Godcaster, from Philly, busts the one-guitarist-on-the-couch paradigm wide open in this manic, Zappa-esque adventure. First of all, there are half a dozen musicians, augmenting the usual bass/drums/guitar with outre axes like flute, trombone and a variety of synthesized keyboards. All six of them lock into wiggy, hyper funky overdrive in opening salvo “Even Your Blood is Electric.” It’s a righteous groove, a tight and feisty disco extravanganza that mutated in the lab, but that sells it short and blurs the complications. Other cuts take the temperature down, but not the oddity. “Apparition of Mother Mary in My Neighborhood” feels like an almost pop song, though conceptualized by a 12-tone composer and interpreted in odd-numbered time signatures. Long Haired Locusts is too precise and earnest to be a gag, but an anarchist sense of humor pops up, as in the single “Don’t Make Stevie Wonder Wonder,” a Curlew-ish irregular jam punctuated with jump-rope chants. All these cuts have a lot of moving parts, a sense of play and a manic attention to detail, and if you’re sick of sad folksinger live streams, Godcaster could be just what you’re looking for.

Jennifer Kelly

Haptic — Uncollected Works (2005-2010) (Haptic)

Uncollected Works (2005-2010) by Haptic

Haptic is best characterized as a Chicago combo. Even though one or another of its members has lived out of town for roughly a third of their existence, the influence that such a situation has on their work’s pace only confirms that they are a band that needs to share space to get much done. The recordings on this DL-only collection of compilation contributions and curios dates from the first third of their existence, when Steven Hess, Joseph Clayton Mills, and Adam Sonderberg got together on a weekly basis. Heard end to end, these tracks don’t sound much alike. But whether the project at hand is framing a few piano noises with collected sounds, stretching out a bell’s toll, or patiently exploring the potential of signal corps training jazz, it sounds like the work of a common understanding about how sound can be molded and reframed.

Bill Meyer

Boldy James — The Versace Tape (Griselda Records)

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On his third album this year, Boldy James pairs up with Jay Versace, but despite a change in producers, there is little to distinguish the three tapes. After a long hiatus Boldy churns out music to flood the market, and every new tape causes head-scratching. Was it necessary to release this? As a stone cold pro, Boldy never repeats himself. He also never says anything new. His blueprint is all business talk with designer names splashed here and there: “First come, first serve, first through the third, no dealings \ Mama, I apologize, ain't mean to hurt your feelings.” When he steers towards Mafia references in his songs he sounds a bit archaic (but he already sounded retro when he first started in early 2010s). On The Versace Tape, as always, he raps like he’s not giving us the whole picture. He’s holding back, but maybe what’s left unsaid is the best part.

Ray Garraty

Madeline Kenney — Sucker’s Lunch (Carpark)

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How big can a pop song go? This Oakland songwriter’s third full-length is boundlessly expansive without being particularly loud, the choruses swelling effortlessly, like a soap bubble blown to the size of your head. Kenney worked with Wye Oak’s Jenn Wasner and Andy Stack to produce Sucker’s Lunch and taps Lambchop’s Kurt Wagner, Boy Scout’s Taylor Vick and film composer Stephen Steinbrink for vocals. “Tell You Everything” is translucently gorgeous, layers of guitars, drum, percussion and saxophone shifting in iridescent patterns that never overwhelm its sleepy vocals. “Jenny” increases the friction, with a hard beat, surging synths and shoe-gazey gloss on the guitars, but sweetness in the vocals. Kenney’s subject matter is love and its complications, but she ends the disc in “Sweet Coffee” with a lucid purity. “I’m making coffee,” she croons in a breathy voice out of dreams, “Won’t you sit with me?” Sure, let me pull up a chair.

Jennifer Kelly

Josh Kimbrough — Slither, Soar and Disappear (Tompkins Square)

Slither, Soar & Disappear by Josh Kimbrough

Writing an album in the spaces around an infant’s schedule is a delicate business, but Josh Kimbrough managed it quite well on this lovely album. His finger-picked rambles unfold like the slip-sliding time in a baby’s first year, a tumble of frantic activity interspersed with quiet, contemplative intervals. Kimbrough, a veteran of the North Carolina-based Trekky Collective, plays softly but with precision on acoustic solo pieces like “Sunbathing Water Snake” and “Giant Leopard Moth,” but his work really takes on warmth and resonance when he invites collaborators into his quiet, sunlit world. Blues-flecked “Two-thirds of a Snowman” gains an eerie glow from Andrew Marlin’s mandolin, which echoes Kimbrough’s licks in an upper register like the light hitting a shadowy corner. A sustained synth note in “Glowing Treetops” glitters like the surface of a pond—that’s Jeff Crawford of the Dead Tongues, who also play some bass—while gentle bent guitar notes zing like mosquitoes off its clear, cool liquid surface. Bobby Britt loops lush fiddle flourishes around this and other Kimbrough melodies; a rich, subtle blend of string timbres enlivens many of these tracks. The natural world also makes its appearance as well, most prominently in weather-haunted “The Shape of the Wind Is a Tree,” though the album’s light, clean tone throughout is like an open window. And yet despite multiple intermeshing elements, the album works very gently, light and soft enough not to wake a sleeping little one. “Simon’s Lullaby,” near the end, is beautifully communal, supporting Kimbrough’s clear, pensive guitar with the reassuring throb of cello, the bright promise of flute. Much of child raising is a solitary process, but Kimbrough’s meditation on it is not.

Jennifer Kelly

Kimmig-Studer-Zimmerlin And George Lewis— Kimmig-Studer-Zimmerlin And George Lewis (Ezz-thetics)

Violinist Harald Kimmig, cellist Alfed Zimmerlin and double bassist Daniel Studer have been mapping out the possibilities of extra-idiomatic improvisation since 2009. They favor juxtapositions of raw and refined timbre, and in their roiling web of activity, the quicker a gesture passes, the more impact it seems to have. The Middle European trio matches up well with American trombonist/electronicist George Lewis, who is likewise devoted to making music spontaneously and unbounded by genre prescriptions or proscriptions. There are passages where it sounds like the four musicians have transcribed muttering and stifled laughter into musical activity. This incomprehensible vocal quality proves magnetic, drawing the listener ever deeper into the fray. While some might object to “chatty” improvisation, in this company, it’s a virtue.

Bill Meyer

Matmos — The Consuming Flame: Open Exercises in Group Form (Thrill Jockey)

The Consuming Flame: Open Exercises in Group Form by Matmos

Given the vigor with which Drew Daniel and MC Schmidt approach all of their work, it’s surprising to find Matmos’s new album, The Consuming Flame, to be somewhat lacking in cohesion. Like many of their previous releases there is a unifying concept — in this case, they corralled musical contributions recorded at 99bpm from 99 contributors — but it feels like the creative limitations they imposed on this project weren’t quite stringent enough. Inevitably, given the wide range of contributors (including Oneohtrix Point Never, Yo La Tengo and Mouse On Mars) and Matmos’s formidable technical virtuosity, there are plenty of satisfying passages that feature inventive vocal cut-ups, ear-catching beats and playful juxtapositions, but the presentation of these ideas within three continuous hour-long collages makes it hard to sift the gold as the music flows past. Bizarrely, the album’s presentation on Spotify is more listener-friendly, with each of the three discs broken down into digestible tracks that can be easily trimmed from the bigger picture to assemble your own collage of favorites.

Tim Clarke

Meridian Brothers — Cumbia Siglo XXI (Bongo Joe)

Cumbia Siglo XXI by Meridian Brothers

Eblis Alvarez, the sole musician behind the long-running Colombian space roots experiment known as Meridian Brothers, takes inspiration from like-minded predecessors in Cumbia Siglo XX for this electro-shocked take on coastal cumbia. Eerie blasts of jet-set synthesizer, buzzing funk bass and video game bleeps and bloops haunt the clip-clopping rhythms of these mad ditties. It’s like a Star Wars space port built on the verge of primitive villages, donkey tails swatting flies while lazer beams zip by. “Cumbia de la fuente” gene-splices syncopated hand-drum beats and traditional-sounding choruses with the splintered buzz of synth bass and glittery spurts of MIDI-generated arpeggios. It’s a hot tropical celebration lit by UFO glow. “Puya del Empresario” nudges a hip swaying cumbia rhythm to the foreground, but blares a rough-edged synth riff over it. “Cumbia del Pichaman” transforms Dusty Springfield’s “Son of a Preacherman” into a surreal technological marvel, buzzes and squeaks punctuating the offbeats like a DIY version of Zaxxon gone soft in the equatorial heat.

Jennifer Kelly

Nas — King’s Disease (Mass Appeal)

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Like all of Nas’s output in this century, King’s Disease, his 13th album, is pretty much unlistenable. King from the title here has two meanings. Every black man is a king (every woman is a queen) or should be. And second, it reminds that Nas is a king of rap, even though his royal days are long over. But even kings had to live on crumbs of their fame. With regard to the current moment in history, the album compels the listeners to unite and wear their blackness proud. Nas’ idea for achieving that? Just listen to his truisms and patronizing rants. On “Ultra Black” it’s “We goin' ultra black, I gotta toast to that”. On ‘Til the War is Won”, dedicated to women, it’s “May God gives strength to women who lost their sons \ I give all I have 'til the war is won.” All Nas gives to a black community is his bad music and maybe some charity. Every track here is to some degree about empowering black people, yet the only person Nas ends up empowering is himself. Every line on King’s Disease is disguised as virtue signaling, and the last thing we all need now is patronizing advices from rap millionaires.

Ray Garraty

The New Bomb Turks — Nightmare Scenario: Diamond Edition (Self-released)

Nightmare Scenario - Diamond Edition by New Bomb Turks

It would be understandable if, upon hearing the New Bomb Turks 1993 debut full-length, Destroy-Oh-Boy!, you thought to yourself, "They'll never top this." You wouldn't necessarily be wrong, but you'd be neglecting a much larger story and a key release in their catalog, 2000's Nightmare Scenario. With their debut, the Ohio quartet built a distinct machine out of familiar parts: cheap-lager-fueled thrash, butterflyin'-around rock 'n' roll swagger and barstool-philosopher lyrics. And with the possible exception of fellow buckeyes Gaunt, no other band at the time combined those attributes in quite the same way. It was as if America finally had its own Saints. The Turks would go on to make five more LPs over the next decade. Though lost in the shuffle a bit after jumping to Epitaph in 1996, the band were never going to become darlings of that label's skater boi base anyway. You certainly can't blame them for trying to reach a new audience nor should you overlook the output from that era. 2000's Nightmare Scenario, their third for Epitaph, is gritty, witty, and so full of Midwest blastitude you'd think it was year zero at Datapanik (or at least 1991). Yet to hear the album in its original mixes by Detroit studio guru Jim Diamond, newly issued for the 20th anniversary of its release, is all the more gratifying. It's stripped of that extra coat of paint found on the original, and it reveals what a decade's-worth of relentlessly plying one's trade in the punk rock free market will get you. The Turks were an absolute musical force by this point: they could still hit warp speed but could also swing with the best of them. And frontman Eric Davidson is in full possession of his vocal gifts (always a key aspect of the band's sound), nestling into the groove like a Funhouse-era Iggy or leading the charge as needed. The 20th anniversary Diamond Edition of the album is a nice reminder of just how consistently good the New Bomb Turks were and a nice splash of Pabst in the face for anyone who slept on that reality the first time around.

NOTE: Never above a little frat boy humor, the Turks were always much more about mocking those particular attitudes than ever truly embracing them. With that in mind 100 percent of the digital will be donated to Black Queer & Intersectional Collective bqic.net and Columbus Freedom Fund www.instagram.com/columbusfreedomfund www.instagram.com/columbusfreedomfund.

Nate Knaebel

Siege Column — Darkside Legions (Nuclear War Now!)

Darkside Legions by Siege Column

Some thoughts that occurred on first listening to Darkside Legions, the new LP from Siege Column: Track one, “Devil’s Knights of Hell”: “Whoa, this is pretty nuts. Exciting — raw and barely coherent, but exciting.” Track three, “Snakeskin Mask”: “Okay, I get it. All this stupidity is just too frigging stupid. Enough, already…” Track five, “Funeral Fiend”: “Holy shit! I think this may be genius-level stupid!” And so on. The record keeps on doing that, and the listener (this one, anyways) keeps on generating phrases like “genius-level stupid” in an attempt to cope with the experience. Siege Column is constituted of two shadowy figures from somewhere deep in the chemically treated wilds of New Jersey, and for sure, this is music that could only come from New Jersey. I still can’t figure out if Darkside Legions is too moronic for words, or if that projection beyond words is the mark of some sort of greatness. Meanwhile, the next song is peeling out like a 1969 Chevelle that needs some serious muffler work, trailing empty cans of cheap domestic, wads of bloody paper towel and the smell of burnt hair. Yikes. Feel like I better catch up…

Jonathan Shaw

Smokescreens — “Fork in the Road” (Slumberland)

A Strange Dream by Smokescreens

A new single from LA’s Smokescreens is notably partly because David Kilgour took a hand in it, distilling the band’s jangly sweet sound in a Clean-like way, where the guitar comes coated in liquid clarity and everything else is drenched in beautiful fuzz. Even if you’ve been liking Smokescreens for a while, “Fork in the Road,” is something special, the thump of bass glowing quietly, the guitars cavorting, a synthesizer building dense shimmery textures, the chorus softly harmonized around a koan-ish verse. (How do you go straight at the fork in the road? ) The guitar solo two minutes in is worth the trip all by itself. If the upcoming album is anything like this tune, I’m in.

Jennifer Kelly

Matt Sowell — Organize Or Die (Feeding Tube)

Organize Or Die by Matt Sowell

Too often, the words “sounds like John Fahey” denote either laziness or a sparse descriptive vocabulary on the part of the people who utter them. But it cannot be denied, Matt Sowell sounds like he’s closely studied Fahey’s records, especially the less experimental ones of his Takoma/Vanguard period. There’s a similar melding of bluesy styling, compositional elegance, and emotional evocation. But Sowell’s motives are different. Where Fahey’s music looked at the snarl of personal memory and the blacker, deeper pit of his tangled subconscious, Sowell’s looks outward. Fahey tried to subdue demons within; Sowell calls out the devils of capitalism, and honors the purity of respect untainted by dollars or oil. Of course, since his music is purely instrumental, you can project whatever you want onto it. But in times like these, we need all the resistance and resonance we can get.

Bill Meyer

Treasury of Puppies — S/t (Förlag För Fri Musik)

Treasury of Puppies by Treasury of Puppies

The Gothenburg duo of Charlott Malmenholt and Joakim Karlsson’s debut release as the Treasury of Puppies is lo-fi depressive but charming pop, recorded at the beginning of 2020. A Fairly short release, barely pushing past an EP length, it's in the vein of other Swedish underground releases of the past few years. The two trade chilly, spoken-sung vocals over a set of eight tracks, either buoyed by repeating, fuzzy guitars alongside field recordings, sauntering looped drums and hand-tampered tape sounds, or a layer of delayed static and fuzz churning under over drifting bells and slowly rotating keys.

Ian Forsythe

Trio No Mas — A Tragedy Of Fermented Undulation (Mars Williams)

A Tragedy Of Fermented Undulation by TRIO NO MAS

Chicago has saxophonic tradition, and part of that convention is the expectation that the city’s saxophonists work hard. However you look at it, Mars Williams holds up his end. He’s busy on both local and world stages. In recent years you can hear him melding Albert Ayler and Xmas carols on a couple of continents, freely improvising with the Extraordinary Popular Delusions and playing not-just-old-memories rock and roll with the Psychedelic Furs. But it would seem that he has room for another band, if the situation is right, and that’s the genesis of this trio. Williams sat in with brothers Stefan and Aaron Gonzalez when the Texan rhythm section came through Chicago and then made a couple quick passes through their neck of the woods. This live recording, which is being sold as a download as Williams figures how to make up for not going on the road with the Furs this year, brings us to the other way that Chicago saxophonists work hard. Switching between several horns, he plays them all with a mix of vein-popping force and pyrotechnic fluency. The freres Gonzalez toggle between heavy lurching and molten streaming, pulling back every now and then to create quiet spaces in which Williams can tap into yet another Chicago tradition — the evocative chatter of little toy instruments. If you can handle the unbearable lightness of the no-physical format, this music brings plenty of satisfying heaviness to the sonic realm.

Bill Meyer

Various Artists — Total 20 (Kompakt)

Total 20 by Various Artists

Since 1999, each summer Cologne’s Kompakt label has compiled recent and new tracks from their roster. For fans of the label’s distinctive musical aesthetic — a shuffling, playful, pop-facing, experimental minimalist form of techno — the Total series seems a must-have, but the series has also served as an entrée into Kompakt’s world for curious newcomers, casual listeners and cash-strapped collectors. Total 20 maintains the high standards of its predecessors. Coming in at two plus hours and 22 tracks from stalwarts Michael Mayer, Voigt und Voigt and Jörg Burger share space with newcomers like Kiwi and David Douglas. This edition works as a soundtrack for in home dance sessions, concentrated listening and background for escaping the mope and drag of enforced isolation. The music itself is uniformly of high quality, but the sequencing is key here. Moments of elegantly constructed ambient minimalism (Soela’s “White Becomes Black”), euphoric vocal house (Kiwi’s “Hello Echo”) and high concept psy-trance (ANNA & KITTEN’s “Forever Ravers”) are interwoven with the familiar midtempo Kompakt sound. While it’s a lot to digest at first and may to some ears merge into an amorphous mass, Total 20 will lift your mood, shift your body and shake off your funk. Have a taste, you may find yourself grazing if not gorging.

Andrew Forell

Verikyyneleet — Ilman Kuolemaa (I, Voidhanger)

Ilman Kuolemaa by VERIKYYNELEET

This new LP from Finland’s Verikyyneleet hits a bunch of the essential marks for hyper-obscure, one-man black metal: Difficult to pronounce and vaguely creepy name? Yep (translated from Finnish, Verikyyneleet means something like “tears of blood). Primitivist, kvlt-ish album art with lots of spindly, symmetrical, necromantical forms? Yep (pretty cool, too). Ghastly, croaked, semi-strangulated vocals and sweeping, epical song structures that likely attempt to represent the frozen forests of the Laplander landscape? Yep (see especially “Yhta Luonnon Kansaa,” which empties into another song called “The Great Scream in Nature”). But in spite of the degrees of familiarity struck by those various notes, there’s a compelling idiosyncrasy to Ilman Kuolemaa. And although Finnish weirdo Isla Valve — sole creator of the sounds — has been releasing music under the Verikyyneleet name since 2006, he hasn’t exactly been prolific: two demos in 2006, an EP last year, and now this LP. It’s all rather mysterious. But whatever the back story, the songs are really good. There’s a slightly smeared, off-kilter sound that adds to the strangeness. Is it 4 am and suddenly really, really quiet, wherever you are? Here’s your soundtrack. Light up some candles, turn it up loud and freak out the neighbors.

Jonathan Shaw

Young Dolph — Rich Slave (Paper Route Empire)

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It’s not a little ironic that Adolph Thornton, Jr., 35 years old and some seven records into his career (not counting the endless mixtapes floating around), has peaked both in hard numbers — Rich Slave hit #4 on the Billboard 200 — and stylistically with an album that arrives after the Memphis rapper was supposed to retire from the game. When GQ interviewed him in May, Dolph was locked in and hanging out with his kids, marinating on his next move; with Rich Slave, he’s unlocked a socially conscious side of himself that, admittedly, was always bubbling below the usual braggadocio. Alongside guest spots from Megan Thee Stallion, established sidekick Key Glock and Chicago staple G Herbo, Dolph tweaks his usual template to speak to the moment in what is his most effective full-length deployment yet. There are a trillion rappers who work this hustle, but no one’s done it better this year.

Patrick Masterson

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smileinvisalignfeatures · 3 years

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What Does This Treatment Consist Of A Smile Direct Club Vs Invisalign

The Invisalign orthodontics is a kind of invisible orthodontic for its high performance, it has ended up creating a powerful brand image . Its aligners contribute to improving both the aesthetics and oral health of its users. And it is that, broadly speaking, they provide you with the same benefits as the old metal braces , since they will reposition your teeth in a symmetrical way, but you will not have to bear its most unsightly consequences, such as the gray color. Access our blog on smile direct club vs Invisalign for teeth care and balance braces or byte.

In any case, we have verified that a significant percentage of potential users of transparent orthodontic appliances, which cannot be perceived by our interlocutors, do not know some relevant information about it. So it's worth reviewing some of this significant data. Pay attention to what we are going to tell you.

Invisalign orthodontic treatment is the most sophisticated

Indeed, since its aligner sets will contribute to progressively repositioning your teeth and will prevent malocclusions, misalignments and crowding. Below we clarify some doubts you may have about its use. Take note of the responses.

How do you speak with this invisible orthodontics?

It won't cost you anything to talk like always. You may have a few issues during the first few days, but they won't take long.

What Is The Price Of This Treatment?

It is not possible to give an exact figure, since each case will depend on the needs of each person's mouth. The same can be said regarding its duration. In any case, the final price will depend on several factors, among which we highlight the 3D studies, the revisions, the splints, the retainers and the guarantees (which will last for several years).

Can You Use Invisalign After, Once The Braces Are Worn, Certain Dental Movements?

It is never too late to opt for invisible orthodontics, since you can use it at any age. The heading assumption is technically known as recurrence. In general, the term of treatment to correct these alterations is shorter than that of other more complex and invasive ones.

How Can You Eat With Invisalign?

Basically, this experience, compared to the characteristic of metal brackets , is going to improve greatly. Keep in mind that we refer, in these cases, to removable appliances. As they are removable, both hygiene and nutrition will be easier . You will be able to clean the aligners better and, when they bother you, such as when eating some meals, it will be enough to remove them. Your comfort and oral health will appreciate this versatility.

Does Conventional Orthodontics Or Invisalign Last Longer?

Traditional gray smile direct club vs Invisalign generally has to be used for a longer period of time than the transparent orthodontics that we are analyzing in this text.

In short, we recommend that you inform yourself in the consultation of our trusted dentist about the benefits that Invisalign orthodontics can bring you since it combines functionality and aesthetics.

Though, members of the American Association of Orthodontists have taken issue with Smile Direct Club, previously asserting that Smile Direct Club violates the law because its methods of allowing people to skip in-person visits and X-rays is “illegal and creates medical risks.” The organization has also filed complaints against Smile Direct Club in 36 states, alleging violations of statutes and regulations governing the practice of dentistry. Those complaints were filed with the regulatory boards that oversee dentistry practices and with the attorneys general of each state. Smile Direct Club explicitly calls out those issues in its S-1 as potential risk factors.

Here’s a key nugget:

Additionally, as the S-1 notes, a national dental association recently filed a petition with the U.S. Food and Drug Administration claiming that Smile Direct Club’s manufacturing violates “prescription-only” requirements. While no regulations or laws have been passed that would affect Smile Direct Club to date, it’s a possible scenario that would greatly impact the company’s core business.

It’s easier than ever to get straighter teeth. Orthodontists think that’s a big problem.

Where metal braces installed in a doctor’s office were once the only way to correct misaligned teeth, a new method that uses removable clear aligners can eliminate a visit to an orthodontist and save patients thousands of dollars. That’s what led Deniece Hudson, who always dreamed of having straighter teeth, to a startup called Smile Direct Club.

Hudson, a 24-year-old Georgia Southern University graduate, visited one of the company’s retail outlets in an Atlanta strip mall in February to have her teeth scanned. That experience would turn out to be her only in-person interaction with a medical professional during a nine-month journey through the growing field of tele-orthodontics.

From the scans, smile direct club vs Invisalign used 3-D printers to create 24 trays of transparent plastic braces, which were delivered by mail with instructions on when to switch trays. Dentists monitored her progress by looking at selfies she sent over the internet. The only thing she ever learned about the physicians treating her as their last names.

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deniscollins · 3 years

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‘Is Exxon a Survivor?’ The Oil Giant Is at a Crossroads.

Exxon, for decades one of the most profitable and valuable American businesses, lost $2.4 billion in the first nine months of the year, and its share price is down about 35 percent this year. In August, Exxon was tossed out of the Dow Jones industrial average, replaced by Salesforce, a software company. If you were an Exxon executive, would you spend (1) more, (2) the same, or (3) less on oil exploration and production? Why? What are the ethics underlying your decision?

Over the last 135 years, Exxon Mobil has survived hostile governments, ill-fated investments and the catastrophic Exxon Valdez oil spill. Through it all, the oil company made bundles of money.

But suddenly Exxon is slipping badly, its long latent vulnerabilities exposed by the coronavirus pandemic and technological shifts that promise to transform the energy world because of growing concerns about climate change.

The company, for decades one of the most profitable and valuable American businesses, lost $2.4 billion in the first nine months of the year, and its share price is down about 35 percent this year. In August, Exxon was tossed out of the Dow Jones industrial average, replaced by Salesforce, a software company. The change symbolized the passing of the baton from Big Oil to an increasingly dominant technology industry.

“Is Exxon a survivor?” asked Jennifer Rowland, an energy analyst at Edward Jones. “Of course they are, with great global assets, great people, great technical know-how. But the question really is, can they thrive? There is a lot of skepticism about that right now.”

Exxon is under growing pressure from investors. D.E. Shaw, a longtime shareholder that recently increased its stake in Exxon, is demanding that the company cut costs and improve its environmental record, according to a person briefed on the matter. Another activist investor, Engine No. 1, is pushing for similar changes in an effort backed by the California State Teachers Retirement System and the Church of England. And on Wednesday, the New York State comptroller, Thomas P. DiNapoli, said the state’s $226 billion pension fund would sell shares in oil and gas companies that did not move fast enough to reduce emissions.

Of course, every oil company is struggling with the collapse in energy demand this year and as world leaders, including President-elect Joseph R. Biden Jr., pledge to address climate change. In addition, many utilities, automakers and other businesses have pledged to greatly reduce or eliminate the use of fossil fuels, the biggest source of greenhouse gas emissions, and have embraced wind and solar power and electric vehicles.

European companies like Royal Dutch Shell and BP have already begun to pivot away from fossil fuels. But Exxon, like most American oil companies, has doubled down on its commitment to oil and gas and is making relatively small investments in technologies that could help slow down climate change.

As recently as last month, Exxon reaffirmed it plans to increase fossil fuel production, though at a slower pace. The company is investing billions of dollars to produce oil and gas in the Permian Basin, which straddles Texas and New Mexico, and in offshore fields in Guyana, Brazil and Mozambique.

Exxon committed to its strategy even as it acknowledged that one of its previous big bets did not go well. Exxon said it would write down the value of its natural gas assets, most of which it bought around 2010, by up to $20 billion. The company is also laying off about 14,000 workers, or 15 percent of its total, over the next year or so as it seeks to cut costs and protect a dividend that it had increased every year for nearly four decades until this year.

But if this crisis is an existential threat, there has been no acknowledgment from Exxon’s executive suite, still known in the company as the “God Pod.”

“Despite the current volatility and near-term uncertainty, the long-term fundamentals that drive our business remain strong and unchanged,” Darren W. Woods, the company’s chairman and chief executive since 2017, said at a recent shareholders meeting.

Exxon is known in the oil world as an insular company with a rigid culture that slows adoptive, pivotal change. It has been that way since John D. Rockefeller founded the company in the late 19th century as Standard Oil, a monopoly later broken up by the government.

An accountant by training, Rockefeller instilled a deep commitment to number crunching that remains in the company’s DNA. Exxon is primarily run by engineers who generally work their way up to senior roles. Its executives project determination in their ability to navigate every imaginable hurdle like OPEC oil embargoes, war and sanctions. Such confidence is perhaps necessary to run a company that does business in dangerous or inhospitable places.

As a trained electrical engineer and 28-year company veteran, Mr. Woods speaks with the same cool self-assurance as his more famous predecessors. But he has kept a lower profile than Lee R. Raymond, who dismissed concerns about climate change in the 1990s and early 2000s, and Rex W. Tillerson, whose international wheeling and dealing between 2006 and 2016 helped him become President Trump’s first secretary of state.

While Mr. Raymond and Mr. Tillerson were dominant figures in the industry, they left Mr. Woods with many problems that were at least partly obscured by higher oil and gas prices.

Mr. Raymond’s public skepticism of climate change damaged the company’s reputation. Mr. Tillerson was slow to take advantage of shale drilling, which lifted the American oil industry. His foray into the former Soviet Union and Iraq proved to be expensive failures. When he bought XTO a decade ago for over $30 billion to acquire fracking expertise and prized natural gas fields, gas prices were at their peak. As the commodity price declined in the years since, the company lost money and wrote off much of the investment last month.

“Darren Woods has inherited a company that has made huge bets in recent years that were not successful,” said Fadel Gheit, a retired Wall Street analyst who was an engineer in research and development at Mobil before its merger with Exxon in 1999.

“Exxon Mobil is like a big cruise ship,” he added. “You can’t change course overnight. They can weather the storm but not go far. They will have to transform to stay relevant.”

Mr. Raymond declined to comment. Mr. Tillerson did not respond to a request for comment. Exxon responded to questions mainly by referring to previous public statements by Mr. Woods and the company.

Casey Norton, a company spokesman, said the acquisition of XTO had “brought people and technology in addition to potential resources” that helped the company be successful in shale fields in the Permian Basin.

In the first few years on the job, Mr. Woods followed the broad strategy set by Mr. Tillerson by borrowing and investing heavily to expand production. The pandemic forced Mr. Woods to change direction. The company now plans to spend one-third less on exploration and production through 2025 than it had originally planned.

Yet the changes Exxon is making, while big in absolute terms, seem like tinkering compared with what European oil companies are doing. BP has announced that it will increase investments in low-emission businesses tenfold over the next decade, to $5 billion a year, while shrinking oil and gas production by 40 percent. Royal Dutch Shell, Total of France and other European companies are making similar moves at varying speeds.

The only major American oil company that comes close to setting European-style targets is Occidental Petroleum. It recently pledged to reach net zero carbon emissions from its operations by 2040 and from the use of its fuel by 2050. It is building a plant in Texas to capture carbon dioxide from the air and use it to push crude oil out of the ground while leaving the greenhouse gas underground for perpetuity.

“We’ve moved from the shale era to the energy transition era, so there is a greater divergence of strategies among the companies, the widest it’s ever been in modern times,” said Daniel Yergin, an energy historian and the author of “The New Map: Energy, Climate, and the Clash of Nations.” “Now the big debate is will oil peak in the 2020s or the 2030s or the 2050s?”

Exxon executives have said they recognize an energy transition is underway and necessary. But they have also asserted that it wouldn’t make sense for the company to get into the solar or wind energy business. Instead, the company is investing in breakthrough technologies. One such project involves using algae to produce fuel for trucks and airplanes. Exxon has been talking about that project for years but has yet to begin commercial production.

Exxon refineries might also someday become major producers of hydrogen, which many experts believe could play an important role in reducing emissions. The company is betting on carbon capture and sequestration. One project involves directing carbon emitted from industrial operations into a fuel cell that can generate power, reducing emissions while producing more power.

“Breakthroughs in these areas are critical to reducing emissions and would make a meaningful contribution to achieving the goals of the Paris agreement, which we support,” Mr. Woods said in a message to employees in October, referring to the 2016 global climate accord.

Energy experts said it was possible that Exxon could come up with new uses for carbon dioxide like strengthening concrete or making carbon fiber, which could replace steel and other materials.

“If Exxon and other major oil industry players crack those nuts, the entire discussion about hydrocarbons changes,” said Kenneth B. Medlock III, a senior director at the Center for Energy Studies at Rice University. “That kind of change is slow until it’s not. Think about wind and solar, which were slow until they weren’t.”

A big increase in oil and gas prices could also allay some of the concerns about the company, at least temporarily. In recent weeks, as oil prices have climbed on optimism about a coronavirus vaccine, so has Exxon’s stock.

Vijay Swarup, Exxon’s vice president for research and development, said in a recent interview that the company understood it needed to lower emissions and was developing better fuels, lubricants and plastics.

“As we are developing that pathway to get there, we can’t stop providing affordable, scalable energy,” Mr. Swarup said.

But John Browne, a former BP chief executive, said it was not clear that Exxon and the other big American companies would transform their businesses adequately for a low-carbon future.

“They may decide just to carry on and harvest and say, ‘Let’s see what happens in the long run,’” he said. “That’s quite a risky strategy nowadays.”

#Exxon #Climate Change

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snkpolls · 4 years

Text

SnK Chapter 125 Poll Results

The chapter 125 poll closed with 1,469 responses. Thank you for your support! This month’s poll results were compiled by /u/alooulla, /u/_Puppet_, @shifter-lines and @momtaku.

RATE THE CHAPTER 1,387 RESPONSES

While still overwhelmingly positive, and slightly improved over Chapter 124, the “wow” factor still wasn’t there for many. Those selecting a perfect five was less than half of respondents (49.3%).

Transitions were unbelievably good, hardly noticed we were at 5 different scenes this chapter.

Not really hype like some chapters have been, but it was wonderful to see all the character and story development.

Created a number of different plot threads, but was not as satisfying as recent chapters

Everyone in this chapter (except Flock) deserves love

Good chapter, juggles lots of POVs excellently and opens up multiple opportunities for where the story may go. I love how desperate everything is.

Beats gonna drop soon

Jean honey if you push Floch out the hole in the wall everyone will swear it was an accident

WHICH OF THE FOLLOWING WAS YOUR FAVORITE MOMENT? 1,421 RESPONSES

They only appeared on two pages, but “Levi and Hange are back” was the top pick out of a long list of options with nearly one-third (27.7%) selecting them. “Armin and Mikasa’s argument” secured second (14.3%) and “Annie and Hitch together” (12.6%) round out the top three.

LEVI AND HANGE ARE BACK! OMG!!!

I loved Annie's backstory, the conversation between Floch and Jean, the talk between AM, Shadis, mr Leonhart, literally everything.

I loved hearing Annie and Hitch talk, and the Levi and Hange situation finally got addressed :)

I'm so happy to see Levi and Hange, and so happy that they've run into Pieck and Magath. I hope they can reach some kind of truce and work together.

Floch is the Queen of Paradis confirmed.

Shadis once again made this chapter for me. What a great, deep speech. He is a true hero.♡

WHO WAS THIS CHAPTER'S MVP? 1,416 RESPONSES

While denied the favorite moment, Annie was the favorite for chapter MVP with more than one-quarter of respondent (26.6%). Hitch, the other half of the girl power duo, made a strong showing (19.6%) for number two. Most shocking perhaps is that Hange (13.6%) squeaked out a narrow victory over Floch (12.6%) for third.

Annie is the best girl

Floch did nothing wrong

Hitch nipping at Historia's best girl-crown

HAAAAAAAAANGE

ANNIEEEEE A AAAAA AA A AA A A A A A A MY GIRL

Floch is such a crazy piece of shit, I love him, he's a great villain and I'm glad that Isayama added a character like that to the story. Also, funny with how he represents the rabid Eren stans, parroting the bs they keep saying ("we're free now reeeeeee").

S H A D I S T H E C H A D I S

Hange my queen how the hell did you save Levi, I wanna know!!

Hitch yeeting Annie made me scream, I love them together so much.

My babes Shadis and Magath are BACK!! 😍

So happy to see Hitch back. She is such a fun character and so underrated!

THE CHAPTER OPENS WITH RESIDENTS OF STOHESS REACTING BOTH POSITIVELY AND NEGATIVELY TO EREN’S ACTIONS. WHICH EXPRESSION OF THE CROWD ARE YOU MOST SYMPATHETIC TOWARDS? 1,416 RESPONSES

The citizens of the walls are as divided as the fanbase over Eren’s actions. 36.7% are on the side that says the Eldians on the island would all be dead without Eren, while 34% respond with the fact that he’s responsible for many of their deaths himself. 25.1% don’t want to side with either faction.

“You can’t make an omelette without breaking a few eggs”

Both are right and wrong at the same time…

Both sides are ignorant as to what is actually happening so it is difficult to gauge who actually feels what they do considering their limited knowledge but I'm edging towards the justification of it.

Eren has planned this all along, he knows there will be no true peace by doing the rumbling and has some kind of third goal

Even if the first expression is true (and no one can say if it is or not for sure) it doesn't make the belligerents right, or mean that Eren shouldn't be held accountable for his actions

Both sides are justified. Both sides reacted according to their personal views in response to an outside force they had no control of.

I sympathize with both. One on hand, it seems as though the wall titans were the only effective retaliation the island had left, but on the other hand, Eren did kill many of his own people and aiming to wipe out the rest of the world is definitely pretty extreme for even Eren. That's why I think there's still a HUGE part of his plan that we haven't been made aware of yet.

There's no real right answer here. Obviously genocide is bad and no one can deny the fact that Eren killed his own people but, what other options were available in the limited time they had?

Whatever your thoughts on The Rumbling, Eren is being extremely reckless and it's going to backfire like crazy. Member when Erwin pulled off an almost-bloodless coup? I have a feeling Ereh is too preoccupied with thoughts of PATHS and FREEDOM to really consider the consequences of stuff like civilian casualties or letting a fascist cult take over the government.

What the tic tac patty wack snick snack quarterback big mac heart attack race track double back guy named jack did he just do?

Sasageyo

ANNIE BACKSTORY! WHAT DID YOU THINK? 1,420 RESPONSES

Annie’s finally back! And she sure got a lot of page time, finally getting her chance to speak her story. The majority thought seems to be that it was okay, at 60.3%, whereas 33.2% absolutely loved it, and 6.5% thought it was a waste of time.

Develops her character a bit but otherwise not too important

we got an entire Annie backstory and it answered NONE of my questions about the crystal. If its purpose was just to protect her like the Warhammer's crystal, and she was semi-conscious -- why couldn't she escape it on her own? Is there something unique about the Female Titan? Was it a chrysalis? Has she undergone a metamorphosis?

I'm just glad Annie's back

I really liked it and especially the Annie focus although I expected more from her justifications.

Don't care for her this late in the story tbh it's just a waste of pages

this chapter confirmed that Annie is the best character of SNK !

It was pretty much exactly what I expected, fairly boring and didn’t change my perception of her character at all

This puts so much context on the murders she committed back in the female titan arc and her personality in general. This is so great! Waited forever for this

I especially liked learning Annie's entire backstory, and her interactions with Hitch in this chapter were great.

Lil' Orphan Annie deserves more spinoffs. We need one about her awkward preteen years trying to fit in with the popular girls while continuously kicking them in half by accident.

MY GIRL ANNIE DESERVES MORE.

AFTER CONSIDERING HER STORY, WHICH THOUGHT MOST CLOSELY MATCHES YOUR OWN? 1,410 RESPONSES

There sure was a lot to consider in all Annie said, and the two primary thoughts seem to be a feeling of tragedy that she never felt that anything mattered, and a hope that she’ll see her father again, at 23.7% and 22.6% respectively.

Can't forget what she has caused, but glad she found meaning in life.

I hope she can find peace

I understand her reasoning, but her saying she'd do it all again hurt a lot.

Interesting plot point, but was it really necessary? Kinda felt like forced drama to add this "adoptive child" thing.

Is it wrong to wish for her happiness?

It may mirror Eren's motives. To her, nothing else matters except returning to her father, not even other people's lives. If Eren is intent on protecting his friends, then other lives wouldnt even matter.

It's interesting how seems similar she is to Reiner but how different they actually are. Annie is nihilistic and realistic because the lack of love, Reiner is idealistic and longing for love in a tragic way because he fantasize the love which doesn't exist

Annie has always been, in my opinion at least, one of the most honest characters, and I'm glad we can see that her core hasn't changed (but I’m so happy we can hear her talk and that we are finally getting some character development). Unlike Reiner and Bertolt, Annie never pretended to be friends with the Shinganshina trio, she never acted more nicely than she felt she should. She kept to herself and did what she knew she had to do. But this does not make Annie cold or resilient to atrocities; when she was manipulated by Reiner to take off Marco’s 3D maneuver gear, we can see she doesn’t do it easily and she does show remorse, in spite of everything. All of the SnK characters are tragic, some more than others, and for me, Annie is probably one of the most tragic ones. Adopted, trained to become a killing machine, completely alone with no one to really rely on once she joined the army, Annie goes towards her goal, stripping every bit of romanticism from the notions of peace, good vs bad governments, Marley, Eldia, humanity, etc. Annie does not fight, or pretend to fight, for the greater good; as perceptive as always, she sees the situation for what it is, just like she sees people for who they really are. I hope this brave young woman gets a happy ending with her dad.

DO YOU FIND IT REASONABLE THAT ANNIE HAS BEEN SEMI-CONSCIOUS IN THE CRYSTAL ALL THIS TIME 1,411 RESPONSES

Hitch sure was surprised that Annie had actually been listening to her all that time, but the fandom wasn’t. 86.3% found it reasonable, but 10.7% still aren’t convinced it makes sense.

Considering we had Ms. Tyber being aware of her surroundings in her own crystal, looking back on that it's like "oh yeah that seems legit". Granted I'm sure Ms. Tyber had practiced the technic to use it in battle proficiently. But it doesn't seem too out there for Annie to be at least semi-conscious

Honestly no. But this story has people transforming into giant monsters so I can't really complain.

I find hard to believe she is not crazy. Being unable to move in darkness for 4 years with only voices to keep her company is pretty brutal.

I'm wondering how her body condition is near to normal.

It reminds me of ymir being a mindless titan for 60 years

Wall titans also seemed to be semi conscious if I remember the original scene with eye movement and fear of light energizing them.

P A T H S

ANNIE WAS COVERED WITH SOME SORT OF FLUID THAT DOESN’T SEEM TO BE EVAPORATING. WHAT DO YOU THINK IT IS? 1,408 RESPONSES

We ended last chapter on Annie in a pool of this liquid, and this time we see Hitch follow it to where Annie is. But… what is it? 66.2% think it has something to do with the crystal’s hardening, 15.2% DO NOT want that knowledge, and 11.6% think it’s a human bodily fluid.

A fluid to keep her alive (something like the lcl in evangelion)

Amniotic fluid is the warm, fluid cushion that protects and supports your baby as they grow in the womb.

a liquid that makes her body hibernate so she can stay alive

I think it's a weakened form of the hardening. Perhaps it was also this fluid around the creature in the well from Ymir's backstory.

If I recall correctly, some crystals do have water in the form of “hydrates” so in theory, the fluid in Annie’s crystal is what kept her alive by supplying nutrients and and water to her body. Because of this, the fluid may have possibly come from Annie’s Titan as it formed the crystal around her.

amniotic fluid - some unique property of the Female Titan

Tears of readers who waited too fucking long for Annie to break through

Armin juice

WHERE DO YOU THINK HITCH AND ANNIE ARE HEADING? 1,408 RESPONSES

So many groups in so many places! Where is this one going to end up? A little over half, at 55.9% think they’ll run into another group before they get to a specific destination, about a quarter at 23.4% think Shiganshina, and 19.2% think the port.

Following the Colossal Titans

Honestly it was very reckless of hitch to let Annie go. If she causes more trouble for Paradis then what will she do

Based on them leaving Stohess in the same direction as the colossal titans it is likely they will pass through Trost. They will continue south towards Shiganshina and maybe the port but on the way they will likely run into Hange, Levi, Pieck and Magath, or Connie, Falco, Armin and Gabi.

Kiyomi's plane

Marley, to Annie’s father

To Historia

WHAT ARE YOUR THOUGHTS ON THE STATE OF THE ELDIANS IN LIBERIO? 1,399 RESPONSES

We jump across the ocean, only to find Mr. Leonhart starting a rebellion in Liberio! About half feel there’s going to be an absolute bloodbath, 32% are glad they’re finally rising up, 11% are focused on Mr. Leonhart being a badass, and 6.1% are scratching their heads as to how this is relevant.

I feel it's setting up for eldians in all internment zones rising up, although i don't know what significance that would hold if they're gonna be flattened like pancakes anyway

I'm actually glad because while I have still and always despised the Warriors, Annie's dad felt relatable to me, good to see non-powered, regular citizens rise up against the enemy

Isayama stop trying to be clever with names is there a single part of this series you haven't put thought into?

It is rather unsettling to see since it all seems to head towards a massacre although the reactions of the Eldians are understandable and sound.

It makes sense why they'd rise up: they know what's coming, and they just want to get to safety. After all, they should be spared from the Rumbling because of their race. As expected of the Marleyans though, they won't listen to the Liberio Eldians' current plea, and it will surely cost them (the Marleyans).

The Marleyans are comically dumb it's not even funny; I mean why would they orchestrate a revolt now

This was Eren's plan all along, he wants Eldians everywhere to rebel under the threat of the wall titans.

Why should we care about what happens to anyone outside the Walls? This scene was totally unnecessary.

Worldwide Eldian Rebellion I am excited

I'm worried about them! :(

WILL MR. LEONHART SURVIVED THE SCUFFLE WITH THE GATE GUARD? 1,408 RESPONSES

A somewhat interesting split here; though most responders think there’s more to come with Annie’s father and being killed by the gate guard wouldn’t be the right way for him to go, especially with unfinished business with his daughter. The next highest response was ‘I am not sure’ followed by ‘No he won’t survive’ with a still respectable 24.7% of the vote. One to keep an eye on, here.

Weird that she wants to return home so much just because her dad was nice to her for a few minutes (he's been torturing her all her life).

It had some very much needed character development for A LOT of characters. I can't wait to see how certain plot points like Connie's mom and Annie's wish to see her dad will be resolved.

I saw some parallels between Mr. Leonhard vs. the guards and volunteers vs. Floch. Anarchy reigns; power struggles everywhere, yay! I want to see Mr. Leonhart leading a rebellion. I want to see Eldians all over the globe rising up and busting out of internment zones. Also - we got an entire Annie backstory and it answered NONE of my questions about the crystal. If its purpose was just to protect her like the Warhammer's crystal, and she was semi-conscious -- why couldn't she escape it on her own? Is there something unique about the Female Titan? Was it a chrysalis? Has she undergone a metamorphosis? Will it even matter if Ymir is freed from her sand slavery and refuses to transform any more titans? Still -- it's interesting that Annie was adopted, and I have to wonder if her lineage is important. Final thought: I'm growing tired of Isayama sidelining people by having them unconscious/uncommunicative. I get why he may want to render some characters unable to affect the plot at certain points but 'unconscious' is his go-to and I'm losing patience with it. Okay, Historia got stuck with 'pregnant' but I lost patience with that ages ago. Wake up already, Reiner. Say something, Levi. At least Falco's awake again. And Annie, for the love of Eldia, please explain your crystal.

Speaking of Mr. Leonhart, he may be crippled and defeseless against the Marleyan guards, but at least he wasn't swayed by fatalism against his current government unlike Jean/Armin.

WHAT DID YOU THINK OF KEITH’S ADVICE TO THE TRAINING CORPS MEMBERS? 1,394 RESPONSES

Instructor Shadis is still instructing, and 46.1% of you are still chanting SHADIS THE CHADIS. 23.5% loved his advice, 16.5% enjoyed the callback to being a bystander, and 12.1% wish he’d encouraged them to rise up.

Foreshadowing that they‘ll overthrow Eren and Floche.

He gives up too easily. I don't like this.

I'm glad he told them not to fight the Yeagerists but for the wrong reasons

Shadis doesn't want them to risk their lives, understandable, but giving Floch&Co time to gain even more power is not a good idea.

He's being smart and cautious because they've had enough losses for now

By far the best piece of advice he could have given them. Not is it only the most reasonable thing to do in the current situation, but it also goes to show how much Shadis values life and how well, thanks to his experience, he can see what the future might bring. When he thought fighting was a viable option, he wanted the trainees and soldiers alike to dedicate their hearts (and he dedicated his own as well), but now when he sees that they’re clearly getting overpowered and that any form of resistance would inevitably lead to death, he advises them to stay put, but not lose sight of themselves. That’s what a good leader/ elder/ parent does. Despite the fact that he failed as commander and that he was usually the only one to come back from his missions outside the walls, he shows that he has learned a lot and can strategize and draw the right moves. And it even reminded me of Levi, this desire to not waste lives. And Shadis is special, I just wish he’d realize that along with many others. Unfortunately, a very underrated character.

I am hyped to see these characters actually amount to something because of chadis!

A giant death flag.

WAS ARMIN IN THE RIGHT TO RAISE HIS VOICE AT MIKASA? 1,402 RESPONSES

Armin has returned to being shell-shocked like he was in Shiganshina, and he took it out on Mikasa, but was he justified? Just over half don’t think he was justified, but don’t blame him for snapping. 23.9% believe it was the right choice to try to make her more independent. The last two options are tied at 10.3%, saying he was completely in the wrong, and the other saying he was justified in that Mikasa needs to focus on more than Eren.

Armin has been the one others rely for guidance, however at this point he seems stressed and probably over thinking (when he refers back to Erwin).

Armin just reached his breaking point. So much has happened in one day, and he needed to rant.

Asking ANYONE to stop thinking about Eren right now is pointless, let alone Mikasa. He was wrong, but stressed out.

Both. She needs to be encouraged to make her own decisions, but he didn't need to be mean about it. She has always been nice to him.

Feel like many are misunderstanding mikasa's comment about eren. He is the biggest concern so why shouldn't she mention him? Personally I don't think she was still in eren obsessed mode.

That's a complex question. Everyone is stressed right now, especially Armin, feeling guilty for being brought back and feels so much weight on his shoulder to be a leader so to say. So it reasonable for him to yell and it might spark something in Mikasa as well.

Armin needs a nap, a warm bath, and a foot rub.

WILL MIKASA START ‘THINKING FOR HERSELF’ NOW, AS ARMIN SUGGESTED? 1,395 RESPONSES

Mikasa’s character development is being pushed to its tipping point now, will Armin’s words make her start thinking for herself? The majority, at 56.3% think that leadership isn’t her style, but she’ll step up and support what she feels is right. 18.6% feel that she’s already made the step into thinking for herself, and the last two options are split at 11.3% between a full ‘yes she’ll finally step up’, and a full ‘she’s always thought for herself.’

Armin: think for yourself! Mikasa: Where is my scarf?

Hopefully, I want to see more independence. Assertive and confident in her actions.

I don't know if she'll able to think for herself. maybe she will do something, but I guess whatever she will do on her own, I don't want to expect much from her. Anyway I have the feeling that Mikasa's own decision could be that she accepts Kiyomi's offer and leaves Paradis because the whole situation is obviously killing her.

I hope Isayama has something special planned for Mikasa's development

Mikasa has always thought for herself. She’s never been a leader, but she’s always followed her own hearts desires. Nobody knows what to do and for once it was actually reasonable for her to ask about eren, given what he’s about to do to the world.

Mikasa isn't wrong to look to Armin for leadership, but when she brings up the elephant in the room, he flies off the handle at her. But ultimately, I think that Armin is right. She'll have to make decisions based off her own judgement and I'm excited for it.

I kinda doubt that. She went to Jean, because Armin told her so and I don't think that she would do anything in the situation between Jean, Floch and the Volunteers. If she would be able someday to make her own decision, I'll think that could be to do with Kiyomi's offer to go on one of her ships, but we will see.

I think she will be an impromptu leader, similarly to what she did at Trost after eren got eaten by the santa titan

Mikasa did nothing wrong, she tried to take advice instead to run somewhere else like Connie or give up like Jean.

Yes she’ll become more independent. I think itll lead to “see u later eren”

AT THIS POINT, ARMIN STILL THINKS ERWIN WAS A BETTER CHOICE TO REVIVE. DO YOU? 1,391 RESPONSES

The question of whether Armin or Erwin should have been revived in Shiganshina proves to be one of the most contentious issues in the series, nearly on par with when we asked you guys what you think of Eren’s (stated) plan. 52.2% of you are Team Erwin, and 47.8% are Team Armin. Regrettably, I can’t make a good joke out of either of those numbers.

I've said it before, but I think Armin was the best person to revive from a story telling point of view. Erwin was the better leader, no doubts there, but it is the lack of him that has pushed all these other characters to develop more. I believe the relationships between characters and the characters themselves would've remained more static if he had still been there. So therefore, Armin was the right choice

Erwin wouldn't have let any of this happen

WHO TOOK THE SCARF? 1,403 RESPONSES

There could only ever be one winner of this question; given the girls fandom of Eren in general and Mikasa in particular, 72.5% of you picked Louise as the scarf thief, particularly since she knew it was there and gave it a look after Mikasa left. The next highest answer was Eren having sent someone to retrieve it, at 13.8%, followed by ‘someone else at 9.1%, with Floch and Jean respectively taking up other minor answers. I look forward to the questions in the future of why the scarf was taken, and how will it affect the story?

Oh, and Louise definitely has the scarf. I think there will be a confrontation over it and Mikasa will Realise Things, so that's cool.

Louise totally stole that scarf.

WHICH NAME IS BETTER? 1,395 RESPONSES

808 of 1,395 of you came out to represent Gabi Gang, while the remaining 587 of you like Mia better. Mia Myriad? Eh. Mia Myriad’s weird. I like Gabi Gang better.

WHAT'S UP WITH JEAN WHEN FLOCH IS TALKING TO HIM? 1,399 RESPONSES

Floch tells Jean he can finally have the life he always wanted, what was Jean feeling at that moment? 40.5% think he was just totally shell-shocked, 30.4% think he;s faking weakness for a plan, 16.4% think he had an epiphany about Eren based on what Floch said, and 10.7% believe him to be considering what Floch has to say.

Definitely debating whether or not to kick his head in-- once he's decided I think he'll pounce

he has been asking over and over for how long they would have to keep fighting. So Floch telling him is over has a great effect on him. Although he will chose to keep fighting.

He is bothered that the Yeagerists consider him a “hero”

He is in disbelief over how AWFUL Floch is and once his brain processes it he will snap and punch the bastard in the face

He's both in shell shock and trying to fake weakness.

I think he's coming up with some sort of plan to finally rid the world of Floch.

Jean looks so tired in these panels, as in physically tired and mentally. He probably wants this all to be over, and Floch is giving him a way out. But Jean has come too far to give up, I think, so I hope he turns his brain back on.

ARE THE ROCKS THAT GO MISSING WHEN FLOCH TURNS HIS HEAD AN ARTISTIC OVERSIGHT OR DOES IT HAVE FUTURE SIGNIFICANCE? 1,406 RESPONSES

THE ROCKS ARE GONE. About half of the fandom, at 46.2% are pretty sure Jean pocketed them to use as a weapon. 29.7% did not notice the disappearance, and 24.2% think it’s just Isayama overlooking an inconsistency.

Bitch boutta throw some rocks

I hope Jean can something do too otherwise the Volunteers would get forced to fight for Eren and to help him destroying their own motherlands (oof) or get killed. I hope the theory about the pocket rocks get relevant and true in the next chapters

Floch be a bitch with a nest boutta get moulded by rocks

Getting ready to bash floch

there was a gun next to him and then it was gone. The boy boutta blooooow

FLOCH CLAIMS THAT EREN TOLD HIM THE ENTIRE PLAN. IS HE TELLING THE TRUTH? 1,399 RESPONSES

Eren doesn’t seem to have confided his plan in anyone, but Floch says otherwise. 60% confess Eren likely told him a fair bit, but not everything, 32.9% think Floch’s just BSing his way through things to look better, and 5.6% truly believe Eren told Floch everything.

Eren is the only one who knows his true plan, anyone that claims to know what Eren is doing was just a pawn that Eren used.

Eren probably forgot who Floch even is

Considering how Eren is acting now, I fear he did tell him everything after seeing his extremism.

Floch believes Eren told him everything, but he probably didn't.

floch is an arrogant bitch who thinks eren and him are best buds

I mean, the plan so far seems to be 'let's retrieve Zeke, overthrow the government and unleash the Rumbling', so why won't he tell Floch all of it? He seems to be fully on board. If there is more to the plan, then Floch doesn't know it.

I'm still not sure how much of Eren's betrayal of Zeke he was in on, but I'm damn sure Eren didn't task him with any 'removing internal resentment' job.

Jean knows he has more of Eren's trust than Floch does. From this, Jean figured out either Floch is lying for his own gains, or is being used by Eren.

Floch is just a dumbass and Eren is using him to get the necessary pieces into place without him doing it all himself

Something tells me Floch actually just overheard Yelena talking with Eren about Zeke's plan during the railway opening ceremony. I could've sworn that in the chapter Floch mentioned that he "heard" Eren's plan, and the way he uses that word gives me the impression he only listened to parts of what Yelena told Eren without knowing what Eren's ulterior motive was when learning Zeke's plan.

That’s certainly what he *thinks*

Eren is manipulating Floch's ass six ways to sunday and I'm here for it

WHO DO YOU THINK WILL BE THE ONE TO TAKE DOWN FLOCH? 1,398 RESPONSES

From previous polls, Floch seems like a popular choice to die next, but who would do it? Nearly ¾ of that fandom believe Jean will end him, though 6.5% don’t believe Floch’s dying anytime soon. Eren, Mikasa, Shadis, and Yelena were other popular options.

Could be anyone at this point, really. Would be cool if it was just some random volunteer and the death would be meaningless.

Better not be anyone, Floch is making way more sense than Armin

Armin

I hope no one does, he's the most entertaining character at the moment

I really hope all of the above and I hope it'll be a gruesome death.

King Floch is the father and will outlive the rest of the 104th.

Let him be squashed under a Titan foot, pls

Nobody, Floch will be the only survivor of the rumbling

HISTORIA! QUEEN!!!! How is the rightful ruler of Eldia not a choice here?!

I hope he doesn't die at least next chapter, because him dying is too predictable. But if he does it should be Jean.

I HOPE IT'S EITHER LEVI OR HANGE. But I think it's probably going to be Jean.

I think floch is going to have an utterlessly meaningless death. Just to show the irony that surviving that day didn't change shit.

I think since he survived on pure luck and destiny up until now, I could imagine his death will be more by accident or by unfortunate circumstance then someone else succeeding to kill him

SHADIS THE CHADIS no but actually probably Yelena or Mikasa.

The 109th Recruits

Onyankopon, Jean and Mikasa, I hope.

Who knows. Hope he dies.

ZEKE JAEGER

Isayama

It'll be a team effort

CONNIE AND FALCO ARE EN ROUTE TO RAGAKO. WHAT DO YOU THINK THE OUTCOME WILL BE? 1,398 RESPONSES

Bets for the Return to Ragako arc are placed, and the majority (~43%) of you think that the overwhelming scent of cinnamon wafting from Falco will entice Connie to spare him. Not far behind, with 30.5% of the votes, is the prediction that Armin and Gabi will swoop in and save the day. The next most popular option was Falco feeling the sudden urge to die for Reiner, causing him to transform and escape. Following that was Falco realizing his predicament without getting his memories back, and after that, a very small amount of you guys (18), think Falco’s gonna get chomped.

Connie finna die

I can't think of how bringing back Connies mom will save Reiners life, so it won't happen.

Is it weird that I think Connie's mom has already turned back to human?

WHICH UNLIKELY TEAM-UP IS THE MOST EXCITING? 1,391 RESPONSES

An overwhelming majority of you guys are most excited to see the Magath/Pieck/Hange/Levi squad team up, while the distant runner-up is Hitch/Annie, followed by Armin/Gabi, and then Connie/Falco. I can’t imagine why Connie/Falco got the least votes here.

WHICH TEAM, IF ANY, DO YOU THINK WILL MEET WITH HISTORIA? 1,384 RESPONSES

With a 31.6% majority, the… quad...duo… quaduo? That’s definitely not a word but it should be, technical definition pending. What I’m trying to say is that Team Magath/Pieck/Hange/Levi got the most votes for “Who’s going to meet up with Historia?” Following that was… uh, nobody. As in the next most common answer is “nobody”. You guys are not making this write-up easy for me. After that was Team Hitch/Annie, followed by Armin/Gabi, and then Connie/Falco. The graph is proportional enough that you can see all the percentages, so that’s cool.

Historia is the key to ending this story and getting all the context we need. Which means we probably won’t see her again for awhile.

SLEEPING THROUGH THE APOCALYPSE. WHO DID IT BETTER? 1,399 RESPONSES

We didn’t ask for a reason behind this selection, but Reiner’s rather ill-timed cozy cottage snooze (58.5%) trounced Levi’s “return of the mummy” slumber (41.5%). Maybe it was the appeal of the fruit and snacks?

DO YOU THINK LEVI WILL BE ABLE TO PARTICIPATE IN THE UPCOMING BATTLE? 1,400 RESPONSES

Nearly 60% of you think Levi will recover enough to encourage the others to fight, 20% think he’ll recover enough to fight, and 15.3% think he’ll be unconscious for awhile. The white space on the graph is what happens when there are too many single-voter responses, but we can read them behind the scenes, and one of them suggested that we’re about to learn how titan serum affects Ackermans, and I just want to say that I appreciate your devotion to Titan Science™, anon.

TITAN LEVI INC

Crack theory: he‘ll eat Zeke after Zeke offers himself up because he lost his will to live. So yes, he‘ll be fully healed and badass again.

He is going to become a shifter by eating Zeke with the cooperation of Pieck/Magath, fulfilling his promise to Erwin.

He won't be recovering but he'll fight all the same, with his teeth if necessary

He'll recover enough to make one last heroic action before dying

I don't really know. I hope he can still fight. I think Isayama-sensei didn't let Levi live to be a useless soldier.

i don’t want him to participate. i just want him alive

I think that Levi will not be able to fight, but he'll be awake, and I'd like to him take on a mentorship role. I would love to see him make a full recovery by the time the manga concludes.

Some unforeseen magic will happen

HAS THIS CHAPTER AFFECTED YOUR FEELINGS ABOUT THE RUMBLING? 1,385 RESPONSES

The destruction on the ground, Floch’s reign of terror, and the 104th’s horror at what’s unfolding seems to have shaken some in the fandom with one quarter of respondents indicating that their support has lessened somewhat (20.6%) or significantly (5.7%). The remaining 75% are staying the course with close to 40% completely opposed to the rumbling and 35% in full support of it.

HAS THIS CHAPTER AFFECTED YOUR FEELINGS ABOUT EREN? 1,387 RESPONSES

The responses here are about what we might expect; a fairly even split between those who support Eren fully (or at least think he’s got some mysterious ace up his sleeve) and those that do not support him/are losing faith in him. Interestingly, the smallest response was from those who have lost a significant amount of faith in Eren, indicating the battle lines are still drawn at this point.

Eren did nothing wrong

Eren Yeager is GOD! Bow Down!

We're left in the dark of what Eren is really planning and so I can't judge this consequence too much. It is very extreme and I'm skeptical of it all.

Another aspect of the continual violence and really justifies Eren's position.

The inner fighting among themselves is going to get worse and they all will turn on Eren.

They should support eren, and the yeagerists, not plan to overthrow them

I DONT GET WHAT IS EREN TRYING TO DO? How is he gonna claim he wants to protect his people then end up killing him ??

I hope that among his friends there are on the eren side, eren's decision was correct, although it was too cruel, but it was all for the people he loved. why his friends no one sided eren , I'm sad to think about it.

I love eren but :(

AT THIS POINT, AROUND WHICH CHAPTER DO YOU EXPECT THE MANGA WILL CONCLUDE? 1,406 RESPONSES

As much as I hate to think about the end of the manga, and the subsequent never-ending feud over the serum bowl and the Rumbling, we’re bound to become the next NGE at some point. It can’t be stopped. The majority, at 45.7%, think we have until around Chapter 134, which gives us about nine more months. Following that, 30.2%, think we have until Chapter 138, which gives us more than a year. A lesser but still significant quantity of votes say we have until Chapter 142+, and I feel a little bit like the Vince McMahon meme typing this. You know the one. Lastly, 8.7% of you think there are only 5 chapters left. Why anyone would even entertain such an idea is beyond me.

WHAT ARE YOU MOST HOPING TO SEE NEXT CHAPTER? 1,409 RESPONSES

Wow! A huge split of opinion here regarding hopes for next chapter, as might be expected; but out in front with 27.8% of the vote is a wish to see more Hange, Levi, Pieck and Magath; no doubt because we haven’t seen them for a while. Coming up in second place is Jean and Mikasa, with a number of fans hoping they will fight back against Floch. And of course, third place is the everpresent wish to see Historia once more. What on Earth is she up to???

Historia hopefully

A solid chapter with a lot of great character development. Who wants to bet that Connie and Falco are going to run into Historia at Ragako?

Give me Historia

Jean has an epiphany about himself and Eren's actions (since Floch is Eren's fanboy, like Jean was to a certain degree))

Jean and Floch will fight!

If Floch doesn't make Jean react, I don't know who else will. Their relationship has always been complex, so it would be beautiful to see Jean killing him. But as long as it's not a Jaeger, I'll be fine.

I can’t help but feel that there was something odd about the way Hange spoke about Levi to Magath and Pieck. “Rest assured, he’s just a harmless man who failed to die”. Harmless? Levi? Really? And Hange doesn’t speak like that, so to me this looks like strategizing and covering something up. I don’t think Levi is 100% okay, far from, but I don’t think he’s on the verge of death. And even if Levi will physically be unable to fight, he still isn’t harmless. He wasn’t dubbed Humanity’s Strongest only for his physical strength; Levi is smart, he’s an excellent leader, he’s compassionate and experienced. So, even if we don’t see him engage in fights as a soldier, I believe we will get to see him devise plans and strategies, negotiate, etc. After all, we still don’t know what the Ackermans are capable of. We know they have superhuman strength, so I believe we’re all in for a surprise (or not so much of a surprise) when it comes to Levi. He’s played an enormous part in the story already, but his story isn’t over. Best boi love him yes.

I hope he can still fight. I think Isayama-sensei didn't let Levi live to be a useless soldier.

All aboard the ship! Ms. HanjiXMagath is setting sail! (???)

HISTORIA BACKSTORY, OR I WILL END THIS WORLD

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 1,328 RESPONSES

Reddit continues to dominate the responses to this question, and this month there were literally more people who don’t discuss the series than people who discuss it on Tumblr. A direct consequence of banning Titan-presenting nipples, surely. Lastly, something ominous is going on in the Snapchat cult, because there were only two of you this month, down from five last month. That’s still enough to reproduce though and it makes me uneasy. Regardless of where or whether you discuss the series though, we appreciate all of you guys’ participation in the poll. We literally couldn’t do it without you!

ADDITIONAL THOUGHTS ON THE CHAPTER?

hE dID nOtHing wrOnG

I mean it's not like Eren could be like "wait while you're breaking out of the wall, can ya be clean about it?" but also....yeahhhhh umm I'm not positive that Eren cares for the majority of Paradisians

Petra's death still burns... Yet I can't really hate Annie.

[Annie’s] story kinda looks like a copypasta of Zeke's but I'm glad it's established she doesn't care for her grand goal and would sacrifice everything to achieve hers if it needs to be brought again

I feel for the wall Titans, they've been conscious for the last century, just chilling there.

Isayama couldn't have made the parallel between Annie and Eren any more blatant if he tried.

I don't know why people are so surprised with Eren being in cahoots with Floch. He is already killing billions to secure peace for Paradis, installing an authoritarian government for the same reason is not unlike him. He already said, he is going to take the freedom from people if they threaten his even innocents.

0/10 no Reiner. jk, the chapter may not have "action" per se, but i love the focus on how the rumbling affects all the characters, including the eldians in the camps. also, all the pairings are really interesting. i hope the HLMP combo leads to good things for the future. i wonder if Armin & Gabi'll talk, and whether she'll learn that he is the Colossus titan, or if she'll catch onto Reiner's great familiarity with these people…

another average chapter in SNK standards (awesome in manga standards)

Another set-up chapter - would be good to see some major events occur to keep the momentum going. Also want Eren/Zeke POVs

After 10 months of wondering where Levi was and if he was alive, i fully sympathise with Annie stans, who had to wait the better part of a decade. But I'm glad to know Levi's alive for now.

Seeing almost everyone other than the Jeager brothers was so damn fresh. Now everyone's gotta work together to stop the total downer ending.

Felt like this a needed chapter to see where all the characters’ directions are headed. Whether we see more compromise or more tension between characters. It creates more anticipation and excitement for what’s to become of Eren and his plan.

Isayama been sleepin on some important characters 💤

Very interesting seeing so many different perspectives, if only we could get Historia some day

Great chapter. But if hange teams up with Pieck and Magath I am going to be very disappointed. They have no reason to rely on the the people who have been trying to exterminate them for years. I get they need to stop eren but they cant let forget the atrocities Marley has done to them. Regroup with the rest and figure out another goddman way.

A very interesting chapter. I fully expect an emotional outburst from Mikasa any time now. Maybe directed at Eren himself.

aaahh I just want Zeke

Give me Eren

Give me Historia

How the hell will Isayama cover all these separated smol groups in only 12 chapters??? Can he rly end the manga this year cos I have doubts!

All pieces are on the move, time to wrap things up, Isayama-sensei! Though I don't see any way to stop Eren, unless they maybe use Historia and her royal blood? Can't wait to see how Isayama will solve all of this.

I love the setting of the rumbling as a slow moving mass of dust and meat that we’re all powerless to stop. I love how we’ve seen it from the perspective of people on the receiving end of the destruction, from people that support it and most of all, people who would never support it but are still benefiting from it. Regardless, none of them could stop even if they wanted too. It makes the issue seem so much more real.

Annie is pretty much like Eren right now, knowingly doing terrible things for the people they care about, both have accepted the cruelty of the world and acted accordingly and is not like the world has given them reasons to think otherwise. But this mentality has only brought pain and suffering around them and to themselves, I hope in the end she changes her outlook in life and finally goes against the "current" of the way things are as she described and do the right thing.

Annie needs to get Armins head out of his ass. Floch was executing people next to his friends and he just runs off wtf

I DONT GET WHAT IS EREN TRYING TO DO? How is he gonna claim he wants to protect his people then end up killing him ??

Armin did nothing wrong. I've seen people complaining about he "yelling with waifu" and even comparing with Eren, even tho what Eren did was totally intentional, while Armin wasn't he didn't mean to hurt her, he snapped under stress, but when he saw he hurt her he regretted so much that even brought Erwin to the picture. But apparently his feeling and emotions are nothing compared with Mikasa's...

Armin made the right choice to go after Falco. His strategy is to ally with the Warriors and Marley. His tactic is to use Falco as barter. It is the best move he can make with the situation as it is. If he succeeds he gains Connie back in the fold, Falco, Gabi, Reiner, Pieck, and Magath. This type of quality help will raise morale and lessen the pressure that everyone feels. Hopefully they work as a team and communicate with each other. Don’t be like Eren who has no fog of war because he knows how it ends and, yet, doesn’t tell anybody about it.

As long as the rest of the world is unwilling to negotiate peacefully I’m not sure what other options were on the table. Obviously eren’s actions are irredeemable, but I feel that he’ll have the same sentiment Annie expressed: if this is the only way his friends make it out alive then he’d choose this path every time. I don’t think all of the blame is on eren(though he is still responsible for his own actions). Every side played a role in this and it should have never come to this to begin with.

I really appreciated the scenes with Armin, Mikasa, and Jean. The rumbling is a world-changing/ reality altering event and Armin said as much, but I'm really hoping these three can manage to salvage some peace for themselves despite the chaos.I think Eren has already accepted his own mortality re: the Curse of Ymir and has fully resigned himself to doing whatever he deems necessary for Paradis, I'm interested to see his end. I also enjoyed seeing Levi and Hange, I never doubted their survival; it also might be a further indication that Floch is BS'ing his way with his power grab when he said that they were killed...This series is excellent.

Wake up already, Reiner. Say something, Levi. At least Falco's awake again. And Annie, for the love of Eldia, please explain your crystal.

Can't wait to see Jean snap at Floch

It was great but isayama please let us see eren...

I just really hope Connie doesn't die but I'm not feeling too optimistic... I can't believe Annie's back and I'm really looking forward to whatever her and Hitch do next.

The reaction to the Armin and Mikasa scene initially drove me up the wall, because people's readings of Mikasa are just so fucking bad--she's literally right??? LMAO. Mikasa and the 104th have always followed Armin's guidance, so she isn't even wrong when she asks how to make herself useful. But the reaction to her question about Eren is just...

Levi surviving the thunderspear was bullshit. Hopefully he stays permanently injured and not overpowered again. Isayama give us Historia please. I hope we get to see my baby Reiner wake up next chapter. I wish that Reiner and Annie meet again please

I got emotional when Falco was starting to "remember" Connie. While Sasha's scenes after her death could have been written better, every time I see a Ymir reference, something interesting happens. We need to remember best girl, and finally we get to see that Connie was an important comrade of hers.

I hope Connie makes the right choices, my boy has suffered enough!

It somehow gave positive vibes despite the apocalyptic setting, and I was extremely happy we got to see almost everyone again.

I want to see more about what happened to Ymir Fritz after she gained her freedom.

I'm glad Levi is ok but i gotta know: how is he able to breathe when HIS ENTIRE FACE HAS BEEN BANDAGED UP

It's the end of the world as we know it, and I feel fiiiiiiiiiine

Lame ass chapter, everything feels pointless and forced and the ambiguity and moral grayness of the story is gone.

Levi has to give meaning to those deaths. It's what will give peace to his heart. He deserves to fight one last time.

mikasa let me hug you and protect you

Can we agree Keith is badass? He advised trainees to not lose themselves despite the government. It's such a stark contrast with Floch in this chapter. He was so traumatized by his first mission as a SC, losing his comrades, watching them die meaningless deaths and seeing the SC fighting over who should be lived other than the commander. As he shot that voluteer he made it clear he casted his values aside for survival. In the end he learned they were just as meaningless as Marlowe's death.

More Yelena pls

This chapter was a lot of scenes I had been waiting for put together. We had Annie and Hitch interaction, an update on Connie and Falco, Gabi and Armin now heading their way, and Levi and Hange are finally back. Now all we need is Historia. The wait for her stopped being funny a LONG time ago...Actually scratch that, it wasn't funny to begin with. 😒

Levi is alive bitches

Really glad it's not all wrapping up with Eren activating the rumbling. Seeing how everyone is handling the chaos has been incredible. I was telling my friends that I honestly don't think the final battle will be against Eren. It's just everyone versus the pure chaos of the situation. I don't see Eren getting beat

The EMA trio was never my favorite, but it still kinda hurt to see them all split up.

The Erwin references were amazing!! Both in the manga and the end text!!

With all these relatively slow-paced, character-driven chapters recently, it seems as if the ending will be very rushed. I have faith in Isayama’s writing skills, but I just hope he will be able to pull off an ending that will do justice to all these wonderful characters he has built up, while rounding out the plot in a satisfying way. This story, in my opinion, is a masterpiece so far - and an ending could either make or break it at this point. Either way, I look forward to seeing the coming chapters very much.

Where is Kiyomi ? (2nd edition)

#snk polls #snk poll #snk 125 #snk chapter polls

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abyssmail · 3 years

Text

Caerul’s Mentors: Gracie & Terrence

The Black Whistle who said she would teach her, and the Moon Whistle who actually did.

I ended up writing a lot about stuff people don’t necessarily care about again while overhauling Caerul’s backstory (these characters are both [probably] dead and I wrote a whole damn essay about them asfksaglksda), so under the cut, for anyone who wants to read it:

Gracie

Status: MISSING/PRESUMED DEAD

Gracie was a powerful Black Whistle whose bubbly personality sharply contrasted with her brutal methods. She was the kind of person who would see a cute fluffy creature (and in one notable case, a pair of children), ask “Is anyone going to adopt this?”, and not wait for an answer. She was also, purportedly, the kind of person who would slice an enemy delver’s chest open with a shallow incision, reach inside, and snap his ribs individually by hand while his heart still beat in retaliation for attacking one of her squadmates. The duality of man. So long as you were not heinously irredeemable or her hapless first apprentice, though, she was kind and gentle to most.

Confident and capable, Gracie was not only an expert delver, but an exceptional leader, and led a group that specialized in countermeasures against hostile foreign delving squads. When a team from Orth was sent to retrieve a high-grade artifact, they would either follow behind the group and defend the rear, or forge on ahead on the offensive, discretely rooting out opposition before it could reach the main group. While even a single White Whistle could do the same task far more efficiently, some diplomatic situations required a greater degree of subtlety, with less recognizable players whose identities would not implicate the small island nation in the brutal dispatch of more powerful countries’ citizens. Even in the name of protecting its borders, Orth needed to tread carefully in such international disputes, which was where Gracie’s group came into play.

After their foolhardy antics got them kicked out of Red Whistle training at the orphanage, Caerul and Roseus approached Gracie when she and Terrence, her younger brother and former apprentice, were in town preparing for their next expedition. Enamored by their enthusiasm, Gracie happily agreed to teach them, and adopted them with the intent to begin their training after she returned from her next dive to the Fifth Layer

Gracie: “We’re keeping them.”

Terrence: “Fuck no, absolutely not—”

Gracie: “Too late lol, my kids now :D”

However, she never did, and their education instead fell to Terrence, who had stayed behind to watch them.

While Terrence described Gracie as a slave driver of a master, his account should be taken with a grain of salt given his own temperament and relationship with her. Though she aggressively imposed her own ambitions on her unwilling brother and definitely bullied him into following her path, Gracie likely would have been a much more beloved mentor to apprentices who matched her own relentless drive. Not soft, per se, but the kind of teacher who could bring such unruly brats to heel by positively redirecting their wild excess of energy and honing their eagerness into something useful. Unfortunately, she never got that chance, and Caerul, Roseus, and Terrence got stuck with each other.

Gracie’s squad was obliterated, but her body was never found.

Terrence

Status: DEAD

The hapless Moon Whistle who was strong-armed into taking Caerul and Roseus as his students, Terrence was the younger brother and previous apprentice of Gracie, the Black Whistle who’d actually agreed to train them. Initially only supposed to babysit the twins and give them very basic instruction when Gracie was called down to the Fifth Layer on a retrieval mission, Terrence got stuck with the notorious pair of troublemakers after her return was “delayed”. Reluctant though he was, persistent guilt-tripping and pestering eventually wrangled some practical teaching out of the jaded Moon Whistle, and he was an effective mentor if and when he was bothered enough. He often required a lot of bothering.

Despite being a highly competent delver, Terrence had little motivation to progress in rank or achievement, and deliberately avoided the Black Whistle exam out of complete disinterest in going any deeper than the Fourth Layer (or indeed, the First, if he had his way). Once he had thirsted for knowledge of the Abyss’s secrets, but an intense and bloody early career left him burned out and cynical at a young age. By the time Caerul and Roseus met him, he claimed he was quite happy to never set foot in “that blasted hole” ever again… although somehow he always found himself back in the pit regardless.

Although abyssal warfare wasn’t his area of interest, Terrence became a regular, even crucial member of his sister’s squad as their main strategist. Blessed with a sharp mind and near-photographic memory, Terrence’s tactical prowess - particular under pressure, especially when dealing with rival delvers - was remarkable, and he greatly improved the group’s kill to casualty ratio when he joined as Gracie’s apprentice. Terrence technically graduated from his apprenticeship when he achieved the rank of Moon Whistle, but he was a terrible pushover, and Gracie easily coerced him into whatever exploits she pleased. He remained with the squad until he was needed to watch Gracie’s new apprentices in the upper layers when they were sent to the Fifth, which he had thought would be a much-needed vacation.

Babysitting Caerul and Roseus was anything but restful. From the minute they woke up (at dawn, daily, without fail), the twins were raring to go, and seemingly determined to get themselves killed by hurling themselves into the Abyss. If Terrence didn’t come up with something suitably interesting with which to occupy them, they would run off and cause all kinds of trouble. It was no wonder they were expelled from training at the orphanage. At best, they were a liability to themselves and anyone around them; without careful direct supervision, an outright danger. In the large groups Red Whistles typically worked in, it would have been impossible to keep an eye on them all the time without neglecting other children.

As it was, Terrence had his hands full with just the two of them. Hyperactive though they were, Caerul and Roseus were remarkably bright, and burned through the loose curriculum Gracie had left behind for them—expedition supply management, equipment maintenance, standard and variant delving sign languages and ciphers, basic rope work, etc.—in the first month. At that point, Terrence felt he’d done his job, and that the brats could wait for their actual master to return, but like ravenous corpse weeper chicks, the twins constantly demanded more from him. He didn’t initially give it, but as he’d fallen to Gracie’s demands all his life, so too did he give in to the relentless Red Whistles’ constant badgering.

When Gracie’s group missed their projected return date, Terrence wasn’t worried; such a deadline was an extremely rough estimate at best, what with expeditions being unpredictable and time itself being inconsistent at lower depths. When news of their extinction finally reached him a year later, though, he was distraught. Caerul and Roseus had only known them briefly, but for Terrence, the loss was his entire life—his friends, his family, his purpose. He blamed himself for not getting his Black Whistle; if he had been able to go to the Fifth Layer, he would have at least been able to die with them. He blamed Caerul and Roseus for keeping him on the Surface; if not for them, he could have at least gone as far as the Fourth Layer. He blamed Gracie for leaving him behind with them in the first place.

Terrence sank into a deep depression, during which Caerul and Roseus were largely left to their own devices - never a good thing. After getting bored of causing problems on purpose in town, they began wandering deeper and deeper into the Abyss alone. By this point, the twins were at least proficient enough that the First Layer wasn’t too much of an issue, though there were certainly several near misses. It was when they decided to stray into the Second when things went wrong.

In frustration at their mentor’s neglect, one fateful day, Caerul and Roseus left a brief note on the kitchen table, as Roseus insisted they did each day “as a record of their progress”. It read:

“Checking out the corpse weeper nesting grounds to observe chick rearing habits. Be back for dinner.”

Contrary to what the children believed, Terrence did actually read the notes, and when he found this one, he was horrified. Horrified enough that he extricated himself from his angst-ridden blanket burrito. Horrified enough that he went tearing after them faster than he had ever traveled. Horrified that he might lose the last family he had left.

Fortunately, they never quite made it to the corpse weeper nesting grounds. Unfortunately, that wasn’t enough to save both idiot Red Whistles. Terrence caught up with them just in time to see Roseus, captivated by a flower he had never seen before, wander up a clearly unstable cliff, stumble on a loose outcropping, and trigger an avalanche that stranded both children on a precarious ledge teetering over the edge. Terrence was forced to hastily rig a self-belay line to the only standing outcropping nearby - a spindly thing that could hardly be trusted more than the original traitorous cliff - and repel down to retrieve them one at a time. He managed to recover Caerul and deposit her on solid footing. Roseus was not so lucky; the first avalanche triggered a series of smaller ones elsewhere, which eventually triggered another at their location. What remained of the cliff was destroyed again. And as skilled as Terrence was at orchestrating the deaths of foreign delvers, protecting two inexperienced children from their own stupidity proved too much for him, and he and Roseus both fell in that cliff collapse.

Caerul avoids reliving the incident as much as possible, but she’s pretty sure Terrence’s last words were “For fuck’s sake.”

#ooc #supporting cast #gracie #terrence #miscellaneous info #mun art #((things I should've been drawing: new icons for Caerul))#((things I was drawing: the supporting cast ^^;))#((asdfsdjsg I aM NOT A MULTIMUSE BLOG I SWEAR))#((THAT'S WAY TOO MUCH WORK))#((the writing at the end of Terrence’s section is lazy but I got tireeeeeed))#((also I didn’t proofread this lol))#((maybe I'll fix it later :/))#((Oh No I actually really like MiA!Gracie ._.;;))#((that’s what I get for recycling old characters into Caerul’s backstory: nostalgia))#((I do have ideas for maybe briefly reintroducing her into the story as a plot device which is why she isn’t straight up dead though lol))#((Terrence meanwhile is the oldest character I have that I still use pfft))#((I made him back in *middle school* jfc))#((and updated him several times after that as I grew up))#((he’s an absolutely terrible person but he’s really fun to write because of that))#((I get to project all my fatigue and ‘‘done with this shit’’ energy onto him lol))#((Gracie was created not long after to be better than him in every way XD))#((fun fact: this is the only verse in which Gracie technically actually outlives him))#((it’s always the assholes that survive though right?))#((except in this case :D))#((Gracie’s squad needs a name :/))#((if you’ve gotten this far reading my tag rambling here’s a spoiler:))#((Gracie is the designated sacrifice to enable White Whistle!Caerul ;D))

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prider-parker-imaginations · 4 years

Text

Tag Game

I was tagged by the lovely @myriadimagines (✿´‿`)

rules: answer ten 10 questions, ask 10, and tag 10 people

1. What’s something you’re looking forward to?

I’m running my first ever D&D one-shot for some friends tomorrow which I am both excited for and dreading just a bit because my improv skills aren’t great. I’m kind of in panic prep mode. I ran by most of it with my brother to iron out some of the kinks so I’m hoping it goes well. It’s based on a Mass Effect version of the 5e system I found online (link here if anyone is interested) and I’ve had a lot of fun so far helping them set up their characters. Only one of them has played Mass Effect before so I’m hoping to use that to my advantage a bit.

I’ve also got an appointment next week with my doctor to finally discuss potential options for my transition so that’s also exciting even if it is just asking questions and gathering information.

2. If you could have any animal in the world as a talking companion (like in His Dark Materials), what animal would you choose?

A snake would be pretty cool, or maybe a Barn Owl. A raccoon would also be pretty funny.

3. What was the last movie you cried to?

Does Critical Role count? I don’t watch that many movies

I’ve only really full on cried for a handful of movies. Saving Private Ryan comes to mind most readily. That movie had me practically sobbing on several occasions. Inside Out and Endgame came pretty close so I think technically Endgame was the most recent? Time is an illusion and my memory is shit so I’m genuinely not sure XD

4. What’s a song you’ve had on repeat lately?

Runnin’ by Adam Lambert and Until the End by Breaking Benjamin

5. If you could bring one fictional character that’s been killed off back to life who would it be?

My trash boy who deserved better aka Jaime fucking Lannister. I will die mad about it.

6. Can you play any instruments? If not, what instruments have you always wanted to play?

I technically play guitar, though I haven’t touched it in a few years now so I’m likely pretty rusty. I played a lot in high school though!

7. If you could give yourself another name, what name would you choose?

I’m trans so I’ve sort of already done this by going as Ethan? Mostly I’m just trying to figure out a potential middle name. I’ve got a list. Most of them are subtle references to characters I love, people I have a lot of respect for, or just names that happened to strike my fancy at one point or another. I shouldn’t be given so much power. Middle names I’ve considered include Oliver, James, Maxwell, Cullen, Jaime, Jon/Jonathan, Franklin, Garrett, Matt/Matthew, there’s a lot of them. I’m basically a gremlin when it comes to names I like.

8. What’s a skill you wish you could instantly master?

Currently probably improv or just better vocal control? Partially because I’m insanely jealous of Matt Mercer’s level of vocal control and because I’d love to just know how to make myself sound more believably masculine because vocal dysphoria is a bitch. Plus it’d be useful for DnD purposes too.

9. What would you rather explore, the deep sea or outer space?

Outer space, hands down. The ocean terrifies me to no end. Star Trek, here I come.

10. Despite 2020 being a shitshow so far, what’s one good thing that’s happened to you this year?

I finally started watching Critical Role and it’s basically been my main source of joy for the last month which is either a testament to how amazing and wholesome it is or how shit this year has been. Probably both.

My Questions:

1. Is there quote, or quotes, that really resonates with you? What is it? It can be from a song, a poem, a show, anything.

2. Do you have a favourite board game?

3. What makes you laugh without fail?

4. Do you tend to reread books you like? If you do, which one do you think you’ve reread the most?

5. Is there a book you’d recommend everybody read?

6. If you could give anyone a hug right now, who would it be?

7. What’s your go-to meal to make?

8. What was your favourite childhood show or movie?

9. What’s a subject you always wanted to know more about but haven’t had the time to delve into?

10. Which character would you most want to cosplay?

Tagging: @connerkennt, @starfleetimagines, @malereader-inserts, and anyone else interested in participating!

#I was tagged #IM TIRED AND BAD AT COMING UP WITH QUESTIONS #IM ALSO AWFUL AT REMEMBERING WHO MY MUTUALS ARE AND IM SORRY #my buffoonery knows no bounds #I've done nothing productive in so long because the world has gone to shit

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espbee · 5 years

Photo

i wasn’t originally going to post this since i’ve seen several other (perfectly valid) mob psycho timelines out there but you all wanted to see it so here it is!

this does not include pre-canon or the reigen spin off. the first b/c i didn’t really care lol and the second b/c i haven’t read the spin off for reasons i’m sure you already know.

almost every single one of these dates is based on canon evidence (see notes below) but a few are speculation. i go into depth under the cut so if you want to know, say, exactly what day mob buys the monkey shirt you can find out. if you want to see a specific panel hmu!

feel free to use as reference when writing fanfics or meta or whatever else you might want to use it for :D just please don’t repost

Spring of Youth Arc

it’s not super important how many days pass in ep 1 but i think it’s all within a week. might be some overlap with ep 2 (tunnel exorcism on same day takenaka quits club? according to the manga it happens later anyway)

going by anime here: takenaka quits the club monday or tuesday, tome asks mob to join the club wednesday if i remember right (also the day he goes to the girl’s high school) and he joins the body improvement club friday)

(LOL) Cult Arc

not much to say. it’s literally an afternoon and the teru arc starts the very next day

Teruki Hanazawa Arc

happens basically immediately after the cult. like mob knows dimple for like 3 days before he’s “exorcised”

fight on a friday bc it’s on weekend news

aftermath: mob in pink hoodie probably on saturday, mezato interrogates him monday

Big Cleanup Arc

shigeo mentions in the divine tree arc that student council meetings are on mondays. however only having weekly meetings would make this arc take a really long time so i’m guessing it’s semiweekly. i’m guessing the other day is thursday because ritsu says he has a meeting on the thursday that mob confesses

same monday as end of teru arc: student council meeting where ritsu suggests a big cleanup, mitsuura gives ritsu his card

thursday: big cleanup plan submitted, mezato and onigawara look for mob (for totally different reasons), ritsu in the street w/ tokugawa

next monday: student council plans to get rid of onigawara

awakening lab might be on the same day as above but i’m not sure, mob also goes on a “date” with tome that day and sees koyama for the first time. that night is when shinji’s family gets after him for not being perfect and he decides to go apeshit

i’m guessing the recorder scandal happens the next morning (wednesday?). it doesn’t actually say if ritsu awakens that exact day but i’m just going to say it does

a little bit of time goes by (about a week?) ritsu’s becoming popular and he develops his psychic power. teru vs ritsu happens somewhere here. people are complaining about the big clean up

the day that ritsu and kamuro confront onigawara in the body improvement club room is the same day that ritsu first attacks the delinquents from the other schools (monday)

im guessing a day goes by before kamuro is beaten up (tuesday), then another day before he’s beaten up again (wednesday)

kamuro is absent from the student council meeting the next thursday

ritsu only has his powers for 9 days before announcing that he’s obtained loss

7th Division Arc

one month before touichirou arrives in japan. this makes sense because it’s not like the day he arrives he’s going to attack. touichirou probably arrives in late september or early october, prepares things for a couple weeks

mob goes to shinji’s house on sunday, ritsu and mob talk on the swings monday, shinji apologizes to onigawara tuesday. the kageyama parents know about ritsu’s power by tuesday night (what was that conversation like)

Mob’s Girlfriend Mini-Arc

2 weeks long: one for the elections and one for the dating

sidenote: psycho helmet cult has gained 700 followers by now and it’s been about a month according to mezato (and the timeline!)

mob works the monday after his brother’s kidnapped jeez reigen give the kid a break

going to say it’s wednesday when shinji resigns

mezato talks to mob about running on thursday

one week later: elections! (going to say they’re on a friday). emi asks him out that afternoon

mob and emi “date” for a week. im guessing she “breaks up” with him friday and he fixes her torn up story on monday since there’s enough time for everyone to react. i think the anime has all that happen on the same day though. either way is good

Urban Legend Arc

reigen complains about four days without customers

kuchisake-onna: it’s the weekend b/c mob’s wearing a sweater instead of his uniform and also b/c i doubt mob skipped school

reigen makes his website overnight and mob’s wearing his uniform the next day which means the trip to the urban legend town has to be on sunday

the first trip to the ghost house is on a sunday (what a busy day!), and the second trip is on monday

Keiji Mogami Arc

literally the day after the ghost house wtf (so… tuesday?)

if it feels like 6 months for mob would that mean he’s almost a third year in the dream world? or already is a third year? oh no…

uh technically there’s an aftermath the next day but really the arc is one day

Separate Ways Arc

kumagawa’s birthday is in late september btw. idk if there’s any kumagawa stans out there but now you know he’s a libra

kijibayashi’s birthday: 10/5? (also the day mob finally cant take reigen’s bs anymore)

mob doesn’t show up to work for at least four days pre-birthday (probably five days since kijibayashi’s birthday needs to be on a school day)

reigen’s birthday: 10/10 (also i’m assuming this is either the day of or the day after he defeats the video game thing)

he has to have enough time to offer classes and become a local celebrity… i’d assume he offers that course at his office that friday night (10/12). he’s interviewed that day too. a few days later he goes on tv (i’m going to say 10/15)

goes to bar 3 days after the tv show (wednesday 10/17)

thursday 10/18: reporterless-day

friday 10/19: press conference, “my master… he is a good person” *sobs*)

World Domination Arc

mob has 10 days to prepare for the marathon

marathon on friday (11/2)

teru fights shimazaki for the first time saturday morning, mob doesn’t wake up until sometime in the afternoon, and rei-gun is in the evening

mob sleeps like 18 hours… oof

the kageyama parents return home monday evening

Yokai Hunter Mini-Arc

this isn’t listed as seperate from the Divine Tree Arc according to the wiki but i’m calling it a mini-arc because the broccoli isn’t really the focus

mob mentions the future prospects assignment is due in a week

seri starts working at spirits and such a few days after the wd arc ends

going to guess there’s some overlap with the future prospects assignment and that it’s due sometime during culture festival preparations because otherwise the timeline breaks

okay everyone i know culture festivals are usually on or around november 3rd but according to all canon evidence there is absolutely no way that can happen on time. there’s literally no time. it has to take place at least 2 weeks after the wd arc

going to say the culture festival is nov. 18 because that’s all that makes sense (the previous weekend is too soon, and the next weekend is after the divine tree arc

Divine Tree Arc

Friday: Tsubomi sneezes — why dont u stop doing bad things

Saturday: buys The Shirt

Sunday: Psycho Helmet

Monday: Teru, Ritsu, and Reigen all brainwashed, Mob vs Dimple part 2

Telepathy Mini-Arc

finally a nice long break :D

find out about takenaka about one month after Divine Tree Arc

aliens on New Year’s Eve/Day

inukawa’s abducted by aliens for 10 days

???% Arc

inukawa has to be back by the time school starts

Mob finds out Tsubomi’s leaving the day he gets back from winter break (monday) :(

i think he calls her two days later?

the day after that mob is hit by a fucking car (also student council day so… thursday)

Epilogue + Omakes

we all know the epilogue is on 10/10/2013

the summer omake has to be after the ???% arc but i’m not sure what day. probably july

idk what else to say other than i can’t believe i spent so much time on this

#this took a really long time wow #i wrote this before ep 13 so anime things might be a little different #telepathic signals #mp100 #mp100 manga spoilers #ask to tag

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prorevenge · 5 years

Text

Power hungry president sucks the joy out of a local artist collective, ends up having to leave town.

A warning and an apology: this is long.

For background, my older sister, who I'll call Beth, is married to her high school sweetheart, who I'll call Craig. Beth is a pretty laid-back person, but she has one hot button trigger that causes her to have zero chill: anyone treating her beloved Craig poorly. Craig is very quiet and kind, just in general a mild-mannered, good-natured guy who's not great at standing up for himself, so he often attracts bad actors who view him as an easy mark, and because he alwaysassumes that other people have good intentions, he's not great at realizing when he's being mistreated. Beth is usually pretty relaxed about things, but she will basically turn into a howling, vengence-seeking banshee if anyone takes advantage of Craig.

Which brings us to ~2-3 years ago. Craig works a white collar job remotely, but he's an amateur artist/craftsman as a hobby. He does wood carving, a little bit of light metalwork, and 2-D art (mainly pencil sketches and pen-and-ink illustrations). He joined an artist's collective/makerspace where he could work on these hobbies around likeminded people, and he absolutely loved it. Whenever I hung out with him and Beth around this time, Craig would excitedly talk about the space and his projects there with infectious enthusiasm. His eyes were practically beaming out of his head whenever it came up. Beth joined too to learn/improve on her own hobby of fiber arts (mainly weaving and dyeing), but she was way less into it than Craig.

Some time after this, the president of the makerspace stepped down. It was essentially a volunteer position, though it came with a small (mostly symbolic) stipend. Since the makerspace had no actual staff, being president of the makerspace was a huge undertaking that involved being a one-man show for everything--for a start, coordinating with the board, keeping day-to-day operations going, and chasing the grants that kept the lights on. The current president just couldn't do it anymore with his full-time job, and announced his intention to vacate the role. Craig had come to love the makerspace, and he figured he had the resources to be an effective president. His job is entirely remote and deliverables-based (he can work whatever hours he wants as long as he's meeting his objectives), so he figured he could work out of the makerspace on his laptop and be available there if anyone needed him, and then do the heavy lifting of the role outside work hours. So he threw his hat in the ring.

Enter Jamie, a recent industrial design grad. Jamie was known to be flaky and very dramatic, but he'd been a member of the makerspace for a couple of years, almost as long as it had existed, and he felt entitled to be handed the presidency because he had seniority. He lost his damn mind when he heard that Craig had the audacity to go for the same role and complained to several members about how Craig was massively overstepping. This got back to Craig, who didn't really take it seriously, and it also got back to Beth, who, of course, was already irritated that Jamie was shit-stirring, but kept it to herself.

Long story short: Jamie won the member vote by a small margin, which Craig was very gracious about. Craig congratulated Jamie on the victory, then settled back into business as usual. Jamie... was not so gracious. He was enraged that Craig had gotten so many votes, and made it known to everyone that he was trying to figure out who had voted for Craig, and that they "would pay." Many of the members who had voted for Jamie passively because he'd been around forever and they didn't really know Craig were shocked by this behavior and started privately expressing regret to each other. But it gets worse. The makerspace had always offered members the perk of sponsoring workshops, meetups, and classes that anyone, members or non-members, could attend; all you had to do was sign up for the space on a first-come, first-served basis and kick up 20% of any profits to the makerspace if you charged a fee. Jamie started preemptively cancelling classes and workshops sponsored by anyone on his shit list by blocking off all available reservations during the regular times certain classes would be held. So Craig had traditionally sponsored a popular casting workshop on Wednesday evenings, and suddenly all Wednesday evenings were booked solid before the sign-up sheet was even available. He tried switching to Thursday, but after just one rescheduled workshop, suddenly Thursday evenings were out too. He tried Tuesdays, but because it was so early in the week, no one could come. Craig was bummed, but was still too good-natured to realize Jamie was intentionally sabotaging him out of spite, despite a righteously angry Beth trying to paint the picture for him of what was going on.

Beth. Was. Pissed. But she wasn't banshee pissed yet. Not until...Jamie selectively told the people on his shit list that member fees were going up. By almost double. He presented this as a makerspace-wide policy, but he made one crucial error. Somehow, Jamie never picked up on Craig and Beth being married, probably because he was never around both of them at the same time. So Beth flew under his radar, and he didn't raise her member fees, just Craig's and some of Craig's known friends, which confirmed to her that he was intentionally retaliating against Craig.

At this point, Beth had steam coming out of her ears and went to go talk to the board, since they have the power to cite or even throw out the president. They were uneasy about what she told them, but they said the president was technically allowed to set member fees, and they'd keep an eye on things.

Beth didn't really believe the board that they'd be keeping an eye on things, because Jamie was already dropping the ball all over the place, and the board wasn't making a peep over it. He wanted to be president because of the prestige, but he was never willing to do the work, so he just--didn't do it, and things were falling apart. The makerspace was getting late notices on unpaid bills, basic maintenance of the space wasn't getting done, materials weren't being restocked as they ran out, and the record keeping was nonexistent. It got so bad that the previous president who had stepped down because he couldn't handle the time commitment anymore (who had run the makerspace from its inception) quit as a member altogether because he was so saddened and disgusted by how bad things had gotten. He'd put his blood, sweat, and tears into this place, and stepped down from a role he treasured because he believed it was in the best interest of the organization, and now he had to watch Jamie run this place he loved into the ground out of sheer laziness. Craig was also losing his excitement over the makerspace, because he no longer had the space or resources to do the things he enjoyed there.

Beth, at this point, had gone from furiously angry to strategically angry. Suspecting that Jamie was being shady in more ways than one, she spent a few days being friendly to Jamie and sucking up to him, and then sprung on him the offer to help with the organization's bookkeeping and records. Still not realizing that she was Craig's wife, but knowing that she worked as a project manager in her day job, Jamie saw a chance to get some skilled work done at zero effort to himself, and he happily agreed, and gave her access to the makerspace's Google Sheets (not the most high-tech operation). For a little while, Beth bided her time, bringing the financial accounts up to date and continuing to be diabolically friendly to Jamie.

After a while of this, she calmly pulled together six copies of documents comparing the official organizational income that Jamie was reporting to her with the actual income, which Jamie was completely unaware she was tracking. These documents proved that Jamie was not only skimming money off the top of class and workshop fees, but was actively stealing money from the grants the makerspace was receiving, which is highly illegal. Beth gave the six board members her impeccably compiled proof of what was happening.

Almost immediately, the board "fired" Jamie and issued a lifetime ban from the makerspace. They were afraid of losing their grants if news came out about the gross misappropriation, so they didn't report Jamie to the authorities, but instead gave him 48 hours to return the stolen funds, the implication being that they would report him if he didn't. He panicked and complied, selling his car quickly to do it and scrounging up the difference in a ton of quick loans from friends, many of whom were makerspace members not aware of what was going on (no, he never paid them back). He's now persona non grata with all of his former friends, and while he still has a clean criminal record, word traveled pretty far in the local artist community, which means he was black listed from most of the industrial design jobs in the area and couldn't use his degree if he wanted to stay in town. As far as Beth and Craig knew, he moved away about six months after all this went down, but they haven't kept up with him, and don't know where he is.

The makerspace board realized their setup was bad, so instead of a single president, they restructured to have a panel of volunteer officers running the operation. Craig is one of them, and has happily thrown himself back into wood working and metal casting. Beth still helps out with the books.

TL;DR: Power hungry industrial designer tries to sabotage my brother-in-law's hobby; gets his life destroyed by my protective sister, who reveals that he's embezzling.

(source) (story by SisterSist)

#prorevenge #by SisterSist #pro revenge #revenge stories #pro revenge stories #pro #revenge #revenge story #last10

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alexiarexia-blog · 5 years

Text

04.13.2019

Please be aware that I will not be responding to any messages, asks, or replies at this time, or for the foreseeable future. Please respect our privacy and need to grieve. Thank you.

This is not an easy post. Our journey does not have a happy ending.

At 2:08PM on Saturday, April 13, 2019, our beautiful Camryn Rose made a very early debut into the world. She died in my arms at 2:13PM without ever taking a single breath.

Camryn Rose was born a full 21 weeks early. They don’t even call it a live birth at that point. Even though her heart was still beating until they cut the cord, it’s considered a second trimester miscarriage.

Regardless of what they call it, I call it heartbreak. I call it impossible.

I call it agony.

Camryn Rose. She was a girl. I don’t think I had even publicly announced that yet on Tumblr. Only a select few knew that detail. Only a select few knew I was experiencing complications. To those few, I am eternally grateful for your positivity and being there when I needed you. Especially @randomgirlusername. You were definitely my virtual rock when I needed to be completely honest with where my head was as we were playing that torturous waiting game, and in the weeks since.

To others, I need to tell my story. I know I don’t owe it to anyone, and I have a right to keep it private, but writing it out has been cathartic, and I want you all who have been so supportive and encouraging to know.

So, here’s my story.

WARNING: This story contains frank, graphic descriptions of a second trimester miscarriage. I can’t sugarcoat any of the details. If you’re at all squeamish, this may be hard for you to read. Proceed at your own risk.

On Thursday (April 11), I stayed home from work because I was feeling a bit off. But I’d been having trouble sleeping because of my asthma and allergies (both made worse by the pregnancy), so I figured I just needed a day or two to rest and catch up on my sleep. The morning was pretty smooth, just some mild discomfort that wasn’t usual for me. Mostly lower back pain that I typically attribute to the weight of my chest. I’ve felt that pain since my teenage years, so it wasn’t unusual.

Claire was still home. She’d cancelled her late morning office hours, but was still planning on heading to work for her two afternoon classes. We’d planned on ordering Chinese food for lunch and watching Lost Girl on Netflix.

Around noon, I began feeling a bit worse. My lower back pain had morphed into what felt very similar to bad period cramps. When I went to pee, there was spotting. Spotting during pregnancy isn’t unusual, but combined with the lower abdominal cramps that were continuing to worsen, we made the decision to call my OB and see about getting a same-day appointment to get everything checked out. The receptionist told us to hold for a moment, then she was back on the line in two minutes and told us to go straight to the emergency room as quick as we could. Claire drove like a mad woman and got us there in under fifteen minutes.

I was admitted fairly quickly and they did a pelvic exam where it was discovered that my cervix was extremely short. An incompetent cervix is the technical term. A normal cervix length at 17.5 weeks is about 3.5cm, but it can vary for each pregnancy. Anything less than 2.2cm is considered in the danger zone. My cervix was 1.1cm upon admittance. Essentially, my body was preparing for labor. I was only 17 weeks and 4 days. The earliest viability for a fetus is 22 weeks, and survival rates at that point are still incredibly low. There was zero chance she’d make it if they didn’t stop it.

I was given IV medication to try and stop active labor, but it didn’t work and by the following morning, my cervix was 0.8cm long. The next step was a cervical cerclage, which is a procedure where they literally sew your cervix shut with a thick suture. It sounds painful because it is. I was given an epidural to numb me, but when that wore off, I was in so much pain that I passed out from it a few times. I could only receive so much pain medication to help because of the baby. But it was worth it, all the pain and agony was worth it, to save our baby.

But it didn’t work. I developed a pretty nasty infection quickly (expected with this procedure) and it was being resistant to antibiotics. And then, at just past noon on April 13, 2019, my body gave up and my water broke. The force of it ripped the stitch from my cervix, and it felt like a red hot poker was being pushed out of my vagina. I’ve never felt anything more painful in my entire life. Physically, at least. What happened next was easily the single most painful experience, physical or emotional, I’ve ever had to endure.

There was nothing more to do to stop my body from labor. They gave me another epidural to numb me, then they delivered sweet little Camryn Rose. She was so tiny; I didn’t even have to push. She was already crowning. She weighed just over 6.5 ounces and was only 5.4 inches long. I held her as I cried. As Claire cried with me.

In all the years I’ve known Claire, I’ve only seen her cry from sadness two other times. Once was when her mother died last summer, the other when the grad student she was mentoring died in a horrific car accident several years ago. It seems death is the common denominator here. Claire is a solitary crier. I know she’s had more moments than I’ve been privy to than just what I’ve seen. It’s not that she doesn’t want me to see her break down. Or, well, that’s exactly what it is, actually. She’s stoic and a protector. She feels the need to be my rock, so she has to always be strong.

But she was crying freely as she held me the entire time, uncaring that all the medical personnel could see her. That my mom could see her. (My mother had flown out as soon as I’d been admitted to the hospital the day before.) She didn’t care, and for that I am grateful. I needed her to be vulnerable in that moment, just as she needed herself to be vulnerable.

My heart hurts for the loss of our baby, but it hurts even more for the pain it causes my incredible wife. She’s been through so much and I just don’t understand how she can keep going after all of it. But she does, and for that I am so utterly grateful and in complete awe.

Camryn Rose. We decided on the name as I held her. “We should pick a name.” Claire spoke those words as she brushed a finger across our daughter’s paper-thin cheek. We’d discussed a few names, but Camryn really stuck out in that moment. She felt like a Camryn. And Rose in honor of Mama Rocío, Claire’s mother’s, memory.

After we said our goodbyes, I had to be taken to the OR for a cervical repair. It’s as nasty as it sounds. They stitched my cervix back into place, but only after they had to perform a D&C (where they remove the placenta). I was thankfully still numb from the epidural, but after that wore off, it was more pain.

The physical pain, as bad as it was, was nothing compared to the emotional pain I felt. The emotional pain I still feel, and will for a long, long time.

I can’t become pregnant again. There was too much damage to my cervix. I’d never be able to carry a baby to term, no matter how much precaution was taken. That’s something I have to make peace with, but that’s also going to take a long, long time.

The mental trauma of this miscarriage has left me raw and sensitive. The smallest thing can set me off into a sobbing mess. The thing that gets me most right now? Mirrors. Yes, mirrors. Or photographs of myself. Because, even 3+ weeks later, I still look pregnant. The body doesn’t magically morph back to its pre-pregnancy state after miscarriage. I still have the rounded belly (not quite as much now, but still there) and puffy cheeks. That will take a while to go away. So for now, mirrors/pictures of myself are the sworn enemy.

Claire is incredible. She’s grieving as much as I am, yet she’s been my rock this entire time. Her and my mother. And my dog. Sasha the GSD has not left my side since I returned home from the hospital. Dogs are incredible, and we don’t deserve them.

Therapy has been a godsend. I’m nowhere near okay or ‘back to normal,’ but I can function day-to-day, and that’s a huge improvement for me compared to two weeks ago. It seems like it’s been so much longer than just over two weeks. It seems like it’s been a lifetime. Getting through the next days, weeks, months, years… seems impossible at times.

My saving grace is my support system. In particular, five people. Claire, my mom, Sarah, my therapist, and @randomgirlusername (seriously, y’all, if you didn’t know how incredible she is, take my word for it--she’s been a literal life-saver and I cannot thank her enough). I have my bad days and I have my good days. All days are emotionally trying, but some are less painful than others. Those good days are all because of this support system that I have.

And on the bad days, my support system knows exactly how to help me cope. And for them, I’m eternally grateful. I don’t know where I’d be, mentally, without them.

I’m okay. Or, I will be, at least. Even though this is the most difficult thing I’ve ever gone through, I have the support system to get through it. And because of that, I know I’ll be okay. I know there will be hard days and not-so-hard days. I know it won’t be all rainbows and sunshine, but it also won’t be all stormy weather. I remind myself in those bad times that it won’t remain like this. I will feel joy and happiness again.

It will just take time to heal, physically and emotionally.

#personal #update #Camryn Rose #tw: miscarriage

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terramythos · 5 years

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Now that I am finally through the 12 book odyssey that was catching up/rereading the October Daye series here's a post of my general thoughts. (ADVANCED spoilers. Like I don’t hold anything back, lol).

A. Just for fun, my favorite books tended to be the ones where shit (especially Lore Shit) went down in a Really Big Way. My top 5 for that...

1. The Winter Long (#8). I don’t think you can beat this one in sheer fuckery. Two MAJOR twists that basically change everything up to this point in the series, and they’re both dropped pretty casually. One, Simon Torquill is maybe not as evil as previously thought? and is also Toby’s step-dad? Whoops? And number two-- fucking EVENING, the fucking throwaway character killed in book one-- isn’t even dead AND she’s a fucking Firstborn and also a total piece of shit. God. It was a ride re-reading book one because there are so many hints (my favorite line: “no one knew her true face” YEAH OCTOBER, YOU SURE AREN’T WRONG). I pointed it out but even the Shakespeare quotes of books 1 and 8 foreshadow this shit. That in particular was 999-level fuckery.

2. The Brightest Fell (#11). I was not expecting this book to gut punch me so hard. Like, everything goes to shit, obviously, and the consequences of that stretch well into the next book. But then to give Simon a genuine redemption arc, to invest in that so emotionally, and somehow find a way to end it in a WORSE way than him just dying? That stuck with me. I was so fucking upset I just couldn’t do anything of value for like a day. So that’s how you know it’s good I guess! :D

3. An Artificial Night (#3). God what do you even say about this one. It’s where shit really starts getting real for the whole series. It’s creepy and more fantastical than the first few books and you learn more about The Firstborn and what they’re capable of. There’s a lot that’s just viscerally traumatic too. Literal children being twisted into horrific monsters. And if I’m right, I think the whole series is going to loop back to this one in a big way. There are so many... mentions and (dare I say) hints dropping even now about Blind Michael.

4. One Salt Sea (#5). I mean, a lot of stuff happens in this one that ultimately ties into book 12, but a really major character gets killed off, Rayseline is taken out of commission, the Undersea gets introduced, and you learn what the hell is up with the Selkies. I really truly believe the epilogue chapter of this one is some of the best writing in the series, it’s so well put together and has such great beats. Idk like it was a tossup between this one and Ashes of Honor (#7), but while the latter had some of my favorite bits I think this one had a lot more.

5. Night and Silence (#12). Maybe it’s cause it’s the most recent one and the most fresh in my mind, but DAMN. Kinda like The Winter Long this one had two big twists, and while they weren’t as major they really defined the book. The whole Janet thing I really and truly did not see coming and has some BIG implications for everything we know. Amandine’s a changeling! What the fuck! Gillian being very decisively rewritten into the series (and turned into a Selkie) was ALSO not something I saw coming in any way, shape, or form. This one really fired me up wondering where things are going next.

B. I mentioned it but GOD the Simon thing made me so viscerally upset! I don’t think I’ve run into a series that approached a redemption arc that way. You take a character who’s pretty much evil, then start making it way more gray. Was he a bad guy? Yeah... but he had a reasonable motive. Is he still a bad guy? Yeah kinda, but he seems to genuinely want to change, and actually assists the heroes without ulterior motive. OK, so then he comes back a few books later as the deuteragonist and gets a whole lot of character development, and he starts to improve. You even get a concrete indicator that the horrible shit that corrupted him is going away. And then, when he ultimately reaches his goals? He’s forced to give it all away, to turn back into the monster he’d been, in order to do the right thing. Fucking unreal. I’m fully aware this is to make the whole “finding Oberon” stakes more personal but it hurt, man!

C. My vampire crack theory is pretty much dead, so rest in peace, that.

D. OK so what is with the month names? Seriously. You can explain it away a little bit with the whole “fae like to honor people but don’t like to reuse names” shit but there’s absolutely no way it’s that simple. They’re all female characters who are related, however slightly, to the Torquills. I made that observation pre-book 8, but dismissed it because Toby wasn’t technically related to them. ONLY AS OF BOOK 8 SHE IS, SO CHECKMATE. THERE’S SOMETHING HAPPENING, DAMN IT. Anyway I like making lists, so...

1. January -- January O’Leary, She’s September’s daughter, and she gets killed off in book 2. This might be enough for me to dismiss the month name thing except the epilogue of 11 brings her Back to Fucking Life, so honestly all bets are off imo, she was absolutely brought back for a reason.

2. February -- no one.. yet.

3. March -- no one.. yet.

4. April -- April O’Leary, January’s adopted daughter. She’s a cyber-Dryad and we see her perspective briefly when January gets resurrected. I’m not sure what else to say about her in relation to this?

5. May -- May Daye, October’s blood clone (basically). I mean, her whole existence is pretty weird. You could make the argument her name is just a coincidence (she was once a night haunt named Mai), but there’s absolutely no way I’m buying that.

6. June -- no one.. yet.

7. July -- Gillian Marks-Daye. October’s daughter. I mean. I was going to say “no one”, but she just got decisively re-written into the series. “Gillian” is the feminine form of “Julius”. I’m pretty sure she’s supposed to be the dark-horse contender for this slot. No way that’s a coincidence.

8. August -- August...Torquill? She’s Simon’s biological daughter and Toby’s half-sister, so.... She was ALSO introduced pretty late, unlike most of these entries, so I am still convinced this is A Thing.

9. September -- September Torquill. She’s Simon and Sylvester’s sister. Also like, decisively dead I think. She hasn’t shown up in the main series (only mentioned), but I think she shows up more in the short stories? I don’t know enough about her to say much.

10. October -- October “Toby” Daye. Like. That’s the name of the series. She’s the main protagonist, dawg. She’s Simon’s step-daughter. What more do you want from me.

11. November -- no one.. yet.

12. December -- no one.. yet.

E. So where is the series going? Obviously next book is about The Luidaeg finally calling in the Selkies’ blood debt or whatever, which we knew was coming for a long time. But #12 just made that way more personal with the whole Gillian thing. I have no idea what’s going to happen with that. Beyond that? There are some loose ends here and there, but the big thing is Oberon coming back. That’s pretty much a given. If I’m right, I think the consequences of Book 3 are going to start showing soon, but idk if it will be in relation to that or not. I’m sure she can come up with way more to put into the series (maybe a book around Toby and Tybalt getting married? SOMETHING THAT EXPLAINS THE MONTH NAMES???), but that’s all that’s really evident to me.

F. So, the characters. They’re probably my favorite bit of the series. The Luidaeg and Tybalt are undoubtedly my faves, but I’ve really enjoyed seeing how Toby, Quentin, and May have grown over the course of the series. I know I mentioned this previously, but I really like how the series’ initial allies end up... not being allies, so much-- whether by getting killed off or severely disappointing Toby. Sylvester, Evening, Luna, Lily, and Connor all pretty much disappear or greatly alter their role in the story.

Yet the main cast, the “found family” the series focuses on? Pretty much none of them started out even liking each other that much. Quentin is a snotty noble kid, Tybalt is straight up an antagonist who HATES Toby, The Luidaeg is just plain terrifying, and May is some bizarre doppleganger that (seems to) randomly show up. Yet over time they’ve forged into such a strong and really likeable crew. Idk, it really gives me the feeling that it’s not just FOUND family, but EARNED family, and I really like that.

G. While we’re discussing characters, I want to talk about The Luidaeg in particular.

I think she’s probably one of my favorite characters of all time. That’s a high bar but she is just so damn INTERESTING. Morally gray for sure, but not in a traditional way.

Like, she clearly has her own agenda. She’s probably the oldest character in the series, and she’s fucking terrifying. People use her name to warn their kids at night. We see samples of her powers and the things she knows, and she’s basically a walking eldritch horror. A great deal of the series is her calling in and collecting debts from the main characters so she can use them for one purpose or another. She’s the fucking sea witch. Right?

Except... the series humanizes her so much. She is clearly kind and compassionate and does her best to hide it. While she initially intimidates the main characters, Toby gradually realizes she’s lonely and seems to enjoy their company. Every single bit of her backstory you get adds more context to her behavior. She’s protective of children because hers were slaughtered like animals. She speaks in riddles because there are so many things she’s forbidden to say. She asks for terrible prices because she HAS to help anyone who will ask her to, and there are certain things she doesn’t want to do (and often, it’s because said things would harm others). This is also why she’s so standoffish and avoidant of others-- because they take advantage of her. Despite all the horrible shit that’s happened to her, she still does her best to be kind and do the right thing. And her ultimate goal, I feel, must be a good one. That’s the only thing that makes sense to me.

There’s more. A lot of what she does is clearly calculated to achieve a particular result. She mostly shows kindness to certain members of the main cast (Toby and Quentin in particular) and very few others. It’s always interesting to see how she interacts with other characters, because it closely mirrors her initial behavior. Yet even then you see little things, like how she took in Poppy as an apprentice. One of the few times you get her perspective, it’s when she realizes Amandine is abusing and literally killing child!October, and you see how horrified she is, enough that she steps in and puts a stop to it. Does she have a use for Toby down the line? Yeah, obviously, but it doesn’t mean she didn’t do the right thing for the right reasons. I suppose it’s possible she’s just manipulating everyone, but the stories like that and her blood memories make me feel otherwise. Also, the amount of human profanity she uses is pretty funny, since so few characters use it.

Honestly this may seem like an odd comparison but she reminds me of Akane from Zero Escape. She’s playing the long con, and a lot of what she does seems strange and mysterious until you get more context. And she clearly has some ultimate goal she’s working toward (probably something to do with finding Oberon), but we won’t really know what that means until it happens. It’s probably going to be an emotional rollercoaster.

There’s more to her than that, but I find it hard to articulate. I just really like her! Pretty much every scene she shows up in is interesting, because she has intriguing lore, dialogue, or insights. She’s almost certainly a big focus in the next book and I don’t know if that means I’ll love her or hate her at the end, lol.

H. Much shorter note, but Toby/Tybalt? How DARE you make me care about a M/F ship THIS MUCH. They’re just so good. The ultimate slow burn Enemies to Grudging Allies to Friends to Lovers. It’s such a ride and a treat to read. Their early interactions are fucking hilarious on a reread. And I find myself caring so much about what happens to them.

I. I think this is my last point, but I REALLY appreciated the LGBT rep in the series. There’s obvious stuff like “all the fae are bi unless stated otherwise”, but there’s a really good amount of overt rep. May’s a lesbian, Madden’s gay, Quentin’s bi, and no one bats an eye. It’s AWESOME. Also, making Walther (a certified badass and cool character) a trans man was just wonderful. The fact that he goes on right after the reveal to do one of the biggest Lore things (curing motherfucking elf-shot) is the best. I really like Walther and we need more characters like him.

I’m probably missing SOMETHING, but idk. These were my main thoughts on the series as a whole. I’m interested to see where things go.

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