Do you think Raph sometimes curled in a spiky ball around the baby?
Also I have some thoughts™ about this so the process of curling in a said ball is under the cut.
And in the tags
Yep I got dramatic in the tags don't mind me
@somerandomdudelmao look what you're doing to people /aff
The healthy thing to do is to forcefully replace your frustration with righteous anger. Always works.
It's extremely messy and I'm so not sorry about this I have never drawn anything faster. Ever.
Thank you for your amazing series, Cass <3
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
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I accidentally made a bowl you can't set down looollllll....
I love it but my mind boggles at how it even exists
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One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?
Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.
Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.
From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.
From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.
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Just saw someone on Twitter complain about the lack of Japanese people in Oppenheimer, and what did you expect??? Did you want the final act to be the bomb dropping and see people burning alive???
The reason why we don't see a Japanese perspective is because one, including a Japanese perspective, just to see how bad the suffering was would be exploitation. Two, to see an accurate and sensitive take on how the japanese felt about Oppenheimer, Christopher Nolan (as incredible as he is) isn't the right person to do this. And three, it's based on Oppenheimer's biography
Oppenheimer, the movie, literally shows you people (mostly the superiors, because by the middle/end of it you see Oppenheimer regretting his creation) doing something dubious and inhumane because they removed themselves away, both emotionally and physically, from the people they are hurting.
Nagasaki and Hiroshima only exist in those men's distant thoughts and imaginations. One guy literally asks to take a city off the bombing because that's where he had his honeymoon. It's disturbing and unsettling, as if those people were not real human beings. The lack of Japanese people drives the entire point home.
Also, Japanese cinema is right there. Barefoot Gen, Grave of the Fireflies, or Hiroshima (responsible for showing to many Americans the effects of the bombs for the first time) are just a few of the many, many decades of post-war Japanese movies we have
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okay i don't know how wild of a take this is, but hear me out.
cassandra is not the god. kristen is.
now, in terms of game mechanics, that's not true. cassandra is very clearly a god, and kristen is her cleric and follower. kristen gets her powers from cassandra, cassandra gets worship from kristen (and presumably other people who kristen is recruiting).
but that's not how their relationship works.
gods also get power from their followers, you know? they get power from the worship they receive. except kristen isn't really doing a lot of worshipping right now. but you know who is? cassandra. she is begging, praying, for kristen to talk to her, to take time out of her day and all her responsibilities, to listen to the person that has put their faith in her. as much as kristen has faith in cassandra (even if she isn't actively recognizing it), cassandra has faith in kristen.
You don't have to be sorry. Hey, not too many people believe in me, but I believe in you. You brought me back, and I know you've been having a hard time, but when you're in the dark, I'm there holding your hand, okay?
in the last couple episodes, we've seen a lot about how kristen (and maybe craig) are the only ones keeping cassandra from oblivion. normally, it would be well within a god's power to strike down, to smite, anyone they wished, including one of their own followers. but if cassandra hurts kristen, she dies. meanwhile, kristen holds a very god-like power in her hands. she's already killed one god by rescinding her worship. she could very easily kill cassandra.
I see what you're saying. Yes, we are holding you from oblivion, and we're just kinda not doing a very good job right now. That's what you're kinda trying to tell me.
gods are busy. they try to listen to prayers, but they're so very busy and important. all cassandra has right now is kristen. that is her sole focus (aside from maybe not dying). kristen is busy. she ignores cassandra. cassandra texts kristen's friends to try and get kristen to talk to her. in that first episode or two, cassandra is desperate to be heard, to have a conversation, and kristen, who holds all the power, keeps shutting her down.
20 texts in a row saying, "Is Kristen mad at me?" From a goddess.
it isn't that kristen doesn't care. of course she does. gods always care. but her domain is mystery and doubt. she doesn't have all the answers. she isn't omnipotent. she is a teenager who has been thrust from clericdom to sainthood to godhood and she doesn't even know it.
kristen isn't the one bleeding red light. cassandra is.
if you're a cleric, and you let your god die, that's a failure. if you're a god and you let your cleric die, what is that?
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The Preferable Alternative - Part 8
Start - previous - next
: )
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Prompt 234
More of the Tiamat Au? More of the Tiamat Au!
Sharing a body was strange. Ten limbs split between the nine of them- thirteen if one counted the tails and seventeen if one counted the fact that their cloak… skirt… whatever could mimic the wings of their other form.
One which they would change back to after a few moments- there was much less stumbling when it was all fours. Not to mention that if not for the tails they’d have easily toppled over with how many arms they had making them slightly top heavy. Okay more than slightly, it was taking a bit to adjust.
Honestly the fields of wheat and other crops did nothing to hide them with how tall even this body was, but it was still better than nothing, and they were using the fact it was the middle of nowhere to their shared advantage.
At least the humanoid- not human, even now their shared power thrummed through the air, leaking from them- form was smaller than their true draconic one. Well, perhaps they shouldn’t call it their true form, when they were once all human, halfa and liminal alike, but they’d long since stopped being such. So perhaps it was in fact true to call the form they had become as their normal state now.
Actually, could they even separate now? Or had their power melded together so much that it was impossible now, and an attempt would end them? It would at the very least crack their core-
“What the fuck.”
Their head lurched, a little too far if the jolt of pain was anything before it melted away. They were all too used to moving their own necks separately. But all of them agreed that discovery could not happen-
Oh.
It was a child. A preteen with red-orange hair, blue-green eyes, expensive clothing, and most damming of all, large swaths of bruising across his arms. Bruising that did not come from usual play, and looked far too much like hand prints for any of their comfort.
Someone had very much not been taking care of this child. And that really made them quite angry.
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jade did everything she could to keep her daughter away from a world that took so much from her. the flattening of her character into a selfish evil war criminal who’d sacrifice her own daughter to save herself is racist character assassination and I’m SO OVER IT
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i have been cooking an over-complicated roleswap au for. a VERY long time
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idk if this is an unpopular opinion but i’ve read a few fics where cas says the angels fought in hell for forty years to raise dean and i just dont think that’s true. michael wanted the apocalypse to happen. cas says in on the head of a pin “When we discovered Lilith's plan for you, we laid siege to hell and we fought our way to get to you before you—” why would michael send the angels to hell to stop the righteous man from breaking the first seal if that’s what he wanted to happen? i think he waited until he knew it was too late and then he sent the angels to hell to raise his sword.
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I want to talk about this page in particular because the implications here are so riveting.
Lavi is currently 19. Allen is believed to be 16.
Which means that either
The Bookmen are lying
Bookman Jr. did die then and Allen either didn't age the first few years or his age got fucked up multiple times before he met Mana
The first seems highly improbable at this point tbh. If the Bookmen were planning to make Allen take the poison to make him remember his past then lying about when Past!Junior (presumably) died seems counterintuitive and would only make Allen mistrust them more once he was in full possession of his memories.
It doesn't seem like Allen de-aged to an infant. He says his earliest memories are from when he was in the circus. Even if he did age back to an infant, he would've needed caretakers and nothing in the story suggests he had any.
(Note how little Allen doesn't have his Innocence in the last panel. What the fuck does this mean Hoshino.)
Allen looks perhaps 4-5 in both of these panels. If Past!Junior died over 19 years ago and Allen aged linearly since then, then he would have to be 23+ by now. Even considering the possibility that he aged back to an infant, he he should be 19+ by now and he looks barely over 17.
We can assume that he must've aged in a somewhat even fashion once he joined the circus because otherwise the performers would've commented on it at some point of time.
What happened in the years between Junior dying and little Allen getting into the circus? Was he in a child's body till he acquired his Innocence? How did he even acquire his Innocence in the first place?
There's also a final possibility that came to me while I was writing this post— Lavi was born while Past!Junior was still alive. He was born with the 'mark' because Past!Junior was no longer fit to be a Junior. I genuinely have no idea how Hoshino will explain this. Will it be some sort of corruption? Memory loss? Chronic illness?
All of them seem equally unlikely options at this point. But so did the possibility of Allen and Bookman Jr. being different people before this chapter :)
Either ways, this was a very intriguing chapter and I'm looking forward to whatever Hoshino has in store for us.
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also, because i'm still thinking about the disco elysium kids:
i think the difference in how people react to cuno vs cunoesse is really so indicative of peoples' reactions in general to trauma survivors. they're both kids who scream at you and call you slurs, but cuno will open up to you a little if you talk to him the right way and pass the right checks and give him time. and you can go to cuno's apartment and find out exactly what's caused him to act that way; you can see his dad and hear about how his dad acts and go "well, his behavior is still shitty, but he's 12 and i know why he acts that way, so it's fine", and then harry can take him back to jamrock with him and presumably into a life that's at least slightly better than his life in martinaise.
but i've seen (mostly outside of tumblr) a lot of people who play the game absolutely hate cunoesse, and i think it's because you don't get such an easy explanation for why she acts how she does? she screams and calls you slurs, too, but she won't let you get close to her. she freaks out if you even walk near her and accuses you of trying to hurt her. you don't get to find her house or her parents or an easy explanation, and she's not about to give you any potential ammo to hurt her further with by explaining what's happened to her. and it's pretty clear if you look for it — a 10 year old isn't just gonna accuse any adult who walks near her of attempted assault unless some real bad shit has happened to them — but because she isn't able to be can-opened by harry, isn't willing to calm down and talk to you, isn't able to let her guard down to give the audience insight into her mind, she's immediately seen as less sympathetic. people empathize more with those who respond to trauma with sadness than with anger, even when both of the subjects are little kids, and i think it's fucked up that just because she's angry cunoesse gets less sympathy from the audience than cuno does!!
(also not to mention like. the additional axes of gender, and of her being from outside of revachol, and of the different types of abuse at play for each of them. because i'm sure that all also plays a part in the differing reactions in-universe and on an audience level!)
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I realized the other day that a big reason you feel the desire to grow up quicker as a child is because you want to be treated like an actual person with thoughts, feelings, and bodily autonomy like adults get to.
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