whitestorm is a great character, he could never do anything wrong! *Side glancing at multiple aus were he Does Something Wrong*
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In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:
There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.
Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.
Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?
From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.
Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?
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stoking the flames that burn higher and higher, royalty with a crown of fire
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[image description: devnotes for Korrilla's line of dialogue: "As things stand, she [Hope]'s his favorite toy. We're all mad here, but Hope in hell! Why, that's the definition of insanity." The devnote says "Complicated feelings. Both jealous of Raphael's attention and sad because she knows her sister doesn't want it."]
[Korrilla saying, in a conversation where you can ask about the diabolist, "I hope things turn out well for you, I really do. Cheers." The note says "sadly - she knows (but we don't) that things won't turn out well at all."]
[Korrilla saying, "This current crisis has him so busy he's barely been home since he met you." The note says "proud of her boss." ]
[Korrilla saying "I'm not for sale. My time's not for sale. My affection's not for sale. I'm here on other business." The note says, "hasn't look up from her mug yet - is muttering darkly, she's clearly said this to a lot of people who've assumed she's a prostitute. (She's standing at the bar of a brothel.)]
[Korrilla saying, in response to Tav saying they'll stop the brain without Raphael's help, "I doubt it, but even if you do, you won't survive the fight." The note says "with a hint of sadness."]
[Korrilla saying "The boss might be a devil, but he'll treat you more honestly than anyone else in the city." The note says "she genuinely believes this."]
[In response to the player character asking whether she likes working for Raphael, Korrilla responds "More than anything. My old dwarven master used to beat me and feed me scraps -- Raphael treats me right and feeds me well. Better to feast in the Hells than go begging in the Heavens."]
Korrilla's devnotes casually murdering me.
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[Nicole Tompkins reading Elena/Daniela Dimitrescu lines as Jill] "Hey, kiss me?"
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Vasco and Machete are absolutely adorable, your style is so lovely and you draw the softest beds I’ve ever seen in any art ever
.
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Everytime i think i've seen everything in this fandom... wdym the man who exterminated Houses Tarbeck and Reyne down to the last child, who ordered an innocent 14-year-old to be gang-raped by an entire garrison before ordering his own son to rape her last, who emotionally abused said son down to his last moment on Earth for the crime of being born disabled, who ordered the sacking of an entire city and commanded every atrocity in the Riverlands all for his own personal and politican gain, wasn't evil? Tywin Lannister ruined the life of hundreds, if not thousands of people, including his own children, and the narrative is quite explicit in portraying him as the source of his own destruction. Tywin Lannister is one of the most evil, cruel, petty and malicious man of ASOIAF, even if he didn't personally commit every act of violence himself; the fact that I see people still somehow making excuses for his behavior is ..????!?!?
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I think we should combine musicals with the genre of horror more often. Let’s be schlocky and self-indulgent and gay… together…
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the antithesis of hate
(This is not necessarily connected to the art,, I've just had this in my drafts for a while and. Well.)
Monsoon was scorched by the blaze of the star, fragile skin blackening, sparse blues burning away beneath the heat of it. Indigo, suddenly impulsive, wrapped his arms around it. The poor thing is so much larger now—it’s nearly impossible to wrap his arms all the way around its body.
“You need to live,” he says, finding something awfully wet in his voice beneath the star’s hissing fires. Monsoon rattles, a series of short chirps interspersed with sharp clicks. It sounded almost familiar to the coo of a pigeon. Because of either mimicry or familiarity, its arms wrap around him as well, reciprocating such a familiar touch in spite of the pain each movement brought. Claws settle against the fabric of his uniform, never piercing the thick material.
“You need to live,” Indigo forces out, heartbroken for a reason he could not possibly discern. A terrible sense of hopelessness pervaded his senses. Heat began to char his suit, vicious flame devouring all it touched. He fought back the heat in his eyes caused not by pain but rather something else.
Monsoon would sprint through a field filled with eyeless dogs if Indigo had been the one to say that it was safe. That was the problem with creatures so beautifully intelligent yet so loyal—loyalty could bring about suicide for the sake of another. Intelligence would grant it the ability to know that and do whatever it was anyway.
They’re running out of time. They’ve always been running out of time. Indigo’s just glad that they got to spend their short lives together. He squeezes Monsoon as tight as he can, wondering where his tiny, inquisitive little dove had gone. A Bracken grew so impossibly quickly that those days had begun and ended in a mere moment of time. But... what a truly wonderful moment it was.
Fire engulfs the star, shrieking a demand unto the universe itself. Monsoon keens in pain, wrapping itself around his body with what little it can move. Loyal to the point of suicide.
In an awfully short moment, wrapped in his oldest companion's arms, Indigo finally puts a name to that foreign emotion. Love.
Light sears his sclerae through the tinted visor. With a raspy, thin whistle, Monsoon frays beneath it and scatters away into ash that utterly blinds Indigo to the world beyond. Very suddenly, the searing pain does not mean anything. Nothing at all.
The star billows into existence as it finally implodes, roaring past them—the impossibly tiny things that they both were in the face of it.
The last thing that Indigo ever sees. The first thing that he dares to regret.
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I dont feel like doing the background. I refuse. Hes baking..... 🥹 hes baking and hes happy and hes ALIVE....
Version with bg sketch under the cut ✂️👇
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pretty please, my fellow progressives
Could we please all keep in mind that the concept of "The Jews In General, or A Specific Type Of Jew, Controls Education, Government, Media, and/or Banking", is a longstanding antisemitic trope?
And most of all, that it is false??
No, a marginalized group does not also control education, the government, the media, and/or banking?
No, Jews do not secretly control these things and just pretend to be marginalized? No, Jews have not secretly been accumulating power since the Holocaust, granted by too-generous gentiles, out of pity?
No, it isn't better if you just mean a specific subgroup or kind of Jews. It's still specifically Jews.
It's like when people who hate trans/queer people are fine with rich white cis gay men. So they think it's not bigoted to blame "people with blue hair and pronouns" for the downfall of society.
We all know this means, "I only see some of you as human like me. You have to speak and act a certain way to count. Everyone in your group has to pass a test to get into the Good group."
Doesn't work.
Sure, it gives them plausible deniability to the people who matter to them. But everyone else can see exactly how they feel.
We've all known for years that it's bad to think of a marginalized group as having some "good ones." Rein it the heck in, please.
Because YES, all of those examples are ones I've seen implied, or stated outright, over and over, within the progressive community. This month alone.
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Confession: When I first saw you mention "I'm in Love with the Villainess" I had no intention to watch it because I confused it with a similar premise I had read a few months earlier and been meh about (isekai butler loves the villainess he serves), so I was confused when I saw the other anon mention that it was a girl's love series.
Long story short: I watched the anime in one sitting and am now waiting for all the volumes of manga currently released to be delivered. It is a great series and I need more of it.
i haven't gotten around to reading the manga/light novel (does anyone know which came first?) just yet, but it's such a good show fr fr T-T i feel like you never really hear characters say the word 'lesbian' in anime, even if there are girls kissing on the reg, so it was very refreshing to have multiple characters who both are and call themselves queer. ray and claire's arc is just,,, scrumptious as well. a protag who's convinced herself that she can love endlessly with no expectation of reciprocation + a love interest who legitimately believes she's made herself impossible to love is just,,,, what a fucking show. delicious delicious show if nothing else watch a compilation of the mc's english voice actor doing the goddamn most.
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THIRTEEN HORROR FILMS THAT SCARED TF OUT OF ME
Grave Encounters
Alien (1979)
A Quiet Place
28 Days Later
Midsommar
Annihilation
Don't Breathe
Barbarian
Antlers
Train to Busan
Cube (1997)
Evil Dead
Mama
Feel free to list your own!
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yeah ok fuck it, if you know what post this is about you know what post this is about. I think doxxing senators is a very good and useful tactic but you should never ever never show pictures of their very young children n imply that firebombing them to death for the random circumstance of their birth would be a good thing. what is fucking wrong with you
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