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#for different reasons
getvalentined · 24 days
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I understand people giving Lucrecia the benefit of the doubt with regard to what she did to Vincent, just like I understand people not realizing how undeniably fucked up Gast was, but the important thing to keep in mind about these characters is that the majority of them are written as being in the throes of some pretty extreme cognitive dissonance.
It's not bad writing, it's that they're hypocrites. They reached a moral event horizon at some point, and they did what they felt they had to do when crossing it.
Gast abandoned a child because he wasn't what he wanted—even having raised Sephiroth up until that point and knowing that he was a pretty normal kid overall, as we can see from his behavior as a young teen in Ever Crisis, Gast still couldn't bear to continue to be responsible for a monster. He knew what Hojo was capable of, because he knew about what happened to Vincent, because it happened in his lab, and he left a literal child in his care anyway. Sephiroth's only crime was not being what Gast thought he was, and Gast damned him to a lifetime of torture under a "father" whose only goal was to use him to prove his own genius. Why? Because Gast had a goal, and the goal was what mattered, the ends justified any means he could devise. He was a man obsessed, driven to the verge of madness in his lust for the Promised Land. A religious zealot with the most powerful scientific team in the world at his disposal, ready to prove him right—and then he wasn't right, and the whole world fell apart underneath him. Ifalna gave him back that stability, because she was a real Ancient, and she gave him a new, better child to care for. A child that wasn't a monster, a child that was his, a child that might one day lead him to the Promised Land, if her mother didn't do so first. When Aerith was born, Gast got to be right again, and therefore all was right with the world. Sephiroth (like Genesis before him) may as well have never existed at all.
Lucrecia openly experimented on a man who loved her enough to die for her, going so far as to apparently use data from those experiments to improve her own academic standing, because she couldn't bear the guilt of being responsible for his death. It wasn't about whether it was the right thing to do, it wasn't about whether she loved him back, it wasn't even about her thesis at that point—she just couldn't continue to live having lost everything as a result of her own impatience, her own lack of regard for everyone around her. She killed her mentor through her own impatience, she gave up her son for experimentation, she didn't stop her husband from experimenting on her ex-lover, and she had nothing to show for it but crippling Jenova toxicosis and an equally crippling cowl of regret.
I could even go into Hojo here, how what he did to Sephiroth was a result of struggling to escape Gast's shadow, how what he did to Vincent was a result of him struggling to prove that he deserved his wife, how everything he did was born from the all-consuming need to do just one thing for which no one else could take credit. Hojo got the director position not because he earned it, but because Gast ran away. Hojo got Lucrecia not because he wooed her, but because he didn't have eyes like the unrequited first love that she killed. Hell, Project S only happened because Project G failed! Nothing Hojo has ever had that was worth anything was because of his work, only because the work of others failed. Why do you think he talks about "failures" the way he does? The failure of others is the only reason he's gotten so far, and he knows that any failure of his own will knock him right off that pedestal—and he's terrified.
None of these people are good people. I don't know that any of them ever were. But in their eyes, everything they did was justified, they took the right course of action, because they took the only course of action that their personal understanding of reality would allow them to take.
Were any of them actually right? Probably not. Certainly not, in some cases. But there's no going back on it now. The arrow has left the bow of the goddess, and there's no calling it back.
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andromeda3116 · 6 months
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ttpdjo · 3 months
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memo-blogs · 5 days
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THIRTEEN HORROR FILMS THAT SCARED TF OUT OF ME Grave Encounters
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Alien (1979)
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A Quiet Place
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28 Days Later
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Midsommar
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Annihilation
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Don't Breathe
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Barbarian
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Antlers
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Train to Busan
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Cube (1997)
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Evil Dead
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Mama
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Feel free to list your own!
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calypsolemon · 1 year
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puss 🤝 kitty
desperately lonely individuals who become absolutely terrified when presented with the opportunity to not be alone anymore
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sonicranger1 · 1 year
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Short follow up on my previous post rambling about Rocky and the theme of water that surrounds him (Click here to see said previous post)
So to further prove my mad ramblings I direct your attention to the page Dithyramb from all the way back in volume 1 who's contents newer fans (*cough*Like me*cough*) may be familiar with from the pilot, which is Rocky talking about the Mississippi River
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And we also have his bio art from the official website which has Rocky balancing on a moonshine barrel down a River, which I'd fairly guess is the Mississippi River (I know captain obvious here)
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So that makes 5 examples so far of Rocky and his relationship with water, now to mentally prepare myself of the "What If" scenario that he drowns 😀👍(I will never be prepared)
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3bony1vory · 4 months
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normalise drawing your ships as your other ships
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guardian-angle22 · 10 months
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911 lone star fashion -> every paul outfit
↳ 4.14
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I think Travis would rather deal with the media attention and paps than get back with his toxic ex
100%. Also from what I’ve seen it’s interesting because Kayla seems to be the opposite type of woman from Taylor, just in the sense of her vibe. Taylor is like… super gentle, warm, motivating with her loved ones. From those little glimpses into Travis and Kayla’s life it’s so interesting how cold she is? She constantly tells him he’s an idiot, is annoyed by him, and just holds a camera in his face without him knowing he’s being filmed
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queen-of-meows · 6 months
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Sylvie burying her head in the sand and believing the Loom exploding means everything is fine now is perfectly in character for her. In season 1, she was certain killing HWR would be the solution to all problems. Once again, Sylvie's main flaw is her childish optimism.
If the problem is out of sight, then there's no problem. She saw the Loom exploding, but it doesn't seem to have affected reality around her so it must mean this was not that bad, right ? And it's not like she doesn't care about what is not affecting her personally. She simply doesn't believe there's a problem at all and she thinks Loki is making things up. And since Loki himself is not very clear about what the problem is, she has no reason to believe him.
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typellblog · 6 months
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I'm having the real Koyomi experience with this series (feeling inferiority and jealousy whenever his sisters are mentioned)
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Vincent Price and Basil Rathbone - The Comedy of Terrors (1964)
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a-random-mooshroom · 9 months
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local tumblr user @sakien being horny or some shit(I got permission!)
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Bonus cutely
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tbh-entp · 7 months
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ENxP: *trips*
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hehosts · 2 months
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see now here am the problem — deng, ji, and goro all don’t like to share.
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jonny-b-meowborn · 1 year
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My bestie got me to play road 96 and I've been playing for a few hours now and ngl Jarod n John n the robbers got me giggling twirling my hair kicking my feet etc etc
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