The Fire This Time Festival 2024
This is an accessible version of the review posted on our instagram. To see the post go to @rndyounghowze.
NYC-4: What's Love Got To Do With It
Leelee Jackson wrote this piece for the millions of women who have had to constantly contend with the frailty of men who take up so much space in one’s life without giving one little scrap of it back. Jackson had all the women, most of the men, and all the rest of us eating out of the palm of her hand. We would encourage her to think of the forward momentum that she builds with the action of the play. It’s telling that our lead shows compassion to the man to tend to a wound that she gave him. Yet that moment pays off more when she leaves anyway. Anything keeping her from walking towards the door is delaying one of the best payoffs we’ve seen in a short play.
NYC-5: Mamas and Papas
We are big fans of stories of people having to create a family out of the ashes of disaster. Kamilah Bush is telling a gripping story about Charles who has to learn to be a father to Dottie a child he created when he was just a baby himself. She’s also telling the story of a Dottie who desperately needs stability after losing her mother who was her anchor. We felt that tension hanging over everything yet we were torn from the journey with moments that lagged (such as the father waiting for Billie Holiday to come over). We would encourage Bush to focus on distilling this amazing story into as few plot points as possible or expand them all into a full-length play. We connected enough with the characters and the premise that we will go in whichever direction that Bush decides to take us with the script.
NYC-6: It's Karen B****
This play is a wonderful illustration of how punchlines work. Many plays set up premises where the punchline seems like a subway car. You know that it’s coming eventually so you’re just sitting and waiting until it gets here so you can get to where you’re going. The best premises will take you on an unexpected and pleasant detour. Taylor A. Blackman’s detour was one that Dana the ex-honor student from a private PWI resonated with Niani immediately. What black “gifted” child hasn’t longed to “just” exist, to be mediocre, and NOT be placed on a pillar just to be knocked off the next time a Karen decides we are beneath her? We would beg Blackman to focus on pacing and refining the journey that the audience takes through the play when (or if) he decides to do a rewrite.
NYC-7: Ethel and Ethel
Joël René Scoville has an unfair advantage in that Ricky LOVES Ethel Mae Waters. We appreciated that Scoville gave us a script that lived in tenderness and caring. One of the things that was hard to understand was why they were holding themselves back. We are well aware of the realities of the time period but the play didn’t really talk about those nor did they seem as looming of a threat as they could have been. Case in point the calls from the gentleman caller did not feel like the looming threat to the relationship that Scoville intended them to be. The piece needed that ticking time bomb to make the gravity of their secret meetings hit home. That makes the payoff of the key to an apartment feel way more sweet and fulfilling. This piece is so good that we would love to see how far it could go with some more development.
NYC-8: Why Jamira Gotta Do All Da Werk?
Every time we feel the NYC cold chilling our bones Dana likes to recall one of their many escapades wearing next to nothing to avoid paying a coat check fee and playing mother hen to a gaggle of gal pals headed to one Hell’s Kitchen club or another. This play immediately rang a bell with them. Nia Akilah Robinson created two characters we understood immediately and acted like our handholds in the story. Jamira and Kiana were very real and endearing. Taking something as simple as hanging out in the club and adding emotional resonance to it is no easy feat. We’d love to see what Scoville does next.
NYC-9: The Mural
The greatest compliment that we can give Pappas-Williams is that there seems to be too much story going on to be contained in such a small package. Monique Pappas-Williams presents a piece with so many wonderful moments and images between Nia and Riz but we can tell she had way more story that she wanted to tell than what we saw. This will be the first time in RnD history that we will say (we think) we would love to see “Act Zero” as a longer version of this play. This is an interesting and dynamic story. We would love to see where it goes from here.
Nailah Carrie:
On top of New Work The Fire This Time Festival also featured the music of Nailah Carrie. Carrie started her music career doing an open mic at Frigid NYC. Opening for Fire This Time she regaled us with two pieces, one of them her original work called “Bad Girl”. This song immediately brought tears to Ricky’s eyes. We could feel the soul of her music as she set the mood. We hope to see her be even bolder and more powerful the next time we see her.
The Ensemble:
In our minds we see this cast as an ensemble. Even though each piece had different characters and extremely different parts that needed to be played this small handful of actors stepped up where they needed to be. Each one so seamlessly fit into each role that it was like a new person onstage every time.
Cezar Williams:
As the director, we can tell that Wlliams enjoys both character-driven drama and big visual statements. He’s not afraid of letting characters stand and talk while withstanding the tension that wants to pull them together or the sense of repulsion pushing them away. Then there are big character moments being highlighted with costumes, props, or huuuge rainbow banners on the walls. Williams brings practical guidance that perfectly matches artists debuting their new works for the first time. It’s one of those things that make Fire This Time Festival a perfect match for emerging writers.
In Closing:
We have attended several festivals before in-person and online and one of the things we like to talk about amongst each other is the festival's atmosphere. The minute we walked in the door of The Fire This Time Festival we noticed that the “fire” also could describe the warmth of the artists involved. Literary Manager AJ Mohammad is walking around, shaking hands, and scoops us up in a bear hug when he sees us. Director Cezar Williams is constantly greeting audience members as they enter to sit down. We can immediately tell that this is a place where long-time donors, fellow artists, and new audiences can gather and watch new works, sing out to the music, and cheer for our favorite characters. The Fire This Time Festival has been keeping these home fires burning for 15 years and with an atmosphere like this we hope that they’ll keep a blaze burning in winter for the next 50 years.
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Hi guys!
I’m gonna be tabling at Princeton Zine Fest this Saturday (March 16!), selling zines, stickers, and some of my original pieces. The festival will be from 12pm-5pm at Princeton Public Library, I hope you’ll come some hi and peruse some zines if you’re in the area ^__^ I’ve got eight zines for sale; two Dune-themed collections, a collection of my Noir Lesbian comics, two comics originally published by Level Ground Comics my sailor story “Lola”, my little fantasy story “The Rescue”, plus collections of my last few Hourly Comic Day comics, and inktober illustration sets.
Any leftovers will be in my shop later this month <3
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to the airport!!!!
GUTENBERGS TOMMOROW!!!!!!!!!!
today’s entertainment
that soundtrack has no right being this good
also have too much is not enough and self-confidence for actors (i really need to read that) in my bag
i was considering bringing uncle of the year but it’s a nice hardcover, and it’s signed, and it’s like my prized possession so i left it behind :(
and i’m going to new JERSEY cause i’m like visiting my grandparents or something 🙄 /j
i’m flying into ACY, and the airport is very evident of how no one wants to go to new jersey. The only airline that fly’s there is spirit, and there’s only like, 10ish gates. Mostly early morning flights. And it’s not like it’s some random small town airport or something, it’s atlantic city, which i think is pretty popular (as popular as a city in new jersey can be)
but ONE DAY UNTIL GUTENBERG!!!!!!!!!!
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February 11 at 11am join us on YouTube live as we announce our nominees for the fourth annual Young-Howze Theatre Awards!
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