MAAAARIIIIII
I need your help.
Ok so, How to write?
I told you that I write, right? Well actually I didn't write them properly. I wrote them in screenplay format.. Now I want to write them properly but I don't know how 😭😭 my mind is blank.. Even when I manage to think up on how to write, it's so shit.. I have so many ideas but I have no clue on how the heck am I supposes to put them out.. Do you have any advice? How do you usually write? Please help.
*casually implodes* alright. Okay. Excellent.
This just might be the best ask I’ve ever received. I’ve always wanted to teach others how to write, I’m really passionate about writing stuff, and I’m majoring in education in university rn, so I sure hope I can answer this well lmao
But, nevertheless, I finally have the opportunity:
✨ Mari’s Writing Crash Course that I may or may not have composed while tipsy: a short guide to novel formatting ✨
There’s only, truly, three factors that are the most noticeably important: Formatting, Dialogue and Writing Voice.
You said you’ve been writing in screenplay format? Immaculate. You’re already halfway there. If you know how to write ANYTHING (short stories, novels, screenplays) you already- hopefully- understand the basis of composing stories. Character arcs, plot lines, worldbuilding, etc. I’m not getting into ANY of that, bc your ask referred to formatting and formatting only. I gotcha luv.
The Step One: The Key to Novel Formatting
You’ve already written in screenplay format before. That’s great. You’re already, like, more than halfway there. I’ve tried screenplaying before, but I never got that far in. Not my best medium.
I’m assuming what you’ve worked on before looks like this (format wise, not content wise lmao)
Caps lock indication, space down, and dialogue.
Well here’s the neat thing: novel writing, while very different from screenplays, is much closer to screenplays with more detail:
Caps lock indication, italicized setup, space down, and dialogue.
OTHER THAN describing the camera angles, this has very similar content to a novel: describing portions (sometimes equal portions, usually not) of both dialogue and descriptions.
So! Remove the caps lock indication on who’s speaking, make that italicized setup into the flow of a paragraph, remove all the stuff on camera angles, and put that dialogue under quotation marks.
Now it looks like this:
OH WOW! IT LOOKS LIKE A NOVEL NOW!!
Don’t overthink it: you just take your same thoughts from your screenplay format, and then… transfer it. Piece of cake 🍰
The sub-category of Part One; Part One Extended I guess: Present or Past Tense
What tense do you want your novel to be written in? Present tense? Past tense?
I used to say, “ ALL books are written in past tense. Because as the reader, we’re looking into a story that has already been written. If a book is in present tense, that means the story is unfolding, that means the author is writing it while we’re reading it, and that’s impossible since we’re holding the copy of the book in our hands. NO books should be written in present tense 😡👎”
And then I opened up The Hunger Games and saw it was in present tense.
So it looks like I’m just wildly wrong about that.
I will say tho, most books are written in past tense. And that might, or might not, be more comfortable for the reader and writer. However, it is up you. Contrary to my former opinion, there is no right or wrong tense for your book to be in.
Here is a visual guide:
Once you pick one, though, stick with it. Jumping between past and present these, UNLESS it’s for any stylistic choice (character’s flashbacks, time travelling, etc.) will most likely be awkward to read.
The Step Two: The Importance of properly formatting dialogue
Quotation marks go THROUGHOUT a sentence.
“Why don’t you guys go look at my taco salad post” and “she said” is all ONE BIG SENTENCE.
“Why don’t you guys go look at my taco salad post.” She said. ❌
“Why don’t you guys go look at my taco salad post,” she said. ✅
Each dialogue before the end of the sentence completes with a comma instead of a period. Exclamation marks and question marks can be used in whatever dialogue format, since they’re tone indicators. There aren’t strict rules for tone indicators.
Commas and periods aren’t really tone indicators, so there’s a quick key on how to write that stuff:
Remember, if dialogue ends with a “she said” “she exclaimed” “she spoke” etc. etc. etc. it’ll be part of the same sentence. But, if dialogue ends with an action “she walked to the door” “she took a forkful of that taco salad” etc. etc. etc. it’ll be an entirely new sentence.
THIS is what it looks like:
Also, not every set of dialogue needs to have an end quote to it. This is what that looks like:
I mean, you could but brackets in dialogue. But I just want to warn you: I read a book like that, can’t recall the author’s name, and it distracted me greatly from the characters, plot, atmosphere, etc. I’d stay away from that.
The Step Three: The Writing Voice
So what is narrative voice, anyways?
This is essentially how you form your entire story. The tone, emotion, and descriptions of your story.
I know, I know, the idea that every single word you use reveals your writing style might sound daunting, but trust me, writing voice comes naturally. As long as you let it come naturally.
Essentially: people who know you really well, your closest friends and family, who recognize your quirks, your colloquialisms, and your speech patterns, will most likely recognize your writing style. Because it will sound like you.
And that’s all writing voice is. Your own style. Even this answer I typed out for your ask, it’s in my writing style. It’s in my voice. It’s a blend of eloquent words, long sentences, and a dash of humour here and there. My novel, albeit sounding obviously much different than me making a post on tumblr, also sounds like this. To an extent.
You write like how you speak, even if you’re writing from a specific character’s perspective.
An example is Rick Riordan’s writing sounds wildly different from Becky Chamber’s writing. Even though they’re both talented and hard working, excellent writers. Every book looks different Every book sounds different. Every book feels different.
So, how do you find your own writing style?
Of course, a published novel of yours will sound different than your personal diary. But, those differences aside, they both have your voice. So let yourself speak, let yourself write.
Your story is going directly from your brain, to your laptop screen, or pen and paper, or whatever. Let yourself get into it. Sometimes I read what I’m writing out loud. Sometimes I don’t. Do not overthink your writing voice, or try to force your novel to sound more formal, or more casual, or more poetic, or more or less descriptive, or more wordy. Just let it be.
The more you write, and the more drafts you create, you’ll find your writing voice without even needing to search around for it.
There is a website called, I Write Like This. You can copy and paste passages of your writing, a few hundred words at a time if you want, and it’ll analyze your flow of descriptions, dialogue, punctuation, and match it up with whatever famous author your voice sounds similar to.
I copy and pasted my entire second chapter, a few thousand words, and this is my badge:
My writing voice is similar to our beloved @neil-gaiman . Of course, our writing voice is not identical, as no two authors ever are, but the flow of the writing, the mood, the tone, the energy… it’s a little bit on the same page.
The bonus step four: write shit 💩
You said you write shit?
Good.
Write shit.
This is odd advice to give, I know. But when I say write shit, I mean as a start.
If you had sent an ask saying, “I’ve NEVER touched a pen, paper, or laptop in my life, I don’t know how to write!!” I’d be… daunted. Not an impossible task, but a daunting one. Just slightly harder to get into, slightly harder to give advice for.
I’d much rather you write like shit than not write at all. The hierarchy goes like this:
Good writing >>> shit writing >>> not writing at all.
I can’t remember where I heard this from, but to quote, “you can edit a poorly written page, but you can’t edit a blank page”.
So go, my lovely Sana. Be free. Write all the shit in the world. Fill up your pages. Get writers cramp. Get writers block. Recover from writers block. Make typos. Make messes. Write glorious, delicious, silly, stupid, and beautiful things. Your first draft is not supposed to be perfect. The time will come for pristine, polished, ready-to-be-published writing, and you do not need to rush into there. At all.
Write shit 💩 New-writing is the most necessary shit in this world.
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