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#mushroom girl too
flamingtouya · 9 months
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this is honestly such a cool quirk, i wish hori had utilised kuroiro more or given his power to a relevant character
he could've easily been in class A instead of sugar guy or tape guy or grape guy, not just bc his ability is way more interesting and diverse but also because he's generally fun and entertaining to watch
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his quirk allows him to move through the dark, merge into surfaces, control movable objects and even grab things to dive around the shadows with which is 1. sick and 2. pretty fucking funny since he's tossing aoyama around like a ragdoll
then, on top of being hella athletic, he's a master level escape artist. you think you've caught this dude?
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nope!!!!
and let's be honest, he just looks dope. i think kuroiro would've made a great addition to class A on the hero side or the league on the villain side. just imagine how much trouble he could've given either party during the paranormal liberation war arc
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fans would've loved him. end of post
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wardingshout · 5 months
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Zelda goes mushroom girl
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dandyleyen · 5 months
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Instagram | Hyrule's very own Princess sporting a lovely mushroom hat !
My super late entry for Mossgrove_art's Zelda DTIYS on Instagram <3
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sunnysideaeggs · 2 months
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Kinda wild to use female plight of being raped through history for your agenda against rhaenyra while keeping an actual serial rapist from the same show as your icon. that even in his book canon he’s caught with a little girl pleasuring him while he watches his bastards or whoever in the children fighting pits to compound his depravity. I don’t like rhaenyra either but be consistent
Kinda wild to use the testimony of a known liar, jester and unreliable witness such as Mushroom to attack Aegon, when Mushroom also claimed that Daemon had Rhaenyra pleasure him when she was 8, a little girl. He also claimed to have advances with Rhaenyra himself. So if you use Mushroom’s testimony, bring up his whole story, be consistent :)
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grim-faux · 9 months
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a massive headache of an analysis of two very terrible people in my projected ideas and observations
I mentioned this on the discord that I think that the fandom is coddling Noone a bit too much. but hear me out before you "she's just a child, you monster. She was subjected to emotional abuse and Otto is a terrible guy for being a doctor and a trusted adult in her life."
That's all valid. but one thing we should ALL REMEMBER is that the children who are approached or ensnared by the Ferry/Candleman, are not targeted because of the "sordid and sympathetic story of bullying and internalized trauma". Under my observations, I would say the Ferry/Candleman pursues children that are vulnerable and easily manipulated. And of course he's not monitoring these children for any specifics or potential, his role is to catch kids and drag them to the Maw. For profit.
And I wanna sympathize with Otto - very carefully - cause this man is a mess. He's terrible, he's a jerk, he loses control over himself over a >10 child call out on his toxicity. AND HE SHOULD HAVE APPROACHED THE SITUATION DIFFERENTLY, WHICH WOULD HAVE MAYBE SAVED NOONE FROM THE FERRY/CANDLEMAN AND THE NOWHERE.
And I would wager that this last betrayal and abandonment by Cece2.0 tossed Otto the edge of all moral practice. Otto was a horrible guy, he betrayed his patient and Noone's trust - but all of that was not done for himself per say; he didn't throw Noone to the Candle/Ferryman for glory, for discovery, for personal promotion. He was doing this out of his childish desperation to find or at the very least see his sister. Yes, that is absolutely selfish, yes he hurt someone along the way, and he will continue to hurt other kids on his journey to finding Cece.
But Noone also isn't completely blameless. She is of course a child, she is a flawed, sad, and a broken child. Of course when someone said to her, "escape the pain and awful world you live," she leapt at this opportunity, no questions. No thoughts, head empty. But Noone is far from innocent, and she will not stay that way when she goes native to the Nowhere-ville.
Over the course of the podcasts, we see evidence that Noone- among the children she encounters - adapt to this hostile world. Children actively ignore Noone when she calls to them (see Ref noisy children die), others are swift to abandon her when the terrors find them kiddies. And Noone herself begins to react and fight at the hostilities in her environment - this proven in Chapter 5, when a girl tried to take the nome (see Ref mushroom fairy), she threw A FUCKING BRICK AT HER ARM. And especially in Chapter 6, she slammed a bottle over the marionette pinned to the table, killing it probably. Subjected to the Nowhere and the violence there, children either adapt and defend themselves, abandon others - or they die.
And my Discord did have a big analytical study and discussion over Rusty - the trapeze boy from the circus. Rusty was an interesting character, not only because he was a teen - probably inhabited Nowhere for a long time - but he was hinted to knowing a way out of Nowhere. This latter factor, I doubt - I do not think Rusty had any real knowledge of how to escape Nowhere, and all he wanted at the end of the day was escape the circus. We choose to ignore the giant pillars stretching to the ceiling not important no siree. That's the best case scenario. But Rusty and his group suggested one of two things (or all of these things). Kids left to Nowhere REALLY REGRET THAT DECISION EVENTUALLY (maybe you get older and realize how much of a dumb brat younger you was). Or, and also, Rusty was not there because of the Candle/Ferryman guiding him to Nowhere. Otherwise, Rusty would be property of the Maw, since Ferry/Candleman gives not two ceramic dolls who has a kid or what entity wants a kid - Ferry/Candleman will escort that child to MawcDonalds.
So Rusty and his trope came to the Nowhere on their own accord - either through a liminal space or other mysterious and obscure portal people should really avoid in the normal world. And they did not know really how to find their way back to the world they lost.
The last problematic matter of Rusty, is he is sus, like a lot of characters of the Little Nightmares world. He's invested in his survival and happiness and safety. So when he and the group are presented with Noone, they jump at this opportunity. It's not crazy to think Rusty was very invested in getting himself away, and ditch anyone else along the way. Case in point when he suggested Noone to be the lookout (wink-wink, nudge-nudge, teehee), "for the man in the purple suit." Noone later realizes she has no idea what the real plan for escape is, aside from alert Rusty that the man in the purple suit is there. She's told only to signal Rusty nonverbally, but she decided to scream at the teen "big top", which he thinks is a good idea. Yes, of course he would. And apparently whatever happened to Rusty was so horrific, it locked Noone in a panic attack. Which is terrible, since it is most probable Rusty and his group only needed Noone there to draw the attention of the man in the purple suit, use her as bait - but that didn't work out. F for Rusty, you big L.
These incidents with the children - of being exploited and bullied, not just in the Nowhere but from her world, drives Noone closer to the edge of the metaphorical doorway. And Otto exasperated the condition by pushing her closer to the threshold of commitment, all to seek a hint that Cece was still there and he might find her. But it was also Noone who took the plunge, despite Otto beseeching her to wait for him - this is the moth to the light, flying closer to that which is enticing and promises comfort, only to be snuffed out when the moth reached the flame.
One of the running themes of Little Nightmares is that of children succumbing to a fate or falling into the same cycle of torment, they are fighting to avoid. For Six, she becomes the next proprietor of the Maw, unable to leave - only so she can survive. With Mono, we follow him through his struggle to find and free his friend from the Tower, only to get thrown aside and abandoned; then he becomes the thing that he fled from, and eventually destroyed - the Broadcaster of the Tower. The children of Nowhere are not escaping a terrible world for another terrible world, they are accepting of the violence and malice that shaped who they are, and turn that back onto the world that inflicted it - perpetuating the trauma which forged them. There are no happy endings of Little Nightmares, only acceptance.
Otto succumbs to that fate as well. He doesn't seek to help Noone so much as he sought to fulfil his own selfish needs. Noone did not wait for Otto to confront the Ferry/Candleman, or wait for him to turn the Candle/Ferryman away - she took the hand offered and abandoned Otto. Which, in turn, leads to Otto's descent into his tragic villain arch. To be clear, Noone isn't responsible for this adult man who should know better, Otto is far from her responsibility. But this mindset may have been what drove Cece from her lil brother Otto - a clingy child she wanted nothing to do with. And ill reiterate, Noone was not responsible for Otto or his actions, as he was the one who swore to help her, he was the doctor and the figure of authority in her life - Otto was supposed to come to her aid.
But when Otto was at his most vulnerable and had no power over Noone any longer, and he begged her to wait. She did not. As with all monsters of the Nowhere, when the child has the upper-hand or has discovered a clever trap, the child dispatches their tormentor.
As equally as she despises Otto, she favored the Ferry/Candleman for the lies he gave her. For the truth he wove amongst the promises.
Though we can dissect Noone's character and grasp what led to her actions, her story is not one of triumph or escape - it is of acceptance and defeat. She does not overcome a great adversary, she submited to the conditions of the world that created the monsters she hated. Her story has only begun in terms of the Nowhere, and it is far from over. She is not journeying through the Nowhere to reach some enlightenment or to become stronger than the shadows that will chase her, or overcome the hazards that await her. Noone becomes another cog in the machine which keeps the Nowhere and its inhabitants gleeful and fulfilled.
It is fair and fine to sympathize with Noone and her fate, she is a child and a victim to all that was set upon her - left with no protectors or sympathizers. And she fell prey to a master manipulator, as did Otto. in this story, the only one who claims success is the Candle/Ferryman, who orchestrated the whole thing.
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ecstasydemon · 22 days
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i just saw the worst take about melinoe that mischaracterized her completely and it pissed me off so bad . exploding that person in my mind
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moreaugriffins · 2 months
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don't mind me, i'm just imagining a magical girl transformation, but it's trg Egon transforming from his neutral toned outfits and curly short brown hair, to his blonde pompadour w/ rats tail and colourful clothing self
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pansyfemme · 8 months
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makes sense
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pada55 · 10 months
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Colour changing bean <3
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we-are-inevitable · 9 months
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warm up???
little frog lad
a different kind of bloom
we think of rot as a solitary thing, i think lying in the fetal position on an unmade bed hugging a pillow to your chest, praying that it’s spared when the skin slides off your bones and the house caves in on you alone but have we not all rotted before? will we not all rot again? scrolling for miles, addicted, thousands of censored words tattooed on our corneas the coroner will say the cause of death  is the social rot we all hold close to our heart- the sign of being teens when the world stopped but were we not rotting together? did the  rot not spread? our parents will weep for children lost to fairy lights and little frog lads to mushroom earrings and eyeliner on lips to pronouns and pride flags and the beginning of being forever fifteen, forever realizing that the rot clears away the exterior and the bone underneath  is something unifying, a reminder that we are alive beneath the skin we wear when there are no expectations, when there is no social norm to conform to, when the rot seeps through the perfect child and exposes the rest- the messy, the sad, the lonely- to the world. will  we ever recover? will we ever find ourselves again? will we ever need to?
a commentary on the rise of alternative individualism (and the fall to yet another form of social commodification). ironically, this will be posted to tiktok.
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slashersteve · 1 year
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Kathleen telling Henry that Sam wasn’t the whole world and was less important than their cause when Sam was the whole world to Henry that the moment he wasn’t in it he left too then Joel saving Ellie and not the world because she is his world and worth every consequence afterwards as long as she was alive
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larkbunny · 1 year
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maaaxx · 2 months
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Just walked almost 3 miles to get water because apparently my college has never heard of putting it in the vending machines 😌
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californianedgeworth · 5 months
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halfway through volume 8 of dungeon meshi and it's soooo good. i can't wait until the anime adapts up to this point
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helpimstuckinafandom · 7 months
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You know I'm amazed my oath didn't break when I killed that bard in cold blood but killing gnome slavers absolutely obliterated it
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rosesradio · 1 year
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so i guess i wanted to say a small thing & i dunno if i’ll regret it or not but fuck it we ball
as the day winds down to a close i was thinking about two years ago. two years ago today i had my first kiss. i’d prefer not to talk about it because it lead to one of the worst most toxic relationships i’ve ever experienced, and many people i’m close to still don’t know about it.
i didn’t want to talk about the relationship, but instead with some of the things i used to cope afterwards. one of those things was dark fiction, especially the kind that portrayed the kind of relationship i was in.
this, i believe, was a perfectly healthy coping mechanism for my state of mind at the time. it helped me feel less alone as well as explore my feelings in writing, maybe even working my way through getting out of that darkness.
(not to say i’m “cured” now or that dark fic should be temporary, ofc)
dark fic may not be something I would want to explore now, but I’m grateful it was there and continues to be there. I’m grateful for my mutuals, some of the best dark fic writers and the sweetest most accepting people I’ve ever had the pleasure of interacting with.
i’ve heard mixed arguments about dark fic, from people saying ‘x ship is toxic, just like my past relationship, and as a victim it’s wrong to make content for it’ to ‘x ship is toxic, and as a victim I understand why people would like to explore this topic’. I never want to tell people how to feel, and I don’t believe people should try to restrict others’ art—
(though if you’re attacking small fandom creators versus the big movie companies that make movies portraying those same dark themes…you just want an easy target, not to mention it’s no good for anyone, sorry :/)
at the end of the day, i just wanted to thank all the dark fic writers and other creators. no matter why you make dark content, whether it’s coping or exploring character dynamics and emotions or just for your enjoyment, thank you for doing what you do. thanks for helping me feel like i’m not alone in the world 🖤
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