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onigiriico · 9 months
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Kazui audio drama (t2) - English TL
[ links: Spotify / Youtube ]
I cannot believe my hs philosophy class came in handy as I was translating this. Thanks Milgram your references never fail to astound me
Aaanyways you know how it is,, feel free to send an ask or hit me up on Twitter if you’ve got any questions or other feedback re: this translation etc 💪 (<- sincerely hoping that Twitter DMs still work these days)
⬇️ translation under the cut ⬇️
(door opens)
E: I’ve kept you waiting, Kazui.
K: It’s been a while, Warden-kun.
E: Yeah… It has been.
K: Things have gotten pretty tough inside the prison, but… well, you’ve probably heard all about that from the others already, haven’t you?
E: Yeah… I heard that you protected other prisoners from Kotoko. I owe you my thanks.
K: That much is only natural. However… she really is strong, isn’t she? I mean, I’ve experienced some fights myself, but [going up against] a woman like her was a first.
E: Hm… Is she strong enough that even you can’t stop her from doing harm?
K: Well, in cases like this, it’s generally the heavier person who ends up winning. After all, if she really does have proper killing intent, I can’t afford to let her injure anyone. It’s difficult, isn’t it.
E: Is that so…
K: I was afraid that it’d come to this from the very beginning. There’s a lot of young kids here, too. It’d be hard for anyone to keep a decent mentality in a situation like this.
E: …You’re pretty rational.
K: I wonder. Maybe it’s because I’m used to violence. Even so… I couldn’t make it for Shiina-chan. I feel responsible for [what happened to] her.
E: …
K: Well, rest assured, though. As long as I can move, I’ll be protecting [the others]. After all, it’s pretty much just me who can fight her on equal terms.
E: Mikoto, too.
K: Ah… yeah. Like back when he went out of control, right? I can’t quite read him, though… If both of them were to attack us, it’s possible that we’d suffer a total defeat. 
E: A total defeat…?
K: If that happens, this prison game would probably come to an end as well. All of that depends on your judgment, right, Warden-kun? Who will be forgiven by you and who won’t be…
E: What are you trying to say?
K: If at all possible, I would like you to choose a method that will not get any more people hurt. That’s what I’m saying.
E: So you’re telling me to forgive you?
K: (laughs) Oi, oi…! Don’t look at me like that.
E: I’m the Warden. If I forgive you, I forgive you. If I don’t, I don’t. There’s no other factors to it.
K: (sighs) Wouldn’t it be okay? I mean, this situation with prisoners being hurt wasn’t what you wanted either, was it?
E: …
K: Just pretend that you’re looking at our sins, and make your judgment with the protection of the prisoners in mind. After all, nobody can read your mind – so that much craftiness would be fine, don’t you think?
E: Hmph. That’s a very “you” kind of pretentious solution.
K: It’s the most natural conclusion, isn’t it? Do you think it’s a sin to lie in order to protect people?
E: That would be Kant.
K: Kant?
E: A philosopher who stated that lying is inherently a sin, no matter the circumstances.
K: Huh…
E: Apparently, even if your friend is being chased by a murderer and the murderer asks you about their whereabouts, you shouldn’t lie, according to Kant.
K: That’s ridiculous. If you can save someone by telling a lie, that’s what you should do.
E: However… You killed someone with your lies, didn’t you?
K: … Ah… You forgave me, didn’t you? Aren’t you being especially strict towards me?
E: Am I?
K: Mmh, it’s obvious. You said you would figure out my murder by watching the footage of my mind. Is this the result of that?
E: You were unfaithful, right? That’s stupid.
K: Hmm…
E: The reason I forgave you was because I was lacking details. I still don’t understand your true feelings or how things got to that point, either.
K: I see.
E: It was extremely hard to understand. Even with all of that poetry, though, your self-absorbed nature was more than obvious.
K: Ohh my… That’s quite the sweeping generalization, even though you forgave me.
E: It’s a personal dislike of mine. People who act based on their sexual urges like that, that is.
K: It’s personal?
E: Yeah. That’s right.
K: That’s strange. I did think that, despite being neutral as a Warden, you had some things you dislike, but…
E: …
K: Isn’t it unusual to openly reveal a personal dislike as a personal dislike?
E: You’re splitting hairs.
K: Seems like you really disliked my crime… I get it! Maybe it was because you’re so young, which is to say… …
E: Hah? Stop staring at me so openly. It’s disgusting.
K: …
E: …! (punches him)
(clattering)
E: (sighs) Now I feel better.
K: — Ow…! What are you doing all of a sudden…?!
E: It was an instinctive reaction. Don’t take it personally.
K: Would you stop just punching me in the face without hesitation? … (sighs) Anyways… that’s how it is, huh? That’s how it is…?
E: Hah?
K: I didn’t even consider this a possibility… Personal impressions sure can be scary.
E: If you say any more things than this that I don’t get, I’m hitting you again.
K: Geez, cut out the hysterics… Hmm, if it’s like this, that explains some things, though. I don’t have kids, but I’ve heard that this is what it’s like.
E: Hey. Stop blabbering on while looking like you know it all. It’s obnoxious.
K: Hahaha! But you know what? You’re wrong.
E: …? What are you talking about?
K: You’re wrong.
E: …
K: You said I was unfaithful – in other words, that I cheated or committed adultery of some kind.
E: Yeah. That’s what I deduced from your footage.
K: It’s not true. It didn’t even turn into infidelity. It didn’t turn into anything like that. For me… In my case, you see.
E: … You’re married… You’re a married man, aren’t you?
K: Hm? Yeah, that’s right. Oh, right, I never told you, did I?
E: You’ve taken off your ring.
K: … Right… I did take it off, huh. Right…
E: Yeah.
K: Mh. … I do carry it with me, though. See? – I was forgiven. My feelings were validated. So… maybe that means that I don’t have to do this anymore? Thanks to that, I was feeling better when the second trial started… I really do feel sorry about that. Towards my wife.
E: If that ring is a symbol of punishment to you… There really is nothing that could possibly be more cruel towards her.
K: Mmh.
E: Marriage is something that both partners want equally, isn’t it? It’s something you can’t do if only one person wants it. Deciding to treat it as a punishment all on your own… You’re making a mockery out of it.
K: I really am. Ah… She must have thought so as well. My wife, that is.
E: I’ve said this before: You’re a liar. Those lies have killed a person.
K: (sighs)
E: I forgave you. While I wasn’t sure yet, I thought that it didn’t seem like you killed her directly, and with all sorts of things taken into consideration, I judged that your murder was not a sin. However. That doesn’t mean that I’m praising your nature as a liar.
K: Yeah. I believe you’re right about that.
E: In short – between love and hate, [I would say] I hate you. Remember that.
K: … I get that.
E: Huh?
K: I despise myself for lying, too. Being a liar, you see – it’s painful.
E: Heh. Then just–
K: So I’ve tried to change! I’ve tried to change. I have tried to stop lying to myself and others!
E: …
K: I’ve confided in others. I’ve tried to be myself! I’ve tried to just be the way I was born!
E: …Hey, Kazui–
K: It’s not my lies that killed her. She’s dead because I stopped lying to her! If I had just kept lying- She wouldn’t have died…!
E: Kazui…
K: I can’t live unless I lie. That’s how I was born… I’m pathetic, aren’t I?
E: (sighs) I really can’t seem to understand you.
K: …
E: Just when I thought you weren’t letting out any of your true feelings and cleverly hiding your actual emotions… Now here you are, drowning in self-loathing like this.
K: (weak laugh) An old man in unstable condition… that’s not something you’d wanna see, is it. Sorry about that.
E: You know, about Kant…
K: Ah, the one who said you shouldn’t lie even if your friend might get killed.
E: From his point of view, if your friend dies because you didn’t lie, there’s no causal connection between the two… or so I’ve heard.
K: I don’t think so, though…
E: Even if you don’t lie, your friend might survive. And if you do lie, your friend might end up dying on a different occasion. That’s the reason why you’re supposed to always tell the truth.
K: …That’s convincing.
E: It’s not really.
K: Yeah, it’s not.
E: It may not be, but… I thought that for someone who has failed in their attempts to be honest, it might be a [saving] grace so they won’t end up doubting honesty in its entirety.
K: …
E: I still don’t know what happened, but… isn’t it okay to be proud that you made an effort to be honest in the first place?
K: … You’re so kind all of a sudden.
E: I just said what I was thinking. And besides – I forgave you. I made it as if your sin wasn’t a sin at all. And yet, you don’t seem the slightest bit relieved.
K: I know right.
E: Everyone else seems more or less liberated by the fact that they were forgiven.
K: That’s right.
E: Just from that… I understand that having your feelings approved of by someone else can have a major impact on the development of one’s personality.
K: …
E: However… You have not forgiven yourself. That’s why you can’t change.
K: …
E: Alternatively, even if your lying self was forgiven… it would still do nothing to help you.
K: …Aah, you really are impressive. You think so much.
E: I am watching over ten troublesome prisoners, after all. Even if I don’t want to, I’m being relied on.
K: I haven’t forgiven myself… even if my lies are forgiven, it won’t resonate [with me]. It might just be both of these. All the lies I’ve told are tying me down. Ever since I was little, I’ve never truly opened myself to anyone. But in the end, people can’t be saved if they don’t [open up]. And by now, it’s gotten to a point where I can’t do it by myself anymore…
(machinery whirrs, bell rings)
K: I did think Milgram would be able to force its way past that, though.
E: Is that an attempt at provocation?
K: You didn’t manage to reach my sin.
E: …
K: Even though I want you to… Milgram isn’t so great after all, is it?
E: …Heh. Don’t push yourself too hard, after all that whining from earlier.
K: Ha. [This is] the wish of a liar who’s reached a dead end – come and figure out my lies, Milgram. And, Es… please, free me from these lies.
E: Yeah. Leave it to me. – Prisoner no.7, Kazui. Sing your sins.
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fatfrogcosplay · 6 months
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it’s not my fault.
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mirururuguramu · 1 year
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Personally, I think Fuuta does acknowledge in his 2nd MV that what he did is wrong.
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Since he doesn't see himself as a hero delivering justice anymore.
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But as someone who engages in grafitti instead, which isn't exactly a legal activity either
As grafitti is described as
a form of visual communication, usually illegal, involving the unauthorized marking of public space
So yeah, Fuuta doesn't see himself to be all that righteous anymore.
While grafitti is about wanting to send a message, it's commonly understood imo that this is usually done via underhanded means.
In a way, this points to Fuuta acknowledging that his means of 'delivering justice' (a.k.a. making callout posts & possibly online harassment) is underhanded & not entirely legal too.
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The beginning of his 2nd MV suggests this too, where he asks "Is it all ok if I offer penance?" while showing that there's light behind him, as if he considered repenting and backing out on what he's been doing to behave and be a good citizen again.
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He ultimately decides against it, thinking that it'd be futile anyway.
(And after Es told him in the 2nd voice drama that they won't grant him mercy either way, this line of thinking is understandable.)
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So he willingly walks into the darkness, willingly dabbles in not-so-legal activities and proceeds from there.
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Another thing that suggests Fuuta acknowledging his past actions to be wrong:
He sees their grafitti to be an act of defacing someone.
They override someone's image with the colors, views, that they project onto them.
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Which ultimately leads to the erasure and demise of the original image.
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This contrasts how Fuuta perceived the situation back in the first MV
Where most of the time, it's a fantasy RPG consisting of a hero and his party that go on quests to defeat monsters.
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Not to mention, when everyone turned against him in the end, the scene abruptly shifted & became more grounded in reality.
Fuuta's party wasn’t shown to have turned against him and targeted Fuuta as the next monster to eliminate.
Hinting at Fuuta having a hierarchy in mind in the 1st MV.
He saw himself and his team as human, while he saw their targets as monsters.
And since the monsters were always defeated in that MV, it almost seemed like Fuuta saw himself and his team to be above them.
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But this isn't quite the case with his 2nd MV anymore. There’s no more hierarchy between the monsters (the targets) and humans (Fuuta and his team). 
By then, the playing ground’s been leveled in Fuuta’s mind, and sees himself to be at the same level as his targets & those who targeted them with him.
At the very least, we see in the latter half of his 2nd MV that all the 'players' are human— both the wielders of spray cans and the one being sprayed on.
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And Fuuta brings down Es, with the entirety of MILGRAM, to their level.
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As he believes that Es is committing the same crime as them. That they’ve only been projecting their own views— their own color— onto the prisoners, and that as a result, the unforgiven are slowly defaced because of their actions
(In a literal sense, this might mean that they’ve been slowly losing their sense of self as a result of the constant invalidation through our verdict)
And will be permanently erased over time if they kept that up, either from the mental strain caused by their (”our”) verdict, or from the physical damage that Kotoko’s been inflicting, especially since she’s made it clear that she’s out to eliminate those who Es chose not to forgive— those who didn’t align with their views basically.
So TLDR, I suspect that Fuuta’s already learned his lesson, he knows at this point that what he did is straight-up wrong.  Because if he didn’t, he wouldn’t have painted himself to be doing illegal things in his MV— chose to do them even, despite knowing that they aren’t right.
He wouldn’t have shown himself, along with his group, doing something that ultimately led to the death of someone— shown not as a monster, but as a person.
Which means that him being like this in the 2nd Trial isn’t simply because he was caught for his crimes, although I acknowledge that he may have only backtracked in the first place because that happened.
Fuuta: Right…! It wasn’t just me alone who was ganging up on the person who died! There’s no way to know whose comments lead to their death!
Because of that, I have hopes that he won’t simply... bounce back to being a jerk if ever he’s forgiven this round, what with his MV already showing his acknowledgment of being involved in someone’s death.  
By this point, the only thing that he can’t accept is that he’s the only one receiving punishment for these sins, if these lines from the Trial 2 voice drama are anything to go by:
Es: That might be true. You might not be the only one who needs to be judged for this. But…
Fuuta: Then – isn’t it weird that I’m the only one who has to go through all of this? Being locked up in a weird nonsensical prison, having to let some brat lecture me, being faced with eyes constantly judging me…
+
Fuuta: (laughs) There’s nothing that sets you and me apart. You’re also getting entertainment out of my– out of our sins!
Es: I… just do this because I want to get to know more about y—
Fuuta: (laughs) You and I are exactly the same breed! The only difference between us is the clothes we’re wearing. Like I’d let someone like this judge whether I should be forgiven or not!
The reason for this is because he believes his group, as well as MILGRAM, are equally as guilty as him, and thus shouldn’t be getting away scot-free. Not when they’ve committed the same crimes as him.
Either way, this doesn’t change the fact that imo, Fuuta’s already acknowledged that he’s in the wrong.
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tsuchigomochi · 1 year
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I like milgram
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fish-boy-ardee · 9 months
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Kazui Mukuhara is Gay - Milgram Theory
Firstly, before I start 2nd Trial voice drama translations from @onigiriico https://www.tumblr.com/onigiriico/723866431247220736/kazui-audio-drama-t2-english-tl
So! Cat is out and the gay Kazui theory has very quickly become something I thought was a meme to being something I believe fully in. I wanna go through each piece of evidence and point in the theory in the most thorough manner I can. But for people who don't wanna read this long ass post.
TL;DR: Kazui's 2nd MV uses a lot of imagery that depicts him as an odd one out and shows him ripping apart a white dove, a common symbol at marriages. His voice drama implies he has been lying about himself and stopped lying which his wife to killed herself in response. His acting motif from his first video makes it appear he was acting in his marriage out of obligation for heteronormativity.
Now. The meat.
The Apples. These are a constant in Kazui's videos. In trial one we saw the green apple to represent Kazui and a red apple for his wife, with the red one shattering when she died. However what cat does is put that into perspective. Preceding the shot on the right we see Kazui's marriage and all the people who attended, drawing parallels immediately.
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In half we see Kazui represented as a green apple, or sour apple. But in Cat we see that red and green disparity, painting him as an odd one out. He is different from everyone there and is trying to fit into that crowd. Every mask he puts on is an attempt to blend more into that norm and not be an odd one out in society. What do we see Kazui as in his own reflection in Cat? A sour apple, the odd one out.
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"Let's Keep it Simple" Or Societal Norms One of the biggest aspects of Kazui is his relation to acting, stage magic in this video and stage acting in the first one. Both are used to imply forms of lying on his part but what those lies were about are still a bit unclear however we can assume things.
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Everyone at Kazui's marriage are paired up (minus the middle guy but we will get to that). @ older people, 2 younger people on the left and then even the background characters can be made into groups of two. This is also at his wedding meaning these are the people Kazui is most likely closest to, everyone around him pairing off can push people into marriages out of pressure of those around them. Not to mention Kazui's age, being born at a time where not pairing off would be seen as odd is another push.
Additionally the line "Victim and Perpetrator" in the MV is set up to play into expectations of marriages and cheating. The man is the perpetrator of the affair the the wife is the victim stereotypical. Based on where the text is it could imply either line is talking about who the text is covering or who is shown at the time. BOTH wife and husband here are both victim and verpetrator in this scenario, both are pushed into a pressured relationship and both push the other into it.
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That Damn Bar(tender) aka the long section The bar from Kazui's first video has appeared in every one of his MVs. It's a pretty pivotal location in his life since we know the MVs take from the prisoners mind directly implying locations that show up in great detail have been very relevent in the persons life. The bar could mean many things, Kazui could be a host, it could be where he finds woman to cheat with. BUT! Based on his voice drama Kazui says he never committed infidelity, and based on his emotional outburst I am inclined to believe it
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So what the hell was that bar about? And if it was infidelity then who was he confessing to in this shot- what where was he drinking that type of drink again- at the bar. But if he wasn't cheating on his wife that means he got rejected? These shots are preceding by Kazui admitting to being drunk, meaning he would have a harder time putting on a mask and lying due to his state. But him getting rejected by a woman wouldn't have made him need to come clean to his wife, nor should it have caused her massive reaction to his attempt at cheating if he was honest with her.
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Remember that one dramatic shot of Kazui dropping the glass? It can be assumed that was still at the bar and most likely would be following him getting rejected by whoever he was talking to.
Now, who was the ONE man at Kazui's wedding that had a ring that wasn't paired off.
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The bartender. Milgram only shows facial features when needed, and avoids adding lookalikes due to this, everyone shown is important in some way. Potentially worth noting is that the Bartender appears to be at Kazui's marriage with a ring but is ringless in half (either a divorce, he was never married and the ring in cat is symbolic of Kazui's pressure or desire, or just a detail not included in half since its side character) What is 100% wort noting however, is Kazui's line of sight in half. Remember Milgram doesn't show people for no reason so why the bartender in half? The shots would have worked just as well without him there. Well, trace Kazui's sight line. Following his eyes lead the viewer to-
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-the bartender.He talked to women at the bar but he went there to be close to the bartender. All of his shots have his sight line in that direction, even when the bartender is not in frame. When viewed from the audience seats following his eyes across the stage will always lead you to him.
Conclusion
I have covered that Kazui feels like the odd one out in society, that his marriage was pressured due to external forces and a heavily implied rejection from another man, so whats the point? Well if I am correct Kazui's experience mirrors a lot of my own in getting multiple girls into relationships with me in some bid to find that I was straight and just haven't found the right one. No one was just a "victim" and no one was just a "perpetrator" it was a messy situation that no one benefited from. Like the video states, the way I am "I can't be normal" in the eyes of society. If that's the the case then I have two choices. I can lie about this and keep pretending to be happy with the way things are and not rock the boat or-
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-I can be honest with my feelings and tell the truth to those who got wrapped up in me figuring myself out, regardless the consequences of what others do with that information. If some how that decision was linked to that person killing themselves-
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I would also find it hard to forgive myself and tell the truth again too.
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katyon2020 · 8 months
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‼️‼️TW: Child abuse, Cults, Bullying, Child Murder, Physically being a Dick to Cats ‼️‼️
So unlike what others say, I don't think the person she killed and was abusing her wasn't her father or any of her family as she said previously in her 1st trial interrogations that she in fact admired her father a lot so these two pieces of information just weren't sticking. I think it was rather probably a school bully maybe *slightly* older than her by like a year at best.
Maybe it was them that injured that cat in the first place to be a dick and she tried to tend normally like a emotionally stable kid would but then the cult found out about it, didn't like Amane ''fucking with the fates'' and so beated her, got rid of the cat (I personally think they just gave it to the pound, assuming Japan has one rather than kill it personally, but it's not exactly above them...) and then told her to kill the boy both to be forgiven and because they're vulgar lil' shit preying on her emotions.
Also, I just refuse to believe a 12yo girl was able to kill a grown-ass adult no matter what weapon she has...
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ultimatecluts · 8 months
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Reminder that Amane hates Shiduo(the only medic) and likely will be violent against him if voted innocent. Please consider this when voting. I'm not trying to sway anyone. I just want people to consider it before voting.
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keii-starz · 10 months
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and to this day, I still do not know if it's pronounced "meme" or "me me".....???
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carlysky815 · 1 year
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What’s the Milgram song you turn to when you’re in a mood and wanna feel better? Mine’s Backdraft.
As much as I love Haruka and his songs do help, something about Backdraft just makes me instantly feel better. (Also did you know there’s bongos in Backdraft?!)
What’s your favorite Milgram song that makes you feel better when in a mood?
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la-ro-ki · 1 year
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Prisoner 003: Kajiyama Fuuta
Prisoner 004: Kusunoki Muu
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good-beans · 21 days
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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onigiriico · 6 months
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Mikoto audio drama (t2) - English TL
[ links: Spotify | YouTube ]
Mikoto-ing again 🫡 I know I say this like every other post, but I 100% recommend listening to the audio alongside the translation! On one hand the VAs just did an amazing job on this, and on the other hand I also feel like it'll. probably make the switches more obvious than I can convey in text lol
Little disclaimer about the way I translated the DID terminology here: I know the correct term in English is "alter", but in the JP audio they're consistently referred to as "personalities" (人格 / jinkaku) while the closest Japanese equivalent to "alter" seems to be 自我 / jiga, from what I could find. I generally try to stick as closely to the JP terminology with my translations as possible, so I mostly went with "personality". I really don't want to offend anyone here so I hope that's a somewhat okay choice ahshbsdj
Okay. Okay that got lengthy. As usual, if you find any mistranslations, have questions, etc etc feel free to send me an ask or hit me up on Twitter where I drop by, like, once a month 😅 And now without further ado:
⬇️ translation under the cut ⬇️
(Es enters)
E: Mikoto…
M: Ah… Hi, Warden-kun.
E: You… are Mikoto, right?
M: Uh… What are you talking about? It really feels like it’s been a while, doesn’it? How have you been? – Huh? What’s that…? Chains? Oh, no. Take them off!
E: I refuse. You’re too dangerous. Physical restrictions are necessary.
M: Umm… (laughs) What are you saying, restricting someone who can’t even hurt a fly?
E: You really aren’t aware, huh…
M: Well, I mean… I do get it. I… go out of control while I’m asleep, right?
E: …
M: The others told me about it. How I got into a fistfight with Koto-chan and whatnot.
E: Seems like it, yeah.
M: I wonder if it’s like… some kind of sleepwalking…? After all, I’ve been losing sleep more and more often recently… Man… It’s really troublesome, isn’t it?
E: Mikoto…
M: The others are all scared of me. I can tell by looking at the way they act. Because I read the room.
E: …
M: It’s pretty tough, isn’t it? (laughs) Ever since I came here, so much has been happening that I don’t understand…
E: … You really… do laugh when you’re suffering, huh?
M: Huh?
E: You don’t get angry. You don’t scream. You laugh, like it’s a minor inconvenience.
M: Ah… I guess so. I might have that kind of trait.
E: …
M: Usually, if you just laugh and pretend, things work out in the end, right? I’m pretty good at that. Making things work out to the best of my abilities.
E: Is that so…
M: (laughs) …But… it’s not coming to an end. All of this. With things I’ve never even heard before, the whole ti—
E: …
M: —the whole time… I have to make all these irritating experiences…!
E: You came out, huh.
M: Hey. Looks like you haven’t gotten a beating yet, Warden brat.
E: …!
M: Hah? What, are you scared?
E: Like you didn’t get beaten by Kotoko…!
M: Hah. That was just because she caught me off guard. We went at it again while you were asleep, and it’s not like I lost there.
E: Multiple personalities… Am I right with the assumption that the you I’m talking to right now is another personality of Mikoto’s?
M: Well, I guess that’s about right.
E: I see. What do you want me to call you?
M: Huh? You’re accepting this pretty readily, aren’t you. Wouldn’t the whole multiple personalities thing normally raise some eyebrows?
E: Yeah. I also didn’t think it was real, at first.
M: Figures. If it wasn’t me, I wouldn’t believe it either. I’d just think it’s a lie someone came up with to get away with murder.
E: But Milgram acknowledges that [it is real] in your case. I simply accept that as the truth, and develop my thoughts from there. So? What do you want me to call you? Your name.
M: No clue about that. Just call me whatever.
E: … For convenience, I’ll be calling you John.
M: Sounds like a dog’s name.
E: It’s derived from John Doe, the name given to unidentified bodies. Do you like it?
M: Can’t say I’m very fond of the way you’re flaunting your knowledge.
E: … Anyway. You’re acting pretty calm today, aren’t you? I thought of you more like a monster of some sort. I wasn’t expecting to have such a proper conversation with you.
M: Don’t get cocky! If not for these chains, I would’ve beaten your face in by now, brat.
E: Ohh, scary, scary.
M: Hmph.
E: John, you are not a prisoner of Milgram. The fact that Milgram’s usual restraints are ineffective against you is more proof for that than anything. Milgram has judged that Mikoto is the prisoner, and you, as his alter, are an exception.
M: Huhh, I see. So that’s why you believe that there’s multiple personalities.
E: That’s why I thought I would try and talk to you as a key witness today. I’m rather glad that you’re being cooperative.
M: But, you know… This isn’t a good thing, probably.
E: What do you mean?
M: I (boku) might be trying to disappear.
E: …
M: Evidently, the time I (ore) have been fronting has been getting longer, so this “me” has been able to stabilize. Isn’t that the reason we can talk properly?
E: …
M: If I had stayed a monster… maybe that would be better.
E: …
M: What?
E: You’ve turned out to be much more rational than I expected… I’m surprised.
M: I’m a university graduate, after all.
E: (sighs)
M: As for alters… Why do you think they’re born?
E: In precise terms, it’s called dissociative identity disorder – generally speaking, [it refers to] when a person experiences severe pain or stress, and a new personality is created to try and isolate [the original personality] from the resulting trauma.
M: Yeah. I… probably come out to ease the stress Boku experiences. The fact that I come out for longer just means that Boku is constantly under extreme stress.
E: Stress… Namely the environment of Milgram, right?
M: Right. Especially the fact that you judged against forgiving Boku is causing a lot of stress. That’s why he’s entrusting me with his heart.
E: I see.
M: Not like I can blame him. From his point of view, he’s being blamed for a crime he can’t even remember.
E: If that’s the truth, then… you’re the one who committed the murder?
M: Yeah, it’s me. I killed them off.
E: …
M: So Boku really didn’t do it.
E: Can I ask… why you killed them?
M: They annoyed me.
E: Who did you kill?
M: Just someone who was walking around nearby.
E: … How many did you kill?
M: Can’t remember. I was first born back then, you know. It’s kinda fuzzy.
E: How can you talk about that so calmly?
M: (sighs) According to the law, how would this go for Boku?
E: With a psychiatric evaluation, there’s a chance of a reduced sentence, but depending on the number of victims… the death penalty might be inevitable.
M: …! I– I’m the one who did it! Boku was just sleeping!
E: Is this really something that works that conveniently?
M: Just put yourself in Boku’s shoes for a moment! He was bottling up all his stress! He kept dealing with it all by himself the whole time, until it exploded! It’s not like he just decided that he wanted to hurt somebody!
E: …
M: He’s not the type of person who could do stuff like that! He always looks out for others, always reads the room, always tries to get along with people around him! He can’t do stuff like that… He was on the verge of exploding! That’s why I was born. It’s obvious, isn’t it? Boku didn’t do anything!
E: Even if that’s true… Even if it wasn’t what Mikoto wanted – someone’s life was still lost.
M: …!
E: Even if it was you, John, who was in [your body at the time] – there’s no way for you to prove that. At the very least not in a way that would be accepted in court. It could still be judged that you’re pretending—
M: You…!! What do you think?
E: I…?
M: I’m the one who did it! Boku didn’t do it! You know that because of Milgram! I don’t care about the law, I want to know what you think!
E: …
M: Please… forgive Boku. I’m the one who did it.
E: … I can’t… judge that right away. It’s not something that I can easily decide to forgive. In fact, Mikoto’s mental footage was so violent… it’s unforgivable. That’s how I judged.
M: That could also just be a fake or owed to the multiple personalities, right?! Boku really isn’t at fault! I’m the one who killed them!
E: …
M: Are you really satisfied [with the unforgiven judgment]? He turned into a murderer overnight!
E: What you did could still be considered a sin, though!
M: …! … I think… I might be the person Boku wishes he was. The person who stubbornly stands his ground, who doesn’t cry himself to sleep from stress, who gives people their payback. If I, the “ore” personality, hadn’t been born, I’m sure Boku would have reached his limit and fallen apart.
E: John… you…
M: It’s true that I was the one who wanted to destroy everything… and the weakness of Boku, who couldn’t stand up for himself all alone, might have been the origin of that. But… that’s all there is to it. Is that a sin?
E: I’ll be considering that after this.
M: After talking to you, I get that you couldn’t forgive what I did. And I’m fine with that.
E: …Yeah. That’s right.
M: The one Milgram is supposed to judge is Boku – Mikoto, right. He’s not me – so, not John.
E: Precisely.
M: Please, forgive Boku. If you don’t… I’m sure he won’t be able to deal with this any longer.
E: “A sin committed by another personality isn’t a sin”... you’re telling me that’s how I should judge?
M: Yeah. If you forgive Boku… I’ll disappear.
E: …
M: That’s right. I’ll have to disappear eventually, anyway… Disappear, and take all of it with me. I… was born to protect Boku, after all.
E: You were… born for it…
M: Yeah. If it’s for Boku, I’ll… do anything.
(machinery whirrs, bell rings)
E: John…
M: W…what? A dog’s name?
E: Mikoto…?
M: Warden-kun, you own a dog? What breed? No, wait, let me try guessing first– A toy poodle? Actually, maybe you surprisingly prefer the ugly-cute kind… like a French bulldog!
E: … No…
M: A pug, then?
E: It’s not the name of a dog!
M: Ehh… Then what…?
E: … It’s the name of your… friend.
M: (laughs) I don’t know anyone like that~
E: … I bet you don’t.
M: Huh…?
E: Prisoner no.9, Mikoto. Sing your sins.
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fatfrogcosplay · 1 year
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I had to do this shoot four days before muus music video, and luckly I guessed currect on how she changed personality wise
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mirururuguramu · 1 year
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Same energy
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4nikki21 · 8 months
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A simpler Haruka animation!!
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y'know people were saying before that the green apple in Kazui's first music video was a reference to one of the surrealist René Magritte's famous works (The Son of Man), but the second video is just really doubling down on his stuff as a theme huh
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