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#maybe pretty niche
pigeonmidi · 2 years
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thsi took me 2 damn long
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canisalbus · 14 days
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I've only known about your art for a little less than a year but I think it will forever leave an impact on me. Your style and designs and imagery. Even if at some point I move on from your blog, tumblr, internet, there will be times when I'll fondly remember this one person who would draw gay anthro dogs. You are unforgettable. Thank you.
Auh, that's too kind ;_;
I'm honored you think so highly of what I do! Thank you so much!
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hanzajesthanza · 3 days
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when sapkowski is all “i don’t believe in absolute evil” like he didn’t write like vilgefortz and leo bonhart and birkart grellenort likeeee okkkk but those guys were preeeetty evil though
#likeeee it kind of seems to me that… they got pretty close. to absolute evil. you know#like uhhh… nilfgaardian invasion detailed in baptism of fire anyone#though ok ok his point was that there is no absolute evil as in being motivated by evil itself#that evil always has its own motivations and those motivations can be evil but it’s not evil for the sake of being evil#HOWEVER that being said i feel like bonhart really was just evil for the sake of being evil#you could say for the sake of sadism or for greed (him being the anti-geralt lol and actually being a stereotyped idea of witcher ngl)#buuuut i feel like sadism and greed are just niche evils themselves#with vilgefortz and the wallcreeper and also emhyr (didnt mention his ass at first but throw him in too) they’re more just power hungry#and wanting revenge on those that wronged them (interesting because isn’t this also what our protags want—minus the power)#anyways reviewing these interviews again has me 😂😳😌 but also 🤨#sometimes i feel like (with this discussion on evil) the economics background really shines through LMAO#like well sometimes i feel like there really is evil that is evil evil. sometimes people are just hateful and targeting with their hate#and you know this yourself bc you wrote it wtf#like you’re not gonna call the human peasants who slaughtered the dwarves and elves in rivia evil? i would call that absolute evil#maybe not their entire lives but in that instance true evil manifested#i feel like the definition of evil im getting at is hate and bloodthirst#which yeah sometimes that exists for no reason whatsoever#i mean it can be based out of economic ‘reasoning’ (manipulated into propaganda) to scapegoat a population and target of hate#but it quickly excels past any reason whatsoever. yeahh i dont think evil always has a motivation outside of evil. disagree#the elbow-high diaries#also ​there’s more context here i’m leaving out bc its just too much to talk about in the tags of this post
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ehlnofay · 28 days
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Pax should have said no.
Damn it all, they should have said no. Should have said go to hell and fucked off back – stop contacting me, sort out your own shit – but they didn’t, fuck knows why, and now they’re stuck here.
(They know why. They know exactly why; absolutely anything would be better than fucking off back to Cyrodiil. What’s for them there?)
But there’s nothing worth staying for here either, and now she’s crammed in between strangers on a long table, everyone dressed in fabrics she’s never seen with dyes so saturated they seem almost gory, eating stuff that isn’t food and talking loud enough to make her want to hurl a glass into the wall. It’s bizarre. The woman next to her, ruddy-faced and bald, wears a headpiece that shines like the sun the Isles doesn’t have; the other side is taken up by a stranger in a bone-white porcelain mask who has not moved but to swill the wine around in their glass. There’s scarcely room for Pax’s chair. It all feels like such a baffling pantomime of aristocracy (she's known the real thing well enough – feasts and toasts and luxurious gifts she had no use for, and if she doesn’t stop thinking about it she actually will throw a glass), bright colours and rich settings and a god taking offerings at the head of the table.
At least, Pax thinks, no-one tries to talk to him; they’re too busy fawning over their lord. Which is probably to be expected; but it all feels so strange, so unsettling, the way they all lean in towards it like flowers turning to face the sun, like seaweed dragged at by the inescapable pull of the tides. They grow towards it through the cracks in the air, matter moving toward the inevitable centre, as if they can imagine nothing more than this.
(Even more unsettling is the way it responds in kind, listening attentively to anyone who speaks to it, leaning in as though to kiss them, as though to swallow them whole. All hell, why did Pax agree to this? Why did they come?)
(They should have told it to fuck off. Should have said no way, I don’t want to help you, don’t want to get involved in anything you’d need my help for. I don’t owe you anything. I don’t need anything from you. I don’t want anything to do with you. I’m done.)
(Pax is done. Pax is sick to death of all this shit; doesn’t want to deal with this, the vaguely described problems of a god that picks people apart like it’s unravelling a thick yarn shawl. Doesn’t want to deal with anything like this. He’s had his fill of gods.)
(Why is he still fucking here? Why did he agree to this? This is no better than eating in that weird fucking inn in town. This is no better than –)
(That’s a lie. It’s a bit better than Cyrodiil. Just as much a shithole, but it pulls the rug out from under him often enough that he doesn’t have time to think too much.)
“Not hungry?” says a prowling voice, coiling catlike into the plaits in their hair, and Pax jumps enough to jostle the masked bastard sitting ramrod straight next to him.
He looks up.
At the empty placemat across from him sits a figure veiled in gossamer, glittering in the glow of the lit-up lichen on the distant throne; the fabric of its endless shawls pulls apart at the ends, peeling away from itself, shedding patches like iridescent insect wings every time it shifts. If Pax squints, they can see through it to the grand marbled wall behind.
She glances back at the chair at the head of the table, where something lounges, eyes dripping gold, intricately carved cane laid across its knees; its too-many fingers are laced with the hand of a man whose gown blooms floral. Flatly, she says, “What the fuck?”
“Aren’t you hungry?” Sheogorath asks, pouting; she can hear it laughing down the other end of the table. “It’s a proper feast. We pulled out all the stops.”
Pax shifts their eyes away to peer down at their plate. “You have served me worms,” she says. She flicks the dish with a fingernail. “In jelly. With flowers.”
“Larva, actually,” Sheogorath replies. It’s still at the other end of the table. It doesn’t seem eager to explain this. When it smiles, the gossamer falls away; its whole face splits in half.
It’s all so fucking stupid. Pax takes a deep breath – in through the nose, ignore all the odd spiced smells, and out – and does not yell at it, or try to hit it, because she’s gotten herself into a situation where that’s not really an option, because she’s a fucking idiot. Why didn’t she just say no?
(She knows why.)
The Mad God’s teeth flash bright as the ornate silver cutlery. Its chair scrapes back from the table. “It melts in your mouth,” it tells her, eyes glittering, “but I won’t make you try it. Walk with me?”
The figure still sits at the head of the table, snatching something from someone’s plate, always, always laughing. Its limbs sprawl like tentacles, like the silken threads of a tapestry, to encompass the whole room. The dinner guests stare as though bewitched, bedevilled, beguiled. Not one of them is looking at Pax. If he were to drop dead with his face in the food his corpse would not be discovered until sunrise.
Pax sniffs and shoves his chair back from the table. He lets Sheogorath (the second Sheogorath – but it must be, what else could it be?) lead him through a narrow door into some winding hallway, the walls lined and rimed with ornate coloured-glass windows. (It’s so much quieter. Still as garishly bright, but Pax is getting the sense that that is inescapable, here; the clothes they wear, as crumpled and covered in travelling-grime as ever and startlingly out of place against the odd jagged finery of the dinner party, seem unimaginably dull in comparison. Everything seems unimaginably dull in comparison.) Outside the windows, they can catch glimpses of the city – its winding, lamp-lit streets, the jumbled mess of its architecture, the sky arcing above it like a child’s attempt at watercolours. Pax wants to smash it, tear it down.
There’s no sun here, but still it’s night. The sky has shifted to purple and black.
“Isn’t it nice?” says their companion; when they look back, it’s nothing more than a shifting impression in the stained-glass window, a series of hairline cracks. It still manages, somehow, to smile at them.
It’s not. The sky is a shadow and the flamboyance of the palace is scraping at their spine. “Sure,” Pax says flatly. When she flexes her fingers, the bruising staining the base knuckle of her thumb aches.
Sheogorath looks at her – an ancient man leaning on a stick, a flickering painting, a bloody corpse, a little girl in velvet-red skirts, a breath. In its mercurial shifting she catches the flowery blossom of the man at the table’s collar, an unpleasant glimpse of her own braided hair, the smell of sulphur. It tips its head. She can’t focus on it anywhere but for the eyes.
“You don’t like my dinner parties,” it announces, as though it’s a revelation, a tragedy; its body crumbles like sea cliffs slowly eroded by the ways. It’s annoying – bloody obnoxious, and incomprehensible, and kind of weird that it noticed, that it would even care. (She’s never liked dinner parties. Nobody ever commented on it before.)
I’ve had well enough of them, Pax could say, or no, I don’t like you, but it’s the fucking Mad God, Daedric Prince of – Pax doesn’t even know what, he’s never known much about this shit, only that it’s well worth avoiding. Prince of the mad and the missing and the foolish, of breaking and breaking and putting yourself back together backwards. She should have said no, but she didn’t, and who knows what would happen if she went back on that now?
It's slinking closer. All that stay static enough to make out are eyes and teeth.
“Pax, yes?” it says, soft-voiced – a hand lands on his arm, small and dry and shivering, the skin as thing as a mouldering leaf. “You have no obligations here. If you want to be on your own, be on your own. We’ve plenty of space for it.”
Pax’s eyes narrow. He does not jerk away from it.
In the light of the coloured sky, the coloured windows, its face is phantasmagorical. “If you don’t want to be here,” it continues – still so skin-pricklingly gentle – “then your hand will not be forced. I’ll speed your way home if you wish.”
They can’t help but twitch at that. It’s setting their teeth on edge. (It’s lying – has to be. After its ages of coaxing them in, meting out information, not telling them where they were until they were on its doorstep, it would not give them the chance to leave.) Rough, still covered in road-grime, Pax asks, “Why should I believe you?”
(None of them have ever given them the chance to leave.)
Sheogorath, a figure of hollow skin and bone, inclines its head. “I wouldn’t lie to you, Pax,” it says. Its eyes are wide and bulging, whites on full display like a frightened horse; it grins again. “Others might. But we’re not a monolith. We’re not even especially similar.”
Pax bites down on the flat edge of their tongue. “That doesn’t mean anything to me.”
The light coming in through the windows flickers. The Mad God turns to meet it.
“I’m the youngest,” it says, its voice glittering like mist on the air. “Did you know that? I don’t remember the world without you in it.” Its form spasms, volatile, wings and limbs and eyes like a snail’s on stalks sprouting and choking and subsiding back into its mass. “I’m closer to you than any. I understand, almost.”
“That doesn’t mean anything,” Pax repeats. She’s gritting her teeth, tonguing at her gums where two are missing. Are two devil-gods not enough to deal with for a lifetime? Is there really going to be more of this now, too?
Rolling through the air like smoke, the voice says, “It will.”
Pax presses purple-green knuckles to her mouth. Her teeth dig into the soft meat of her lip.
Sheogorath turns to face her, hair moving as though blown by the wind, as though tugged by the tides. It sighs. “You don’t believe me,” it says. Its tongue pokes through its teeth. “That’s perfectly fine. Clever, even. But if you want to leave, all you need to do is tell me so.” It pauses, then; the train of its strange, gnarled crown shifts over its shoulders when it moves its head. “Or just leave. The door is still open.”
“You’d be fine with me just leaving,” Pax rasps around his knuckle, “after weeks of not leaving me alone?”
(Of begging him to come, poorly-hidden agitation giving way to blatant franticness, half-swallowing the fear that choked its face in every mirror it spoke to him through. Of begging him still, after he got here, after he met it – begging in a roundabout manner, casual as anything, its every motion reeking of fear. Its abject terror when he turned to leave. You’ve come this far. Why not hear an old man out? Pax told it that it wasn’t an old man, that he didn’t give a shit either way, and it slid through a child, a monster, a sulphur-burned body coughing blood, his own shuddering form in armour he hasn’t seen in months, and it said please.)
(Regained its composure, its gentleman’s face, immediately afterward. But it – the Mad God, unknowable, inconsolable – said please. Pax still doesn’t know what to do with that.)
The Mad God, now, shrugs. Taps at the hairline cracks in the stained glass windows. “I’d prefer you didn’t,” it says, one pair of hands braiding something intricate into its beard. The hand on the glass slips down. “I told you. I do need a champion.”
“And I told you,” Pax bites, something aching and ugly surging in their gut, “not to call me that again.”
A smile, bloody-mouthed and beaming. “But we will abide,” says Sheogorath, and digs its fingers into the cracks of the stone. One brick slides loose, mortar dug up under its nails. It offers it up.
Pax licks their teeth and takes it.
The brick shivers, momentarily – crumbles, in their hand, like sand slithering through their fingers, and left in their palm is a hardy slip of bone. Spiked and sprawling, carved with intricate patterns; it arranges itself around an oval of empty space, the perfect size for four sharp-knuckled fingers.
“You can always leave,” the Mad God tells them, and for a moment it does look so very young and strangely, staggeringly hopeful. “But give it a chance. I think you could love the Isles, if you choose to.”
#for context - in my version of events sheogorath's recruitment of the HoK is a lot more active#it needs someone who can fulfill the metaphysical niche of the hero. it needs someone experienced enough that they might not even die tryin#and it needs someone desperate enough to take the deal#pax is fifteen years old has alienated everything that maybe could have been a support system and is grieving very badly.#perfect mantling material!!#so sheogorath pursued them very specifically and was very judicious about what they revealed when. which is why pax already has some kind o#relationship with it here - they've interacted before - in that for weeks pax's reflection has been constantly begging them to 'visit'#writing the interactions of these guys is a lot of fun because there is always so much sheogorath is keeping from pax. it is#extremely strategic in how it presents itself#and pax falls for it hook line and sinker. though we can't really blame them#it's hard to outsmart something that's in your head#and at this point pax is pretty much made up of their worst impulses#which sheogorath cannot and does not help with#see: this piece#“I would NEVER make you do something you don't want to do <3 if you'd like to go back to your miserable self-destructive hellscape that's#YOUR CHOICE. but wouldn't it be more fun to be regular destructive here... i made you brass knuckles... 🥺“#im obsessed with them#the elder scrolls#tesblr#tes#my writing#fay writes#oc tag#pax#oblivion#shivering isles#the shivering isles
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mamath · 1 year
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Disney villain recruiters!! They are incredibly goofy but I love their costuming.
If you're not familiar with these characters, good job at not being as terminally online as me I guess!! :') They're semi-improv characters that (used to?) show up at Tokyo Disneysea at Halloween and try to "recruit" park visitors to villainy.
PRETTY NICHE CONTENT so of course I've been wanting to draw them forever. I've missed a couple (the Aladdin and Hunchback themed ones) so idk if I'll come back and add those one day but for now this is it..
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lemonlumens · 2 years
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he’s all of him. and sonic is there too ig
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siiddestroya · 10 months
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You Can Call The Dogs Out And Show Them How To Bite It
Inspired by the song "Call The Dogs Out" by The Garden
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vayneoc · 9 months
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おやすみなさい。
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finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh
#Given some of it IS lines of code and stuff but like.. minus all that it's still probably at least 85 - 95k words hhhhhh#AND I have to do this for another 3 characters. Then a few partial quests for 3 others. THEN the other random misc stuff in the game#(like there are public areas in the city like a park and a forest that you can go and do a few things at. and chat with a few random#townsfolk that aren't actually full characters or anything. And there's a community board where you can#browse some of the random job advertisments or silly things that happen to be posted around#and also pick up a few odd jobs of your own to help earn coin to buy gifts for the npcs. etc. etc.)#Originally I was thinking like 'ah I'll make a short little game just to try it out! :3 It'll take maybe a few months!''#haha........................hee hee........................................hoho#Also evil that it would have been done already if I didn't totally drop itand stop working on it for like 5 years randomly#i could have made 5 years of steady slow progress gradually. instead of like 'one initial idea dump + about a month of art and writing'#...... 5 year break..... 'sudden mad dash to try to get probably 400.000 words written in a year or less' lol#I just really want to be done and have something out there already so it can lead to doing other things in my world..!!!!!! T o T#Like this can be an introduction and then maybe from that I can make other games. or short story anthologies. or other such things#But there needs to be some initially not very complex easy to interact with starting point first I guess... if that makes sense#That's part of why I stopped posting worldbuilding lore dump stuff as often because its' like.. massive walls of novella length#text are much more inacessible to engage with than like.. ooh a game! and there's characters! so its more approachable! and theres#visuals! oo! and the text is broken up in small bits line by line with other things in betwen! oo! etc. etc. lol#Not that THIS is even very accessible. I think dialogue heavy interactive fiction/visual novel type stuff is pretty niche and considered#boring or tedious compared to something with more ''gamplay'' like where you can actually move around in a world#and shoot things or whatever lol. But its an inbetween point. something SLIGHTLY#more accesible for now. Since i just dont have the budget or means or ability to make some skyrim type thing obviously LOL#Though maybe if theres any interest in the visual novel that could lead to making other things too. or at least I hope. I have a VERY cool#idea for a more ''gamey'' type of game that is a super fun concept and etc. but I would need to hire at least 2 people to make it.. ough..#I could do all the writing and probably half of the art. But I think I'd inevitably need a 3d artist and someone who can Code For Real hbjh#the system for ren'py (the thing I'm making a visual novel in) is not that complicated if you stick to just simple dialogue and stuff.#Making a whole moderately sized 3d game with minigames in it and a bunch of quest features and etc. would be out of my simplistic scope#''just learn it yourself!!' ... i barely manage to eat and sleep reliably every day lol... i do not function well enough to spend months#learning that many new skills. I already have a lot of of things I'm good at (not in a braggy way but just factually like.. i already have#a wide variety of different things under my belt).. at some point I have to just be happy with what i CAN already do and focus on that#and admit I need to get outside help sometimes ghjbh... NO more new skills/hobbies!!! ... ANYWAY
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jovial-gender-jester · 2 months
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if there's anything i care about more than magical girls, it's magical women
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benjinoff13 · 2 years
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the trauma the therapy
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snobgoblin · 10 months
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we need more boy fairies :(
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skitskatdacat63 · 7 months
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— Emperor Charles VI's diary entry on Count Althann's death
[text: "My only heart, my comfort, my most faithful servant, my soulmate, who loved me dearly as I did him for 19 years, [we] had a true friendship, we were one heart and one soul, and we never concealed anything from one another. He will always be in my heart, [my] beloved friend..I. have lost everything."]
#this is like. incredibly niche.#but also hopefully a quote one can look at without context and still feel emotional damage about#idk. i think about this quote probably at least once a week and then have to stare at it and cry a bit#its just GOD. yknow??????#theres this one paper(which i linked) that i originally read as research for the AU#but i go back to it probably twice a month to reread it bcs im so !!!! abt it#i think its cause charles vi is just not that relevant but is relevant to me so to have this paper abt his personal relationships is very !#its both nice as ref for the au but also very interesting to hear about historical queer relationships/dynamics#the sections about him and his wife are very endearing as well#but god like him and count althann. im literally so invested in this 300 year old relationship#this is obviously from his death which is incredibly depressing and heart wrenching to me#but the other things he wrote about althann in his diary are very sweet to me#they were inseparable to the point of often sleeping in the same bed and charles called him his 'eternal love'#AND ON ALTHANN'S DE WIKIPEDIA PAGE IT LITERALLY CALLS HIM THE EMPEROR'S FAVORITE#anyways literally every part of this quote absolutely destroys me but especially how he refers to althann and then the ending#and its interesting to me bcs apparently his diary entries were usually pretty to the point#but when various people in his as althann died he would write these extremely emotional entries that are so </3#if you have any questions abt their dynamic pls i will talk abt them 🥰🥰 i find it fascinating#theres a book about his diary but its in german and 500 pages and kinda hard to get hold in but maybe one day!!!#also in AU contexts: althann and charles vi would be mark and seb so take that as you will 🤭😭#as i said this is great for ref but also made me sooooo fucking invested in him#i have no idea how to tag this#historical#holy roman empire#emperor charles vi#catie.rambling.txt#historical quotes#habsburg#habsburg monarchy#ah wow if only my german prof could see me now. fucking...habsburg posting. why am i like this
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boxdstars · 3 months
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I will always answer the call to send you an ask 💚
You know I’m forever curious about Mara, so I’ll pepper you with patronus-related questions today. When did Mara first successfully cast the patronus spell? What memories does she recall when conjuring her patronus? Has her patronus ever been something other than a runespoor? And why a runespoor specifically? 👀
I love your questions they always make me think ❤️❤️ Let’s go through these in that order why don’t we?
- I don’t have a particularly thrilling concept for the first time she casts it, though I know it’s in a classroom setting, perhaps with her accelerated studies with Prof. Hecat. Something akin to the OOTP scene where Dumbledores Army learns how to cast it - in an academic sense. It takes her a lot of effort though, she learns it near the end of her sixth year which is probably one of the lowest points of her life.
- As a student, she has to really focus on the memories that bring her joy. Which is always going to be her friendship with her friends as opposed to any other feat. Anne especially, they’re twin flames practically. Her heart to heart with Ominis (the werewolf confession scene I’ve yet to write) is one she can draw her patronus out of with relative ease as well.
- As an adult it’s far easier, especially after she’s 35 - what with her two adopted children. She can always think of her marriage with Natsai when all else fails though ❤️
- The way I went about choosing it was not particularly in depth. I took the all encompassing patronus quiz how I thought Mara would answer it just to have a rough idea. Ended up with a perfect 100% runespoor. Nothing else came close, so I took that as a sign.
They’re largely associated with dark wizards - you know being a giant three headed snake. But I like it! Plus the three heads symbolize the main three eras I have for Mara (Pre-bite, post-bite, and Commissioner). She’s very multifaceted and deadly in all three iterations for different reasons, so I kind of adore it!
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Futures | BODY BACK
As Harrison mentally connects the umber flecks of Jeremiah’s eyes like they’re constellations, he imagines a future where he follows him to Maryland.
He could take the first leg of the trip, tune the radio to throwbacks, belt Bon Jovi’s Livin’ on a Prayer in a Burger King drive-thru just to make Jeremiah laugh. They could rest at a motel similar to Greta—the same stuffy wallpaper, the same berber carpet. Surprise each other the next morning with bagels from the bakery a block away. Go crabbing at Point Lookout on their first weekend in the state. Pose next to each other with their catch for a photo snapped by a stranger.
Jeremiah might even invite him to his grandmother’s birthday party, introduce him to an aunt as his boyfriend. They’d link arms the entire night, feed each other spoons of sherry trifle. Harrison could bond with a cousin over their shared interests in bushcraft forts and Neo-Dada art. Jeremiah’s mother would invite them berry picking the next weekend, serve blueberry buckle after Sunday mass, everyone still suited and skirted around the kitchen table. Harrison could cameo in their Christmas card photo. Spend the next year’s labour day weekend at a lakeside cottage. Grill chicken thighs with Jeremiah’s father. Play Marco Polo with his younger brother. It’d all feel like an airy vacation.
today's excerpt. specifically to hurt the jeremiah boys. <3
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blackhillverse · 1 year
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every six months i remember i have a blackhill tattoo and my mind just explodes, i love these two so much it’s actually insane!
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