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firelordgrantham · 2 years
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Downton Abbey Headcannons
My mother and I went to Downton Abbey: a new era, and when we went back, we were both hyped and she said ''come on that's so sad it's ended'' and I said ''yup, time to start writing fanfictions about what happened next'' but she didn't like most of my headcannons so here's a preview and I'll put more next time.
SPOILER ALERT
Context: I imagine that as a new series centered around the grand-children of Robert and Cora, but with still their parents and all in the picture.
George, Marigold and Sybbie are raised practically together even though only George is in Downton. Since they don't have a big age difference they are best friends and consider themselves as ''the Three'' even though they all have half-siblings (Caroline Talbot, Peter Pelham and Violet Branson, yes, neither the sex nor the name were stated but come on what else) who are much younger.
The Sinderbys (Atticus and Rose) are back from New-York because Lord Sinderby died and they've got to manage the estate. They visit Downton regularly.
Johnny Bates wants to become a footman but his parents think there is no more future in that job and want him to do something else. He'll eventually be put against his will, at the age of 13, at the Mason farm to help with the cows and will find a dog having pups in the hay, so he'll help it, save the pups but not the mom, the pups are more or less the breed Lord Grantham loves so he gives one to Lord Grantham and one to Caroline, because he's so crushing on her even though they are 13 and 12.
During the Battle of England, Downton will welcome many children who fled London.
In 1939, George gets 18 and to celebrate his birthday, Sybbie invites everybody at la Villa des Colombes, but they've got to go back to England because France gets invaded by Germany.
In 1937, Marigold tells her mother she's kinda seduced by the fascist speech or something and Edith decides it's the right moment (why she thinks that, I don't know) to tell her daughter that she's her biological daughter and that Gregson was killed by nazis during a brawl. Marigold laughs and says that she didn't know for Gregson but of course she knew she was Edith's daughter since, well... what else, really? Plus when she asked George to get informations, he asked his mother and Lady Mary said ''yeah, sure, Edith had a child out of wedlock but don't tell anyone ok?'' and he told Marigold since she was the one asking.
Edith is going for a news story in Poland but she gets caught in the invasion and is emprisonned, thus Bertie's main role for the series will be to try and have her delivered by diplomatic means.
So basically that's a first thing. If you want to know more details, stay tune for George's elopement or Lord Grantham's death.
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strawberrythiefs · 2 years
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EDITH & MARIGOLD | A MOORLAND HOLIDAY | A NEW ERA
“Did you see that? Edith wanted to say ‘come to Mummy’, but she stopped herself just in time.”
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polikszena · 2 years
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Downton Abbey: A New Era - Behind the Lens Episode 3 (Part 1)
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torchwood-99 · 2 years
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Lovely pictures of Edith in the official New Era book
Super cute pic of Edith and Marigold (who got to speak! “Mummy! Come play with us!” sooooo sweet!)
Edith looking glam in France with Bertie, and really lovely outfit from the end of the film, which we got a glimpse of in the first film and I always wanted a better look at. It’s not so clear in the book, but Edith looked amazing at Violet’s funeral as well (just as Violet would have wanted. Gotta send her off in style). 
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hitchell-mope · 2 months
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This was a great ending to a great franchise.
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emmybrown · 1 year
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leseigneurdufeu · 8 months
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you know what would be neat?
in a few years, a mini series (six episodes maybe, maybe less?) of Cobert.
New actors obviously, maybe just Rosamund Painswick taking the role of the younger Violet. Centered around Cora and Robert meeting, marrying despite Violet's disapproval, and Robert falling in love about "a year after the wedding". Rosamund marrying Marmaduke, the "rough diamond", who's the grandson of a manufacturer. Jarvis was always the previous lord grantham's man, not Robert's. Maybe see Robert with his very first dog (i could see Cora gifting one to him after all). Carson is a much younger valet or first footman. Elsie (Mrs Hughes) is hired as a maid. And, given the dates of the Boer Wars, it's highly possible we'd also get to see a young Mr Bates help Robert into the train leading to war while Cora is there with toddler Mary and babies Edith and Sybil to see him off.
Inspired by the fic I read yesterday, we could also have the whole cast of the first season come together again and act out Hercule Poirot stories since it happens around the same time anyway. THe Kenneth Branagh adaptations are awful so might as well fill the niche.
And then, for, idk, the 10 years of the second movie? BAM!
Downton Abbey: Part II.
Six seasons and two movies about George Crawley and his cousins' coming of age in a Great Britain at the edge of a war. Downton Abbey serving as a home for kids sent to the countryside to escape the war. Johnny Bates and Caroline Talbot go to the movies together to watch an Errol Flynn, but they're what, 15? and he kisses her on the cheek but it never goes anywhere and then thanks to a retiring Dr Clarkson he gets an internship and starts training in medicine. Freddie Moorsum, the new doctor of Downton, tries to claim the abbey as he is convinced that he is the son of Robert, since his mother had an affair with Lord Grantham when she was working here as a maid, had to give her notice halfway through, and Lord Grantham had not only paid for this studies but written to the headmaster of Ripon Grammar to get him accepted in. Robert denies everything but later admits to Cora in private (because I'm salty that she never knew), Freddie is ridiculed and then realizes the dates don't add up, after the war Johnny comes back from school as a doctor but he's too late, Caroline is getting married. George is in conflict with his mother over the girl he chose to marry, Sybbie was in France when it was invaded and now they're all worried for her, Marigold falls in love with a guy who belongs to the wrong political party (depending on the time, either a liberal or downright a fascist of britain). Violet Branson, or whatever the name of baby branson is, falls in love with Peter Pelham (they're not technically related except through Maud Bagshaw) but the family doesn't approve. Henry and Mary have an awful argument and he goes to stay at his club for a few days. He dies in the Blitz and soon after comes a girl with a baby saying he's named Talbot. They later discover Henry didn't cheat on Mary but this girl thought the son in law of the earl of grantham was his heir (infos dating back to Matthew) and wanted to hijack the inheritence so when she learned he had died in London she decided to abduct a kid the appropriate age from an orphanage and roll with it. Sort of a Peter Gordon situation but with a satisfying end.
Not every series needs to keep going forever, not every movie needs a reboot, remake, or "20years later with their kids" sequel, but I think if a series lends itself to the thing it's Downton Abbey.
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ao3feed-marymatthew · 10 months
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Downton Abbey: The New Generation
read it on the AO3 at https://ift.tt/SXhEnZA
by oldmadras
It's 1939, and the children of Downton are all grown up. Handsome young George Crawley-the image of his father Matthew-is poised to begin university when World War II breaks out. In an echo of the past, he enlists as an officer in His Majesty's army, while his fiery cousin Sybbie follows in her mother's footsteps and becomes a nurse. Meanwhile, a distant relative of Cora's from Connecticut-a Jewish girl named Miriam Levinson-is sent to Downton for her safety. George finds himself at risk of losing his heart irrevocably to the new stranger, while Sybbie seems poised on the brink of making an entirely unsuitable match...
Words: 1077, Chapters: 1/1, Language: English
Fandoms: Downton Abbey
Rating: Mature
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: George Crawley, Mary Crawley, Henry Talbot, Tom Branson, Lucy Smith (Downton Abbey), Robert Crawley, Cora Crawley, Edith Crawley, Marigold Crawley, Rosamund Painswick, Bertie Pelham, Anna Bates, John Bates (Downton Abbey), Johnny Bates (Downton Abbey), Caroline Talbot
Relationships: George Crawley/Original Character(s), Mary Crawley/Matthew Crawley, Mary Crawley/Henry Talbot, Tom Branson/Sybil Crawley, Tom Branson/Lucy Smith, Edith Crawley/Bertie Pelham, Cora Crawley/Robert Crawley, Anna Bates/John Bates
Additional Tags: Romance, World War II
read it on the AO3 at https://ift.tt/SXhEnZA
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legends-of-time · 22 days
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The Journey of Living at Downton
Chapter 49: August 1925
Masterlist
TW: depictions and discussions of suicide. In no way am I an expert in this matter. I tried to write it the best I could.
——
Emma quietly hums as she rocks and pats the baby in her arms after the early morning feed. Her son gurgles up at Emma as she cradles him in her arms. Emma beams at him, unable to take her eyes off him, eager to watch every action of the month-old baby. 
Thankfully Patrick Owen Branson's birth had gone smoothly. After recovering from the shock of labour starting, Tom had quickly snapped into action and called for help to assist Emma up the stairs from the servant area. Thomas had swiftly appeared and the two of them got Emma up the stairs and into the car that still sat outside. After that, the birth happened quickly with Emma having the urge to push soon after they arrived at the Hospital.
Sybbie had turned 5 just over a few weeks later and happily carried around her Auntie Emma and Uncle Tom's new baby with her father anxiously following her, worried about her dropping him. Ivy has taken the role of older sister very seriously when it comes to Patrick while Michael has very little interest in his little sibling as he can't play with him so he happily runs after Teo, Robert's new puppy from Violet.
Mary is still down after what had happened at the races and with Henry. Despite her insistence that she is fine, Emma can see that she has withdrawn slightly and is not laughing as much though holding baby Patrick does bring out warm smiles from her.
Edith is also feeling a mixture of emotions. She had quietly confessed to Emma that Bertie had proposed when they had been up in London but she has not said yes yet as she hasn't confessed to him who Marigold really is. Emma hopes she'll tell him soon as she really doesn't want another Mary and Matthew situation when Matthew had proposed the first time.
Rosamund has also come to stay, apparently because of a cold though Emma has her suspicions that she's hear because of Edith. Not that Emma would complain, she likes Rosamund and Edith is quite close with her aunt so it only makes sense she would have her support.
Not everyone is down in the dumps. Mr Molesley had done well in his exam and has been offered a teaching position at the local School where he'll be doing a couple of lessons a week. Whereas Mrs Patmore's new house in Houghton-Le-Skerne, a little to the north of Downton, on the border with County Durham, has already received its first guests in its function as a bed and breakfast.
——
"A house of ill repute." Emma splutters, trying not to laugh but horrendously failing.
Mary sniggers. "That's what Anna said. Of course we all feel sorry for her."
The two look at each other, trying to keep a straight face before they both splutter with laughter again as they cross the Great Hall to enter the Drawing room.
Mary had told her what Anna had told her. Sargent Willis had come round (again) to inform Mrs Patmore that her first guest had not been as respectable as she first thought. A Mr Ian McKidd and a Mrs Dorris had decided to use Mrs Patmore's bed and breakfast as a little hideaway as they run from Mrs Dorrit's husband who's suing Mr. McKidd for damages related to adultery leading to Mrs Patmore's bed and breakfast gaining the label of a site of a house of ill repute.
Emma sniggers out a laugh as she recalls Anna's hilarious description of a shocked Mrs Patmore. Oh dear, of all the people it should happen to, it had to be the naïve and innocent cook.
Emma stops Mary at the door to the Drawing room. "Now, I know you can't help yourself, but we need to be sombre for Edith's sake, alright?"
Bertie's cousin, Peter Pelham, 6th Marquess of Hexham, had died from malaria while travelling in Tangiers late last month. This only just puts another level of strain on Bertie's proposal to Edith no doubt.
Mary rolls her eyes and huffs, "Who cares? He probably won't have a job now, my romance might not be the only one to come to an untimely end."
"Exactly what I mean, keep your gleefulness to yourself." Emma retorts as they enter the room.
——
They all have assembled ahead of dinner with the addition of Isobel. The only one missing is Edith. The mood is rather subdued. 
"Poor Mr Pelham. First that terrible day at the race track, and then to hear his cousin's died." Cora says.
"It does seem very hard." Isobel agrees.
Edith walks in. Robert and Billy rise to stand next to Tom who already stands next to the settee that Emma sits on along with Cora and Mary.
"Did you get hold of him?" Emma asks her, concerned.
"Yes. He's coming tomorrow, on the first leg of his trip to Tangiers. I've asked him here." Edith replies as she moves to stand in front of them all.
"Good." Cora agrees.
"How is he?" Billy asks, concerned.
"Sad." Edith sighs. "He loved his cousin, and it was all so quick. The trouble is they've already buried him. Bertie's not sure what to do."
"Well, that's ordinary in hot countries. It won't mean any disrespect." Isobel reassures her.
"No. But should they leave him there?"
"Surely that decision is down to the new Marquess, not to Bertie?" Mary asks, her tone isn't kind, more irritated.
"Well, that's the thing. He is the new Marquess. Bertie."
There's an astonished silence after Edith's announcement as they take in the news. Emma watches in concern as Mary's face morphs from smugness to annoyed disbelief.
"Bertie Pelham is now the Marquess of Hexham?" Robert asks in a tone of utter disbelief though not out of unkindness, more shock.
"Yes."
"Nonsense. He's having you on. He'd have told you if he was the heir." Mary remarks, almost ready to laugh at the whole situation.
But Edith remains serious and cool. "He did tell me. But his cousin was in his thirties, and they all knew the girl he was going to marry."
"But that's absurd! If Bertie's a marquess, then Edith–" 
"Edith would outrank us all. Yes. That's right." Robert says, interrupting Mary and starting to laugh at the whole situation.
Rosamund and Isobel join in his laugh, but Cora and Mary, like Emma, don't, though she knows Cora's reasons are more like Emma's than Mary's.
"Was he a close relation?" Emma cuts in, still surprised as well as concerned. If Edith was unsure about accepting Bertie because of Marigold, what'll this do to the situation?
"Second cousin, once removed. Nobody thought it was possible he would ever inherit. Least of all Bertie." Edith replies.
"Well, he seemed like a nice young man to me." Isobel remarks.
"And getting nicer by the minute." Rosamund quips mischievously causing her and Isobel to let out another giggle. They're having such fun over this.
"With a real love of Brancaster." Tom adds.
"Golly gum drops! What a turn-up!" Robert says gleefully.
The door opens to emit Mr Carson.
Cora takes the cue. "That's dinner." She rises to her feet. "If we're not too distracted to eat."
Isobel, Rosamund, Billy, Robert and Edith walk out first. Cora, Emma, Tom and Mary hang back.
"So we'll all bow and curtsy to Edith. You'll enjoy that, Mary." Tom quips at the disgruntled sister.
"Hardly." Mary scoffs dismissively. "And if Bertie is Lord Hexham, which I still don't believe, he won't want to marry her now."
"Careful, or people will think you're jealous, dear. We don't want that." Cora says gravely as they all file out past Mr Carson.
Emma can't but feel this'll end badly.
——
They're at their after-dinner coffee in the drawing room. Only Robert has gone to bed early again. Cora, Rosamund, Isobel and Edith sit chatting together, laughing. Emma overhears mention of poor Mrs Patmore's situation but she is absorbed in her own private conversation with Tom, Billy and Mary.
"I had a call from Henry earlier." Tom remarks.
Mary looks startled but asks softly, "Henry? Why didn't you say?"
"He's saying it now." Emma says.
"How is he?" Mary asks anxiously.
"Mourning Charlie Rogers. Missing you." Tom answers.
"You're not to ask him to come here." Mary warns him sternly.
"Suppose he just turns up?" Billy remarks, trying and failing to be subtle about it. Emma narrows her eyes at her friend.
"Don't encourage him, Billy. None of you should. I mean it. We'd be wretched long term." Mary declares.
"And you're not wretched now?" Billy asks.
Mary sighs and moves away.
"She's right about one thing, you can't encourage him." Emma says to the two men next to her.
"But you see how sad she's been." Tom argues. "I think Henry needs to come."
"I don't know..."
"Oh, come on Emma." Billy scoffs. "She just needs to see him, to realise maybe she shouldn't have ended things with him."
Emma grimaces. "I just know it'll end badly."
"How?" Her husband questions.
"This is Mary we're talking about. She doesn't like her hand being forced and asking Henry to come will rile her up further than she is already with the Bertie situation." Emma explains her thinking. "She needs to come round to it in her own time."
"You don't know that." Billy says.
Emma rather thinks she does.
——
The next morning, Emma sits on one of the red settees across from Rosamund, who's flicking through a magazine, while Robert is writing at his desk, cradling Patrick in her arms as he has a quiet snooze.
They had received good news the day before, Daisy passed every paper she had taken with high marks. Emma remembers the little girl (one she had always found quite irritating) and is amazed to see her progress.
Cora comes in. "Where is everybody?"
"Mary and Tom are agenting, Billy's at work and Edith's gone to meet Bertie's train." Emma replies as Cora moves to sit next to her, reaching over to softly stroke Patrick's cheek. "I've just come back from being outside with the children. Apparently there was some important bug excavation needing to be done in the grounds."
This causes the adults to all chuckle.
Rosamund is the first to sober up. "Are we going to talk about it? Are we really going to sit by and let this young man's family and future be put at risk from a scandal we are hiding from him?"
"I don't think she has to tell everybody, but I agree. She must tell him. Then it's his choice." Cora answers.
"I agree." Emma declares. "This is the sort of thing you really should not keep secret from your spouse."
"Isn't it up to Edith?" Robert argues.
"From what I've learnt, we really shouldn't leave it up to your daughters." Emma retorts. 
Robert looks affronted at this and goes to reply but Rosamund cuts him off, "Robert is scared of Edith loosing a marriage worthy of the name because after Tony Gillingham had gone, he thought none of his daughters would make a marriage worthy of the name. Now there's a chance of one, and he can't bring himself to give it up!"
"You haven't got children. You don't understand these things." Robert retorts dismissively.
"No. I haven't had children, Robert, as you so kindly remind me, but I hope I do have a sense of decency." Rosamund cries angrily.
"How long are you planning to stay? Your cold must have cleared by now." Robert counters. Christ, the two are like children.
"Don't fight. Nothing's going to get better by you two falling out." Cora says in a sharp whisper as the door to the Library opens emitting Edith and Bertie, who walk in through the Small Library. The others rise to greet them.
Cora approaches them first. "Hello, Mr Pelham. I mean..."
"I'm going to stay Mr Pelham until the service." Bertie says, saving her the embarrassment. "But I wish you'd call me Bertie, anyway."
"Of course, hello Bertie." Emma greets warmly. "I don't believe you've met Patrick?"
"Er no." He accepts the baby, rocking him slightly and looking softly down at Patrick, who's just woken, staring at the unknown person in wonder.
"What sort of service will it be?" Robert asks.
"Not a funeral. I've decided not to disturb him." Bertie says, sounding almost choked up. Emma smiles softly as her son reaches and clasps Bertie's finger in a tight grip as if to comfort him. "I'll fetch his things and settle his debts and have a service at home to say goodbye."
"That sounds like a very good plan." Cora says.
"I hope you'll allow me to come." Edith says.
"I want you to come." Bertie says simultaneously warm and desperate.
"You remember my sister?" Robert indicates to Rosamund.
Emma takes Patrick from him so he can greet Edith's aunt properly.
Bertie walks towards the woman. "Of course. Lady Rosamund."
"This must be a strange and unsettling time for you." Rosamund says sympathetically.
"I'll say. My mother's cock-a-hoop," Bertie remarks, "but she doesn't appreciate that I was devoted to Cousin Peter."
"I'm sure she does." Cora assures him.
"Not really. Most people didn't get the point of him. He was... so delicate. But he was as kind to me as any man has ever been."
"Then how pleased he'd be to know that you're his heir." Emma says softly.
"That's so nice of you." Bertie's voice cracks as he begins crying in earnest. Edith puts a comforting hand on his arm. "Goodness. I'm afraid you've made me blub."
"Let me take you upstairs to unpack. Luncheon's not for half an hour." Edith tells him. They walk past the others and out by the other door.
Rosamund, deeply moved, turns to Robert. "And that's the man you want to trick into marriage?"
Robert lets out a huff. "I'm going for a walk." He walks out the other way.
"I agree." Cora says. "But Robert thinks Edith's had so little luck in her life."
"He can't be serious!" Emma scoffs. "Doesn't he know that she'll never be happy with such a secret dangling over her?"
"Exactly. We all know she's making a mistake." Rosamund says.
——
Bertie is more together by the time they all sit down for luncheon, attended by Mr Carson, Thomas, Mr Molesley and Andy. Isobel has joined them and Mary and Tom have returned from their agenting while Billy is still at work though had called earlier to see how Bertie is to which Emma could only tell him that he's in a bad way over his cousin.
"What was it about Tangiers that your cousin enjoyed so much?" Isobel asks Bertie as he sits next to her.
"Who knows?" Bertie replies. "He used to talk of going down to the beach and watching the young fishermen bring in the nets. How the setting sun would make the scene magical until everything was suddenly plunged into darkness." 
"Goodness. How... lyrical."
"He was lyrical. He was an artist. In his heart, anyway." Bertie says with a small soft smile.
Emma grins. "I like the sound of him."
"I don't think this family can boast much in the way of artists. Although we did have an aunt who was quite good at macramé." Robert quips. Everyone chuckles politely.
Mary, however, doesn't and speaks up, after having stared at Bertie the whole time with an odd look on her face that's been unnerving Emma, "So, are you here to settle things with Edith before you leave?"
This startles everyone. Everyone either gives shocked looks or frowns in Mary's direction for her being so indelicate. Emma is in the latter category. 
"Mary, please." Cora reprimands, astonished.
This doesn't deter Bertie. "I hope so. I hope we can get things settled, but I mustn't jump the gun." He gives Edith a hopeful smile.
"So, Bertie, you mentioned your mother, but what other family do you have?" Emma asks, happy to deter the conversation.
"That's it. My father's dead, obviously, there are no siblings. It's just me and Mother." Bertie answers.
"You were joking when you said she was cock-a-hoop, but she must feel a certain pride." Cora says.
"I wasn't joking," Bertie dissuades, "but judge for yourselves when you meet her."
"You talk as if we should be scared of her." Tom remarks.
"She makes Mr Squeers look like Florence Nightingale." Bertie quips. Everyone chuckles a little awkwardly. Edith looks rather alarmed. Oh, dear.
——
Later in the day, they're all gathered in the Library for tea and a puppet show. Tom and Bertie sit behind the booth and operate the puppets, one of whom is a Punch character who is whacking another character, a policeman, with a slapstick. Billy, Mary, Emma and Edith as well as Ivy, Michael, Sybbie, George and Marigold sit lined up on low stools in front of the booth to watch the show. Nanny Jean is in the background while the other Nanny, Margaret, is in the Nursery with Patrick as he naps. Robert, Cora and Rosamund are watching from the red settees.
"Take that! And that!" Tom as Punch, in a weird, high-pitched voice cries.
"Ow!" Bertie cries as the Policeman.
"Punch is terribly fierce. I don't think he's a good model for marriage in later life." Mary remarks.
"Or relations with the law." Robert says with a chuckle.
"Take that! And that! And that!" Tom says as Punch, still dealing out blows.
"Ouch, you rascal!" Bertie's policeman retorts.
"And that's the way to do it!" Tom makes Punch bow, and the show is over. Everyone claps and laughs. 
"Very good!" Billy compliments.
"Whoo, Daddy!" Ivy cheers.
Emma laughs. To think that she herself had watched a couple of Punch and Judy shows when she was a child, over 80 years in the future, and here her children are, in the past, watching a similar show. Funny how life works and things last.
Emma then hears Mr Carson clear his throat. "Er, Mr Talbot."
Wait what?
Emma turns around just as Mary does, both in surprise and alarm. There Henry Talbot is, trailing after the butler as they both come through the Small Library.
Cora rises to greet their guest. "Hello, Mr Talbot. Mary never told me you were coming."
"I didn't know he was." Comes Mary's reply.
Neither did Emma. She gives a sharp look to both Tom and Billy, who both avoid her gaze.
Henry stays near the exit, unsure of his welcome. Mary hasn't got up from her seat. "Well, the thing is, I was driving down from Durham and I suddenly realised I'd almost be passing the gates."
How convenient...
"What were you doing in Durham?" Rosamund asks, still seated and Robert walks up to Henry.
"Oh, I was doing various car things."
"We haven't seen you since that awful day at Brooklands. I hope you're coping with it all." Robert says.
"Well, one doesn't have much choice."
Mary approaches Tom and Billy with Emma trailing after her. "Did you two know about this?" She hisses in an accusing undertone.
"I might have said that if he was coming from Durham, then he'd be driving quite close." Tom says casually.
"Don't think I'm amused! I dislike my hand being forced." Mary retorts.
"Which is exactly what I told them." Emma quips.
"No one's forcing anything." Billy argues.
"Now you're here, I hope you'll stay the night at least." Cora says to Henry, drawing their attention back to the wider conversation.
"Mary?" Henry prompts hopefully.
"Perhaps Mr Talbot is in a hurry to get home?" Mary replies coolly.
"No, no I'm not."
"It's settled then. Carson, will you please tell Mrs Hughes? And ask someone to unpack for Mr Talbot." Cora instructs. Mr Carson sketches a bow and leaves.
Emma in the meantime helps Billy and Edith as they direct the children to Nanny. It's clearly best that they evacuate the area.
"I'm afraid you've missed tea." Robert says.
"Oh, don't worry about that." Henry dismisses.
"I won't." Mary retorts, forcing a cold smile. Mary sits down on one of the red settees, pretending to be interested in a magazine. 
While Henry approaches Bertie, Emma turns to Tom. "Pretty sure you and Billy have allowed Henry to make a bad miscalculation." She says as she watches how Mary is still pretending to read her magazine, but she's so nervous and upset that she opens and closes her hands convulsively, which is something they rarely see.
"Don't say that." Tom murmurs.
——
Mary comes walking up the staircase, followed by Tom and Emma. 
"This is so precisely not the way to win me over!" Mary snaps.
"Mary, will you just get off your high horse?" Tom retorts as they come to a stop on the landing.
Emma winces that. She'd made the executive decision not to say anything, not wanting Mary's anger to be misplaced towards her, Emma who hadn't done anything.
Mary turns back to him angrily. "Why are you interfering?"
"Because I love you and I want you to be happy."
"Well, you've got a bloody odd way of showing it!" Mary hisses.
"Well, I take it this is me you're fighting about?" Emma turns to see Henry catching up with them.
"Yes, it is. And you can dig yourself out. Because I've had enough." Emma huffs. "With all of you."
Mary scoffs as Emma and Tom walk away, leaving her and Henry alone. 
"I told you this wouldn't work." Emma murmurs to her husband.
"You're not helping!" Tom huffs.
——
Robert stands chatting to Bertie near the fireplace in the Drawing room after dinner. "How are you getting to Tangiers? Is there a boat that sails direct?"
"Actually, I'm flying. For the first bit, anyway." Bertie tells him.
Emma perks up in interest at that from where she sits in one of the chairs next to them.
"What?" Robert exclaims incredulously.
Bertie chuckles. "I know. It does seem rather daring."
"And impressive." Emma grins. She knows travel by air in this time is still rather new compared to her time.
"I do not envy you." Rosamund comments from where she sits in an armchair opposite.
"I don't know. Now the commercial airlines are starting to operate, I dare say we'll all be flying hither and thither before too long." Robert remarks.
"I rather doubt that." Rosamund says with a laugh.
Emma watches this all amusedly. "Well, I do. It's quicker and more efficient. People will want that."
On the other side of the room, Billy and Mary are having a conversation of their own. It clearly doesn't end well as Mary's then marching to the door in a huff. Henry walks out after her. Emma watches after them, worried.
——
Emma is giving Patrick the morning feed in the Nursery the next morning. The children are out with the Nannies so Emma has the room to herself for a short while.
Emma is just burping him when the quiet is disrupted by Tom angrily storming in. "I can't believe her!"
Emma helps Patrick do one last belch before pleasing him back in his cot and turns to her husband, "Tom? What's happened?"
"It's Mary. She forced Edith to tell Bertie about Marigold and now he's stormed off." Tom explains, trying to calm down but still breathing heavily out of anger.
Emma's jaw drops. "What?! Why?!"
"Henry's gone. It's all my fault, I should've stopped them from announcing it."
"Announcing what?"
"Edith has said yes to Bertie." Tom explains.
Well, that explains it all.
Emma sighs, coming over to stroke his upper arms. "It's not your fault. This is Mary we're talking about. Edith is happy, she isn't, so she's decided to be horrible."
"I know but I knew, I knew she was suspicious of Marigold. And I invited Henry over. I should've handled it better." Tom grumbles.
Emma presses her lips together, knowing any comments right now will not be helpful.
——
It's gotten worse, Bertie has now asked to be taken to the station. At the front door, a car stands ready with Andy in attendance. Emma stands with Robert and Tom as they wait for Bertie to get in, but he's walked a little way off into the park with Edith. 
Tom checks his wristwatch and sighs. "He'll miss his train."
"Let him miss it. He can catch the next one." Robert remarks. "What happened?"
"Apparently, Mary forced Edith to tell him about Marigold." Emma tells him.
"I wouldn't say forced." Tom argues.
Emma rolls her eyes. "It sounds like it to me."
"How did Mary find out?" Robert questions.
"Mary is not stupid." Tom replies.
"No. And she's not always kind, either. Was it really a mistake?"
"What difference does it make?"
They carry on watching Edith and Bertie. Emma wishes it was the opposite but she doesn't blame Bertie for being upset for not being told about Marigold. It isn't long before Bertie touches his hat and moves away, leaving Edith behind.
——
Mary sits in the Estate Agent's office, waiting for Tom to start their day's work. Emma walks in with a face like a thundercloud.
Mary frowns when she sees her. "Where's Tom?"
"Trying to clean up the mess you made, but don't worry, he's failed. Bertie has left for the train, and now Edith won't be the next Marchioness of Hexham." Emma replies hotly.
Mary shrugs calmly. "Well, that's not what I wanted."
Emma narrows her eyes and scoffs. "Isn't it?"
"I still can't believe she'd never told him. How was I to know that?" Mary responds, cool as a cucumber.
"Don't play the innocent with me." Emma warns her. "You should know better."
"I didn't mean it—"
"Don't lie!" Emma shouts at her. "Not to me! You can't stop ruining things! For Edith, for yourself! God, you're a literal child who sees their sibling has a shiny new toy. You'd pull in the sky if you could! Anything to make you feel less frightened and alone!"
"You saw Henry when he was here, high-handed, bullying, unapologetic. Am I expected to lower myself to his level and be grateful I'm allowed to do so? Tom and Billy brought him here. Why are you not yelling at them?" Mary retorts, no longer acting cool and working herself up into quite a passion now.
"Trust me, they've already had a telling off but only because they really should've known what you're like. I mean, just listen to yourself. 'Lower yourself to his level'. You're not a princess in The Prisoner of Zenda!" Emma cries in disbelief.
"I thought you of all people would understand me but you're just like the rest of them." Mary snaps.
"The amount of times I've stood by you, defended you but you've taken it too far!" Emma yells again. "You ruined Edith's life today! How many lives are you going to wreck just to smother your own misery?"
"I refuse to listen!" Mary says furiously, getting up from her chair.
She tries to leave but Emma doesn't move out of her way. Instead, she stares directly into Mary's eyes and calmly states, "You're a coward, Mary. Like all bullies, you're a coward." She marches out having hopefully given Mary a lot to think about.
——
"Christ, I can't– she– urggghhh!" Emma cries, unable to form proper sentences with how angry and frustrated she is. She paces her and Tom's room while her husband sits on the bench at the end of their bed.
"I'm glad you talked to her. I might've throttled her." Tom remarks.
"Don't put yourself down, I was quite close to it myself." Emma huffs. "What are we going to do?"
"I know a way we can sort this. At least partly." Tom tells her.
"How?"
"Violet."
Emma frowns. "Tom, she's somewhere in France. We have no way of contacting her."
"Well, actually. I do." Tom admits.
"Heh?"
He goes to the tallboy in the corner of their room, opens a drawer and pulls out a letter. "She wrote to me. I received it shortly after she'd gone."
He hands it to Emma and she takes it, reading it to see Violet genuinely had written to Tom, detailing where to contact her if need be. Emma grins.
"Why you're smiling?" Tom questions, slightly amused.
"It's funny. She clearly trusts you and to think how to her you were this odd foreigner to her once." Emma remarks.
"'Suppose. But we need to do this quickly." Tom says.
"The nannies usually take the children outside soon. What if we abscond ours and have a trip to the Village. What do you say Mr Branson?" Emma smirks at him.
Tom returns her smirk. "Why Mrs Branson, how clever you are."
——
Emma and Tom are walking through the Village, Emma walks next to Tomas he pushes along Patrick's pram with a letter in hand to drop off at the Post Office. Ivy and Michael are running about just ahead when Miss Baxter, who was rushing past, comes to s sudden stop.
The lady's maid is panting heavily with wide panicked eyes. "Mrs Branson, Emma, you need to come quickly."
"What's happened?" Emma questions, worried for the woman. Ivy and Michael have stopped up ahead, watching them curiously.
"It's Thomas."
That's all Emma needs to hear before her stomach drops to the centre of the Earth. 
She looks to Tom, who nods. "Go."
Emma flashes him a thankful smile before turning and beginning to run back to the house with Miss Baxter.
"Mama?" She hears Ivy call.
Not wanting her daughter to panic, Emma smiles calmly over her shoulder, slowing slightly. "Mama just forgotten something sweetheart."
Ivy accepts this and begins tugging Michael along with her to carry on playing.
——
(A/N: This is the suicide part.)
Emma and Miss Baxter hurry through the empty downstairs passage, looking for Thomas. They look in the Servants' Hall, the Boot room – empty. Emma ignores all the odd looks they're getting from the other servants as she has only one thing in mind. 
They move on to the stairs, barging past a surprised maid, Lucy, and enter the men's corridor. Andy is just exiting his room, pulling on his tailcoat, when they turn the corner.
"Does Mrs Hughes know you're on the men's side?" He says rather sternly to Miss Baxter before startling when seeing Emma. "Er, Mrs Branson—"
"Where is he?" Emma demands.
"Wha—"
"Mr Barrow. Where is he?"
"Er, he was going in for a bath."
Emma sees all colour leave Miss Baxter's face and she knows that her face has done the same thing.
"Oh, my God." Miss Baxter gasps. "Come with us!"
They rush past him, around a corner and to the door of the bathroom. Andy follows, alarmed.
"Hello!" Emma bangs on the door, Miss Baxter joins her. "Thomas! Are you in there?!" She tries the door handle, but the door is locked or bolted. She rattles it desperately. "Will you open this door?!" 
"Get back!" Andy instructs. 
Emma and Miss Baxter move back, the former has her hands in her hair, pulling in distress while the latter has her hands clapped to her mouth.
Andy aims a kick at the door, then another one. The second kick tears the bolt off the door frame, and the door bursts open. They rush in.
In the red-tiled room, Thomas has filled the bathtub with water and got into it, still wearing his undershirt and trousers. He's lying in it with his eyes closed, pale and lifeless. The water has a reddish tinge, and there's blood spatter on the sides of the tub, on his arms and on his chest.
"Oh, my God!" Andy gasps, horrified.
Emma goes into nursing mode, running towards him and surveying the damage before she starts tearing her underskirt into ribbons for makeshift bandages.
Miss Baxter turns to Andy. "Fetch Mrs Hughes. Send Anna for the doctor, but tell no one else what you've seen."
Andy runs out and Miss Baxter joins Emma by the bath. 
——
Emma and Miss Baxter have lifted Thomas' arms out of the bathtub and bandaged his wrists as best they can with the materials they have and are now cleaning him up, softly dabbing his face and arms with wet towels. In the meantime, Thomas had moved his head slightly but very weakly, which is a relief to see.
Both of them look up in alarm when footsteps approaching are heard and the door opens. But relax when they realise it's only Andy and Mrs Hughes. 
Mrs Hughes stands in the doorway for a moment, shocked at the sight, but then recovers quickly, closing the door for privacy. "Anna's gone for Doctor Clarkson."
"Good, we've bandaged his arms for now but we need help in getting him out, changing him out of his wet clothes and get him into bed." Emma tells them.
"I hope he won't mind if we undress him." Miss Baxter says.
"He's past minding if we put him in a shy and threw coconuts." Mrs Hughes remarks. "Now, you two take his feet and Andy and I will take an arm each."
They move to do as she said. Mrs Hughes and Andy each take Thomas under one arm while Emma and Miss Baxter move to the end of the tub.
"Has anyone told Lord Grantham?" Emma asks.
"Mr Carson's seeing to that."
"Right. Here goes." Andy says. 
They start pulling Thomas out of the tub. He opens his eyes a fraction and groans. Emma winces at that, her nurse façade falling slightly. 
They pause before having a go again.
——
Thomas groans awake.
"Thomas? Thomas?" Emma calls worriedly. They'd been able to get Thomas into his room and change him before Dr Clarkson's arrival. The doctor had been a let o treat him without needing to take him to Hospital.
Mr Carson had suggested the idea of telling everyone that Thomas is ill with influenza rather than what had happened. He doesn't want any more people than those who already do to know what happened. Emma agrees with it. As far as she is aware, suicide is a crime in England right now and will be until the latter half of the century. There's the worry that, because Thomas did not succeed, he risks being imprisoned or taken to the asylum. Though for Mr Carson, it's the additional huge scandal for the family. 
Robert and Mr Carson have also oh so graciously allowed Thomas to stay for the time being, to take needing to find a job off his mind, which they should have done or something similar at least in the first place.
Emma watches from where she sits at the edge of the bed as Thomas slowly blinks his eyes open. He frowns when he sees Emma, looking slowly over Dr Clarkson, Miss Baxter and Mrs Hughes, who stand behind her before it dawns on him. He suddenly pales.
"I—" His mouth is dry so Emma brings water to his lips to which he takes a sip.
"Mr Barrow, I was able to stitch you up, though Mrs Branson provided superb aid prior to my arrival, so you will not need to go to Hospital." Dr Clarkson kindly but professionally tells him. 
"Thank you, Dr Clarkson." Thomas mournfully replies, refusing to look up any anyone.
"And now you're awake and there's nothing else, I will leave you in the diligent care of Mrs Branson and your colleagues." Dr Clarkson adds.
"I'll take you to the door, Dr Clarkson." Mrs Hughes says. The two of them leave.
Miss Baxter lingers for a bit longer, flashing a small, pitying smile in Thomas' direction. "I glad to you're looking better." She says softly before leaving.
As soon as she's left, Thomas pulls a face. "I don't want her pity." Normally that would come out as a grumble but instead, he says it faintly almost like a ghost.
"She's cares for you so you're going to get it whether you like it or not." Emma quips softly.
"Why did you stop me?" He suddenly asks. He fiddles with his bandages to which Emma gently slaps his hands away.
"What? Other than the fact you're my friend and I don't want you to die?" Emma retorts, trying to keep it light.
"Well, you haven't been acting like my friend recently." Thomas retorts.
Emma's face drops. "Yeah, I know I haven't and I'm sorry but I'm my defence, you can be a real bastard sometimes."
"Yeah, I know." Thomas mumbles but this time there's a slight quirk at the corner of his mouth which isn't much but it's something.
(A/N: End of the main part of TW)
——
Emma continues to stay with him for the rest of the day before Miss Baxter takes over and Emma goes to join the others for dinner, at which she learns they'd also been informed of what had happened. 
Edith isn't there and has actually gone up to London. After Emma had left Tom, Edith had asked him if he could drive with her to the Station so he could take the car back to Downton. Apparently, the kids had a lot of fun in the spontaneous car ride.
The next day is largely the same though Anna and Miss Baxter take turns in relieving Emma and helping to look after Thomas. At one point in the day, Mary brings both Ivy and George up to visit with oranges to make him feel better. He's still weak and pale but a tad better on what he was yesterday, physically anyway.
Come Friday, Emma sits in the Library with Tom on her break from looking after Thomas/just generally keeping him company. Their on they're own as ROsmaund, Cora and Robert are getting ready for their tea at Mrs Pamtore's B & B. Rosamund had suggested it, to make a little news story out of it to help with Mrs Patmore regaining the bookings she lost due to the place being deemed a 'house if ill repute'. Emma's glad that's being sorted at least.
Emma is startled out of her musings when Andy comes striding into the room.
Tom looks up from his newspaper. "Andy?"
"The Dowager called, sir. She's returned to the Dowager House and is now making her way to Downton." He hurriedly informs them, a tad out of breath.
Both Emma and Tom's heads snap towards each other at a speed that really should've snapped their heads off.
"That was quick." Emma remarks. "You should go go to the door, Andy. Don't want her in a mood if there's no footman to greet her."
Andy nods and darts out of the room.
Violet's car comes up the drive to the house and halts at the front door. Andy comes out to meet it and opens the rear door for Violet to get out. Tom and Emma come hurrying out of the house to greet her.
"I can't believe you came!" Tom remarks in greeting.
"You made it sound so urgent." Violet retorts.
"Even so, we really appreciate it. Thank you." Emma says. They start moving towards the entrance together. "Was everything all right when you got home?"
"Well no, not really. Spratt has gone away." Violet complains, pulling them to a stop.
Okay, odd.
"Did you tell him you were coming back?" Tom questions.
"A good butler should not need to be told." Emma almost laughs at that but decides not to interrupt Violet as she continues with, "Now, where are they? My broken-hearted granddaughters?"
"It's just Mary. Edith's gone up to London. We didn't know when we wrote." Emma tells her as they continue walking towards the house.
"All the better." Violet says. "Oh, dnd after that's been sorted, I would rather like to meet Patrick."
Emma smiles a that. "Of course."
——
Thankfully, Mary is not mad at Tom or Emma for summoning Violet though in doing so has appears to have worked as Mary is much happier, ready to make peace with Edith as well as having sent a telegram to Henry to come as soon as he can today. If Mary wants him then Emma's happy for her.
By the time of his arrival, Billy has arrived home from work and stands anxiously with Emma, Tom and Mary in the Library as Henry walks in through the Small Library. The atmosphere is not exactly pleasantly relaxed here. Mary is extremely nervous, Henry looks confused and reserved, Tom is cautiously optimistic but not overly optimistic while Billy is reserved but hopeful. To be honest, Emma just feels exhausted and is just wishing for the sweet release of this being over.
"Well. That's it. We'll leave you to it." Tom announces.
Emma and Billy begin to follow him just as Tom moves to leave, but Henry's voice stops them.
"You don't have to go."
"Believe me, we do." Emma remarks.
"Exactly. We've been part of this courtship for quite long enough. It's for you to manage from here." Billy adds.
And they walk out and close the door behind them. Billy and Tom begin walking towards the stairs, crossing the Great Hall but Emma doesn't, slowing down her steps.
Billy's the one who catches what she's doing first. "Emma?"
"Wouldn't be weird for me to impatiently wait outside the door until I find out whether there'll be a wedding or not?" Emma tries to say it conversationally but instead, it's awkward and she's cringing.
The two men share a grin and Tom turns to her and says, "Weird but we won't stop you." And they both leave, chuckling.
Emma rolls her eyes and plonks herself on the closest chair by the door.
A short time later Mr Carson emerges from the door that leads to the servants' quarters at the corner of the Hall and moves to the door leading to the Library. He startles but recovers quite efficiently when he spots Emma.
"Mrs Branson?"
"Er, don't mind me Mr Carson. You just get on with your work." Emma says, trying to not act like she's just been caught red handed spying. Well, not spying but something close to that.
The butler looks at her baffled but does just that. Emma doesn't see what happens but she can tell he's startled at what he sees and then very quietly and discreetly moves back out of the room and closes the door again.
"I take it by you're expression it's good news?" Emma asks, grinning at the almost scandalised look on the man's face. She lets out a few quiet sniggers.
Just then, Mr Molesley arrives with tea on a tray.
Mr Carson outs up a hand to stop the footman when he reaches them. "Uh, give it a moment, Mr Molesley. Better give it a moment."
He gives Mr Molesley a very significant look, which Mr Molesley answers with a soundless "Ooooh!" when the penny drops.
To be honest this sends Emma from quietly sniggering to full-out laughter.
——
"What is it with men Mary is marrying making both you and Billy their best men?" Emma remarks as Tom shrugs on his mourning coat while Emma does his tie.
It's Saturday 22nd of August 1925 and it's the day Lady Mary Crawley and Mr Henry Talbot get married. Apparently, the two aren't hanging about. The last time he was here, Henry had brought a marriage licence nod conveniently, his uncle is a bishop which means they're able to marry at the earliest convenience which is this Saturday.
They're a little late getting ready and are moving at double the speed than they would've done if they hadn't gotten, er um, busy this morning.
Tom laughs. "It is strange that both of us will have been the best man at both if her weddings."
"Funnier things have happened," Emma remarks as she steps away from him and turns to her dresser to slip on her earrings and pull on her gloves. "Did you know Mr Carson had Henry have breakfast in bed so that there would be no chance of either Henry or Mary catching a glimpse of one another?"
"This is Mr Carson we're talking about. He wouldn't take any chances with Mary's happiness." Tom chuckles, as he places the flowers in his lapel and Emma hands him his hat.
Emma steps back to look at him but not before stroking his lapels to make sure there are no creases. "There. You're all set and now you really must go."
Tom flashes her a grin and gives her a quick peck before he leaves the room to meet with Henry and Billy and make their way to the Church.
——
Emma had arrived in time to watch Anna do Mary's hair and put the finishing touches to Mary's wedding dress along with Cora and Rosamund. It's an altogether less romantic, more modern affair than at her wedding with Matthew, but still very elegant, because come on, it's Mary. 
The door opens. Edith comes in, still in her travelling clothes. She looks unsure and reserved.
"What? I don't believe it! Why didn't you say to expect you?" Cora exclaims in surprise as she, Rosamund and Emma all rise from their seats.
"Because I wasn't sure until I got on the train." Edith replies.
"How are you feeling?"
"Fine. Can you not ask me that for the rest of the day?"
Mary turns to Emma, Cora and Rosamund. "Could you leave us for a moment?"
"Of course." Her mother says.
Emma, Cora, Rosamund and Anna move towards the door. Anna opens it for the ladies. Cora pauses at Edith's side to stroke her arm encouragingly.
Emma gives her a warm smile. "I'll see to the children."
"We'll wait for you downstairs." Rosamund adds before they all finally leave. Hopefully, there'll be no blood to mop up or a body to hide.
——
Thankfully neither is true and they all arrive at the Church in one piece. The wedding goes swimmingly and they all soon find themselves emerging from the Church after the newly married Mr Henry Talbot and Lady Mary Talbot to applause and people showering the newly married couple with flower petals. They pause to kiss, to more cheering, then move on.
There's a horse-drawn carriage that Mary and Henry take their seat in before it moves off towards the Abbey.
"Better than ours do you think?" Tom asks after they finish waving it off.
"Nah, no wedding will beat ours, I'm certain." She flashes him a warm loving grin to which he kisses her. They pull apart and Emma adds, "Now, only one more Crawley sister to sought out."
Tom sighs. "Hopefully that won't take long."
Emma looks over to see Edith standing in the churchyard, watching Ivy, Marigold, Michael, Sybbie and George with a loving look on her face. The children are running and laughing and playing tag around Sybil's large stone tomb. 
Emma rather thinks it'll all turn out fine in the end. With any luck.
——
A/N: Can't believe I started this story just over two years ago and now I'm here with only one more TV episode to go and then it'll be the movies!!! Where does the time go?
Some facts that I thought might be useful:
Tallboy = tall cabinet
'Punch and Judy' is a traditional British puppet show played from a booth, featuring Mr. Punch and his wife Judy as the main characters. Punch is a clownish creature, a jester and a trickster and most of the comedy comes from the other characters falling victim to Punch's slapstick. Punch speaks in a trademark squawky voice, which is traditionally achieved by the performer speaking through a squazzle, but with less discerning audiences like here, any silly voice alteration will do.
Although suicide itself is no longer a criminal act, under section 2 of the Suicide Act 1961 it remains a criminal offence for a third party to assist or encourage another to commit suicide.
Please leave comments on how you're enjoying this story and what you think.
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neroushalvaus · 2 years
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"You come into my pantry on the day my under-cook is to be married..."
A poorly-drawn premise for my dream plot for the second Downton movie: The kids get in trouble and Mr Barrow is the only one sneaky enough to trust with such a problem.
(Obviously he will help them, I just had this godfather-esque scene in my head and couldn't resist.)
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kimby1967 · 5 years
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downton-bridgerton · 2 years
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More DA 2 teaser trailer screenshots:
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the devil works hard, but DA fans work harder 😂😂😂 (x)
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torchwood-99 · 2 years
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Spoilers
New stills from Behind the Lens-Downton
Adorable Bertie playing with Marigold and George! And it looks like Molesley is getting dug into the film making (doubling my bet that he will help write the script to turn the film from a silent into a talkie)
https://www.youtube.com/watch?v=ZHo6Se7piGQ
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hitchell-mope · 7 months
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Good finale. Kinda wish it was more about Mary. But still. Good finale.
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emmybrown · 1 year
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much-brighter-ink · 3 years
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You know what could improve the sequel film even slightly? Bertie and Marigold father/daughter content. We could all use a little of that.
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