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#lucas howard
corpsemukbang · 2 years
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omg more characters. i drew this a while back and i still think its funny (based on a tweet i saw)
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diioonysus · 3 months
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women in art: helen of troy
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knightofmordred · 4 months
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happy 10yr anniversary to the musketeers !! we all love some bts pics, so ask and you shall receive !!
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coverpanelarchive · 3 months
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Catwoman #58 (2023)
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coolthingsguyslike · 2 months
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wwprice1 · 8 months
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Issue 57 of Catwoman was really good! Loved it’s focus on family dynamics!
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nihillist-blog · 10 months
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American Graffiti (1973)
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80smovies · 3 months
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thatmultifandomchick · 7 months
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Margot: We've been conducting an ongoing study to see what Lucas will and will not eat.
Isaiah: Grass? Yes!
Margot: Moss? Yes!!
Isabella: Leaves? Ohh, yes!
James: Shoelaces? Strange but true!
Isaiah: Worms? Sometimes!
Margot: Rocks? Usually nah.
James: Twigs? Usually!
Isabella: James’ cooking? Inconclusive!
Mr. Bratt: How did you... test this?
Margot: You just hand him stuff and say 'eat this' and if he eats it, he eats it.
Mr. Bratt: ... I don't know how to feel about this.
Nora: IS THAT WHERE ALL MY SPARE SHOELACES WENT?
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marblearkz · 7 months
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my friends, the haunted housewives of port lawernce polycule has just dropped
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atomic-chronoscaph · 1 year
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Willow - art by John Alvin (1988)
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corpsemukbang · 2 years
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I'm a kind of person, who'll read the spoilers, before starting the book/movie/etc.😅
So, what is condensed plot of EYHO?
i originally wrote something MUCH more indepth than this, then realised it was waaaay too long and detailed. so i've cut it down even more, i hope this is intriguing enough hehe
also i've decided to not go into depth with the ending quite yet. i'm feeling generous but not THAT generous lmao
MASSIVE spoilers ahead!!!!!
It begins with a total of three murders and a murderous cannibal lady on the loose, and Sage, a crime investigator, wanting to earn some recognition for once. She's young and she's not the ideal detective white man like her other three coworkers, Wesley, Lucas and Ethan, so her opinion isn't taken into account very often. So of course, she understands that may change if she finds Ivyanna Sutherland, AKA the Cannibal of Westwood, through her own intuition.
The approach she takes is looked down upon, but she doesn't care. Analysing criminals' psyche is nothing new, and with a case as nonsensical as Sutherland's, it should clear a lot of water. In between analysing crime scenes, she comes to understand that Ivy doesn't match the profile of a killer at all, and in fact seemed like... a very nice woman. Nothing was clicking, up until one day where Sage feels responsible for a victim's demise. After venturing into the woods that surrounds the town out of desperation to find any trace of her, she finds herself talking to a person she can't even see. They claim not to be local, just hiking through, and out of her exasperation, Sage shares as much about the case as she can, if not a little more than she should. Things like how Ivy showed no signs of cannibalistic tendencies, no urges to kill, how strange it was that she survived falling off of a ravine... And the only motivation she could find was for her first victim: her ex-husband, Sean Jackson. The stranger takes interest in this in particular, as well as Sage's theory in there being abuse that had been covered up due to Jackson's status as police chief. So much so that they invite Sage to come back into the woods the following day.
Of course, that person was no hiker. They reveal themselves to be Ivy Sutherland herself. Again, it makes no sense, as so far Ivy has killed all of her witnesses, but instead she decides to give Sage her time of day, letting her ask her questions (and answer them poorly) and not have any intention of harming her. It does mean Sage can't share her meeting with her with anyone, or they'd think terribly of her.
Despite the poorly answered questions though, she finds a possible missing link between the victims: similar to Sean Jackson, they all have something despicable to their name. Some terrible form of abuse that they would have otherwise gotten away with. She confirms this belief with the next murder not a day later, when she meets up with the victim's sister, Jessica, beforehand, who had very few good things to say about him. Before finding that mutilated body however, Ivy decided to pay her another visit, and may have accidentally stolen her phone in the process. Oops.
In a quest to get her phone back, Sage is forced to pay Ivy a third visit. On their joint quest to find where Ivy left it, Sage takes the opportunity to find out more about Ivy and to answer questions about her that she still couldn't make sense of, as well as trying her best to not enjoy her time with her, or the way Ivy compliments her skills...
Then when she finally hits a nerve, Ivy decides to answer Sage's other questions by purposely falling from a great height. Upon finding her she has no pulse, but sure enough, she's not dead. Sort of. She's undead. She's not entirely human. Or something. It's bizarre and Sage can hardly believe it, but once taking a moment to observe her body, her inhumane features... It makes sense.
Now the only thing that doesn't make sense is why Sage enjoyed watching her kill that night, when they bumped into a group of patroling police. Why can't she get the strange woman off of her mind?
Amongst that, she starts to notice... changes within Westwood. People have started to notice a pattern in the murders, that the murder victims may have not been very nice people to be around, mixed with doubts within the police force. So much so that a protest forms based around those very things, led by a journalist named Crystal, who Sage finds out knew Ivy before all this began. The protest gets interrupted by cops, and then by Ivy herself, who leads the police, Sage, and her coworker Wesley to a horrific scene. Wesley especially is affected, and takes his anger out on Sage after the fact, letting her know that she isn't welcome on their team.
Fearful for her career, Sage is forced to make a decision. She meets up with Ivy again, this time seemingly with no work-related intentions. They spend a whole day together, bonding and talking, with Ivy showing Sage where she's been hiding.
Big mistake.
Sage leads her team to the hideout, the closest they have ever gotten to tracking her down. It was by chance that Ivy wasn't 'home', so it is still seen as a big step forward. It's like she flipped a switch, with Ethan praising her and inviting her to a night out. Finally she was being taken seriously, and yet she was racked with guilt.
She stays behind in those woods and finds Ivy, who is pissed that Sage broke her trust. Though she can't bring herself to kill her, she does chase her off. Sage knew it had to happen eventually, so why did she feel so empty?
Well, as it turns out, feeling like you restored the status quo of a misogynist-driven town isn't all that great. Neither is Ethan, who she thought was finally starting to respect her, revealing he's attracted to her. Neither is Wesley threatening to assault her, if not worse.
Running away from all of that and finding Ivy again... That's much better.
Sure, she'll have to go back eventually, but she can spend the night with her. And the day too. And perhaps assist her in a murder. Or three....
She knows there will be consequences for this, but she doesn't really mind. She's glad to be with Ivy, and to be doing something a little more satisfying that bringing a woman, who she understands is just very hurt and angry, to so-called justice.
What's the worst that could happen, hm?
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vince-noir-666 · 7 months
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Source
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theactioneer · 1 year
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Val Kilmer, Willow (1988)
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blueeyeddarkknight · 1 month
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The gnarly (but hilarious) pig transformation that used to give me nightmares as a kid 😳 🙆🧙 🐗
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From the making of Willow documentary
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The pig/human hybrid reference prop from the movie
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Imma end it on a sweet note ⚔️ 💋 🔥
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highwaylife · 4 months
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GOOSEBUMPS (2023) | SEASON 1
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