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2nd-mushroom-circle · 1 year

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TRUE CRIME HAMLET

OK SO:

Hamlet asked them to tell the story. That’s what gets Horatio, in the end. They’d much rather hide in the basement and watch youtube videos until they disappear into the black hole in their bed, but Hamlet asked them to tell it. And Horatio has never been able to deny Hamlet, well, anything.

Besides. There’s still that piece of them that feels like it’s never left that moment, kneeling in a pool of blood in the parking lot of an abandoned 7-11, watching the world collapse around them. There’s still the part of them that wishes someone else knew, someone other than stupid fucking Osric, who moved away as soon as the investigation ended. Maybe, they tell themself, maybe if they tell the story all the way through, so everyone knows, maybe they’ll stop feeling so broken.

So Horatio calls up Fortinbras, the journalist that pitched the show, and tells her that they’ll accept her offer.

The idea is a video (probably) web series, with Horatio as the narrator and Fortinbras occasionally interjecting with an outside perspective, with the help of found footage and eyewitness interviews. It’s not quite true crime, since Horatio already knows what happened and isn’t interested in sensationalizing it, but we do get some of the “unsolved murder” stuff with Fortinbras’s narration. (She gets really into the ghost.) The heart and soul of this adaptation is the idea of being a sole survivor, and Horatio learning to deal with the grief and trauma they’ve been left. They didn’t even live at Elsinore. They didn’t know Hamlet Sr and they barely knew anyone else there, and now they’re the only one carrying the weight of this massive tragedy.

Except, they’re not. (Because I’m not evil or because I love Ophelia too much, take your pick.) Over the course of the show they bring in interviews from the few surviving eyewitnesses. It turns out, Rosencrantz and Guildenstern are alive. And so is our favorite girl!! Because I have altogether too many thoughts about young women and mental health, Ophelia did suffer a breakdown but instead of committing suicide was sent to a psychiatric institution. This meant that she avoided the worst of the chaos at Elsinore. I haven’t exactly figured out what the fallout of the play looked like for her, although it certainly wouldn’t have been pretty, but I feel very strongly about Ophelia and Horatio helping each other heal throughout the latter half of the series. They both deserve a break. And really, after a play that showed the breaking down of twisted and strained relationships, it feels right to have the survivors build new and stronger ones on the razed earth.

Also, Horatio says fuck.

#i am so tired i hope this is comprehensible #horatio uses they/them pronouns btw #maybe i will add to this later and talk about vernacular #i’ve been switching between actual shakespeare and modern english and having lots of fun with it #hamlet #shakespeare #i gotta talk about ophelia in this adaptation in a way that like. makes sense but another day

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aroaessidhe · 1 year

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2023 reads // twitter thread

Hamlet, Prince of Robots

a short fun scene-for-scene queer Hamlet retelling, but where they’re androids &/or employees within a powerful tech company

gay ace hamlet & aroace ophelia

#Hamlet Prince of Robots #aroaessidhe 2023 reads #ok like 'fun' but it does still end tragically i guess #this is. fine! t's short #to be clear the aceness is brought up like once and doesn't use the words #(but like their platonic friendship is brought up a lot)#the language is like. shakespeary. but then suddenly very modern randomly. and there's some dumb jokes #kinda teetering on that line of is this Stylistic Choice is it just messy #as someone who is only lightly familiar with the original (via retellings) i feel like it maybe could have gone in its own direction instead #of trying to stick to the exact events but Roboty. but it might have lost its way trying to do that also #also he makes them watch lion king?? djfghfd

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snowshinobi · 2 years

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you guys think Kyojuro has blorbos from his plays. you think he goes on passionate rants about colors and symbolism and even, like, shipping discourse? Senjuro has heard each rant a couple hundred times but he humors Kyo anyway. what Kyo needs is a blog

#IMAGINE MODERN AU RENGOKU KYOJURO HAVING A TUMBLR PRESENCE. IM GONNA CRY #im gonna call it. Kyo would be a Hamlet guy. Hamlet is the first western play he consumes and he's obsessed with it for multiple months #ok Kyo's actual favorite is Horatio but he's also got a soft spot for Laertes bc y'know. older brother. going through some shit #Senjuro adores Ophelia and spends a lot of time thinking about the flowers she gives out and what she must've been thinking #demon slayer #rengoku kyojuro #Rengoku #rengoku senjuro #Senjuro #snowswords #snowfire #Rengoku family chaos

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saulgoodmanfatnaturals · 2 years

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saw robert icke’s hamlet with alex lawther and i am not the same person i was before

#so so many thoughts on this production i can’t even begin to start #most heartbreaking and beautiful thing ive ever seen i was crying on the train home #alex lawther’s hamlet is so vulnerable that it hurts to watch him change as the narrarive progresses #icke did a wonderful job of involving the audience and making us susceptible #this production touches a lot on the issue of modern surveillance so the audience being drawn in helps greatly #house lights came on very dimly whenever hamlet had a soliloquy as an example of this #and many of the characters come on from the house during their entrances and exits rather than the stage itself #i have so many more thoughts on this beautiful production i’ll have to compile them somewhere #hamlet #william shakespeare #robert icke #alex lawther

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allieebobo · 8 months

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Do you have any if recommendation?

Ooh! I have really, really bad memory(!!) but these are current faves that I have played/replayed recently that I can think of. A lot of the authors are also THE BEST HUMAN BEINGS EVER. So, double recommendation.

I probably missed a bunch out, so take this as a non-exhaustive list! In no particular order:

(Edit: Added some descriptions but yeah I got a little unhinged so I'm sorry nothing makes sense or if the quality of the write-up went down over time/did not actually give you any useful info)

WIPs with demos

Citadel, @bouncyballcitadel (I think of all the IFs on this list, this one makes me sweat the most. And I've said it once and I'll say it again: the dialogue is so snappy and well-written, and characters are SO DAMNED LOVEABLE.)

Infamous, @infamous-if (I've been manifesting Band/Musician IFs for the longest time, and then this popped up! I've even played Choice of a Rockstar, that's how desperate I was... Anyway, this is legions better than that. Angsty ex routes are my kryptonite, and Seven is just. Inevitable.)

Defiled Hearts: The Barbarian, @defiledheartsblog (I went into this wanting something juicy and fun/historical—and it's all of those things, but I didn't expect it to be so damned funny, too. The ROs are all impeccable.)

Raiders of the Caravan and Apartment 3-3, @leftski-if (A'ight listen, fantasy slice-of-life is my fave genre, and these are IT. Like, everything I never knew I needed in my life, and SO cozy/wholesome, with a cast of characters that I want to befriend in real life.)

The Adventures of Sherlock Holmes: An Affair of the Heart @doriana-gray-games (First off, the customization in this game is INSANE, and the branching too. I've replayed a couple of times and the little variations I discover each time just blows my mind. Secondly, it's so funny and written so well. Ngl I'm not a Sherlock fan but that's just testament to how amazing this IF is.)

When Life Gives You Lemons, @when-life-gives-you-lemonssss (Modern slice-of-life with an adorable kid, a bunch of hot ROs, CC. Hill's humor, what can I say?)

Golden @milaswriting (Really interesting world-building, one of the coolest fictional cities I've read in an IF, AND I'm obsessed with the ROs, in particular K de la Renta. Also Mila is such an awesome writer, I'm beyond excited for @beyondthegame.)

A Tale of Crowns @ataleofcrowns (This game is beautiful, polished, and SO exciting. Honestly, it looks like the kind of game created by a whole-ass game studio and would cost $50 to buy, it's that good. I really got swept up by this IF—probably played it all in one go.)

Rougi @rougi-if (Again, another game with scrumptious visuals/UI and also is just so well-crafted. I love the premise too, it's so original and fresh.)

Scout: An Apocalypse Story @anya-dev (Unfortunately this one might be on hiatus but I am/was really, really obsessed.)

Wayfarer @idrellegames (Love the game mechanics of this one, and the visuals. Probably controversial, but I like the D&D / random dice effect. And I also like the fact that it feels like an old-school RPG.)

Chop shop @losergames (The premise is all I needed to be sold, really—I'd always wanted to buy GTA as a kid but my parents were like NO WAY. Anyway, this IF did not disappoint, and let me live all my childhood dreams.)

Edit: AHH! How could I forget, one of my recent faves, Folksaga @folksaga-if (Lush atmospheric writing, super unique premise—norse mythology, plus I'm head over heels for Katla).

Completed IFs

Butterfly Soup 1 and 2 @brianna-lei (these are completed and I will never not promote them. Honestly the most adorable, wholesome, funny sports/coming-of-age IF I've read)

Elsinore: After Hamlet @lapinlunairegames (Insanely cool premise, insanely cool execution)

The Thick Table Tavern @manonamora-if (I love bar/tavern games, and this one actually lets you mix drinks! Instant fave.)

Other HGs/COGs I love: Slammed, Tin Star, Fallen Hero, If it pleases the court, A Player's Heart (these last two are so underrated, though I guess cause it's mainly wlw)

#asks #if #IF recommendations #other IFs #interactive fiction

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salvadorbonaparte · 1 year

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Since my big Languages and Linguistics MEGA folder post is approaching 200k notes (wow) I am celebrating with some highlights from my collection:

Africa: over 90 languages so far. The Swahili and Amharic resources are pretty decent so far and I'm constantly on the lookout for more languages and more resources.

The Americas: over 100 languages of North America and over 80 languages of Central and South America and the Caribbean. Check out the different varieties for Quechua and my Navajo followers are invited to check out the selection of Navajo books, some of which are apparently rare to come by in print.

Ancient and Medieval Languages: "only" 18 languages so far but I'm pretty pleased with the selection of Latin and Old/Middle English books.

Asia: over 130 languages and I want to highlight the diversity of 16 Arabic dialects covered.

Australia: over 40 languages so far.

Constructed Languages: over a dozen languages, including Hamlet in the original Klingon.

Creoles: two dozen languages and some materials on creole linguistics.

Europe: over 60 languages. I want to highlight the generous donations I have received, including but not limited to Aragonese, Catalan, Occitan and 6 Sámi languages. I also want to highlight the Spanish literature section and a growing collection of World Englishes.

Eurasia: over 25 languages that were classified as Eurasian to avoid discussions whether they belong in Europe or Asia. If you can't find a language in either folder it might be there.

History, Culture, Science etc: Everything not language related but interesting, including a collection of "very short introductions", a growing collection of queer and gender studies books, a lot on horror and monsters, a varied history section (with a hidden compartment of the Aubreyad books ssshhhh), and small collections from everything like ethnobotany to travel guides.

Jewish Languages: 8 languages, a pretty extensive selection of Yiddish textbooks, grammars, dictionaries and literature, as well as several books on Jewish religion, culture and history.

Linguistics: 15 folders and a little bit of everything, including pop linguistics for people who want to get started. You can also find a lot of the books I used during my linguistics degree in several folders, especially the sociolinguistics one.

Literature: I have a collection of classic and modern classic literature, poetry and short stories, with a focus on the over 140 poetry collections from around the world so far.

Polynesia, Micronesia, Melanesia: over 40 languages and I want to highlight the collection for Māori, Cook Islands Māori and Moriori.

Programming Languages: Not often included in these lists but I got some for you (roughly 5)

Sign Languages: over 30 languages and books on sign language histories and Deaf cultures. I want to highlight especially the book on Martha's Vineyard Sign Language and the biography of Laura Redden Searing.

Translation Studies: Everything a translation student needs with a growing audiovisual translation collection

And the best news: the folders are still being updated regularly!

#Langblr #Lingblr

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hamletthedane · 10 months

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Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

#hamlet #hamlet meta #hamlet’s age #this obviously does NOT imply anything about being 30yo btw #any age is a good age to be driven to madness by guilt and grief #It’s just very usual for shakespeare to describe somebody well past their apprentice age as a ‘youth’ SO MUCH #and that makes those lines very interesting #shut up e #willy shakes #posting this while EXHAUSTED going to see a million errors and tone problems tomorrow sorry in advance yall #**very unusual #long post #posting Hamlet meta like it’s 2014 hell yeah

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flowerandblood · 6 months

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💀 My Favorite Fanfics 💀

my works that I am most proud of because I can

As an author, I wonder a lot about what I'm doing wrong, but sometimes I'm also proud of what I've done right. This is my personal selection of my favorite works, series and oneshots, which I sometimes come back to and think that I still really like them. If you don't know where to start reading my stories, start with these!

Smut: 💦 | Angst: 💣| Dark: 💀 | Fans favs: ✨ | Top rated: ⭐

Fall from the Heavens 💦💣💀⭐✨

[ dark • Aemond x Strong • niece female ]

The Gate of Salvation 💦💣✨

[ young pope • Aemond x catholic • female ]

Glass Cuts Deepest 💦💣⭐✨

[ professor! • Aemond x student! • female ]

The Man in the Black Mask 💦💣💀✨

[ Amor • Aemond x Psyche • female ]

Flowers and Throns 💦💣⭐✨

[ canon • Aemond x courtesan • female ]

The Downfall 💦💣

[ Hamlet • dark Aemond x Ophelia • female ]

Object of Desire 💦💣💀⭐✨

[ dark • Aemond x Arryn • widow female ]

The Temple of the God 💦💣✨

[ Ares • Ettore x Aphrodite • female ]

The Knight & The Judge 💦💣💀✨

[ modern Frollo • Aemond x Esmeralda • female ]

Appearances 💦💣⭐✨

[ canon • Aemond x little sister • female ]

Rage | Revenge | Relief 💦💣⭐

[ modern! • Aemond x stepsister! • female ]

The Taste of Shame 💦💣⭐✨

[ dom!mod • Aemond x friend sister • female ]

The Taste of Desire (AU) 💦💣⭐✨

[ dom!mod • Aemond x friend sister • female ]

The Evening Star 💦💣💀⭐✨

[ Hades • Aemond x Persephone • female ]

The Softest Whisper 💦💣⭐✨

[ Aemond • Targaryen x servant! • female ]

The Second One 💦💣⭐✨

[ modern • Aemond x Alys!sister • female ]

Rip my heart, heal my soul 💦💣💀⭐

[ Jack the Ripper • modern!Aemond x female ]

The Impossible Choice 💦💣⭐✨

[ Aemond • Targaryen x Baratheon! • female ]

Girl with a Pearl Earring 💦💣⭐✨

[ modern! photographer • Aemond x female ]

Green Snake, Red Lion 💦💣✨

[ Slytherin • Aemond x Gryffindor • female ]

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fangirltothefullest · 5 months

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Can I ask a question? I like your sanders sides a lot and you give them a lot of personality in their designs! How do you make them like that? Or I guess I mean, what inspires you to make them the way that you do? I want to draw the sides but I'm not sure how to start other than their canon designs!

Oh my goodness I LOVE this question! For me, it's all about the feelings you get when you see them and the vibes I want to express. The Sides embody, to me, more than an aesthetic it should also encompass personality, role, and intention. In other words, I match their aesthetics to their function and the intent of what I feel like Thomas originally intended for them for their first short videos before they were actual sides.

Let us pick Roman, because even though people say he's not, he tends to be everyone's favourite to reblog fro me because he's pretty.

So I started by drawing him exactly as he was and to me he felt flat- in the show he's exactly as he should be but I am an artist and to me he feels more than what he looks like- it's dreamy, it's romantic, it's like he's giving childhood favouritre Disney Prince vibes, you know?

Inspiration 1: Prince Phillip

Hands down the biggest inspiration comes from him because he IS my favourite disney prince. Just looks a the hair swoop and the eyelashes- perfect. So I went ok my favourite Disney Prince is Phillip, let's start here. Before the CGI movies, there was such a romantic feeling about classic Disney princess movies and I've always loved the romantic feeling of Sleeping Beauty. The backgrounds are stunning, the way she's animated makes my bi ass give heart eyes and I loved that he was the only prince at the time who had a personality (until Beast but that's a whole other can of worms because he started out as an asshole/grumpy). I feel like modern Disney movies miss a lot of the romantic dreamy feeling of the older 2d movies because there was such care into the painted backgrounds being LESS realistic and more a fabulous idea of what a background should be and AHA! MORE INSPIRATION~! Let's make Roman a fabulous romantic idea of what a prince should be!

Inspiration 2: Faerietale Knights in Shining Armour

Our ideas of medieval knights are nothing like actual knights which are more reminiscent of hired military and enforcers. Our ideas of faerietale knights in shining armour are brave knights who would go off to kill a dragon to show their devotion to the one they love. Sword fighting heroes- is that not Roman if not an idealized romantic "royal knight wants to win the heart of the love with courageous deeds, acts of chivalry, selfless devotion" etc. Prince Phillip is a good model of this. Defeats a dragon and true love's kiss saves the day. A perfect romantic dream isn't it? Realistic? No of course not, but Roman isn't realistic he's creativity and romance which absolutely ignores practicality for the dream.

So we have this culmination of dreamy romantic disney prince and faerietale influence.

Now it's about aesthetics- Roman is reds and golds and whites, all royal colours typically associated with bravery, lineage, and strength and purity etc.

Inspiration 3: Media referencing

So let's find some movie or media equivalence I can reference. They came mostly in the forms of Narnia and Once Upon a Time.

So some aesthetic inspirations for belts and textures, missing the epaulets.... so to military garb!

Inspiration 4: Russian royals

Let's face it no one does embellishments like this any more <3

Inspiration 5: Lions

Roman's colours being red gold and white give me lion inspiration too so I looked up royal lion iconography as well (which ended up with a lot of lion king in the search because this was before AI but like.... it's not incorrect and the wavy flowy mane acted like hair. If Hamlet with lions is inspiring then use it, right? that have some AMAZING lion king-style artists on deviantart to get inspired by, it's a whole thing, mad respect) But ANYWAYS it gave me some cool stuff to be inspired by too.

Inspiration 6: Classic Golden Age Hollysood Leading Ladies (Note that this isn't femme fatales, because for Janus I used femme fatales as inspiration)

I knew that I just HAD to give Roman that Marilyn Monroe beauty mark, yes he paints it on every day yes it's in the same spot every day yes it's necessary.

Ultimately this culminated in a checklist of things that I wanted for him:

He must give the feeling of Prince Phillip in disney prince style

I wanted him to have flowey hair that makes him look softer and romantic and can be pulled up into a ponytail if necessary.

Must have a beauty mark and eyelashes that go on for ages reminiscent of old hollywood ladies, and let's throw in nail polish too.

I wanted him to have an outfit that would be his original but embellished to hell that can be like Narnia or OUaT in terms of texture and added stuff. It needed more gold, 100% needed epaulets (the shoulder things with the dangly rstuff), and it needed a belt where a sword could be attached. Danglies not always necessary, but look really good when done and is reminiscent of old fashioned military garb and Russian royalty.

He needed to look like he's used to wearing this outfit every single day and going out of his way to do so.

Ended up with this:

So yeah that's how I got to his design!

#sanders sides #tashiarts #how i get inspiration

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consanguinitatum · 5 months

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David as Benedick in Much Ado About Nothing (the first time he did it, that is!)

David Tennant fans are aware of 2011's brilliant Much Ado About Nothing, in which DT starred as Benedick, alongside Catherine Tate as Beatrice. Filmed at the Wyndham's Theatre in London and directed by Josie Rourke, the production was recorded and offered on Digital Theatre.

But did you know David had played Benedick before?

Yep - he sure has!

It was in 2001, a full decade before his production with Catherine.

Beginning in 1999, BBC Radio 3 launched Shakespeare For The Millennium, an ambitious project to dramatize seventeen Shakespeare productions in four years.

The project was done in collaboration with BBC Worldwide, which emphasized it wanted to take a contemporary, innovative approach to the Bard. It launched on 12 September 1999 with a Shakespeare discussion panel, and a new production of Hamlet -- starring none other than Michael Sheen as the Dane!

On 23 September 2001, BBC Radio 3 broadcast a new production of Much Ado About Nothing as the Sunday Play, with David in the lead role as Benedick and Samantha Spiro as Beatrice. Adapted by Sally Avens, it featured an introduction (as had all the previous productions in the Shakespeare For The Millennium series) by Richard Eyre, the former Director of the Royal National Theatre.

The production also starred a few other recognizable names. There was Chiwetel Ejiofor as Claudio, Emilia Fox as Hero, David Swift as Leonato, Julian Rhind-Tutt as Don John, and David Haig as Dogberry.

All original music was composed and performed by Simon Oakes and Adam Wolters.

Radio listings and announcements, and promo photos of David and Samantha Spiro

Here's a review of the prodcuction!

Much Ado About Nothing was commercially released by BBC Worldwide as part of the BBC Radio collection series in 2001.

The sleeve notes of cassettes and CDs of the production include a scene-by-scene synopsis, a full character analysis, and an essay on interpretation from the director Sally Avens.

Almost four years later, in November 2005, BBC One broadcast a television series called ShakespeaRe-Told, a set of four adaptations of Shakespeare's plays. Each play was adapted by a different writer, and all were relocated to the present day.

The first to be broadcast - on 7 November 2005 - was a modern-day version of Much Ado About Nothing starring Sarah Parrish and Damien Lewis...and Billie Piper and Nina Sosanya and Olivia Colman!

You can watch it here:

youtube

Six days after this television broadcast - on 13 November 2005 at 7:15 pm - BBC Radio 3 re-broadcast the audio version starring David and Samantha in its 'Drama On 3' slot.

Fast forward to August 2020.

The BBC released a set of four BBC Radio Shakespeare collections: Histories, Comedies, Tragedies, and Roman Plays. Much Ado About Nothing was included in the collection of Comedies, and became available as an Audible digital download.

If you want to listen, you can find this collection a lot of places. It might be at your local library or on Overdrive, on Google Play, or as an Amazon Audible book.

Or, ya know, just go here:

#DavidTennant #ObscureDavidTennantPerformances #DavidTennantAudios #MuchAdoAboutNothing #Youtube

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hopefull-mindset · 4 months

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I've started reading The Great Gatsby (I've fallen into the reading classical literature trap 😔. I really need to finish Crime and Punishment.)

Anyhow I think it's really interesting how Asagiri chose to characterize many of the people in BSD. Especially after learning that irl Fitzgerald was more of a cynical person (at least towards the end of his life) than his animated counterpart. And it made me think of all the other characters of the show and how their characterized.

What was Asagiri's purpose as he came together with these characters? Why'd he have some characters act as their irl counterparts while others act more like the characters they wrote or people in their lives?

These aren't really questions that I wanted the answers to they were moreso just thoughts that I had. I'd love to have a peek into this man's mind and how it works

I think a lot of us have fallen into that trap LMAO. This is my favorite topic though. I could talk about this forever because Kafka Asagiri is an interesting person who has integrated a lot of literature into this one series. I don't know what goes on in this man’s mind and I know these aren't literal questions, but I am interested in sharing what I know!

As you've pointed out, some characters do act more like the people in these works written by them than the actual people. BSD isn't purely just taking these authors, their relationships, and then implementing them just like that. it also takes these authors’ literary personas, their impact socially, and their works to make them into who they are. Asagiri is doing this because it makes it more interesting, but also imagine writing about this authors where most of them lived depressing lives with qualities that don’t make uh, the type of story you want to tell.

I’m impressed with how creative he is.

I’m trying to limit myself on how much I should talk about this, but I fear that I’ll leave out important bits about how Asagiri incorporates these people into the work. I’m also just jittering and excited. Like I almost forgot to bring up the fact the reason BSD has a war narrative is because it takes Japanese authors from Meiji to Shōwa era, so about the time Western influence kicked in, forcing them to modernize and keep up with the rest of the world during what is a fairly short time for huge development like this, to post-war Japan where, you know, the Occupation of Japan is happening and they have to intake the traumatic repercussions of everything before that.

This can make The Great War functionally WW2, but obviously not a one to one match. I’m not a historian or anything, but this should come to mind for anyone who’s in the know about some Japanese history. Now that I’m bringing it up though, Mori’s attitude during the flashback with Yosano is put into context because he pretty much says himself that he needs his country to realize that they keep up with the rest of the world and that the battlefield is changing, and real life Japan did not care about how they did that.

With N, Chuuya, and Stormbringer too. I’m almost hesitant to bring this up because it’s so serious, but yes, Japan did do lethal human experimentation for that same purpose to keep up with the rest of the world and prove themselves.

Ahh, I went off track. Sorry, we were talking about how Asagiri writes characters, right? There is a lot of crossover between the real authors and their writing, so it’s sorta hard to tell with people like Dazai where the work influence ends and the the real person begins.

For me currently in my classic lit research period, I’m almost upset at myself for barley reading anything by Ryuunosuke Akutagawa because he’s my favorite character. I’ve just been so caught up doing my Oda Sakunosuke essay that I don’t have too much time for other authors. I’ve also picked up “The Similitude of Blossoms: A Critical Biography of Izumi Kyōka” recently (and A New Hamlet by Osamu Dazai, but that’s not important).

Ah, how much should I talk about.… hmm… how about Chuuya as an example of Literary Voice vs Real Person…. Lucy Montgomery and Edgar Allen Poe for Social Impact (for Japan specifically)…. and then.. Oh whatever, I’ll figure it out. One day I’ll talk about Kyouka, but not now. I’d feel ill prepared.

If you’ve ever read a poem by Chuuya Nakahara, taken in the emotion and deep feeling, and then found any fun facts about his interactions with other authors, there’s a huge contrast between those two modes that can be jarring. Im sure you can tell how that carries over to BSD. I’m impressed by how Asagiri is able to balance both the brash attitude of Chuuya and the inner literary voice that voices the emotion and care he has in him.

Edgar Allen Poe is slightly more obvious than Lucy’s influence (or maybe it’s Lucy’s, ah it depends), but both pop out at you when it’s pointed out. He was one of the first American authors to be introduced to Japan and fairly popular, but mainly we would point to Edogawa Ranpo as the most blatantly influenced by him and who his name is quite literally attached to. While Lucy Montgomery isn’t attached to anyone in particular, Anne of The Green Gables was wildly distributed in Japan when there were few english children books and became a hit.

There’s a television series too if you search for it. Any redhead, pigtail-braided girl you see in some Japanese media is because of her! It’s probably why these two have the most presence in the story currently compared to other members of the Guild and work with the Agency at times.

There are times when Asagiri will use influences outside of the author’s own catalog to create them, some literary like Albert Camus’s The Stranger and The Myth of Sisyphus (in writing characters like Dazai or Fyodor, I could make a post about that), and some just of his own anime/manga interests in other series like Jojo, Cowboy Bebop, Black Lagoon, etc. if you’re familiar.

I’d feel bad if I don’t at least show one example of this so, how about an Odasaku example with The Long Goodbye by Reymond Chandler? I was going to avoid talking about him until the essay, but I can’t help myself. Many have pointed out these parallels before, but Asagiri did point it to be his favorite book last year in an interview.

If you’ve noticed that the presentation for Dark Era in the anime comes off like a Noir film just like how Untold Origins came off like a black and white samurai film, good job! The Long Goodbye is a Noir novel about a detective named Phillip Marlowe who is unable to let go of a case involving a friend that was accused of murdering his own wife, but supposedly commits suicide and confesses to it before Marlowe is able to leave custody. By the end of the book, he uncovers the real perpetuator (a past lover of Terry Lennox’s before he was ever called by that name) and finds out where Lennox really is by poking into the story of where the message he got was sent.

He comes in with a new look and identity, and he asks if it’s too early for a gimlet. They say their last few words to each other, Marlowe flipping back and forth from acknowledging him as Terry Lennox and as a person he never knew, and then Marlowe tells him that “he’s not here anymore”. Marlowe had already told him goodbye when it was sad and lonely, so Lennox does the same here. That ends that mutual, long goodbye and he never sees Lennox again.

The immediate response I’ve see about this is how it parallels the relationship between Dazai and Odasaku. In The Day I Picked Up Dazai, just like how Marlowe brings him to his home to clean him up and meet up at the same bar for the next few months of their friendship, Odasaku also does so with Dazai and drinks a Gimlet for reasons he doesn’t know. In reality, Gimlets are a representation of the friendship between Marlowe and Lennox as it’s Lennox’s favorite drink. It makes it a little painful when Marlowe ignores him when he ask to go get a gimlet at that same bar they always went.

BEAST is more hyper specific about it by having Dazai ask the same question that Lennox asks when he gets smoked out and Odasaku asking for a gimlet with no bitters, which is specifically how Lennox takes it. Odasaku does not drink the gimlet at all though, showing that there is not friendship to start or accept or say goodbye to, as Lennox does ask Marlowe to drink a Gimlet to say goodbye to him in the letter. Just like TDIPUD is like their beginning, BEAST is their ending without ending because BEAST Dazai is not the same person he was friends with.

Odasaku fulfills being a detective and Dazai is the tragic friend with a past he doesn’t say anything about. Great. Now what I think people are missing when they entirely focus on Odasaku and Dazai when they talk about Lennox and Marlowe is that Lennox is narratively also Andre Gide.

If we were to split Lennox into three people just like his three identities, this is what it would look like:

The Friend: You help him out and don’t judge for his faults, in turn you go out to a bar with each other. It’s uneasy, but it’s worth a lot to the both of you. Eventually you have to part ways in death. (Dazai & Terry Lennox)

The Unknown: Is he someone you know? He acts like it, but he looks nothing like what you’ve encounter before. Maybe in some world you were, but that’s not now and it’s too late for this goodbye to be playing out. You let it happened though and you never see him again when he walks out that door. (BEAST Dazai & “Señor Maioranos”)

The Soldier: The past is right around the corner and its come to bite you in the ass. White hair and war memories haunting him with a scar as a reminder, he’s a reflection of you but maybe not. Who knows? (Andre Gide & “Paul Marston.”)

The initials “P.M.” of both his past name and Phillip Marlowe’s is meant to clue in how Eileen (the past lover) is connected to Lennox by her thinking of Marlowe as her past lover as she attempts to seduce him in some trance. What I’m trying to note here though is that you can take this as Lennox being another reflection of himself. It’s easy to do that reading for both Dazai and Gide as they’re both his foils and are purposely similar, but Gide aligns more with this past identity than Dazai does and retains his white hair.

Uhhh, wasn't planning to make a mini-analysis in the middle of my talking but okay. I'm leaving it off there. I went blank a lot while writing because I didn’t know what I wanted to comment on. There's too much to say about this large cast. I have way more literary fun facts and ideas to say, but nah.

#bsd #bungou stray dogs #dazai osamu #mori ougai #bsd analysis #bsd meta #bsd edgar allan poe #bsd lucy #oda sakunosuke #odasaku #bsd beast #the day i picked up dazai #andre gide

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bowtiepastabitch · 7 months

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Let's Talk Costuming: It'd take a miracle to get anyone to see Hamlet

Huzzah huzzah, we return to the Renaissance for part two! You can click here to see my analysis of Aziraphale's costume through the lens of Elizabethan sumptuary laws, aka our angel is a bit of a fop and we love him for it. As a reminder (or if you don't feel like reading the other at all) we're towards the end of the Elizabethan period, around 1599-1601, and England is protestant now!

Guys I absolutely love these costumes. Chronologically, this is the first time we get to see Crowley being stylish. I mean you could count Bildaddy as being... something, but I'm not sure I'd I would not consider it to be vogue or on trend. It is, as I pointed out for Az, highly indicative of his building an identity on and appreciation for Earth.

Silhouette-wise, he's pretty on the nose, and he continues to follow the trends to some degree for many centuries up until around Y2K. He's learning to blend in with the humans and properly enjoy what they bring to the table: clothes, wine, plays, et cetera.

He's not particularly ostentatious, especially standing next to Aziraphale, but his costume speaks more to a quiet luxury. Black, for example, was a very expensive color to dye things, and the buttons and leather accents betray some level of fashion sense.

( The Royal Progress Of Queen Elizabeth I, 1740)

I think one of my favorite things about this costume is the way they took all these elements of the period and then just had them... in black. Even the little ribbon garters on the stockings! It's one of his rare outfits that's entirely and exclusively black and I love that for him. There's a variety of materials, leather detailing and buttons for example, giving the garments a lot of texture and detail nonetheless (and keeping him from looking like a black void on camera). From the first season, this is one of my favorite fits.

According to this article, these costumes are actually borrowed from the Globe's costume archives! Which makes a lot of sense looking at them, they're very elaborate and theatrical, plus I just have a soft spot for costume collections and things that have been worn for multiple productions over time and the way it ties theatre and people and artsists together. Plus, look at those shoes!!!

As per usual, the two costumes compliment each other beautifully. Their historic costumes highlight their narrative foiling of each other in a slightly different way than their modern ones do. Most notably here, at the Bastille, and in Edinburgh, their clothing has a lot to say, were they human, about both social and economic class. We see Crowley demonstrating a significantly higher level of class awareness than Aziraphale, both in their dialogue (virtues of poverty) and in their dress (Aziraphale showing up to revolutionary era Paris in full aristocratic style). Here, in the Elizabethan era, Crowley blends in much better than his angelic counterpart (see again my analysis of Aziraphale's costume in this scene).They really don't look, to your average human unaware, like they belong together. If they weren't staring at each other with puppy dog eyes, it might would be rather believable that they're not friends.

(Portrait of Sir Edward Herbert, 1st Baron Herbert of Cherbury, circa 1613-1614)

I also found this incredibly slutty portrait while I was researching for this post, which bears similarities to Aziraphale's dress, so I figured y'all might enjoy seeing it.

For further reading: https://www.worldhistory.org/article/1577/clothes-in-the-elizabethan-era/

Please note that I did write all of this intermittently over several days, and though I've done my best to proofread I'm rather tired so if it's not perfect just look the other way

#good omens costumes #costume design #good omens #good omens analysis #good omens meta

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wishcamper · 3 months

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Heavy Lies the Crown: Rhysand, greatness, and the pressures of power

Or: the librarian’s daughter, former playwright, licensed counselor mashup of my nightmares dreams because I am vast, I contain multitudes.

No content warnings and no real HOFAS spoilers, I don't think, other than that he's in it but I feel like you know that by now. Spoilers for Breaking Bad (lol).

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In working on my current fic (on ao3 here!) I've been thinking a lot about Rhysand and how he really goes off the rails in ACOSF and HOFAS. It's easy to chalk it up to poor writing, but I like the challenge of trying to make it make sense. What are Rhys’ motivations, truly? What would explain the vast array of heinous shit he does the text tells us is justified?

Rhys is shown over and over to be quite Machiavellian ('ends justify the means' dude, who was maybe writing satire). It's easy to list the times he shows this. The 50 year Velaris hostage situation. The bargain UTM with Feyre. The Weaver's cottage. Stealing the Book from Tarquin. CLARE BEDDOR. Infiltrating people's minds. Torture. Assassination. Allying with Kier. Concealing his wife's medical information. Being an ass to people in general. According to Mr. Machiavelli, any action is warranted if it the goal it achieves is morally important enough.

It seems like Rhys can justify anything to himself if he believes it will serve the greatest good at the end of the day. He does so many things with the air of “it’s for your own good” or “you’ll understand why one day” but that day never.. comes? Not yet anyway, which begs the question: is he that unself-aware, or is there a longer game he’s playing that all of these minor skirmishes are leading up to? What if he knows what's coming? And what kind of cause or threat would feel so great he could justify everything he does up to this point?

Okay I'm gonna talk about Aristotelean literary structure, please don't leave me.

The idea of a tragic hero is a character whose downfall is inevitable but who fights against it anyway. Hamlet is a classic example of a tragic hero, Oedipus being the de facto first, Walter White from Breaking Bad a more modern version. We see Walt learn he’s going to die in the first episode, in the middle he does a bunch of stuff to prevent his physical death (cancer) and metaphorical death (failure/obscurity), and then both his body and reputation die in the last episode as a direct result of his attempts to avoid fate. It’s blissful Aristotelean symmetry. *chef’s kiss*

Every tragic hero has hamartia, more commonly known as a ‘fatal flaw’. In Hamlet, his fatal flaw is procrastination, and his delays create space for all kinds of the fuck shit he was trying to prevent. It’s important to note that hamartia is by design a neutral term - not so much a flaw, but a trait, motivation, or decision that sets off the chain of events the character is trying to avoid. Tragedies have occurred equally from too much love as too much hate, and doing nothing is just as much a decision as doing something. The word itself comes from the Greek for ‘to miss the mark’. To try and fail, the backbone of tragedy.

One of the most common hamartia is hubris, a modern synonym for arrogance but which more specifically means an outsized belief in one’s ability to affect and control the future. Well-known tragic heroes taken down by hubris include our boy Walter White, Tony Soprano, Viktor Frankenstein, Achilles, Jay Gatsby, Kendall from Succession. It exists in real life, too: Lance Armstrong is a perfect example of a modern tragic hero brought down by hubris. And what do all these men have in common? Power, via money, fame, strength, the state, intellect, violence etc.

I’ve been enjoying looking at Rhysand through this tragic hero lens because while it doesn’t really make him more sympathetic, it does make his actions easier to understand logically, which is its own kind of humanization. If Rhysand is aware of a prophesied or fated event sometime in the future and is pulling the cosmic strings now, it must be incredibly important, like annihilation-level important, which is so much pressure.

So he grows to maturity with an understanding that he will one day have to face this intense evil that could completely destroy his world, and it plants in him a hubris. He believes that his immense power grants him a certain amount of influence automatically. And honestly, is he wrong?

And this is where it’s important to think about how power makes people weird. Power gives people a false sense of confidence in their actions and choices, because their status and privilege protect them from so many more consequences. In this way it’s easy to see how someone can get a big ego - no one is stopping me, so I must be doing well! Or: everything is going well for me, so I must be really killing it! I know I feel that way in the first tingles of hypomania, but hypomania is fundamentally a distortion of reality and I believe so is power.

Power not only gives people confidence but also access to make decisions for others. They begin to think they should share the success they’ve found by leading and guiding others to see how great it can be if you do what they say. Just look at one of those cringe 'billionaire morning routine' videos to see what I mean. It’s a very patronizing form of altruism, because the leader genuinely believes they have the people’s interest at heart. And I use the word patronizing intentionally - leaders have often referenced feeling paternal towards their people, Winston Churchill + FDR, 'God the Father'. Power and fatherhood have been linked for a long time. And direct from our girl Wikipedia, "paternalism is action that limits a person's or group's liberty or autonomy and is intended to promote their own good".

I was talking with a girlfriend of mine recently about how I think some men don’t have the experience of other people depending on them in a significant way until they get married and/or become fathers. Like, afab and femme people learn very early to be considerate of others, to think about how others feel, to act in ways that keep others happy, etc. This plants in us a sense of duty to perform in ways that please others, to smile, to create comfort and provide caretaking in every environment we enter. So by the time we get to marriage and motherhood, we already know how to put others’ needs before our own because we’ve been doing it from the jump.

For men, however, this can be a completely novel experience. And it seems like it's SO HEAVY FOR THEM. George ‘Father of his Country’ Washington just wanted to go back to Virginia the whole time he was President. So many men talk about the pressures of being a provider and their families depending on them in a way women don’t, and I think it’s because for the first time others truly depend on them and they don’t know how to handle it.

In response, they either shove down their emotions as patriarchy demands and have a midlife crisis, or they abdicate that responsibility and go completely absent physically and/or emotionally to continue living for themselves. (Obviously there are good men and dads out there, and bless you if you’re lucky enough to know, have, or be one.)

And this aspect of power feels relevant because from the text it seems like Rhysand is unraveling. Between Feyre, the baby, the Trove, Nesta and being threatened by her power, Koschei, Bryce, the whole High King shit - I think he’s starting to crack under the pressure. And honestly, I’m kind of surprised it didn’t happen before now.

According to Aristotle, the tragic hero must:

Be significant (virtuous/capable/powerful/important etc.)

Be flawed

Suffer a reversal of fortune.

Rhysie boy definitely ticks the first two. I wonder what it would look like to get to three? I don’t think Sarah has the balls, but it’s definitely enhanced my reading experience and given me a lot of interesting things to think about.

Okay that's all I've got. Love ya, see ya soon xx

#prythian university #acotar #acosf #rhys critical #sjm critical #tragic hero #lit crit #i love thinking way too deeply about things

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scribble-dee-vee · 4 months

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Writeblr Intro circa 2024

Hi writeblr!! Sooo, I've been around here since about 2014. (Yes, I am ancient.) However, I've been dormant for the past 4-5 years. Blame college and a brief stint on Twitter. Now that I'm active again, I thought I should make an updated writeblr intro so ppl know my Deal. Basically, I want to engage with other folks who write fiction (esp original SF), and that's a little easier if I have a clear post that outlines what I do. Here to make connections and hear about your blorbos :)

About me

Hi, I'm Vee! They/them, 23, 💖 🤍 🧡

I do journalism/comms in western New York

My literary jam is feminist/adult SF and gothic lit (OG or modern) 🥀 ⚔️ 🌙

Enthusiastic about gay people, body horror, and sociopolitical allegories

I cook, run, play tabletop games, and occasionally draw. Other than that, I'm mostly writing (for work and for fun)

If you were on pre-2020 writeblr, you likely know me from my eight billion daily tag games. (I still like tag games and appreciate u for tagging me. I have also gained adult responsibilities and better mental health, so I respond very slowly now. <3)

Always happy to get asks or dms, tho as I've noted: I may reply slowly.

Sometimes open to beta read! I only read one longer project at a time, but it's always super fun :)

I tag very consistently – happy to tag triggers for followers/moots

Fun fact: I love mushroom hunting and worked as a mycology TA. #cottagecoreera 🍄 🧚‍♀️ 🌱

About my creative writing

I write,,,, feminist/adult SF with gothic leanings (surprise!)

Longform and short! Trying to do more short writing this year, and I'll likely share a bit on Tumblr. It's easier to clip a short story than a 150k novel, god bless.

The Aesthetic: moral g(r)ays, Victoriana, androids/cyborgs, Women™, monstrous femininity, incessant Hamlet/Frankenstein motifs, extremely boring socioeconomic worldbuilding, evil queens and/or dilfs, psychosexual witchcraft, probably a cat. Also, an ominous, plot-relevant letter laced with anthrax from your unhinged and brilliant ex-wife. Open if you dare.

Major projects

I'm going to be writing some short work this year, but these are the longer projects that I have going in the background. If I reblog blorbo-related text posts, they probably have something to do with these.

Let me know if you want to be added to any project-specific taglists 😎

Heart of Lead – Series

The big one

Perpetually evolving

Never ceasing

Pls send help I can't stop adding shit

5-book gothic fantasy epic that I'll definitely publish one day but probably no time soon! My bastard child, my wicked firstborn, my greatest love <3

Character-oriented political drama set in a pseudo-Victorian, dystopian oligarchy where everyone's heart is made out of metal. It's about coming of age and discovering queer identity in a world that is absolutely fucked. God is an extraterrestrial lesbian who gives ppl very traumatizing magic powers. There are cyborgs, shapeshifters, and morally gray women in STEM. It's tight as fuck idk what else what to tell u.

Book 1 is about achillean monarchists, and book 2 is about sapphic anarchists. There are only two genders, I guess.

At this point, I've drafted most of the books at least once. Working to refine a lot of raw material atm!

Tag: "heart of lead tag" or "hol tag"

Lost Letters – Book

Aka the current active HoL WIP, and book one in the revised series structure

Length: 80k as of now; around 120-140k when the first draft is finished, I presume.

Genre: adult fantasy, gothic, noir detective drama?? um?? If you want me to frame it in BookTok terms (why?) it's a dark academia villain x villain tragic romantasy. Hrgh.

Summary: Cyborg soldier goes to college, joins a shady socialite frat, and falls in love with the jilted heir-apparent to the throne. Hilarity ensues.

(By "hilarity," I mean a militant revolutionary faction and a tragedy of Greek proportions.)

POV characters: Charles (the cyborg), Dale (the heir), and Cecelia (Charles' sister, a junior detective, the love of my life and potentially the Chosen One???)

This book is twisty and dark and immensely fun to write.

I'm about halfway through the first full draft! Hoping to share snippets and vaguepost about my children here.

Tag: "lost letters tag" (also "hol tag," tho that one's less specific)

The Last of Mortal Tourists – Book

The next longform project on the docket!

Length: a standalone work that will hopefully fall on the shorter novel/novella spectrum.

Genre: literary SF, cyberqueer, psychological space quest

Summary: The consciousness of a dead coding genius, trapped inside a spaceship, seeks a new planet to sustain their sister, the last surviving human, after the destruction of Earth.

If you're here to get wildly philosophical about gender and the myth of essential self, this is the story for you! That's why I'm writing it, lol. 🏳️‍⚧️ 🚀 🤖

This one started out as a short story (100% finished) which I want to expand.

POV: Archer Alto, the coder. Spaceship? Human? Soul?

Supporting Cast: Pandora, the last human, and Abby, a holographic impression of Archer's childhood consciousness

Tag: "the last of mortal tourists tag" or "tlomt tag"

If you read all this way, you get a whole bouquet of flowers that are certainly NOT poisonous: 🌸 🌹 💐 🥀 🌺

#writeblr #writing #writeblr intro #for my mutuals #scribble-dee-vee #project intro #hi writeblr!#original post #hol tag #heart of lead tag #lost letters tag #tlomt tag #pls feel free to tell me abt u in tags/replies!!#would love to expand my active writeblr connections #and yah like I said lmk about those tag lists #I def want to post more snippets/tags this year

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