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#lots going on behind the scenes
skycowboys · 6 months
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Ask and ye shall receive.
Been doing lots of work on the graphic novel behind the scenes! Apologies to this blog and to my Patreons for the dry spell but not to worry, the Discord is pretty active :)
Discord | Patreon | Art Prints
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mayasaura · 20 days
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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jesncin · 1 month
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Do you have a favorite character design from Lunar Boy?
Oh that's a tough one!! But if I had to pick my fav design in Lunar Boy, I think it would be Aminah!
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She took a lot of re-designing, but at the heart of it we wanted a character who embodied cultural non-conformity as a trans girl in Indonesia, someone for Indu (the trans boy main character) to look up to! Her design is me expressing a bunch of my feelings about queer femininity and how it shouldn't be narrowed to traditional femininity for fear that they're not "girl-ing hard enough". I've always disliked the discourse that it's transphobic to show trans girls being any kind of masc or have a body type that's not petite because it sets a standard where only cis people get to dictate how far gender expression and body diversity representation can go.
Aminah is big, buff, butch and yes she's really hairy too, the narrative never questions her girlhood.
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If anyone's read my big MAWS essay they'd know that queer reclamation of cultural wear is really important to me. So having Aminah, an Indo butch girl interpret the kebaya in her own way that lets the clothing proudly accentuate her non-conforming body meant the world to me. I find the kebaya very dysphoric and uncomfortable personally so this was like embracing it through art!
Aminah is one of those characters that felt really cathartic to bring to life. I hope people enjoy meeting her!
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The White Star learns that Cale Henituse transmigrated from a body that he stole. He learns that the person inside Cale Henituse lived with the same curse that the White Star has to.
“Cale Henituse,” the White Star sneers, “or should I address the person inside of Cale Henituse?” Cale stiffens. What is this crazy bastard saying now?
“Yes, the man inside of Cale Henituse. How did my curse feel?” He shouldn’t know this information, but he does, Cale realizes. He has an informant on a god’s level. Raon flinches at these words, and Choi Han levels a deadly stare at the White Star. Oddly, Cale thinks, the blood draining from his face, it feels like he’s glaring at him. Cale doesn’t know why but it feels like he made a mistake somewhere down the line.
“You know the one. I’m sure all of your friends do too at this point as well. Was it fun? You must’ve lost your parents, or even been abandoned? Abused? Did everyone you care about die in a horrible accident?” Cale struggles against the sparking Records, trying to keep his mind on the White Star. In a way, Cale has experienced it all.
The past is the past.
“Raon, he’s stalling.” Cale whispers as quietly as he can, and Raon silently sends out the message to everyone. They need to be prepared. The White Star wouldn’t reveal this knowledge for no reason.
“Cale Henituse, you lived terribly, didn’t you? Yes, you must’ve been pathetic. No wonder you’re like this… You cling onto everyone you know but keep them at arms length, never daring to let the little bug within you know what counts as love, and what counts as use.” The White Star drifts closer, threateningly, and everyone flinches into position. Their eyes are shaking.
“You whiny bitch.” The White Star flinches, pausing in the air. “Do you think that’s how I lived? Is that how you see my actions?” Cale scoffs in disgust.
He’s wrong.
I took everything I could until everyone was gone.
I was selfish.
“We are nothing alike. We are not the same. You may be a disgusting liar, but at least I’m honest trash.”
I barely care about anything because it was always taken away. I don’t care about things because I don’t remember how.
“White Star, do you know what the difference between us is?”
Two similar existences stare at each other.
“Cale Henituse, stop rambling,” the White Star frowns.
Cale rushes at the White Star suddenly, grabbing onto his arm. Before he can shake him off, Cale whispers.
“I’ll tell it to you as a secret.”
Confident as ever, the White Star humors him. Cale whispers even quieter.
“You knew how to care before you chose to lose everything…”
“… While I never had the chance.”
An explosion erupts from their location.
Cale coughs up blood, smiling at the dour expression of his enemy.
“You throw everything away, but I hold everything as close as I’m allowed. As close as I’ve ever able to hold anything.”
Cale drops his expression, glaring up at the disgusting person in front of him.
“Just out of arms reach.”
The White Star launches an attack, and the fight begins again.
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pralinesims · 9 months
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Here are some of the dramatic ass outtakes from my arsonist Aaron photoshoot 🔥
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Also, here's a B4/A comparison of one of the pics. Raw screenshot -> plus Gshade -> with extra editing.
Viva la Reshade/Gshade (and editing ofc!)
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chloecherrysip · 1 year
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I'm telling you, everything's gonna be all right as long as we're together!
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metanarrates · 6 months
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the adversary is such an interesting route because through most of the game routes, most actions you can take are not locked behind specific dialogue options, and the actions usually don't need to be "repeated" to achieve a specific path through the route. for example, the path to freeing the specter only requires that you tell her you want to free her, let her possess you, and that you not stab yourself with the knife, in order to achieve that.
but the adversary has a few unique and somewhat non-intuitive actions you can take with her (flipping her the bird and even having her allow you to stab her in order to prove she can't die) that are locked behind dialogue options, and those dialogue options don't even clearly point to you being able to unlock those actions. additionally, you have to repeatedly choose to fight her in the exact way she wants if you don't want her to evolve into the fury or the eye of the needle.
i guess it fits to have the route most defined by stubbornness and rivalry requring you to pick a course of action and stick to it, but the amount of unique actions allowed within this route (even leaving her in the basement can trigger some unique scenes!) makes me wonder if it was the first developed. most routes in video games have "convergence" points with very few subvariations in order to cut down on having to develop too many distinct outcomes. while it's true that slay the princess has an unusual amount of distinct variations in each route, it's still also got a lot of convergence points that reuse the same art pieces with just slightly different dialogue. it feels significant to me that the adversary has a lot of unique scenes and art compared to some of the other princesses
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cephalog0d · 6 months
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Okay, but like. There's the whole joke about Bruce recruiting children to be his sidekicks, but honestly there's only really one that fits that.
And it's Jason. And the whole story there is, frankly, unhinged. Aaaaand then he died.
(I'm specifically talking about "first post-crisis origin stories" here because Jason and Dick, in particular, have both had multiple major retcons and revisions over the years, and some of them dramatically change how things happened.)
Like okay. Going backwards, you've got Duke who joined/led a whole Robin-based gang at a time when Bruce wasn't even Batman. You've got Damian and Cass, who were both literally born into the world of masks and capes and heroes and villains, so they weren't ever really not going to be part of it. Steph might have taken inspiration from previous heroes but she made her own identity and repeatedly refused to stop involving herself in the vigilante lifestyle. Tim, obviously, basically strong-armed Batman into letting him be Robin, despite Batman's protests.
Dick's a little more complicated just because there's so many versions, because that's what 80 years of comics and multiple universe reboots will do, and there's kind of a general trend that earlier pre-crisis versions were more of Batman being like "hello, child, would you like to be my sidekick" and later versions have leaned harder and harder into the idea that Dick was absolutely going to do this anyway, regardless of what Batman had to say about it. But even in the first post-crisis version, the flashback in Batman Year 3, Dick says he wants to find a way to keep people like that from hurting others again. When Alfred questions Bruce's offer to train him, Bruce says that Dick should learn to do things the right way if he's going to do it. It's not hard to extrapolate that, much like later versions of the origin story, Dick was going to get himself into this one way or another. (Batman (1940) #437)
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And then there's Jason. Whose backstory has also had a lot of (sometimes major) revisions over the years (remember when his adoption was, like, some kind of Joker-originated long con? Fucken Nu52, man). But the original post-crisis version is pretty straightforward. Steals Batman's tires, gets caught and sent to Ma Gunn's Secret Criminal School, intervenes when Batman goes to investigate, immediately gets offered the chance to be Robin based entirely on that.
Which is itself kind of unhinged. That Bruce saw this kid who was living on his own stealing tires and went "Hey you would make a good Robin" as his very first instinct.
But if you've never read Jason's post-crisis origin, or it's been a while, it's honestly even more unhinged than that because that arc starts with Dick getting "fired" as Robin specifically for the reason that he got shot by Joker and Bruce freaked out about how the Robin identity has too many enemies and therefore Dick, a legal adult with approximately a decade of training and experience, should not use the identity anymore.
(And it's specifically about the Robin identity, in this version, because when Dick says he's not going to stop the crime fighting thing Bruce's response is basically "I know and I didn't expect you to". Honestly I could also say a lot about this version of the Robin/Nightwing transition vs. later ones and how this one definitely feels like the Heavy Hand of DC Editorial in the fact that they had no contact for so long afterwards, because the interaction really doesn't feel like it warrants that in this case compared to some later versions, but that's a whole other too-long ramble.) (Batman (1940) #408)
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And then a few weeks later Bruce turns around and picks up a random kid, a literal child, and goes "Hey you would make a good Robin!"
And I think a lot about how fucking wild that is. And it's not like the people writing just didn't notice. Dick's big argument with Bruce when he finally comes back to Gotham and meets Jason isn't about the fact that Bruce took in another kid, or even necessarily about Dick feeling proprietary over the Robin identity, the thing he's angry about is that Bruce said it was too dangerous for him, an adult, someone who has trained with Batman for a decade and was already highly physically trained before that for his whole life, to be Robin, and now Bruce has turned around and painted that target onto some random new kid. He pushes, repeatedly, trying to get Bruce to justify himself and this absolutely irresponsible decision, and Bruce gives a lot of answers about how Jason was on a bad path and needed this outlet and eventually just admits that he missed having a partner. (Batman (1940) #416)
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And like. Dick's right, is the thing. He is 1000% in the right in this argument. If he can't be Robin anymore because of the danger, how in the hell is it anything like a good idea to hand it over to someone way younger, way less trained, way less experienced, and expect that that wouldn't end in tragedy?
And then it did.
And yeah, Bruce, it is kinda a lot of your fault.
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kdramacrybaby · 2 months
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This drama is a lot more… dystopian? Is maybe the word? Than I first thought. But I actually like it - it’s a nice contrast to the colorful quirkiness that makes up the rest of it.
And it does make sense that in a world like that it wouldn’t just be sunshine and rainbows all the time.
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llumimoon · 5 months
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TFW ur shitty dad decides to prank ur whole school to teach you to be more chaotic but instead you just realize how attached you've become to certain people. This is the EAH AU's version of Spring Unsprung!!
Gotta give credit where credit is due, @silverlistenstothings really helped out with this arc !!! So many good Hermie thoughts as always ough <333
We decided this happens like right before the Big Plot Shit happens in the AU and instead of being a festival it's Hermie's Birthday !!! The cursed riddlebook is a gift from Scam that Hermie gives to Scary instead bc he doesn't rlly care about it, which . turns out to be a very bad idea. The curse quickly spreads throughout the school reversing everyone's personalities and causing Normal to try and pretty much end the world.
This arc is Hermie and Taylor focused !!! :D Although it is really fun to think about the reverse teens running rampant NWVEGWHAAHA reverse norm is a little treat for me <3 but reverse Link is SO INCREDIBLY FUNNY . shoutout to this message from @happi-tree bc it's been burned into my memory and I cant stop laughing about it
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When it comes to the curse we decided that bonds and skills stay the same but the personalities are inverted, which means reverse Scary being sooo attached and clingy to Hermie is just her personality changing the way she decides to communicate her affection for who she sees as her best friend. Its cute <3
Herm is SUPER on edge due to being incredibly irritated with his dad and feeling insecure about his friendship with Taylor, who's having a bit of a crisis on his own about his feeling about Link. Toss in their shared homesickness for Wonderland, a realm they can't go back to, and Taylor panicking over a gift his mom left him going missing, well it's not good for anyone. How are they gonna figure things out enough to save Ever After from destruction?
(EAH AU is by me, @rindomness & @kaseyskat !!)
Image Description is under the cut
[ID: Image 1: Normal smirking evilly with a hand up to his chin and the other on his hip. His eyes are a light purple and he's saying "Hey." To his right is Scary happily waving while smiling, her eyes similarly a light purple. She's saying "OMG hiiii Herm!! <3"
Image 2: Hermie with a stunned and mad expression on their face and trying to pout tea from a teapot into a teacup but missing the cup by a lot. Their cat ears are turned downward and tucked against their head while their tail behind them is stuck straight up with fur sticking out in all directions. They have a thought bubble that says "I'm gonna KILL my dad." there's text in the bottom left that has an arrow pointing off the canvas and is labeled "Scam giggling off screen."
Image 3: Link doing the fuck boy expression, his eyes half lidded and biting the corner of his lip with a pointed hand on his chin, with his other hand with the thumb tucked into the top of his belt. His eyes are similarly a light purple and he's looking at Taylor. There's text with an arrow pointing at Link that says, "turned into a shitty fuck boi liar because of the curse" To his right stands Taylor who has his arms by his side in a dinosaur like pose and a grossed out and devastated expression on his face. His bunny ears are sticking straight up. There's an arrow pointing to him that says "Fucking Appalled" in all caps.
Image 4: Scary smiling with her eyes closed and hugging Hermie with one of her legs posed upward behind her. Hermie is standing still with their eyes obscured due to the shine of their glasses with a neutral expression on their face and their cat ears turned downward and their tail puffed up and sticking up. To their right stands Taylor with both his hands up to clutch his face and his bunny ears pointed downward. Scary is saying "Haha yaaaay besties forever after!!" with flowers and hearts drawn around her. There is an arrow pointed at her labeled "still cursed". Hermie has a thought bubble that says "MY DAD IS A DICK." and an arrow pointed at them that's labeled "so touch starved". Under that is an arrow pointing at Taylor that is labeled "having a gay crisis" and he is surrounded by question marks. He has a large thought bubble that says "Why am I so jealous that Link is flirting with everybody ohmygod do I have a crush on my best friend forever after holy shit what"
Image 5: Normal looking down with an evil smirk and light purple eyes with his hand out to hold something. Hermie looks up with a frustrated expression on their face and their pupil's sharpened and is clutching Normal's arm as his hand holds Hermie's chin. Normal is saying "Shame you've decided to get in my way kitten, I really did like you. Well whatever. It's not going to matter in a moment, nothing is. You're too late." the word "nothing" is underlined for emphasis.
Image 6: A discord screenshot of 'willy KILLER MAIMER DESTROYER' saying "Link: babe you’re being so fucking silly but hey at least you’re also hot. Wanna kiss maybe. That’s gotta fix you or whatever
Taylor: ???????????????? OK ACTUALLY I FORGOT I WAS GETTING LUNCH WITH HERMIE GOTTA GO under his breath wtf wtf wtf"/end ID]
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bigboobshaunt · 2 days
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Cutting the scene that explains ressurrections in the setting from the anime did incalculable damage not only to the worldbuilding but to the whole reason Shuro was pissed off at Laios and the party's flippancy at using dark magic to bring Falin back.
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hephaestuscrew · 9 days
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
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daily-hanamura · 8 months
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#persona 4#p4#persona 4 golden#p4g#hanamura yosuke#yosuke hanamura#souyo#this was an interesting scene for a lot of reasons#for context naoto goes out to take a breather and yu follows with yosuke following behind yu.#yosuke cracks a joke to lighten the mood (something i've already talked about a lot is making jokes is yosuke's fall back to raise morale)#there's 3 things happening here - yosuke opts to go outside with yu to cheer yu up instead of staying in to cheer up the rest of the team#so it kind of implicitly suggests that like it or not yosuke kind of still prioritises yu - that yu is the first person yosuke looks to#but it also comes closely at the heels of that moment in the hospital room with namatame and i think this is very much a scene where#yosuke is testing the waters with his r/s with yu like “hey we're good right” by making a joke so that things btwn them feel normal again#and finally it's something that i don't think even yosuke himself realises - HE is the catalyst to yu's realisation on who the culprit is#yosuke's comment that “the fog's so thick the snow gets lost in it” is reminiscent of the english saying “to hide a tree use a forest”#at least for me anyway - snow and fog are both forms of water that come about during low temperatures#but it's right after this comment that yu made the connection that the culprit was someone else that could hide in the crowd#by blending in in a different manner to namatame#namatame was not noticed because he was a delivery driver and that was a mundane everyday figure#but adachi blended in by being one of many police officers that were present in inaba - in other words the tree in the forest#without realising it yosuke has come in clutch to support yu again - i'm fascinated that it wasn't naoto that deduces it#despite being THE detective and being in this scene#it's the combined work of yosuke and yu#and that they really are better with each other#he's good with his queue
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muffingnf · 1 month
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I just can’t get over how rough George looks in his second response video… like this has clearly been rough on him and I just feel so bad for him :(
stop i can’t even look at his little face
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foxgloveinspace · 2 months
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Hihi, idk if any of my current followers or mutuals have read my long time w.i.p. I Learned the Voices Died With Me, but I updated it today!
First chapter of you’d like to start it
Latest chapter of your caught up.
(Weird sci-fi Dune fic about Paul’s mind sending itself back in time to the age of 17, where he rewrites history and marries Feyd. I hope to finish writing it this month cause after almost a full year of being unable to properly write it I have been hit with inspiration to actually write on it woohoo).
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pastafossa · 3 months
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im watching frank castle edits (he is so hot) and im dying to read some badass scenes with him and jane. i think that if they would start to get along, they would be really lethal combination. do you plan something like this?
YESSSSSS, I definitely have some stuff planned with Jane and Frank after he's out of jail fuck having him in prison is inconvenient but it won't be for long, and especially him getting to work alongside Hound!Jane as they hunt Certain People TM down (I have one scene in mind that, if I pull it off, will be fucking awesome and kickass for the both of them; been working on that one for MONTHS). Because yeah, when you think about it, the way they both operate would flow fairly well together and their hunting styles aren't all that different. They also both, technically, want the same thing: Cyrus and all his people dead, and Jane would absolutely resonate with his own drive to get vengeance. They'll be friends by the end, though there'll be some tugging back and forth a bit between Matt and Frank over her for a little while - not in the romantic sense, but in a morality sense, since Frank's going to encourage very different instincts in her than Matt will, and there's still the thorny murder-y issues that her and Matt are avoiding discussing. Then again, Frank nudging her like that isn't going to go the way Frank thinks it will either...
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