#like oh ok. thanks

[prettyboysdontlookatexplosions]

with psych stuff the “thank you kind internet stranger with no qualifications and maybe one link to an article in a not particularly well respected special interest magazine” thing is sometimes specifically kind of funny in a weird way because you see a lot of stuff that basically boils down to:

A: sometimes i feel a way and do some stuff.

B: hey, did you know that’s actually a thing? it’s called Feeling A Way And Doing Some Stuff Syndrome and it’s SUPER common in people with ADHD.

A: omg, so this whole time i thought i was just feeling a way and doing some stuff, but ACTUALLY i had Feeling A Way And Doing Some Stuff Syndrome? this explains so much, wow

B: totally! here’s a place you can read more about it [link to an article by one therapist in a non peer reviewed publication that explains Feeling A Way And Doing Some Stuff Syndrome can be really challenging especially since no one has ever heard of it because it was coined eighteen months ago by some guy with a private practice, but people with Feeling A Way And Doing Some Stuff Syndrome should try to feel a different way and consider doing some other stuff]

A: this is super helpful, thanks! i can’t believe i didn’t know

#i am to be clear not against psych labels #and not even really against people coming up with and sharing ther own labels for Stuff They’ve Noticed #but there’s like a specific type of this discourse/dissemination/exchange where it’s like #ok but literally this is JUST a label though. like you didn’t… you just said a phrase #you ACTED like you were imparting information. but you were actually just turning verbs into nouns #it’s like if someone was like #‘lots of people talk about being born in new york but did you know there’s a name for that? it’s called being a native new yorker’ #and then other people were like ‘wow i had no idea this changes so much’ #i was thinking about this yesterday wrt rejection sensitivity dysphoria #which: maybe you will get my full Thoughts on that bc my perspective is complicated #and part of the complication is that the first time i saw a definition of it i DID have a reaction of ‘wow it’s me’ #but like now i’m like #ok wait a second this basically boils down to #‘hey if being rejected makes you freak out maybe you have Freaks Out At Being Rejected Disease’ #like if you have ADHD you can learn about ADHD and some of that will be useful new information to you as an individual #but rsd as a concept does not really function that way bc it’s just like #‘hey that thing that sucks for you? it might suck for you because you have the disorder where it sucks for you’ #like oh ok. thanks #‘this explains so much’ [sailor moon talking to tuxedo mask voice] but you didn’t explain anything! #but again when i first encountered it this was not my reaction #and some specific info shifted my reaction #so like i do empathize. but. idk. #GOD i love unrebloggable post feature

[madscientistreaction]

cool guy with a sword

#RUEBIS BACK #RUEBIS BACK.. #hai smiling like this isnt my first finished half decent drawing in like 6 months #a lot has been going on mb bffs #but i hope u like.. i love this drawing it was very fun and im cheesin so hard … tried some new thangs and i hope thats ok #yeeaaayyyyyy yeaaasyy #raiden my buddy bro i love mgs4 raiden with my soul #mgs #fanart #mgs4 #raiden #raiden mgs #lalala idk what other tags to put #oh ive had this page for 4 years now.. very cool.. thank you for allthe support

[brookheimer]

people acting like twitter's new post count is gonna cause a mass exodus to tumblr.... this website's demographic has not changed in 865578 years and it sure as hell won't now. this is the site for people who were weird and unhappy in middle school. everyone on here has either been around since they were weird unhappy 13-year-olds or joined when they were weird unhappy 13-year-olds, left because they thought they were normal for a while, then came crawling back again when they realized deep down they were still weird unhappy 13-year-olds. what does this site possibly have to offer you if you grew up happy well-adjusted and unaware of homestuck

#like have you seen that poll of when people joined tumblr and it's ALLLL early/mid 2010s if not earlier?? #twitter's fuckups have brought some people over but like. not as many as yall think #and thank god for that. i am very happy in my small corner of this website where i am surrounded by people with good taste and good takes #LOL #i'm the second category btw. weird unhappy 13yo --> No Im Normal --> oh ok no i'm not but shhh keep it on the dl (tumblr) this time #instead of running around asking everyone if they've heard of this thing called homestuck and giggling whenever anyone said bucket #...dark times. #but no like it's so funny to me that people think normal people will actually use tumblr. the stigma around it ALONE will drive em away #which like. fair honestly lolll #100 #this time on posts i didn’t expect to get notes #lollll #500 #1000

[leupagus]

On Voting in America

So one of the most profound comments on routine chores that I've ever encountered was, hilariously, the Pickle Rick episode of "Rick & Morty," where (after a lot of shenanigans have already ensued) this therapist absolutely lays Rick out:

"I have no doubt that you would be bored senseless by therapy, the same way I'm bored when I brush my teeth and wipe my ass. Because the thing about repairing, maintaining, and cleaning is: it's not an adventure. There's no way to do it so wrong you might die. It's just work. And the bottom line is some people are okay going to work and some people, well, some people would rather die. Each of us gets to choose."

I think about this at least once a week — usually while I'm doing my laundry or sweeping or some other task that needs doing and won't get me anything more than clean clothing or a dog-hair-free floor. There's no Pulitzer for wiping down your microwave or scrubbing your toilet; no one's awarding you for getting all the dishes out of the sink. At best you have the satisfaction of crossing it off your list.

Voting is very much the same (and I'm talking about the US here, as an American). Sure, you sometimes get a sticker; but nobody's going to cheer for you. There's no adventure here, no potential for anything more than crossing something off of a list. It's a chore, something that needs doing in order to repair, maintain, and yes even clean. So I get why people don't like doing it.

And I've decided I don't give a shit.

Do it anyway. Your country takes astonishingly little from you — taxes, the once-in-a-blue-moon jury duty, and a theoretical draft that hasn't been used in over half a century and likely will never be again — but it asks you (asks! not requires! not demands!) to vote once a year. It's not always easy; especially in conservative states, the impediments to vote can be ridiculous. But it is once a year and unlike in our nation's all-too-recent past, you will not die if you do it.

In fact, the worst outcome from voting these days is that the person or issue that you vote for loses — but you won't know if they lose until after the election. Polls are less accurate now, for a whole host of reasons; you cannot know until after the election who or what will win. This makes your vote more valuable than possibly ever before.

Use that power. Not because it's exciting or even rewarding, but because your vote is what keeps our country's metaphorical teeth from falling out and our metaphorical ass from stinking.

Brush, wipe, vote.

#ok the metaphor may've gotten a little gross but rick & morty chose it not me #anyway if voting didn't matter then rich people wouldn't do it #and I can assure you: they do #also: please don't think of voting like a reward for the person you're voting for #or as a punishment for the person you're not voting for #my mom's advice was: #think about the most vulnerable people you care about and vote for the person or issue that will make their lives better #and you'll rarely go wrong #yes there are often two bad options but if you're old enough to vote you're old enough to understand the difference between bad and less ba #anyway that's all the political lecturing I'll do this year #except maybe to complain about the 18-hour day I'll be having on Tuesday #oh also SIGN UP TO WORK ELECTIONS WE NEED MORE HELP #thank you #politics!

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags??? #new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine) #anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...??? #eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it? #and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

[a2zillustration]

I've been waiting for an excuse to tell you why Croissant is called Croissant for SO LONG

| First | | Previous | | Next |

[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

#the way I've been rubbing my little goblin hands together every time I find some in-game Gale stuff that reflects Croissant's own backstory #THERE ARE SO MANY AND I PROMISE I DIDN'T PLAN ANY OF THEM #me n Gale's writers sharing a braincell lmao #in other news how do some of y'all write/draw smut fanfiction bc I'm out here drawing stuff like this like “oh boy this is so embarrassing” #anyway thanks for reading jkngkjsfdnh #bg3 #baldur's gate 3 #croissant adventures #tav #gale #gale x tav #comics #breadweave #gale dekarios #hey also ty everyone who tells me you enjoy the breadweave/gale comics #I always feel weird making ship stuff but! You assure me it's ok and I am grateful lol

[heartsinsync]

maitreyi + jaren s4 press moments that make me want to scream cry throw up

#never have i ever #nhie #nhieedit #maitreyi ramakrishnan #jaren lewison #mygifs #listen... LISTEN... they could be tom holland and zendaya 2.0 ok #their offscreen chemistry is STUPID it's the dumbest thing i've ever seen oh my god #darren hit the damn nail on the head like. absolute king shit thank u for speaking the truth #the hand holding I'M WEAK.....................

[yrsonpurpose]

NICHOLAS GALITZINE Mary & George Premiere "History is sexy!"

#nicholas galitzine #mary and george #nicholasgalitzineedit #rwrbsource #mary & george #chrissiewatts #userninz #usergayppl #usernuria #mine* #oh i love him :((( #he's so nervous and endearing #a rwrb mention but no question of a sequel plsplspls i need this to see his face sjfds #omg him saying 'thank you i appreciate you' STOP IT #ok but when i tell you he has ruined literally all expectations of men for me #its not even a joke #i feel like im in a fever dream with this content #i used to pray for times like this

[peacockrulz]

juzi for the juzi nation maybe? just read hostile takeover by snugglesquiggle and it gave me fatal juzi disease

Thanks now I'm infected!!! (also bonus doodle under the cut)

(requests are still open!)

This is seriously the first time I've drawn juzi??? I need to fix that.

#ok genuinely though thanks for the fic name drop I am already half way through it #this scene was my “OH” moment /pos #like this is probably the first fic that was Uzi centric I've read that actually gets those small nuances to her character that I love #and also made me completely rethink J as a character #I'm just not over this scene. “You're Lonely” sdfkjsdkfjsfd #Thnks again!! #Murder drones #serial designation j #uzi doorman #juzi #do they have a shipname? idk #Murder drones tessa #tessa james elliot #only in text but she is kinda there? whatever

[evilkaeya]

I think about this every single day

#who wrote the memo I need to thank them personally #'linked fate' 'tension in the room' 'history between them' all in 3 sentences like calm down we know #'no one truly knows the history between them' oh so they're childhood best friends who grew up in a different city so no one knows them ok #making up my own au in my head based on this #everyone say thank you mayoi

[front-facing-pokemon]

#salandit #something-something female-dominated society which is why only the female ones can evolve #i think that is a little bit dumb. it's like. oh only the females can evolve bc the males are all malnourished and they give their food #to the females so only the females are capable of evolving but it's like ok. if a trainer catches a male salandit. it can be assumed that #they're gonna take better care of it than the wild would?? and like. ideally i believe that it would then become capable of evolution #bc its new trainer like. took care of it better. that's all i'm sayin i think male salandit should be able to evolve but maybe with like #different requirements or something. higher level requirement maybe #but naauuuurr tpc would never let us have a man that looks as slutty as salazzle does #even though we have primarina (thank you tpc) (thank you) (for the pretty boy capabilities) (also braixen) (thank you tpc) (do it again)

[bluefiz]

He just doesn’t understand

#OK SO BASICALLY this is a transfem/gender fluid sanji comic #sanji’s putting on makeup the way he learnt during the timeskip and then zoro walks in #zoros like oh its ok perona put me in makeup too and it was nice to try and show sanji hes supportive #sanji thanks him for it but cant bring himself to tell zoro that he’s dressing up to express his not-cis identity #HENCE SOME OF HIS HAIR FALLS BACK TO HIS FACE #HES HIDING HIS TRUE SELF #but both of his eyebrows are showing so he’s atleast facing his fear of judgement #i should write a fanfic with this idea or something #i have so many more ideas for this headcanon but so little time #thanks for reading if you did #trans sanji #sanji #vinsmoke sanji #zosan #roanoa zoro #one piece #one piece comic #hes so pretty i just wanna eat him like a marshmallow

[leupagus]

Guys I Might Have Three Nickels

I've been watching "Agatha Christie's Marple" for the past few days and it's pretty good! Marple adaptations all tend to have a better caliber of actors than a lot of bog-standard mystery shows (looking at you, "Madame Blanc"), and while Joan Hickson's Marple is right up there with David Suchet's Poirot and Jeremy Brett's Holmes as "literally can never be beaten, these are the best anyone's done it," both Geraldine McEwan and Julia McKenzie do a fantastic job as Miss Marple.

Then I got to "The Secret of Chimneys," Season 5 episode 2

and guys

Guys

So there's a murder of a viscount, like there is, and this detective Finch rolls up and immediately spots Miss Marple (in her NIGHTIE! standing at the window like some kind of hussy, honestly Jane) and doffs his cap to her with that little smile that makes you go, "huh."

At this point I've watched a couple dozen Miss Marple episodes where she goes through detectives like wildfire and this guy's supposed to be a "*guru*" so I'm expecting some battle of the egos or something and like, Stephen Dillane is great! But bleh, I might have to skip this one.

Then my dude asks Miss Marple to SHOW HIM THE BODY, with a pleased little smile at her as she goes "uhhhhhhhh but my knitting?" (He even does that thing where you use someone's honorific and wait for them to give you their name, and that's when I was like "ohhh this bitch knows exactly who she is.") What follows is what I can only describe as a meet-cute in the secret passageway where the viscount was shot (and in fact the body is STILL THERE) and where Miss Marple literally asks the police equivalent of "is there a Mrs Finch" and he looks at her like this:

At which point I'm like "ohhh my dude not only knows who she is, he deliberately came here without a sergeant so he could draft her," and sure enough he just starts...handing her pieces of evidence like "hey babe can you decipher this note for me thanks love you" while Miss Marple is like, "this approval and camaraderie coming from a cop... not sure if want."

Next is a series of romantic strolls through the gardens while they discuss murder, during which Finch reveals his undying love I mean his research into Miss Marple and the "dozen case files" of her previous exploits that he's collected like some deranged fanboy. Miss Marple responds to this by BLUSHING LIKE A SCHOOLGIRL and stammering about how pish tosh it's nothing really, and I couldn't find a gif of it but he's staring at her like this:

Yeah I bet u r tempted

He also makes a half-hearted attempt at negging her "amateur sleuth" status, only to then immediately assure her that he makes like, so much money being a big fancy detective and can keep her in all the yarn and garden seed she could ever desire.

There's also a late-night tryst at the compost pile right after Finch has been (mildly) poisoned and Miss Marple is like "men are so weak" as she roots through the garbage for clues.

Not how he wanted their first date to go D:

The next morning there's another murder which: bummer, but also allows the two of them to read love letters together and for Finch to give Miss Marple the following look as she explains how secret assignations among lovers can "quicken the ardor":

Miss Marple then goes onto solve the murders and btw hands over the priceless diamond that's been literally missing for two literal decades that she found in her spare time. The entire scene features Finch looking at her like this:

After the dust settles, Finch and Miss Marple have a lovely moment where he calls himself "another one of your casualties," then super casually mentions that he's probably going to have to go on assignment to use the diamond in a daring international espionage case and I can't decide if he's asking Miss Marple to go with him or simply trying to show her that he is cool and smart and would make an excellent wife, but either way the episode ends with her turning him down and Jane, we need to talk about your priorities.

Anyway I've already written 2K about the subsequent 10-year epistolary romance these two have following this episode because I make poor choices.

#agatha christie's marple #miss marple #julia mckenzie #stephen dillane #special thanks to introvertedpedant for their exceptional gifs #anyway yeah I fully did the 'haha what if I jokingly shipped them' and then 30 minutes later was like 'oh no' #miss marple rhymes with parple #seriously though what's the explanation for these choice #other than dillane reading through the script and saying to mckenzie #'ok so I'm gonna play him like SO SO down bad for you is that cool' #and mckenzie saying 'you jump I jump jack'

[nitroish]

@calamarispider 's abst heart with his pokemon!!

#chonny jash #pokemon #cccc #cj heart #cjverse chatroom #2024 art tag #YES i realise milotics little attenne and 'hair' stuff r wrong... i wasnt lookin closely at a ref at All. i googled it n went oh ok that on #and drew it so... oops. oh well! #i enjoy how these came out regardless #i was told by kai [thank you kaaaii!!!!] that he likes milotic and mewtwo [ from movie ] and so ... milotic #and then if he was in the world hed have a houndoom or sawsbuck!! #so i gave him milotic and houndoom :] i LOVE houndoom #this is my firstish time drawing pokemon seriously so AUWHAH!!!!!! #was fun #thank you kai :)

[iamnmbr3]

Draco: Harry, come quickly. There's a snake in here.

Harry: There's a snake. In our bedroom?

Draco: Yes! I need you to get rid of it. It's an emergency.

Harry: How did it get all the way in there I wonder?

Draco: How should I know?

Harry: Couldn't you just vanish it?

Draco: No. I've...ah... *throws wand across the room* I've lost my wand.... Hurry. It looks highly venomous.

Harry: Does it? Funny how this keeps happening. You're sure it has nothing to do with the fact that you like it when I speak Parseltongue?

Draco: ...

Draco: Are you going to save me or not?

Harry *in Parseltongue*: Yes Draco. I'll save you from the terrible deadly serpent. I can't believe I married someone who brings snakes into our house. I suppose it's better than falling in love with someone convenient. I'd've been so bored.

#Snake: See you next week. Harry: yeah. or sooner. #draco: oh thank goodness. the snake's gone. whatever shall we do now that we're here? #ok but draco absolutely like it when harry speaks parseltongue. #crack #humor #drarry crack #drarry humor #drarry #established drarry #Harry Potter #Draco Malfoy #hpdm #h/d #harry/draco #my post

[starrysharks]

"don't waste my time, darling. you'd better make for a good fight."

lunette strikewhite, better known as just lunette, is a key character in reassassination. prideful and smug, she fights without gloves, leaving her life and career on the line just for the excitement of it all.

#zeno's art #ocs #reassassination #lunette #a single mom who works two jobs and loves her kids and never stops #shes very fun and easy to draw thanks to her simple design #literally chill as hell #ok i dont have much to say about her but some crazy shit is gonna happen involving her in the comic.... heh heh.... #oh yea also she was the very first assassin i designed #originally she was around 25 and was an assassin with her brother who was scrapped #but his design was a little like venom (i think thats his name) from guilty gear but with locs #he dont matter now hes gone! sorry #anyway these arent gonna be daily anymore but needles should be next