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kedreeva · 4 months

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Okay if you haven't yet, and you have Netflix/Paramount+, consider giving "School Spirits" a chance.

It looks like a silly little cheesy teenage ghosts show, I put it on for background noise, and then got totally engrossed in the mystery. It's VERY well written, very well filmed, the mystery was GREAT and the payoff at the end is also great.

One of the things majorly lacking in shows I've recently tried to watch is that they try to do a twist/reveal at the end that comes out of nowhere. They don't want you to guess what they're doing. This show doesn't do that. This show wants you to guess. They give you seven different mysteries and enough clues to guess (most of) what is going on, so that when you get the final puzzle piece to any given mystery, it feels GREAT.

The story premise is this: a teenager in hs wakes up as a ghost in the hs, and doesn't remember how she died, and with the help of the other ghosts, tries to solve the mystery of her own death.

Simple premise. BEAUTIFULLY executed. Not all of the questions that arise get answered, but the main one (what she doesn't remember) gets solved by the end of the season, leaving the "why/how and what comes next" to be carried to the next season. It does a cliffhanger RIGHT. But now I desperately want to see the second season (which I believe has been approved, so it's a matter of waiting).

So pretty please, if you're looking for something to do and a great, engaging lil mystery to watch, consider! School Spirits!!

#school spirits #there is so much in this show #Spike and I finished watching it today #her for the first time me for the second #and the second time through it was even better because I was picking up the right threads #the first time through there are SO MANY CLUES #but there are also SO MANY MYSTERIES that you aren't sure which clues belong to which mystery #and then the last half of the last ep hits #and dumps out all the final puzzle pieces to several mysteries #and we spent like an hour digging through thoughts afterword #pulling out themes and clues #and there are some potentially REALLY CLEVER things done #and actually they 100% followed through on the things they set forth and paid off so far #so I feel pretty confident some of the things we pieced together actually belong to the puzzle #and aren't just mistakes #or coincidences #and it's been so long since I got to see actually good writing STAY good writing through #I'm so stoked for this series

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emblazons · 1 year

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you mean to tell me these are fits that Finn has worn to the only two cons he’s had scheduled since the S4 drop?

this man? This one right here?

—I know I (rightfully) said nothing said at any con is law for canon, but…I know an actor with an agenda when I see one. 😂 #BlueMeetsYellowInTheWest

#byler #finn wolfhard #mike wheeler #where’s that incredible gif of the ‘coincidence? I think NOT!’ moment lmaooooo #honestly I don’t even know if he’s doing it solely for byler reasons—the phrase just has immediate associations #and….Mike and Will were also in those colors 80% of S4 LMAO #like. yes he is probably (absolutely) aware of the Byler ramifications but. he still has plausible deniability with this one HAHAHA #st cast #stranger things

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evilkaeya · 7 months

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Asagiri was SO CLEVER with making Chuuya stand in Dazai's blind side always... no other bsd duo can ever compete I fear

#EVEN IN BEAST like that's when u know it's not a coincidence #chuuya was deliberately put there. in Dazai's blind spot.#I'm so unwell abt them #skk

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ohimsummer · 2 months

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✎ . . . WHAT A STEAL!

⭑ ࣪ ˖ sum’z notes.ᐟ not rlly any warnings i think!! basic sashisu x reader (suguru’s is prob a lil more obvious) u r just a victim of sashisu thievery 🫶🏾

SASHISU who steal your things.

your favorite pink beanie has gone missing. you wear it every time you go out, even around the house sometimes, but the hat has suddenly went MIA. last you saw, it was on your desk. and shoko was the last person in your room, but she doesn't seem to have your beloved hat. the four of you are heading out for brunch at some cafe satoru was going rabid about, so you don't want to keep them waiting over a beanie. it’s not until you settle for another and meet the trio at the door that you spot it on satoru’s head.

he doesn't show the slightest hint of guilt as you approach, in fact gojo acts like everything is normal. you'd find the sight of this 6 foot giant topped off with a baby pink beanie amusing if you weren't so annoyed in the moment.

“i have been looking all over for that!” you glare up at gojo, poking a finger in his chest.

and he just gives you a shit-eating grin. “oh, i know! looks like you finally found it, yeah?”

he thinks the little frown you give him is so cute, but gojo still pacifies your angry stare by engulfing you in his blue scarf. he taps a finger on your nose, and his eyes light up when you grin at him. you suppose this is a fair trade.

a brand new pair of pink slides that you just bought to wear around the house have suddenly disappeared clean from your bedroom. you wonder if you left them in shoko’s room, and search for her to ask.

“sho?” you call as you stick your head out onto the balcony. “have you seen my sandals?”

she’s leaning against the rail having a smoke, suguru sitting in one of the balcony chairs. your eyes gravitate to her feet as she asks, “which ones?”

‘which ones?’ you repeat mockingly in your head, staring at said shoes on her feet because she’s seemingly helped herself. along with a pair of your new socks, too, apparently?

"now, shoko-"

"okay, okay." she and suguru share delighted giggles. "can i wear them a little longer, until i finish this?" shoko lifts the glowing cigarette in her hand.

you huff, though unable to fight the way your lips curl up into a smile. "fine. i want them back right after, though. get your own slides."

she brushes you off with a turn of her head, giggling. "love you, y/n."

"yeah, yeah, whatever."

one. two.

one...two...

yep, one of your pillows is definitely missing.

it's not on the couch (like the last time gojo took it when he fell asleep there) and not in shoko's room (which you assume would make the most sense). you're headed to the guest room next to see if it's been misplaced there, but something feels off when you pass by suguru's open door. his eyes are on you as you step back for a doubletake, and find him relaxed atop a very out-of-place pink pillow on his black bedsheets.

"what, are your pillows not good enough?" hands falling to your hips, your head tilts, a brow raised at geto's unbothered reaction.

he replies with a languid smile. "i find yours a little more comfortable."

you hold your tongue on reminding him that you both went pillow-shopping together, so they're the same pillows. he holds his tongue on admitting that he also likes the way your scent calms his nerves and lulls him to sleep. you both decide it's not important, right now, anyway.

tagz: @anthoosies @staryukis @mysugu @hellkaiserinphoenix :3c

#they’re not all pink bc I like pink (even tho that is true)#or tbh maybe i indirectly did bc i had my stuff in mind and they all happen to be pink....it's just a coincidence i swear NJFNVJD #suguru would steal your coats and hoodies too if they fit LOL #he also ‘’’’borrows’’’’ your hair ties. sir ik you do not own green and red and pink hair ties please be fr #sashisu x reader #sashisu headcanons #sashisu hcs #geto x reader #gojo x reader #shoko x reader #sashisu imagine #sashisu drabble

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marley-manson · 2 months

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Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.

#mash #marley on mash #mash gen #mash gs #frank mash #hawkeye mash #since you guys liked that trapper gender meta a lot more than i thought you would here have another one #though this is written a little less formally lol #i have more examples of whole scenes that make these comparisons than just the sniper but i'm trying to keep this from being #even longer than it already is #but eg white gold is another good example wrt how they relate to flagg; yankee doodle doctor; army navy game; george; the gun; etc etc #(also it's interesting that when frank leaves hawkeye gets the pathetic loser portrayal more often... though i think that's a coincidence #the shift from early to late mash could be yet another essay on mash and gender lol)#long post

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moongothic · 2 months

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People often bring up the omake No Respect Time to use as Crocodad Propaganda, and y'know, I think there might be just a smidge more the omake can provide to Crocodad than what people have already discussed in the past

Like everyone's seen the comparisons between Crocodile and the anime screencaps of Don Luffyone, we all know how the two look so similar etc etc. But honestly, the resemblance is even more obvious (and hilarious) when you look at the OG manga version (Sidenote but Don Luffyone is the only one who smokes cigars in the omake... Everyone else has plain ol' cigarettes... That sure was a decision there Oda)

And yeah, you might be thinking I picked this mangacap of Crocodile in particular because the resemblance is the most obvious here and I have My Crocodad Agenda to push etc etc. But I will have you know that the original omake was from Log Book 5, which was published February 28th 2006. Meanwhile that Crocodile is from the cover of chapter 398, published February 6th 2006. So these were drawn by Oda around the same time. I didn't just cherry pick this cover page because it's convenient for my evil agenda, if these were drawn around the same time then the likelihood the resemblance is intentional does legitimately go up a little. (Also since they're both drawn by Oda instead of random animators, again, it's a bit less coincidental and could be a bit more intentional)

But as I said, I think there might be more to the omake than that.

In the past people have also pointed out and joked how a mere few months before Oda revealed Dragon was Luffy's father to us in the story (post-Enies Lobby), in the Monster Time-omake Luffy was depicted as a dragon.

Needless to say, people believe this was intentional foreshadowing (/trolling) to the Dragon reveal by Oda-- if not it'd be one hell of a coincidence at the very least.

The reason I'm bringing that up is that if people think it's safe to assume Oda was hinting at Luffy's heritage in one omake by making him a dragon like his father, then why couldn't Oda do the same in another omake (by making Luffy a mafia boss who smokes cigars like his father)? Keep in mind that Monster Time was published in May 2006 (in Log Book 7), just three months after No Respect Time. So again, these are from the same era. To me, that just makes the resemblance between Don Luffyone and Crocodile seem even less coincidental

Oh, but there's one more omake I want to bring up.

So people do often bring up Nerd!Luffy's appearance in One Piece Gakuen spin-off manga, pointing out how much he looks quite a lot like the Theoretical Child Oda gave to Crocodile in that one SBS. Yeah. So. 'Bout that.

There was this one omake called Red Hair of Class 3-Sea Time, in which Luffy was a loser ass nerd. And man, that resemblance

Like it's one thing when a spin-off manga drawn by a different artist does A Thing. It's another when Oda himself does it

#Moon posting #OP Meta #Crocodad #Sir Crocodile #3rd Year Class is from 2007. Can't remember what year the SBS Child is from but I'm guessing long after 2013??#Point is that I would considder the Theoretical Child the weakest piece of Crocodad Propaganda #Also just to re-iterate: even if Crocodile wasn't Luffy's other dad I'm sure Oda knows who Luffy's other parent is and what happened to 'em #Like it doesn't matter if it was some random chick who fell down the stairs or was kidnapped or whatever #It doesn't matter if Luffy's other parent is relevant to the story or not; I'm sure Oda knows The Truth himself #But also Crocodile's always been relevant in the story around the same time the rest of Luffy's other family is relevant to the story #You know what I might actually save these thoughts for a separate post hold on #POINT IS THAT THE FACT THAT THE TWO OMAKE ARE FROM THE SAME TIME #AS WELL AS THE TIME WHEN DRAGON AND GARP WERE REVEALED TO BE RELATED TO LUFFY #THAT'S A SUS COINCIDENCE. THAT'S THE POINT

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lemondoddle · 8 months

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cackling

[I.D. three screenshots of ghost files where shane gestures to a mattress and says "-youre not responding to the fact that she said mattress when you walked up to the mattress. what are you fucking high?" end I.D.]

#lane speaks #THIS PART WAS SO FUNNY 😭😭😭😭#shane was trying SO hard to get ryan to understand how solid that evidence was but he could not be wavered fghkjhgkj #like even shane's little 'UH 😨' when the ovilus said mattress bc even HE COULD TELL that's a wild coincidence #but ryan was too busy making weed jokes jhfgdsjgkj #ghost files #watcher #ghost files spoilers #i guess

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commsroom · 5 months

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mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.

eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.

they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.

the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.

#wolf 359 #w359 #doug eiffel #i don't know. just a thought. just some coincidences i think are kind of neat.#and @ beth hephaestuscrew i'm so sorry i asked if i could reference our conversation and then reworked the post #but in spirit i want everyone to know that this thought came from a conversation with her a while ago #when she was writing her minkowski musicals essay. go read that also. putting this part in the tags but #i think it would be funny if minkowski never got around to seeing it and actually gets mad at eiffel for it later like #THAT'S what you were doing? instead of learning basic safety protocols or how to Operate Our Space Station??#you don't even like musicals!! and i was busy!!#i don't know what her opinion on the movie adaptation would be but i am sure she has strong opinions about movie adaptations of musicals

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