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#like I don't think I've mentioned yet but I had at least three interactions that reflected this today so yeah
bibiana112 · 1 year
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I have no idea how to phrase it but being on the older end out of the students in this class and seeing a lot of the ones that just left highschool struggling with very similar stuff than I did (because no one in this course is cishet and neurotypical) and then seeing them come to me for support with all that stuff just because I'm outspoken about my experiences and somehow signaled that I'm safe enough of a person to come to all in the third week of class is so much I don't know how I got here but I'm so glad I did
#like I've mentioned my cool genderqueer friend he's on the same age range as me but I am managing to interact#with like a decent portion of the class? which is awesome! it feels like art school all over again I actually understand people#and it naturally has a lot of freshmen#and today like idk probably because of how bad I had it yesterday that today just left such a big impact on me all of a sudden#it's important to me that I can be someone like that probably because it's how I remember being before trauma and stuff#but also I mean just logically speaking I know one issue I certainly don't have is with confidence and self esteem#so it's important to me that I can support friends who do still struggle with that self doubt#and something about that just coming across to others is getting to me#like I just make myself clear that it's a choice to be friends and listen and that I wouldn't hang out with anyone out of guilt or pity#and it actually makes people feel seen#like I don't think I've mentioned yet but I had at least three interactions that reflected this today so yeah#fellow autistic nb nerd asking for snuggly friend hugs so naturally I was talking to someone else#neurodivergent trans girl saying thank you out of the blue alongside her goodbyes when parting ways#guy with ocd I hadn't spoken to yet but that had a bad fucking time cause of the class incel being glad I reached out to him#after he had to walk out of class today#like idk#fuck man#I said I was trying to not infantilize or adopt anyone but still had the instinct to try and act all older sibling like#like almost joking and the girl genuinely said I was doing a good job at that though#Void fala aí
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red-hot-kick · 5 months
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Theory: Ryuji was popular, before.
I'm not entirely sure if anyone has really talked about this but I maintain my interpretation that, in the canon of Persona 5, Ryuji used to be very (or at least moderately) popular prior to the events of the story.
This is something I've gotten into before when talking to friends who like the game and the character, but I haven't really considered writing it down until now. The main argument I have is based on three things:
Things Ryuji alluded to in canon (but no one believed him on)
The deliberate choice of making him a track athlete
Typecasting for voice actors
1: "There were girls all over me!"
I don't really have the time to go on a deep dive through all the instances in which he hints at his reputation before the Kamoshida incident, but I think the most clear-cut representation of this was during the scene where he and Ann spend the day with Futaba during her post-palace social rehabilitation:
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So here's the thing...I don't think he's lying about this. Nobody in the room would be that impressed to find out whether Ryuji was popular since they are already friends (or in Mona's case, he really just doesn't care), so it wouldn't make sense for him to lie.
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Regarding everyone's reactions though, here's my impression: Ann was simply not aware of what was going on with the track team, being predominantly focused on dealing with rumors, her friendship with Shiho, and her modeling career (and eventually Kamoshida's advances once he started doing that shit) and she mentions a few times that she and Ryuji weren't actually close before joining the PT; they were just in the same class in middle school. Futaba hasn't interacted with anyone her age in years and isn't the most reliable source when it comes to what people generally find attractive; just because she doesn't have any interest in Ryuji doesn't mean that nobody her age would. And Morgana is a cat that brags constantly about how cool he is, so he shouldn't be throwing rocks.
There are many other times in the game when you get little glimpses of his social savvy, and from my understanding of Royal (I'm an OG vanilla P5 player and haven't done 3rd-semester yet, so don't kill me) when the track team returns to "how it was", he is getting along extremely well with everyone. Not only was he the team's ace: this kid was also expected to become the captain by his senior year (as briefly mentioned when he bumps into his former senpai at the gym, iirc). That's huge! If his team held him in such high regard, then the general student body of Shujin surely had a similar opinion. This brings me to my next point:
2: Girls like boys that run fast(???)
This is honestly something that baffles me. It's also really difficult for me to substantiate; any source material on this is obviously in Japanese and if I could find any of it, I sure as hell can't read it. The only English-language source I know of I cannot find anymore; I think it was an old Tofugu article? However. If you've watched any romance anime set in a high school during the last 20 years, you might have seen this trope at some point: the school sports festival is happening, and the relay race is kind of a huge deal (it's the final event! a make-or-break moment for the class!). The boy thinks to himself "If I win this race, I'll be able to win her heart/ask her out/etc." Low-stakes drama ensues. Maybe a confession happens.
This is (from what I've been told) based on a long-standing trend of girls and women self-reporting in surveys about how, oftentimes, their crushes in junior or senior high school were simply "the boy who ran the fastest in the races". I have no idea what this means in a broader cultural context. It makes no goddamn sense to me at all. Do not cite me on this. But I think it's worth keeping in mind, even if it's almost entirely speculative (and possibly outdated) information. And even if it's just based on rumors, don't you think it's pretty in-character for Ryuji to go for a track scholarship—despite being adept at other sports like baseball and football/soccer, as mentioned in P5 and P5D—because he was aware of the potential of being more popular with girls? Of course, his priority would be getting the scholarship and paying his way through school to lighten his mother's burden, but hey, getting a girlfriend on the way up wouldn't be half bad!
I think this could also inform us as to why Kamoshida (as a predator who wanted attention from high school girls) felt so threatened by the track team in particular, and why he felt a need to specifically knock Ryuji down a peg and sought out a weakness to do so (as opposed to targeting any of the probably just-as-popular boys on the many other athletic teams and clubs in the school). Just some food for thought on this one! Also, if anyone can find a source or has any insight on the relay race thing, please share. I am so confused about it.
3: Typecasting
So this is something that you really only notice if you are very into keeping up with seiyuu in Japan. I am not one of those people. But I do have some favorite voice actors! One of these being Mamoru Miyano.
So I freakin' love this dude. He's voiced a lot of my favorite characters, sings incredibly well, and has an unreal sense of comedy. He's stated in interviews that his acting inspiration is Jim Carrey, and let me tell you: it shows. He is also quite consistently typecast into certain roles, predominantly as princely pretty-boy types, Coolguys, or complete fucking nutcases. Sometimes all three at the same time (shoutout to my boy Ling FMA!)
ATLUS definitely cast him for P5 because of his comedic chops. But I think they also cast him because having him voice someone like Ryuji is a great way to subvert expectations for the player. I think it's supposed to give you whiplash—"what do you mean the voice of LIGHT FUCKING YAGAMI is coming out of this guy's mouth?" "why does the delinquent character sound like king of the host club Tamaki Suou?" "isn't that Rin Matsuoka's voice?" etc. etc. etc.
(here's a quick list, just to really get the idea across. maybe you recognize a few.)
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This is obviously a non-comprehensive list, but something that a lot of the characters he's voiced over the years have in common is that they were considered cool, handsome, or popular. Not just for fans, but within the canon of their stories! So...what does that mean? What does that say about how we should see Ryuji?
I think players are supposed to expect that he will fall into one of those categories too, and then be surprised to find that it's not the case—that he's been isolated and made bitter and resigned by what happened to him the year before.
Speaking of his tone, I think it's very telling that Ryuji actually forgets to keep up the delinquent act a lot in the original JP audio, which unfortunately doesn't really carry over in the ENG translation. The delivery of his JP lines sounds a bit more subdued in comparison too—yeah he's got a lot of energy and is very hotheaded, but when he gets to talking about serious shit, he sounds a lot more regretful and melancholy as opposed to the EN delivery which depicts him as more resentful and outwardly angry. I think before Shit Went Down, he probably had the Coolguy vibe. Still a bit of a rowdy idiot and a showoff, but I think he probably came across to most people as a very friendly, sincere, and popular guy.
So yeah, the girls probably were all over him, at least for a short while.
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justanobodywriter · 2 years
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Hate Sex
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Katsuki Bakugo
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Cw: female bodied reader (no pronouns used), reader does wear a dress, alcohol, use of doll, veginal fingering, degredation, penetration, dom/sub dynamics, rough sex, lots of hate mentioned but it's sexy hate, male and female orgasm, no protection used
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It had been years since you had seen everyone again. You couldn't have been more excited... well, you could have if they didn't invite him.
"Come on, we're gonna miss the Uber," Mina whined at you.
With one final look in the mirror, you smoothed out your dress, and slid on your heels, "Ok, I'm coming."
She practically pulled you from the apartment and down to the street. She had the idea to get an Uber to and from the small bar that you all had decided to meet at. It wasn't often you all could get off and meet up. More or less on a day where everyone could have a couple drinks and let loose.
The car ride was short lived and filled with Mina making conversation with you about anything and everything. She lived next door to you, so she was just about the only one who you kept in touch with... well her and some of the boys who would frequent her apartment for movie night.
"Why don't you seem excited?" she asked suddenly, as the car halted.
You smiled, "It's just been so long since I've had to interact with him. Just a little worried he will bring his sour attitude with him today."
"He's not so bad," Mina giggled.
The two of you exited the car in style to be met with half the class outside standing and greeting one another. You both walked over to join them, giving hugs and telling everyone about how much you missed them all this time.
"Hey, I heard Tokoyami got us the VIP section reserved, let's get inside," Denki reminded everyone.
Tokoyami always was cooler than anyone gave him credit for back in the day.
"He must be inside," you groaned to Mina.
She just waved you off and continued catching up.
Sure enough, as soon as you entered the VIP section, he was sitting at a table with Kirishima and Izuku, looking uninterested as ever.
At least we have that in common you thought to yourself, as parties like this weren't really your thing.
You greeted everyone inside, stopping at Bakugo. You looked him up and down as he stood before you.
There always was an arrogant air that radiated off of him that seemed to not be as strong. However, he himself was very strong. He was large in the chest as he always had been, and much more muscular everywhere. You thought that the TV didn't do his physique justice.
You stretched out your hand which he scoffed and, yet still shook it.
"Been a while, Bakugo," you smiled.
"Sure has," he spoke, removing his hand from yours quite harshly.
"Who wants shots?" Mina asked, in a sing-song voice as she came walking to the table with two trays filled with shots.
You walked over and joined everyone in taking a celebratory shot. After the first shot and toast, everyone went to get drinks and more shots.
You got your signature drink and then plopped down with Momo, Ochaco, and Shoto to catch up. Everyone made their rounds to different tables to get to talk to one another. One drink became two that turned into three. One shot became two and three and then four.
The fourth shot, was a jello shot in a small cup. Everyone took them together.
You couldn't help but look over to Bakugo who effortlessly, pressed his tongue into the cup, sliding it around and then removing all of the jello in one fell swoop.
You practically choked when he looked at you to make eye contact as he chewed the jello and swallowed it. He rolled his eyes at you and then turned away to talk to everyone again.
Shit, why was that so hot?
You tried to move on with your night, but found it hard when all you could think about was his tongue and being down-
"Hey, whatcha drinkin'?" Izuku asked with a large smile plastered across his face.
You smiled up at him and gave him your drink order. He quickly went and retrieved you one, seeing as yours was empty.
You realized when he came back that you had been left at a table alone.
"Here, it's on me," he smiled.
"You didn't have to do that," you scolded.
"My treat," he shrugged.
You took a sip, enjoying a moment of comfortable silence between the two of you. It had been a busy and social night... more than you were used to... or liked.
"So, can I ask what you're doing after this?" Izuku asked. "Or is that too forward?"
You giggled, "My you sure did get confident in your old age. It isn't too forward. I'll be going home by myself to my nice empty apartment."
"M-maybe I could-cou-well maybe I could-" he stammered out, face turning a bright shade of red.
"Hey, you gonna dance with me?" Bakugo asked, shocking both you adn Izuku.
He had appeared out of nowhere, just being right next to you with an outstretched hand.
The situation was left awkward as you sat looking up at him, "Sure."
You took his hand and let him lead you off to the dance floor. There, he spun you to face him. His hands gripped tight around your waist. He moved the both of you to the beat.
Alcohol swirled through your veins allowing him to move you as he pleased.
"What's the deal?" you finally asked. "I thought you hated me."
"I do," he shrugged with a smirk. He leaned into your ear, and lightly bit your earlobe. "I hate how sexy you are. I hate how long you've made me wait to have your slutty little cunt. Gonna let me have it tonight?"
You were a bit shocked, but something about the way he was growling in your ear, sent a shock straight to your core.
You gripped the hair at the nape of his neck and pulled him back to look at you, "Think you can handle me?"
He smirked, "Oh, doll, I don't think you can handle me."
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Tongues and teeth fought for dominance as clothes were stripped and discarded around the apartment. It had taken too long to get there.
Bakugo had fingered you in the backseat of the Uber while you palmed him through his pants the whole way back. It was killing you both not to have each other now.
"Hate you so much," he breathed, while leading you to his bedroom. "Always hated you. You always walked around so pretty, in those little skirts. Always killing me. Always better than me. Can't take it. Gonna make a mess of you."
You let out a squeak as he pushed you back onto the bed. Your legs on either side of him spread wide. He was just looking down at you.
He pulled his boxers down, to reveal his large cock.
He didn't give any time or warning before pressing into you, quickly. He pounded his hips against yours. His pace was ungodly quick and eager.
"Fucking hate you," he grunted out.
It was too much, you couldn't take it anymore. You reached down to rub your clit, but a harsh smack was laid to it instead, by a hand that wasn't your own.
"Little slut can't even wait to cum?" Bakugo mocked. "You do as I say, got it?"
You nodded, biting your lip and whimpering.
You wanted to hate his words, but they just pressed you closer and closer to the edge.
"Yeah, that's right, take it, you slut," he spat.
Your head pressed back into the pillows impossibly hard. It was too much. You couldn't take it.
"Please, let me cum," you begged.
He chuckled as he brought his fingers down to pinch at your clit. He swirled around it and gave you the stimulation you needed to clench around him. Moans and profanities left your lips as you came undone over him, but he didn't let up. He kept going at a pace that was inhuman and continued to work at your clit.
"Give me another," he growled at you.
As if on command, you came undone again around him. It was all too much. There was a new pressure building up in you. Finally, a clear liquid covered his cock and lower half.
"That's it, cum all over my cock, slut," he grunted.
His hips began to falter as he leaned over you, attacking your neck and chest.
With only a few more thrusts, he came deep inside of you, coating your insides with his seed.
Without another word, he got up and cleaned you up, even taking the time to get a wet rag and clean you.
When he was done, you got up and began searching for your clothes.
"What are you doing?" Bakugo snapped, confused look plastered on his face.
You rolled your eyes, "Leaving."
Before you knew it, strong hands were pulling your clothes from you and throwing them across the room. He took your hand in his and lead you over to the bed and pressed you lightly down and in before climbing in after you.
"Just stay here," he spoke, cuddling up with you.
You giggled, "Bakugo, you don't have to do this."
"It's Katsuki," he said, disregarding your protests to stay.
You let yourself calm and cuddle back into him, letting out a content sigh.
"Besides, why leave when we can go for round two," you heard him snicker behind you, already feeling him get hard again.
You were in for a long night.
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httpskuzuu · 11 months
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Cello
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Yandere!Fyodor x Reader
I am spanish and I have no idea of english, I translated this by google so I am sorry if there are mistakes, idk
it's the first time I write for him so it's probably that fyodor is quite out of character, sorry for that too.
tw: kidnapping, yandere, manipulation¿, mentions of god, I think, stockholm syndrome, fyodor is a general tw.
I have been a whole month kidnapped by Fyodor.
The first three weeks there I was in a dark and empty basement, typical of a horror movie. I don't remember much from when I was in the basement, my brain decided that the best thing for me would be to forget everything I experienced there, I only remember very specific things. I remember that he didn't talk to me until the first week, and that I stopped crying on the fifth day. Since I stopped crying the emotions disappeared, there was fear, of course, but at a lower intensity than at the beginning.
After my stay in the basement he decided to take me upstairs, he gave me a room to myself and from then on all our interactions were cold and distant, almost null most of the time.
Today I decided to go back to writing, a hobby I had before I was kidnapped. It was relaxing and made me feel a little better, it made that emotional block that I had been carrying with me since the fifth day here disappear for a few seconds.
Everything was going well until I heard his cello being played, that made me not be able to continue writing. I don't know why I couldn't continue, maybe the simple fact of knowing that Fyodor was just a door away from me made me disconcerted. Now, for some reason, I am about to open that door that separated us.
I opened the door cautiously. The room is moderately large, with Fyodor in the middle, seated and holding the cello between his legs. His slender hands play the chords of a song, unknown to me, with such elegance, he has an amazing composure as his fingers lightly press the strings of the cello. His face is expressionless and cold, but suddenly he looks at me out of the corner of his eye.
The silence is suddenly deafening, with the atmosphere too tense to be true. Fyodor stops playing his cello and looks directly at me.
"I'm sorry, did I break your concentration?" I break the silence in when it becomes too much for me. It's been a while since he's spoken, not in full sentences, at least.
His gaze is different, I can't describe it accurately. I've never been able to describe Fyodor accurately.
"No, I was simply thinking about the meaning of your actions." Was it curiosity I'm noticing in his tone? I really don't know, I'm not that good at reading people.
Fyodor put his cello aside and approaches me calmly. He's much taller than me, much to my disgrace. I can smell his cologne on him, it's heady and expensive, I wouldn't mind smelling it any longer.
He smiled slightly, a fake smile, his eyes didn't move from his cold expression.
"There's not much to think about it." Even I didn't know why I walked in. "I guess I wanted to hear you play your cello closer, it sounds beautiful."
I noticed a small change in his expression, now he was really smiling, not only his mouth but also his eyes formed a smile. He keeps his hands folded behind his back as he looks at me intently. I feel nervous about his whole body language, and more so about the fact that he hides his hands, he can perfectly kill me with them in just seconds and I wouldn't see it coming.
"You were looking at me, weren't you? And yet you didn't join me. It's strange that you want to look at me."
The mere thought of approaching him and hearing him play gave me chills. I just shrugged, hoping that would be answer enough for him.
"Will you keep playing?"
"Of course, would you like to join me this time?" Fyodor's smile softened as he said those words, and I, surprisingly, returned the same smile.
"Sure."
I followed him to the center of the room, he sat in his chair and I sat on the floor beneath him. He feeling of inferiority didn't take long to come from being in this position, and more so with his gaze fixed on me, making me feel like I was prey.
I listen attentively to Fyodor's melody, while playing with my hair from time to time to try to calm the nerves of being under Fyodor. My gaze is riveted on him, I feel like a believer watching his God. From the perspective below, Fyodor's features stood out much more, making everything even more enigmatic.
Fyodor stopped playing and looked at me with those violet eyes, pale and piercing, calculating yet peaceful. "What is it, маленькая мышь?" he looked like he could almost read my mind. "What's in that pretty head of yours?" He almost seemed to want to annoy me by the way I looked at him, and more so when he kept a playful smile on his lips.
"Nothing important…" I felt too helpless against Fyodor, against the closest thing to a god in this world. I'm on the ground in front of the Russian, completely vulnerable and helpless, I'm easy prey for him.
"Lying to your God?" his hand came to rest on my hair and began to slowly stroke it. The first affectionate touch I had had in this whole month, it was inevitable to enjoy it and it was inevitable to close my eyes so I could feel it better.
"I'm sorry…" I know very well that Fyodor could kill me simply by activating his ability right now, but for some reason I simply couldn't feel fear about it. I simply stopped bothering and let myself go.
"You belong to me, моя любовь." His hand went down to my cheek and I just leaned against it. "I will never let you go, мой дорогой." He seemed to be talking more to himself than to me, but I nodded anyway.
"I know, I won't try to leave." And I'm not lying, I don't have it in my plans to try, I know well what Fyodor is capable of.
"You have no choice." I opened my eyes slowly to see his figure looming over me, he had a sadistic smile on his face, and leaned closer. His eyes moved to my lips. "If you try to leave, you will be punished."
I don't like that word, punish, it makes me feel like a helpless child. That was a bitter thought, to think of Fyodor as a father angry at his son for disobeying, to think of Fyodor as a God angry at his worshipper for not having faith.
I nodded again as I snuggled even more against his hand. Comfortable enough to forget those thoughts, comfortable enough to forget the situation I was in.
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theredengineapologist · 3 months
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From the ttte movies you seen, whats your fav?
✨THE GREAT RACE✨
The Great Race is THE BEST ONE! I may not have seen most of the other movies yet, but I'm very sure NOTHING is ever gonna beat this movie for me.
You're telling me they made a Thomas movie centered around what is basically a Train Pageant (tm) AND they made it a MUSICAL!!??? Hell yeah! Sign me up!
But then you actually get in to the movie and it gets even better.
EVERY SONG IS A BOP! EVERY! 👏 SINGLE! 👏ONE! 👏 THERE WAS NOT A SINGLE MISS IN THIS MOVIE! I don't know what they were on, but they were pumping out JAM after JAM!
Secondly, I think the Great Railway Show was a great way to introduce more foreign engines into the show in a way that made sense. Pity that we didn't really get to see much of them. But I also feel like we didn't really need to. I mainly just liked that we got to SEE them.
One of the things I LOVE about Brenner Era CGI Thomas is how the world of Sodor feels so much bigger. In the model series I get this sense that the Island of Sodor is this quaint little English countryside island where nothing much happens, and the engine's shenanigans are the most interesting things to happen in day-to-day life. Whereas I feel like in Brenner Era CGI Thomas, the world feels much grander. Still very much an English countryside island. But the island itself feels much bigger. The engines and the people living on it feel much busier. And in some ways I would say the cast itself feels more diverse once they gave the characters unique voices. I'm a sucker for shows that allow their characters to speak in different dialects, and giving Duck his West Country accent and the narrow gauge engines Welsch accents honestly endeared them to me more.
Anyway, main point I'm trying to get at is that the introduction of The Great Railway Show helped to expand the Thomas universe and show the rest of the world interacting with Sodor and vice-versa, even if only for a short period of time. It adds to the grandness of the world.
I also really like Thomas's arc in this movie. With how often he gets picked on for being a "little engine" over the course of the series, it's no wonder the guy's a little self conscious. If the narrator called me "short and stumpy" three times in a row I'd be pretty self-conscious too lol. But jokes aside, I did like seeing Thomas have conflict with this part of his identity. His verses in "You Can Only Be You" really made me feel for him, and I loved being able to see him finally come around at the end.
And of course, we can't talk about The Great Race without mentioning
HOW PRETTY JAMES'S DECORATIVE PAINTWORK IS!!!
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LOOK AT HIM! LOOK AT MY PRETTY BOY! GAZE UPON HIS BEAUTY AND HIS SPLENDIDNESS!!!
And you know what? I'm gonna say it. James deserved to win Best Decorated Engine. Sorry not sorry RAJIV! But they don't call me the Red Engine Apologist for nothing! My pookie deserved to win!
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One of these days I've got to do humanized versions of James's and Emily's looks from this movie. I can see it very clearly in my head but I also want to, um, draw other characters HAHAHAHA
Anyway, TLDR, The Great Race was an amazing movie with a killer soundtrack, great story, and a concept that appeals to ME SPECIFICALLY. I also genuinely think it would adapt very well into a stage musical (similar in visual style to the Spongebob musical). I have a clear vision in my head for what it would look like but unfortunately I don't have the money nor resources to make it a reality so it would just stay in my head. But just know that every time I watch this movie I am actively thinking about how I would hypothetically adapt this to the stage.
I''ve spent WAY too much time rambling about The Great Race but yeah, there's your answer.
Also if you're curious, here's every Thomas movie I've watched so far ranked from favorite to least favorite.
The Great Race (obviously)
Sodor's Legend of the Lost Treasure (Thomas had a great arc in this one, "Never Overlook a Little Engine" was fun, and visuals are spectacular. Solid movie but it can't beat the campiness of The Great Race)
The Adventure Begins (Solid movie. The other two are just more fun imo)
Tale of the Brave (It was a good movie and I probably would have appreciated it more if I watched it in High Quality. But unfortunately I can't stand Kerry Shale James and so I chose to watch a grainy upload on YouTube instead.)
Journey Beyond Sodor (I'm sorry to my one mutual (you know who you are) who said this was their favorite movie. But unfortunately, in my opinion, the songs do not slap as hard as in The Great Race)
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Sonine Prime ... Part 1
Hi, everyone and welcome to Sonine Prime! The part of the show when I come out and talk about Sonine (and a bit of Sontails) in Sonic Prime!
And now, a bit of background before I beginㅤ
I have only recently become a Sonic fan. I played a few games when I was younger, watched the first 3 tv shows all the way through, watched a bit of the Sonic Boom tv show, and I bought Sonic Frontiers at release. But, strangely enough, it was Sonic Prime that got me obsessed with this franchise.
And it was, frankly, more queer than I had expected it to be.
Part 2 >>
(Essay/thoughts/analysis under the cut)
Now, right off the bat
S1 Episode 1.
Now, I know this is supposed to mostly be about Sonine, but I would be remiss if I didn't mention the little scene towards the beginning where Sonic has a little moment with each of his friends. For the record, I think that Sonic Prime leaves it open so that you can interpret Sonic as having crushes on/having some sort of not strictly friends deal with most of his friends (in this case, I am at least referring to Knuckles, Tails, and Amy) and his rival (Shadow).
Sonic's interaction with Tails is Tails catching him to save him, and Sonic being thankful, Sonic gives Rouge a wave and thanks her when she saves him (to which she says "Don't mention it. Literally"), Sonic asks Knuckles if he's doing okay and Knuckles says "The only thing that flusters me is when you're late, Sonic" (interesting choice of words there), and then of course Amy asking where Sonic's been, and Sonic leaning over the robot to say he got sidetracked.
Now, this is an image of that scene with Amy, one of many I have seen people show off as S0namy proof. And I will say now that this look will come back later.
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Oh, and that this looks just a little familiar, doesn't it?
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Huh no way it's the
It's the S2 scene where Sonic is talking to Nine through the Eggforcer and needs to be talked out of saving him asap
Now, back to the episode.
While this doesn't mean much yet, just before we get to Sonic shattering the Paradox Prism, he gets to fight with Tails again, who warns him to be careful while Sonic brushes him off. Then it switches to Amy, who says "if eggman wants it, it can't be good".
Tally 1 for the "Tails and Amy get the last word" category. Why does this category matter? Well...just the sheer amount of times it pairs them up specifically for parallel reasons. Only you can decide what it means for you.
Then, after our very first (of many) Sonic shattering the prism scenes, we watch Sonic float unconsciously through the space in between the shatterspaces, as apparitions of his friends and Robotnik speak. Everyone gives their oneliners that *will* come up again, and then before Sonic enters New Yolk, three people speak a second time.
These three are Amy, Tails, and Eggman.
And out of the three, only Amy and Tails' apparitions are actually shown onscreen when they get a second word in (with phrases we don't see later with the reveal of Ghost Hill's existence).
Amy: Hey. I may be the one who can bring everyone together, but there's only one hedgehog they'll follow into battle.
Tails: Heh heh. I don't need an army when I've got a friend like you Sonic.
And not only do they get a second word, but a third word!
Amy: We'd follow you anywhere, Sonic!
Tails: Nothing could break our friendship, Sonic.
Tails and Amy get the last word: II
And while this would be a topic for a different essay that would go into parallels like these, I just also think it very interesting that Amy's lines are more focused on Amy assuring Sonic how everyone feels about him, while all of Tails apparition's lines (all 3) are about his bond with Sonic.
"As long as I'm around, you'll always have a wingman"
...
"Nothing could break our friendship, Sonic"
"I don't need an army when I've got a friend like you, Sonic"
...
Barely 4 minutes into episode 1. Food for thought.
Now we enter the shatterverse.
Sonic spends a good disoriented minute getting knocked around in New Yolk, and the first names he calls are Tails, then Amy
"Tails? Amy? ...Heck I'll even take Knuckles at this point."
Tails and Amy being singled out specifically: III
After a short moment of trying to figure out where he is, and also finding Big and Froggy, Sonic ends up running from the Eggforcers, after which he realizes that New Yolk *is* Green Hill.
"The loop de loop. Hedgehog's Pass! And that should be Tails's Lab! Oh, Tails...what happened?"
Aside from when he found Big + Froggy, and when he mentioned Tails, Amy, and Knuckles, Sonic has not yet moved to figure out what happened to his friends. But he *does* specifically mention *only* Tails in his "What happened here" set of lines, which leads us to a flashback.
Now, again, I'm going to try not to make this too much about other ships when I'm making this for Sonine, but I think this bit of the flashback is important. And I think the writers' choice specifically to have Eggman say something nasty about Tails and only Tails to get Sonic riled up.
"You can mess with me Eggman, but nobody messes with my best friend!"
Most of this fight is spent with Sonic fighting the Eggcrusher in his normal "Fight Eggman and throw insults back and forth attitude". Almost no matter what Eggman says to him, it does not get Sonic riled up to attack him in the way he is baiting him to.
The writers could have chose any friend of Sonic’s or multiple for Eggman to insult, leading Sonic to become riled up to destroy him and fall right into that trap. Sonic's line very easily here could have been "You can mess with me, Eggman, but nobody messes with my friends!" And this would not at all seem abnormal, because this is Sonic, and because earlier in the episode Sonic monologued about how home is where your friends are.
And yet...it's Eggman calling Tails an ugly two tailed mutant fox that gets Sonic to block out everything else to zero in on hitting Eggman hard for what he'd said. Not "nobody messes with my friends" but "nobody messes with my best friend"
This show is already emphasizing how Big, Froggy, Amy, Tails, Rouge, and Knuckles are all his friends, but Tails is special, because they're best friends, huh?
And not to mention the parallel's between Tails' "Sonic, noooo!" before Sonic pounds the Eggcrusher inro the ground, creating a shockwave, and his "Sonic, wait!" before Sonic shatters the Paradox Prism, also causing a shockwave. ....Or the fact that Tails gets a lot of the spotlight in this flashback, from the audience getting to see a lot of his thoughts/what he was doing while Sonic was fighting the Eggcrusher, or Sonic coming into the lab to apologize and try to make up with him, or–
But I digress.
Post flashback, Sonic has the full realization that New Yolk is Green Hill, and remembers the paradox prism. His first thought after this?
"I gotta find Tails"
Now, you may be thinking. "Tumblr user hadesknockedupintheunderworld. That doesn't mean anything. Maybe he's looking for Tails just to make sure he's okay, or because he trusts that Tails can help him figure out/understand exactly what's happening here"
And to that I say that I am the last person who's going to argue that this means Sonic doesn’t care about his other friends or that this is inherently romantic. I just think it's interesting the focus that Tails is getting in episode 1 alone, and that after remembering more of what happened his first thought is to search for him specifically. And he doesn’t stray from this path either! He makes mention of his goal to find Tails before fighting Dr. Babble for the first time, and again when he decides to escape Babble in part because of his refusal to fight kids and in other part to get back on track to finding Tails.
Anddd about 22 minutes in, just after following him through the underground transport and believing him to be Tails, we meet the second star of today's show!!
Tumblr media
Wow Sonic really does keep making that face doesn't he?
Now, at first I was going to break this first meeting down but there was just *much* too much to comment on in a way that would do justice to the scene itself. As such, I'm planning to insert a video of the scene and break it down from there.
But, tumblr has a limit of 1 video per post, so
I will see you all in part 2! Sorry we haven't gotten much into the Sonine itself yet but by god we'll be moving on from crumbs to meals in a second.
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true-blue-sonic · 4 months
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.
My morning plans got cancelled, so I've been reading some of my more recent old fanfic. And it made me wonder... I feel as if I write the characters not so much in-character, especially Silver and Sonic. An explanation I can give for that is that I base a lot of my writing on my fic New Beginnings, which is three years old now, now that I think about it. At the time I worked on that I did not have that solid a grasp on character characterisations or writing, nor did I make so many analysis posts on Silver and such. But going through my own fanfics and recalling scenes from New Beginnings makes me see many little things that I feel like are "incorrect" or are something I would not write anymore. Nothing extremely egregious, but mostly word choice on Sonic's part and actions on Silver's. It's making me ponder about characterisations, how to figure out the deeper details behind them (especially in a franchise like Sonic where various "official" media have very different characterisations for many characters compared to the baseline of the games, which understandably often get mixed-and-matched in fandom spaces that I get exposed to a lot. Not to mention the huge differences between Japan and the West.), and how to write characters in a romance story when they do not have any romance in the media they are shown in.
Also, considering I don't like Silver as an uwu silly baby, I feel as if I do write him in that way, at least a little. For example, in New Beginnings he was quite heavily dependent on Espio and wary as heck but also sometimes far more explicitly wide-eyed and innocent, haha. If I don't like Silver getting cinnamon roll-ified, I feel like I should not be complicit in it myself in my own works either. It's definitely something I'll keep in mind if I ever go write for New New Beginnings (title still pending) in full, yet... I know that it's often recommended that you should do what is fun for you most when writing and that it's okay if that makes the characters a bit OoC because it's a fanwork. But I do really want to write him in-character, yet I feel like it's difficult for me to get his true character and his interactions with others down 100% correctly. A lot of my stories seem to kind of automatically put Silver into at least a bit of a cinnamon roll position, especially compared to the far more serious and world-knowledgeable Espio. But as I read my fanfics, it just felt... kind of unfitting? I'm not sure if it's something you can train, though, and I also feel like obsessing a lot about writing him "correctly" is going to stifle my (completely non-existent these days, rip) inspiration even more...
And it is making me ponder about what to do with my old fics. I figure it's best to just not touch them and treat it more like an artwork of "poor" quality that you made at the beginning of your learning journey: something that was still enjoyable to make and that people still like looking at, but that simply does not look as good as something you made years later when you had more skill under your belt. Hmm, this went a bit all over the place, but I hope it's clear what I mean.
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mario8th · 7 months
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YOU CAN SMILE
I'm gonna start watching Hunter x Hunter I know next to nothing about it, but I want to listen along with the new Friends at the Table show, Media Club Plus I'm very hesitant to do so. I did not like Yu Yu Hakusho. At All. (Aside from the intro). But I do like JoJo's, which I've heard it compared to. So I think I'll document my progress. Certainly open to being surprised, but nothing I've heard makes me hopeful. Guess I'll find out.
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Well, three episodes in and I'm fairly optimistic
I'm still tired of many of the more used anime tropes, but I'm coping
And there hasn't been a Single Fight yet! (a good thing), and I'm somewhat interested in the premise, more so with the characters.
But I was also interested with the premise of YYH, and then a few episodes in it completely changed (I wanted a demon detective show and got endless monotonous fights), so I'm not entirely sold
At the very least, I'm really liking the score, the intro's all right (think I've heard it before) and the outro is absolute garbage, haven't hated an anime song this badly since that one My Hero Academia song that also overdid it on the crummy autotune (and this one adds unpleasant screamo)
All being said, I'm not dreading the next three
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I enjoyed this batch of episodes quite a bit (eps 4-6)
It helps a lot that I feel like I know the premise of the show, and I don't want these posts to only be about YYH, but so far HxH seems to know what it wanted to be from a much earlier spot
And what it's trying to be is just smashing words together. The amount of weird guys in this show is staggering. The Crow that imitates speech? The big frog? The weird card guy who has a higher body count then most shows I watch? Lotta stuff going on
But the soundtrack, especially Gon's theme, is really great, and a lot of the hi-jinks are fun so far, if not a tad bit predictable
It was really nice that Gon got a friend his age, it's wild that old guy isn't that old, and the line where people with Strong Hunter Aura or whatever attract one another is just how JoJo Stand Users attract, but whatever.
And stop the presses, Snooty Gourmet Hunter Girl is my new fav, despite me groaning when the old guy focused on her breasts. Seriously it's mainly because I like cooking and cooking characters. No really I mean it. Wait No Don't Go
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One thing I forgot to mention last time was just How Many People Died
So Many Dead
Anyway, just realized in the intro, when the narrator says "These are Hunters" the silhouettes are (at least) some of the examiners, so that's neat
I continue to enjoy these episodes (Eps 7-9) as I watch them, but remain... ambivalent? Unconvinced? I'm enjoying the show, but I'm certainly not In Love with it.
Speaking of death, we had a really brutal one this time, that guy was not expecting that weird dinosaur bird thing. Of all the side character deaths, his felt the most impactful. And it turns out skateboard kid isn't such a chump, in some ways those deaths were Not treated as brutally, but it really paints skateboard in a certain light.
Gon continues to be charming, I enjoy the interactions with the four friends, loved the reveal of their fifth companion
I liked the twist on expectations with the Blue Guy. He began powering up like that boring villain in YYH, but wound up just being a chump.
And the Music! There was one song that played as they learned of the tower, that had such a good bass riff, I was dancing around in my seat. Great tune, great score across the board.
In the end, these episodes weren't surprising, I knew exactly what red eyes was gonna do well before it happened, but everything is executed well, and the pacing fairly good, so, again, I'm enjoying my time.
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Tying Up Loose Ends (and a massive dive into how my mind works in game design)
There's basically one more thing I need to do for the project: create a marquee on PhotoShop. Otherwise, it's finished. Debriefs have been filled in, research processes outlined, files zipped and assignments sent off. My game is ready to be packaged and put on an arcade machine, and it'll run right out of the box. I obviously don't want to come off as prideful, but I think a finished game on this project is something special. At the very least, a polished game - not something that, yeah, it plays, but it's glitchy and scraped together just in time for the deadline. A game where I set out to do a thing and succeeded in considerable capacity. Toxic Waters was a good game, but it wasn't perfect. It was my first proper Unreal project and I overshot what I thought I could accomplish - multiple enemy types, combat with various unique weapons, large non-linear levels, advanced puzzle mechanics and an in-game shop had to be cut. Overdeath was a fine idea with an admittedly bad prototype level attached to it. The core gameplay loop was yet to be implemented, and the final "game" was a mess of poor time allocation and unused assets sitting unseen beneath the Z-kill. Sweat Pursuit could've been this. Another case of NitroSodium thinking he could make something that, in truth, was far above his skill level. But I did it!
I think I've mentioned this before, but this project was more about functionality than immersion. With Toxic Waters, I had a whole world envisioned; the Hydromorph Research Complex, a flooded scientific facility of snaking pipes and wailing sirens. The game was chunky and mechanical, a fine-tuned set of systems waiting to be utilized by the player to escape. With Overdeath, I wanted to create a wacky, vibrant homage to games like Serious Sam, where every shot fired has some effect to the world, blasting apart boxes or inflating them to double size. The key was always Create an experience, but after Overdeath failed to be interesting nor playable, the focus shifted to Make a game, specifically because Sweat Pursuit relies entirely upon its mechanics. Blog-wise, there were no walls of text debating on what weapon would be thematically relevant a la Toxic Waters, no collages of frozen outposts and junked snowcats like in Overdeath. All my thoughts were on the functionality of Sweat Pursuit, because without it, the whole thing collapses. I don't like making games like that. I much prefer the artistic merits of game creation; designing worlds and coming up with interesting ways the player can interact with them. For my next project, the looming, ominous FMP, I want to go back to that Toxic Waters era of design. I want to flesh out a world and build it so that a player can move through it, use all the moving elements that make it tick, jump on its platforms and exist in this deeply-stylized stratification of a real place.
I think the FMP is about lottery tickets? But obviously that'd be altered somehow to fit an idea. Right now I have no clue what I'll do for it. I've got something like three months though, far longer than my other projects, and I am a little intimidated by it. I mean, we're given a whole week for our teachers to explain it. How complex is it gonna be? I think I can add a second pillar to my gamedev formula.
I: Create the bare minimum before everything else. A game needs to be playable and functional as a concept before any more work is done.
II: Doubt is your biggest impediment. Having a solid idea to build off on is key to starting your project correctly.
I think for the rest of this week I'll be relaxed. Today I did crunch pretty hard. As my friends would say, I locked in. Headphones up, Deus Ex Area 51 Combat breakbeat blasting in my ears, not talking to anyone until my evaluations were done. But tomorrow, I'll do a little relaxing PhotoShop work, release my grip on the tight ball of stress that has been the Equilibrium Project for the last month, recuperate and prepare myself for whatever comes next. It's nice to word-vomit like this at the end of the project, archive the various thoughts that played in my head on loop as I connected nodes and playtested, but could never be fit into the work schedule. I'm ready to try something else. To utilise my new ideas and programming knowledge in a brand new, interesting way.
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Text
Qrow Branwen x OC/Reader: Saving Grace.
Trigger Warning: Mentions of Domestic Abuse and alcohol usage along with depictions of physical harm. This excerpt is inspired by personal work I've written for my own OC, but translated to a POV piece. "You've been working an awful lot this past month." Gruff yet comforting words coming from your colleague who you could tell by the way he often interacted with you, trying to be a little bit more than colleagues. A little bit of work place romance. Unfortunately for both you and him, it wasn't a thing that was possible. You're taken and committed. At least you try to be, but it can be hard sometimes... "Qrow, please tell me you're not about to lecture me about kicking back and relaxing for a change-" "Well someone has to! I used to see you at the bar once a week, but this is the first time you've been here in three-" "I know, I know... It's just how I have to be. We can't afford to live otherwise." Qrow couldn't help but roll his eyes upon hearing of her financial situation. "Why not put that dead beat boyfriend of yours to work? After all, he isn't much good for anything else."
"Hey now-"
"Look. I'm sorry. I know you like the guy, but I can't stand him..." "Oh... I've noticed..." "He's all hoity toity, acting like he's better than everyone. Likes to act all nice and sweet, but you can tell he's stuck up-" "Oh come on Qrow~ I know you're not the biggest fan of him, but give yourself time. You'll warm up to him, I'm sure!" "And don't get me started on how you've changed since you got back with him..." You can't help but feel a little confused by Qrow's words. Had you really begun to change that much to him in his eyes??? "W-what do you mean by that??? I'm really confused." "Come on-, you think I haven't noticed? You seem like you're unhappy. Maybe it's all the work, maybe it's something else. But you've been out of it. It also seems like you're doing everything not to go home, which is why you're working so much." "Jeez, mister therapist. Didn't know you could read my mind." "Heh-. No mind reading involved hun, I can just read you really well." "Is that so?" You couldn't help but smile a bit. Thing is Qrow wasn't off. Part of the reason you're sitting at this bar right now is because you finished everything you needed to do early, and what better way to spend your time than at the bottom of the bottle with your dearest friend? "We've been friends since Beacon. I know you better than anyone else. At least I'd like to think so. I can read you like an open book... Be honest with me, you aren't happy, are you?" Qrow is now completely turned to you in his stool, his drink the least of his concern now, instead putting you first. It makes you so happy that he cares so deeply, but then you remember everything and how it matters not in the end, because you could never express it. Your bones begin to ache with dread. You rub your arms nervously, not daring to flinch at the pain as your hand slides over the bumps and bruises hidden under your long sleeve. You turn away from Qrow, trying to further prevent false hope and dread from a beautiful thing that could never be...
Qrow realizing that his concern could not be reciprocated turned back to his drink, swishing around the ice in the glass, as only a small sip remained of the dark, syrupy, remedy that he used to often bury his own demons. You couldn't help but notice as his concerned glances directed at the glass in front of him quickly changed to that of anger. He wasn't going to give up just yet. "I take that as a no." "Why does my relationship with another man matter to you? You shouldn't concern yourself with such things."
"Because you're my friend, and I care. I thought that was obvious-"
"I get that, but what about my love life of all things." "Because if he's-!" Qrow stops and grits his teeth, trying not to utter the words. He only suspected things. He didn't want to chase you away with unfounded accusations, especially if they were true. Over the years you had begun to close yourself off from many of people when your boyfriend entered the picture. Qrow was the only string you couldn't truly bring yourself to cut. After all, you were a source of comfort for him when he felt out of place at Beacon. He even trusted you with his darkest secret and his deepest regret. Not only did it hurt you to even think of breaking away from him, but you sometimes worried that he would take it the hardest if you just suddenly stopped being there. Qrow wasn't the kind of man to walk away from you either even if you had begun to change in front of him. He was easily your most loyal person in your life. He couldn't bare the idea of losing you... "I just want you to be happy... you deserve that after all these years..."
"I-... I am happy. I'm happy because you make me happy. I just wish things weren't so complicated..." "I remember you being so bright and beautiful. You glowed everywhere you went, and you still do, but it seems like that light is dimming. I worried he's keeping you down. Keeping you from shining your best... God, I sound cheesy... But do you understand what I mean?" "Yeah... I was a lot more confident... less self conscious" "A lot less. It feels like he's keeping you down. And I want to help you so damn bad, but I can't if you don't talk to me..." Your face... it's so hot... and your cheeks feel enflamed. They must be a blush pink right about now... "It's uh... It's not cheesy... it's just really uh... how do I put it..."
"Really sweet? Sickeningly poetic? Yeah, I don't know how I did it. It's just how I felt."
"R-romantic... It's really romantic..."
Qrow now seems to be in the same boat as you, his cheeks a bright red pink, his hand coming up to rub the back of his head embarrassingly. Did it really show that bad? His feelings for you??? "It's really how you felt???" You can't help but push him on the subject. You knew he harbored feelings. He could never bring himself to stop talking when he was drunk. Would always praise the earth you walked on. He'd remind you how beautiful you were and how everybody was out of your league, because you were just too amazing. Of course it would always follow with ramblings about how you could do soooo much better than your current boyfriend, but the sentiment was still there. Now, you just wanted to hear it again while he was sober- er well... mentally there, and not just rambling in a drunken stooper. "W-well obviously! I didn't say it for my health. When have I ever done anything that's "good for me"?" "And you tell me I should be more mindful of myself???" "Hey now- There's no saving me. You on the other hand? That's a different story..." "Well maybe there is! You just have to find that thing that pushes you in the right direction, ya know???" "Yeah... You..." You can't help but giggle a little bit. "Now that's cheesy~" "Hey now. I'm poorin out my guts to you and you're laughing at me?" A playful smirk peaked on the man's face, as he sipped the last of his cup, though not as enjoyable as the ice had melted a fair amount into it, watering it down." "Sorry... I couldn't help myself..." "But seriously hun. I'm you're biggest fan, your most loyal friend, I'm here for you when you need me. So please... Promise me if you need help, you'll come to me? Don't sell yourself short for anyone. Please? For me?" You can't help but feel overwhelmed now. You're so happy but your heart hurts too. Truth is, Qrow has always been your only source of kindness, meeting in secret to keep your boyfriend off your back, merely being friends sitting at the bar. You're used to curses and obesities thrown in your direction. lack of acknowledgements of efforts and implications of your uselessness. The kind words are bliss in your miserable life. The cuts and bruises, the broken bones- They are so easily soothed by the soft affections of the man who accompanies you at the bar once a week. The man you grew with during your pursuit of a career as a huntsman/huntress. You have tears in your eyes, and they won't stop coming down. Qrow is quick to act, getting off of his stool and pulling you into a embrace from behind as you had buried your face into the counter. Guess you couldn't help yourself. Everything had just began to overflow. You soon are able to lift your head from the table and turn to Qrow, hiding your face in his chest. He too gets carried away by your sudden outburst, lifting you from the stool, and taking you over to a secluded table out of site and mind from prying eyes, just holding you there in his lap, doing anything he can to comfort you. Kisses on the forehead, caressing of your hair and face. Anything he can to let you know he's here to stay, and no shitty boyfriend would ever get in the way of that. "Can I please just take you home with me? I don't want you to go back..." "But can we really??? I mean... what if he finds out???" "I don't mean like that... I'm not that kind of man. Jeez... I'm worried if you go back, you aren't coming back... That TERRIFIES ME." You two just sit there quietly, still holding each other close... "But what would happen if I did go home with you???" "You'd never go back to him. I'd love you so much you wouldn't want to go back. I'd be there to wipe your tears away, to hold you, to let you know just how beautiful and amazing you are every day. You'd know damn well how much you mean to me. You wouldn't have to question if you're happy..." "I-... You really mean that??? Really? Things could be different?
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haysprite · 1 year
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i know Susie has a school id where it says the year 1993 - 1994 therefor she would be a senior in 1996 but I do not care. Susie is still a 16 year old and a sophomore in my eyes. I don't know how but to me it's not fun where they are all the same age and besides most people who Susie is 18 are kind of creepy.
I love spending a whole 25 minutes of my morning writing a response, and then having it completely delete itself before I could hit post !!! It's so much fun !!! I totally don't wanna cry or anything !!! Lol anyway-
God yeah, I honestly just completely disregarded that part of the ID :o) Like her last name and natural hair color? Cool ! But the dates,,, Nahhh I don't think so! Like, I get *why* BHVR had to age her up (I believe they had to do it with the canonical 17 year old fellas from Licensed shit as well), but eughgjdlkfs it's still annoying as hell. I just wanna know why video games have different... Standards (?) compared to books and movies, if that makes sense? Especially considering that she's a *Killer* (so no violence is done to her), and not a Survivor enduring the shitty events of the Trials. I dunno, it just feels dumb to me.
There's just something about the idea of this diverse friend group of teens (age, background, etc) that's just really intriguing to me? Like imagining how they all interacted Pre-Fog (both in and out of school) as well as how participating in the Trials effects each of them/their motives for actively following the Entity's orders. I dunno, I feel like if they were all the same age (still all younger than Frank considering that he was the oldest at Julie's party), it just wouldn't be as interesting to me. You can just mess around with the dynamics a lot more, and also it just makes a lot more sense for her to be younger than the other three story wise, or at least in the way I write her ig.
You can bounce around this idea by saying that Frank was 19 when he actually arrived to Ormond or when he met the rest of the Legion, and not when he got taken into The Fog, meaning that he'd be roughly 21-22 in the end instead, but ehhhdlfksj idk ? It kinda takes the fun out of the whole concept of this rebellious group of teens who drank and smoked n all that stuff (I'd like to mention that Alberta's drinking age is 18 when bringing point this up). Also I feel like it just opens a whole 'nother can of inconsistency worms unless you played around with their Lore a LOT. Like obviously you can work with their Lore however you please, I'm not gonna stop ya considering how much I've personally rewritten n' whatnot (mainly for consistency, but still)! It's just personally not for me, but you do you, boo 😘
And oh yeah, agreed, I find that a lot people use the "But she's 18!!!" to their advantage... Like,,, Fine, sure, whatever, but it still rubs me the wrong way seeing gross shit of her considering the fact that she was most likely originally a sophomore (aka roughly 16). Like again, BHVR backpedaled like they usually do and changed some lore yet again, so technically these people off the hook (ha), but I still get bad vibes from it. There's SOOOOOO many other characters, both Survivors and Killers, that you're free to do whatever your little heart desires with. But Susie? Please just leave her be :( I personally get uncomfy with that stuff with all of them tbh, especially since they're still high school students (Frank and Julie I'm more lenient with since they're my age), but that's just me ig. If Daddy BHVR says they're legal, then I guess people can just do whatever.
I will also take this time to say that I don't personally enjoy violence against minors (whether they're super young or on the verge of adulthood)! I find it interesting to see what drives these characters to do what they do, but I don't like seeing them in any gross situations, including extreme violence/gorey shit (like on the Final Destination end of the scale, if that makes sense). I'll never include any shit like that in my personal work, including both art and writing (my art is a lot more lighthearted, but my writing, although generally SFW, does sometimes include gore n shit). Just thought I'd throw this out there!
ALSO I'D LIKE TO ADD SOMETHING THAT DRIVES ME NUTS AS WELL !!! Julie, yeah? Her first cosmetic, Suspended, is quite literally under the Collection Name "Fairview Senior", along with Frank's (I still personally believe them to be a grade apart, but I thought I'd add that as well). But then,,, Saturday Slasher (aka the Bush Party recolor) is,,, Under "Sophomore Jitters" ????? What ????????????? Why ??? For what reason ??? Like they were literally released 4 years apart, just make a new collection or add it to a different one that MAKES SENSE ??? Whatever ig, I don't come to DBD for consistent Lore anymore (or anything consistent, considering how much they've fucked up with Julie and Susie's models lmfao, that's a whole other rant for another day), but it still drives me nuts :o)
Again, I'd like to clarify that a lot of my personal views on this subject are very related to how I, Miss Cherry Haysprite, your local Frank/Julie enthusiast, personally interpret the lore! Their lore is so damn inconsistent that at this point I've just given up trying to figure out what's actually canon or not (maybe the comic will fix some of this, but honestly I feel like it might make things more messy), so I just go along with whatever I think fits and respect everyone else's interpretation! Honestly, one of my favorite parts about Fanon Legion are the different interpretations and how people enjoy writing them, whether or not I actually like said interpretations or not! They're just a fun group of characters to work with and I love seeing how people prefer writing them, especially compared to my own thoughts and ideas! I'm just one person with her own lil spin on things :3c I just personally wish there was more consistency and less backpedaling in the Canon that we do have :( But again, what can ya do lmfao
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kerorowhump · 5 months
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Hi! You once mentioned your headcanon of Keroro being jealous of Giroro and Dororo, could you talk more about that? It sounds interesting!
hiiii thank you for the ask ヾ( ˃ᴗ˂ )◞ • *✰
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for me to do that I have to put a big fat disclaimer upfrond and say that obviously, since I haven't finished watching the show yet, I haven't seen every single instance of this chibi trio interacting. secondly, I wanna be clear that this is based on vibes.
to me it's a headcanon that was born from multiple small things, I first got it while looking through the daisyugo books, as I noticed that more often than not, their dynamic ended up looking like... keroro as the black sheep being scolded by giroro who (rightfully!) defends dororo, and when not that, keroro acting out in stupid ways to get attention (and sometimes getting that scolding too), but more often than not, it seems the pair that actually got along without problems was dororo and giroro, and three's often a crowd. After noticing these "vibes" from the 4komas, I started thinking more indepth about episode 64, and the specific memory that triggers keroro. they had seen countless ones so far that day, so it was (and is) important to me to see just why that one was different. it's, to me, undeniable proof that the friendship was genuine from dororo's part, but more specifically the fact that it was him self sabotaging it that soured it. it was being believed and treated with kindness despite his constant selfishness.
which then makes me think more about, you know... where does this selfishness come from? first of all, again, as a motivator for this headcanon, the fox and the grapes... focusing on yourself is often a response when you think others won't, if you perhaps perceive a level of distance (more vibes on that later), it also makes for a nice parallel with keroro+kogoro and dororo, as I do equally headcanon that he was jealous of that friendship! it also makes their relationship sweetly tragic in a way if, you know, all they wanted WAS to be friends but they keep failing each other because of their complex situations, and of course, because of keron interference.
as much as I like the headcanon that much of the trauma dororo has in regards to keroro is also projection about all the horrible shit he went through with the army and being an assassin etc, I think it can extend so much more, I think their society fucked all of them up (and failed them).
when it comes to keroro... well... ok, I hope i'm not ridiculously wrong about this lol, but my vibes make me believe that keroro's always had a secret. I've talked about this before, I'm of course talking about that whole "I was hospitalized for a long time" deal, the fact we (or just me? - I hope not lol) don't know what motivated him as a child to conquer pekopon so much, the fact we don't know how he was able to obtain the keron star, or what he had to sacrifice for it. the specifics are not important rn (mostly because no one knows them fully...) but if we go with the assumption that he's dealt with this secret the whole time, since he was a child, then my first thought there is to reflect on how lonely that must feel. of course, even now as he's an adult, it seems every other plot he's got a complex about being alone - can barely stand it, remember the plots where he ran from home or was left homesitting? - episode 31 (feeling lost and lonely I think are two key factors in this character, that's why to me ep31 is very representative of like... keroro's arc/conflict as a whole) - even stuff like being left behind at home (ep21/that manga plot), not being included in the family (the hot spring plot with the rubiks cube), his friends n family liking someone else more than him (that one robot replacement plot in the manga...), his whole thing with not meeting expectations, seeking compliments, his whole fear of abandonment I think stems from this deep seated sense of isolation that comes from bearing this secret (or at least, it's a neat headcanon placeholder until I learn of the truth!)
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[pictured - some examples of keroro's chronic loneliness ?]
which brings us back to how I think being in this situation and then seeing dororo and giroro get along in spite of your own acting out, would probably make you feel jealous of their closeness
but that is just, like, my headcanon, bro, or at least what i've been cooking in my brain with the information i've gathered so far... do what you will with that...
I hope this was a satisfying answer :^) and thank u for the fun ask
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seiya-starsniper · 8 months
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12, 16, and 17 for the fanfic writer ask game! :D
12. Do you respond to comments, why or why not?
I love responding to comments! I really do love the interaction between writer and reader, so I like to respond to every nice comment someone leaves on my fics. That being said, I'm not very timely about it LMAO. Sometimes I'll answer in spurts, sometimes all I have is energy to respond to one or two people at any given time. But I will always answer eventually.
16. How long is your longest fic?
and if I get burned, at least we were electrified is 41,082 words! I have yet to find the same creative drive to write something that long, but I'm okay with it. I'm just happy I managed to do a longfic at least once.
17. Are there any writers and/of stories that you consider an influence?
Oooooo, here we go, let's list my various influences!
One of my favorite fanfics I've ever read is a James Bond 00Q fic called Sigh No More. I think I re-read this fic at least twice a year, and I've definitely taken some writing influence from it. It is one of the most evocative fics I've ever read, and one of these days I'm hoping to get it bound so I can have it physically in my hands anytime I want to read it. This is my comfort fic. Any time I feel writer's block, I go to this fic, and suddenly it feels like I can write anything.
As far as the Sandman fandom goes, @beholdingthegaytimes's In Your Doorway is probably the fic that really made me think "oh, I want to write again!" after not having written anything substantial since 2018. I had read a ton of Dreamling fic at that point but I hadn't really felt inspired to write anything myself until after I finished that fic, which is pretty funny when you consider In Your Doorway is a Hobrinthian fic. There weren't (and still aren't) a ton of fics for that ship, but I absolutely adore it, and it was that lack of fic coupled with reading amazing fic like this one that got me to finally start typing stories again.
@valeriianz's Bolt in the Blue is perhaps one of the first fics I subscribed to and just felt the absolute NEED to let the author know how much I adored it. Prior to Sandman fandom, I preferred to lurk on fics, and occasionally I'd comment on a fic once it was finished. This fic I felt the need to comment on almost every chapter, and to this day, I'm absolutely floored by the care she puts into the details of this fic. I hadn't really been terribly interested in fandom participation up until I read this fic, if I'm being honest.
@arialerendeair, @moorishflower, and @softest-punk these three terrify and amaze me with how much they can write in such little time. And everything these three put out is AMAZING. Not to mention they are also some of the kindest and most supportive people I've ever had the pleasure of interacting with, in any fandom. I'm certain I've stolen little words and phrases from all three of them.
@gabessquishytum, my beloved horny queen. I have written at least three fics based off headcanons on their blog, and I may or may not have 4 or 5 more WIPs just floating around lmao.
And finally, YOU, @silver-dream89, are my favorite influence. I really don't think I would've written half my fics without your encouragement/feral posting in my askbox and DMs. I love you, I love your energy, I love that we're friends 💖💖
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Fanfic Writer Ask Game!
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I get that Arei’s death is hard to digest, but come on, man. J already showed up at the crime scene and interacted with other characters (besides Teruko who may be face blind), there’s no way they wouldn’t have noticed the switch. Plus Nageishi couldn’t have imitated her voice, that’s just physically impossible. Shit happens, bad writing happens. Arei’s potential was ruined, and there’s nothing we can do about it.
//I don't feel like getting into an argument, so I'm just going to post 10 points on why I think you're wrong.
The chapter is not even finished yet. It seems far too preemptive for any of us to actually call anything, especially when we don't even know whose secrets belong to who. I'm genuinely surprised how you're so quick to call this bad writing when DT has been very well-written thus far. Simply put, I can't believe that the writing quality would dip this quickly; there's time for surprises to happen.
Before the BDA, Arei was the focus of two major scenes this chapter, and J has been the focus of three. Despite that, J was on the title screen. There's been more attention paid to Teruko, Eden, Ace, and Nico in comparison. That leads me to believe that there's something much more important going on with those two behind the scenes.
J being there and speaking doesn't mean anything, especially when she had only a couple lines of dialogue. Teruko was the only one who really interacted with her before the trial. Not to mention, as I've mentioned, the way J talked to Teruko doesn't really feel like something she'd say. And, as has been hammered in this chapter, Teruko has been distancing herself from everyone and I don't think she'd really pick up on the difference.
Why would Teruko's prosopagnosia be brought up if it's not going to be important? It was hinted at all the way back in Chapter 1. What is the purpose of its inclusion if it's not going to relate to the murder in any capacity? Remember, the only two people who investigated the body were her, the only one who got a good look, and Arturo, who was looking at the body's neck and might also be the one who killed her.
If it's really Arei, why is her glove missing? Why is her hair longer than it should be? What did she talk about with Eden? Why was she so quiet after her emotional breakdown? Why was there so much emphasis on the fact that she got some dark secret? These are questions that are inevitably going to be answered, but there are so many that it seems preemptive just to declare it all a waste of potential when we keep getting small clues that things aren't as we believe they are.
The fact that J was trying to get away from Arturo and Arei deciding she wants to be kinder to everyone were also not included for no reason. Teruko didn't help J, once again thinking someone was trying to turn on her, and that was the last we heard of it, a couple days before the BDA. Scenes like that feel too important to overlook.
Arturo and David are also the ones who were the most closely-linked to Arei and J as well. The two of them are also the biggest candidates I have for being either the murderer and the manipulator. Whoever is the killer, Arei would know that and react accordingly.
There's the unexplained moment where Arei's crying reminds Teruko of something. We got no follow-up on that and no hinting of what it's actually supposed to mean, at least not initially. That wasn't just a stray thought, the screen went black to emphasize it. Why?
Eden was willing to explain what happened with Arei, but Teruko didn't bother to find out. Eden clearly knows more than she's letting on, and odds are, given that Arei talked so highly of her before and she wanted to be kinder, it has something to do with the murderer.
Most importantly, if it's Arei, that fits perfectly with this chapter's themes. This chapter has been about Teruko rebuilding her ability to trust- Eden giving her a speech about optimism being what'll save them, Charles approaching it from a rational standpoint, her continuous self-isolation leaving her out of the loop for a lot of things, etc. The best way for her to be put to the test is for her to have to trust someone in this trial, and who better than someone that everyone else will likely declare is the culprit?
//Simply put, no, I'm not going to shut up about this. This isn't me grasping at straws, this is me analyzing what's really in the text and what's being said and being glossed over. I'm not in denial, there's so much about this chapter that feels weird from a writing perspective, and DT isn't just written by one person.
//SDRA2 is a waste of potential. That game, while I don't dislike it, it's full of rigid characterization that doesn't emphasize change, only tragedy, cynical views on human nature and emotionally manipulative writing. That's not what DT is aiming for.
//And let's not forget this is neither the first time someone in a murder case or a trial pretended to be somebody else, even when they looked nothing alike. They still found ways around it. Hell, let's not forget Chihiro's case involved a hidden identity of sorts.
//Bottom line, it's not over until we get to the trial and get down to brass tacks about how this all happened. Until then, I'm sticking to my theory. If I'm wrong, then I'm wrong, but this is where I think they're heading with all the clues hidden here.
//Doesn't it seem unnecessarily cynical to declare all of this bad writing and wasted potential when we aren't even at the actual trial yet?
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cf56 · 1 year
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Episode descriptions for Season 3 have been revealed (at least most of them)!
Yes! I don't know why these things always seem to happen while I'm at work or asleep. I suppose I do spend the majority of my time working or sleeping...
Honestly, nothing in the descriptions changes my perspective on any of the episodes I've already talked about. Let's go through the ones I find interesting.
"With Ralph still acting as CEO of WB, the Warners agree to help Nora get her old job back."
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This is probably the episode where the Warners get locked in the tower. It seems like the Warners will decide the best way to break out is to get Nora back as CEO and Ralph back as guard, a goal which Nora obviously shares.
"The Warners teach a kid-fluencer the importance of having fun and not growing up too fast."
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This is probably "Teeniacs", but notice the lack of the word "teen" anywhere in the description. It also doesn't give any insight into who the girl dressed as Dot is. Possibly, the Warners see an influencer stealing Dot's style, confront her, and end up teaching her something? It sounds like it will take the Warners back to their roots of just being fun-loving kids, which I'm excited for.
"A documentary narrator takes us through a day on the Warner Bros. lot."
This sounds similar to the "The Monkey Song" and "Nighty Night Toons" segments from the original series. It will be interesting to see some slice-of-life stuff, and potentially some other characters we haven't seen much of in the reboot.
"Ralph, Nora, and Scratchansniff encounter alien versions of the Warners."
This could be "Planet Warner", though, as I've noted before, there are multiple leaked segment titles that mention aliens. "Planet Warner" could also be the global warming segment. It makes me wonder if the WB staff will be going to a different planet somehow, or if the alien Warners come to Earth. In the latter case, where are the regular Warners during this? Are the aliens trying to replace them? Sounds fun no matter what. I don't think we've seen any obvious clips of this segment in the trailers.
"The Warners find themselves on a remote island inhabited by creatures that slightly resemble them."
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This lines up with the theory that was sent to me. It could be heartwarming to see the Warners interact with more animalistic versions of themselves and probably lead them to freedom. The question of who is creating these Warner creatures and why remains unanswered. I know people have been imagining an episode where the Warners interact with different versions of themselves for a long time, and we're finally getting it.
"The Warners find themselves inside a video game."
Definitely "Ready Warner One." Note that "Ready Warner One" is a two-parter. They really could go anywhere with this, considering how open the concept of Ready Player One is. It might even have nothing to do with Ready Player One at all. It might just be a punny title.
"Yakko has to sing a song about why the Earth is worth saving."
This is the global warming one, but it's interesting that it says he has to sing a song about why the Earth is worth saving. Is someone threatening to destroy it unless he convinces them otherwise?
"The Warners visit an amusement park and find themselves in a sticky situation."
This is "The Stickening". I have no idea what it could be about.
"The Warners give the viewers a safety tip."
This one wouldn't be interesting if not for the fact that it's the last description in the series finale. (The last three descriptions have been from the finale.) Even though they didn't know the show was ending after this season, typically the reboot has had deeper, more story-filled episodes to end their seasons. I'm not really seeing how any of these could be that- they all sound somewhat run-of-the-mill. They'll probably surprise me with one. I also wonder where they'll fit in that "shoehorned ending" they apparently made for the franchise.
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Episodes 4 and 5 noticeably don't have any descriptions up yet. It's unclear if that's an oversight or intentional. If intentional, it could be because the descriptions contain spoilers for something they don't want to reveal yet. Slappy isn't mentioned anywhere in any of the descriptions we can see so far. I also don't think any of them match up with the "older Dot" episode I've been so intrigued by.
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airlock · 1 year
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6, 11, 27!
(pertinent to this ask meme)
#6 - Who's your favorite lord/protagonist?
I may or may not have recently declared a crusade in his name.
(Claude is up there as well also!)
  #11 - A character that deserved better?
speaking of which, Claude would have been a prime candidate here, but at least, Three Hopes finally gave him a route that feels like it's his own and not the church's sloppy... firsts. although that route did bring with it a new candidate for this question (they did so little with shahid,)
anyway, god, how does one even begin to choose? I could nominate like half of every female cast from the Kaga era games for one thing. get to the modern games, and you get countless characters who would've benefitted greatly from not being under pressure from being a viable target for the resident customizable protagonist's gaping S-supporting maw. the ones in the middle of the maelstrom are safe from that sort of sweeping problem, but that's not to say they don't have any characters they inidividually did dirty... (Lyn deserved more story relevance, Elincia deserved more time in the limelight in Radiant Dawn, Eirika deserves more respect from the fandom if that counts, and that's just going through protagonists)
anyway, a solid chunk of Awakening's second generation deserved to be in a better game -- perhaps even their own game -- so I guess that's also a big one
  #27 - Any fanfics/fan content you’d recommend? (You can plug your own stuff it’s fine)
sneaky creature you are to ask that, considering how much of your stuff I'll rec in a half heartbeat,
anyway, I'm not nearly as avid of a reader as I should be, for being a writer, but here's some of the finest Fire Emblem fanfic that my terrible brain managed not to wander astray from:
Princess of Dawn and its sequels by @wyvern-dork are the ultimate gesture of dedication to a blorbo that I've ever had the privilege of witnessing, let's see, around 80 chapters of so far. y'know, out of the 193 total that are presently up. to describe it only as a novelization of the Akaneia Saga, starring Minerva and featuring Minerva/Palla, would be selling it short. I think the more accurate thing to call it, rather, is the Minerva bible.
not looking for a work that will beautifully gobble up your entire life like that, though? first off all, why aren't you? but second of all, you can still get your Minerva/Palla from the same tap in shorter form: in Blades of Champions, where the two of them are some of the tryhardingest fencers in the whole modern alternate universe
and to complete the hat-trick on recs for this particular friend's works, there's Fingers Through the Sand. in this fic, Luthier dies at war and Delthea's journey to completely mishandle her grief eventually takes her across the sea and to befriend another magical powerhouse with a heart full of grief -- Linde. it will hurt you perfectly while dazzling you with stuff about magic
but lest you think I'm letting you off without another Akaneia rec with lots of magic in it -- as if; here's simplicity by name, the delightful gift I was given for nagamas 2021. it's Merric/Arlen, albeit with some flexibility as to how romantic you read their interactions here exactly, also they're both magnificently trans of gender in there
and I'm not done with the magic yet, or with the ones I've managed to prompt out onto existance. after all, @dornishsphinx‘s May You Arrive at Fertile Phthia dotted that year's FE Rarepair Exchange for me with some of the most evocative (and, at least once, haunting) descriptions of magic I've ever seen. besides that, it also has an intriguing Erk/Nino story largely set after Binding Blade, ie, well after they've both disappeared. it is deliciously detailed, and even has a bunch of Homeric references if that happens to be something you're interested in
while we're at Elibe, @royaltyjunk's the pain in my heart cannot be shared (i really miss you) deserves a mention at the very least because Lyn opening a text convo with Hector with "order bitch" remains one of the most beautifully in-character things I've ever seen for her and it's the first line of the piece- besides that, it's also a modern AU story taking place in our here world, but one might say that it's still about how much Lyn misses the plains.
anyway, let's cap this off with a hat-trick of @queenlua recs, notwithstanding that this tag there is entirely redundant with the other notifications she's about to be getting for this post- anyway, the first one of them is Silent World, a three-chapterer in which Naesala attempts to ruin Micaiah and Sothe's relationship for shits and giggles. it's not quite SFW and it does in fact feature Micaiah/Sothe, but if you're fine with both of those things, then you may join in me suddenly finding Sothe a much more interesting character than you may have originally figured (plus, that Micaiah and Naesala are great characters should require no convincing, but they're still in peak form here, so, that's just Oops! All Interesting)
and here's another three-chapterer while I'm at it -- Where the River Meets the Sea. it's a Claude/Hilda story that doesn't skirt around the dodgy history between Hilda and Almyra -- the opposite, in fact, as that's one of the central themes. the other being that these two are both extremely nonconfrontational people and, sometimes, that's not a good thing. anyway, Lorenz writes a strongly worded letter in this, so, that's the real #1 reason why you should go read it right now
and I'm not done asking you to enjoy Lorenz content either; for that matter, neither am I done with the modern AUs. because summer is miles and miles away is the white whale that I will always be kindly, playfully, yet persistently prodding the author about picking back up someday. it's a Claude/Lorenz story where all the Garreg Mach people are Harvard graduates, Claude is the tech startup bro he was always meant to be, Lorenz hasn't matured quite as fast as he did in canon without a war to light a fire in his ass, and Hilda is great
plus, there's always my own work to recommend, but I take in pride in all the stuff I got to make these days, so, it's hard to pick and choose just a handful. you could always check out my ao3 page and read every last one of them. but to select a few regardless: The Winter Bird is my love letter to all of the Dawn Brigade's obscure underappreciated blorbos; Forests and People features Jamke, Edain, Dew, and probably some of the funniest lines I've ever managed to get into a piece; Building Trust, slightly longer-form than my usual fare, is an ongoing effort to make Catria/Clair happen -- you know, on my part, on their parts, and on Minerva and Palla's parts, with the time they have to spare while they're not flirting with each other -- and if you're in luck I might actually finish the fourth and final chapter this year; and then there's my most recent piece, MozghuzCon, where I drastically exceed my own expectations vis-a-vis story length for a spot of modern AU Bernadetta/Marianne where they're both very transgender, very neurodivergent, and very nerdy.
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