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#life can be anything you want it to be
boobgoogler · 4 months
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is this even anything
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artsekey · 10 months
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Thinking about the time I lost a game of Overwatch and I was so mad about it that I genuinely considered getting into shit with the other team in chat and then realized that it was a colossal waste of my living breathing Human Time and uninstalled Overwatch instead because it was only making me angry.
And then thought about the OTHER time when I was on TikTok and realized I was Not Enjoying Myself and was, in fact, seeing so many sad videos and fake influencer ads that I felt Truly Despondent and then just…Deleted it.
Imo I want my social media /general media experience to be a pleasant break from real world and I get to decide what I get to cull to make that a reality for myself. I highly reccomended it! Life has improved considerably!
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mumblesplash · 5 months
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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem
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poorly-drawn-mdzs · 5 months
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The musical episode.
[First] Prev <–-> Next
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wasyago · 11 months
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the brainrot won
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smhalltheurlsaretaken · 3 months
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y'all need to get a grip. you blab all day about how much you hate bigots and hateful people and how evil it is to dehumanize anyone and then you turn around and say "kys" and "i think [x] should all just kill themselves" and other disgusting, violent and childish trash
so many people on here are just full of hatred and vitriol and turn into frenzied sharks anytime the target 'deserves it' and they think they can get away with it and not be called bad people. then they whine about how sad it is that we can't all just get along and if only all the evil people in the world would stop doing evil things wouldn't that be nicer
you're just as vicious, hypocritical and fanatically puritanical as the caricature you have made in your minds of the people you think you have nothing in common with. if you've ever told someone, ANYONE to kill themselves you're not advocates of justice, you're not artisans of peace, and you certainly don't have any moral high ground that would allow you to pass judgment on others
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inkskinned · 1 year
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one of the things about having an unstable parent is that it can so easily ruin your future. you want to get out, but getting out takes having agency. it takes the resume and the grades and the stellar community service history.
but you have to choose your battles. you know if you sign up for an after-school activity, it'll be okay for a while, so long as the activity is parent-approved and god-fearing. over time, like all things, it will become an argument (i can't keep carting your ass to these things) or a weapon (talk to me like that again, see if you get to go to practice). sometimes, if you love the thing, it's worth it. but you also know better than to love something: that's how they get you. if you ever actually want something, it will always be the center of their attention. they will never stop threatening you with it. telling you of course i'm a good parent, i came to all of those stupid events.
you learn to balance yourself perfectly. you can either have a social life or you can have hobbies. both of these things will be under constant scrutiny. you spend too much time with her, you should be at home with family is equally paired with you're acting like this because you're addicted to what's on that goddamn screen. you cannot ever actually win, so everything falls within a barter system that you calculate before entering: do you want to learn how to drive? if so, you'll need to give up asking for a new laptop, even though yours died. maybe you can work on a computer at the library. of course, that would mean you'd be allowed to go to the library, which would mean something else has to bleed. nothing ever actually comes free.
and that bitter, horrible irony: you could be literally following their orders and it still isn't pretty. they tell you to get a job; they hate that your job keeps you late and gives you access to actual money. they tell you to do better in school; they say no child of mine needs a tutor. they want you to stop being so morose, don't you know there are people who are really suffering - but they revile the idea you might actually need therapy.
you didn't survive that fall the way other people would. you've seen other people scramble and get their way out, however they could. maybe you were made too-soft: the answer didn't come to you easily. it wasn't quick. it was brutal and nasty. some people even asked you why didn't you just work hard and escape during school? and you felt your head spinning. why didn't you? (they control your financial aid. they control your loan status. they love having that kind of thing). maybe in another life you got diagnosed sooner and got the meds you needed to actually focus and got attention from the right teachers who helped you clear hurdles to get up out of here - but for now? here?
the effort of trying. the effort of not-dying. that kind of effort was absolutely agonizing.
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little-pondhead · 9 months
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[inspired roughly by this post. My brain snails started going nuts so I thought it'd be easier to post this separately :)]
It was a lovely day in Gotham. Well, as lovely as it could be. The sun was up, peeking through the overhead cloud cover and making the buildings gleam in the rare sunlight. The air was fresher than usual, and faucets ran clear of strange and unusual toxins.
Somewhere in the Upper East Side, in a little neighborhood tucked away from the rest of the city, marched around the new boss of the area. She was a young girl, just barely in high school. But despite it being the middle of a work day, she wandered around her chosen streets, content to do whatever she wanted. Above her, a pair of siblings watched on and discussed the unique situation.
"So let me get this straight: that fourteen-year-old goth girl is a crime boss?"
Mia smiled at Leon, her older brother, and his dumbfounded expression as they rested on her balcony. "She's fifteen, actually. Her birthday just passed. We all got together and threw a block party for her!"
"You know how insane that sounds, right?" Leon turned to her, a bit miffed that she dared to say those words to his face. "She's a kid. Why do you all listen to her?"
Mia shrugged and sipped her beer. "She does good work. Holds her own pretty well, and the kid has connections. Good ones, too. That can be the difference between life and death in Gotham."
Leon rubbed his forehead in frustration. "I just don't get it. How did she end up in this line of work? Do child labor laws even apply here?? Why aren't the Bats doing anything?"
"Don't think about it too much, dipshit." Mia crushed her now-empty beer can in her hand and tucked it into a paper garbage bag hanging off of a hook on the balcony rail. A familiar set of green arrows was printed on the side.
"And now you're recycling?!" Leon realized. "When did you start doing that, Mia??"
The woman shrugged and got up, stretching. "Probably around the time Brambles absolutely reamed out Mrs. Zalinski for littering at the park."
"Wait, who's Brambles?" Leon scrambled upright and followed his sister inside.
Mia laughed. "Brambles is our fifteen-year-old crime boss!"
...
"I can't believe you got a cool name right off the bat," Danny grumbled, flopping onto Sam's bed face-first. Sam smirked and shoved him off with her foot. Danny just squawked and let himself ragdoll to the ground.
"It's your fault for not having a better gimmick." She said to his prone body. "Besides, it could've been worse."
"I think Inviso-Bill is the worst possible nickname for anyone." Danny groaned. "But you got something cool immediately. Who even thought up 'Brambles'? That's such a unique name!"
"Well the kids call you Grim; that's pretty cool."
Danny flopped over, twisting himself much farther than any human was supposed to just so he could glare at her face. "They only call me that cause one of the is obsessed with Harry Potter." He grumbled, pouting.
Sam just rolled her eyes and went back to sorting through piles of papers scattered all across her duvet. Since moving to Gotham several months ago, Sam had taken it upon herself to turn the experience into something useful rather than just moping all the time, as she originally wanted to. That 'something useful' had landed her as the newest crime boss in Gotham, with about a third of the Upper East Side as her current territory.
So many problems had popped up in the last year, and the group had decided that taking it on alone would never work. The GIW had been trying to close Amity's borders, Danny's parents had a scientific breakthrough, tensions in the Realms were high, etc. There was a lot on their plate! Sam's solution was to create a foothold in Gotham City. She would lay the foundations for Jazz to work in Arkham and forge a safer environment for the residents of Amity Park to sneak off to if the GIW went too far. She was essentially weaving a cushion for everyone to fall back on.
Danny, using the power of duplication, was splitting his focus between foiling his parent's plans and resolving issues with his rouges to create a united front. He was the main distraction, and Sam's own heavy hitter when she needed help establishing dominance.
Tucker planned to gather intel with the help of Technus and Jazz. They were trying to gather as much evidence as possible so they'd be in the clear when the whistle blew. The GIW would crash and burn, legally speaking. They were the bugs of the operation, spreading themselves thin and hoarding information like it was candy.
Dani was their wild card, their jester. She was keeping the JLD's attention focused solely on her and all the supernatural hijinks she was stirring up. When the time was right, she'd point them in the direction needed and let them loose. After winding them up so much, the hope was that the Justice League Dark would descend upon the GIW like hellfire.
But those were their future plans. Right now, Sam was in possession of specific files from Arkham Asylum and the GCPD. She was looking for anything to give her an edge in the upcoming meeting with a few other crime bosses. Some annual thing they host to renew Goonion contracts, see who's still alive, and examine how much the territory lines have changed. Stuff like that. Red Hood was supposed to be there, and she knew she needed an ironclad defense against him and his nosy colony of Bats.
Danny untwisted himself all of a sudden, making a weird face. "Sorry, got to go." He apologized. "Vlad just showed up to my house."
Sam waved him off. "Go, I'll be fine for today. Just be on time for the meeting on Friday. And I want you, not a double."
"You got it!" Danny did finger guns at her and promptly melted into a pile of green goo. Right on her bedroom floor!
Sam sighed and got up to throw a towel over the puddle. The ectoplasm would evaporate eventually, returning to the original Danny little by little. But for now, this would keep anyone from asking about it until it was all gone.
Sometimes she really hated living in student dorms. People always felt the need to burst into her room for no reason.
Who even made dorm rooms for high schoolers in the first place??
...
Jason couldn't help but stare at the new recruit.
Well, 'new recruit' wasn't exactly accurate. 'Potential to be the most headache-inducing supervillain' was more like it. Standing at a solid 5'10" with platform boots, Brambles, the newest crime lord who had taken over half of the Upper East Side in under four months, was almost tall enough to look him in the eye straight on. Which she tried to do anyways, tilting her chin up oh-so-slightly (in that stupid way aristocrats do when they want to look down at you) and glaring at him with open hostility.
Brambles was young, way too young to be in this line of business. At the start of the annual underground crime meeting (yes, they couldn't come up with a better name), she had announced that she was fifteen, went by she/her, and would snap the dick off of anyone who looked at her funny. Most everyone laughed at her, thinking it was an empty threat. Brambles proved it wasn't by sucker-punching a younger lieutenant who tried to get handsy with her five minutes into the meeting.
When the lieutenant's boss protested and threatened a gang war, Brambles had snapped her fingers and summoned what could only be a fucking pit demon from the depths of hell to threaten the man back. The creature looked like a teenager, just like Brambles, at first. But it was...off. The longer you looked, the worse it got.
It wore a draping black cloak that covered most of its body, with the ends turning to mist when it reached the floor. It had a pale, young face and white hair. Its eyes glowed just like Brambles', except they were a toxic green that made Jason's heart skip a beat in fear. The creature was snarling, with a fucking muzzle on it to keep its sharp teeth away from wandering fingers.
With a nod from Brambles, the creature bounded forward and knocked the guy to the floor, its arm elbow-deep into the guy's chest. The dude looked terrified, and a little sick "Would you rather lose a lieutenant or your life?" She had snarled, sounding almost a bit demonic herself. The other boss had backed down without another word, writing off his subordinate as dead and gone.
Instead of killing the guy, however, Brambles simply banished her little guard dog to a corner of the warehouse to play with its new toy in peace.
"Is she allowed to do that?" Someone whispered.
"They weren't unionized, so the Goonion won't say anything." Another answered.
It was the most awkward meeting in the history of the criminal underworld. No one even died since they were all focused on the newcomer.
Jason could feel a headache forming as the meeting came to an end. Brambles was still sitting in her chair. The creature had grown bored of its toy and was leaning against her, sprawled out lazily and barely flicking an ear at the onlookers in acknowledgment. A few people were idling around her, mostly women, trying to talk some big game and get on the kid's good side. Brambles was humoring them, taking tight control of the conversation when they got too prying.
Jason sighed. He knew he'd have to go over and have a talk with the kid, even if it was just for Bruce's files. He hauled himself upwards and stalked over. "Pardon me, ladies and gents, but I'm going to borrow the kiddo here for a moment."
The creature hissed at him, tensed at his approach. Brambles kept a tight grip on the back of its muzzle, keeping it grounded. The other criminals scattered like flies. They were the only two (three?) left in the warehouse within minutes.
Bramble rose to glare at him. "What." She spat. "If you're here to convince me not to get involved with anything, I will set Grim on your ass after lighting it on fire."
The creature, Grim, growled in agreement. The sound echoed strangely like he was hearing it from underwater.
"Relax, I'm not here to do any of that." Jason raised his hands in surrender, immediately abandoning that possible line of thought. "I'm just here to talk business. You're young, and while you don't want to admit it, inexperienced."
"Stop the fancy words, Red Hood." Brambles' eyes glowed again, and she released her hold on Grim's muzzle. "If you want to make a deal, say it to my face. If you're here to dig for information, either ask me or hit the road. I prefer honesty over flower talk, so tell me what you want before I take over your area, too."
Jason bristled. His vision was tinted green as he snapped, "What the fuck is your problem, kid?! I just wanted to make sure you were safe and not being forced to do this. I was even going to offer my support and protection if it was too much! I know you aren't going to stop, but that doesn't mean I want a kid to die just because they got into something they shouldn't and they think their fancy guard dog will always be there to protect them!"
Brambles' eyes stopped glowing, and her stare softened a bit. Grim went deadly still, just floating there, staring at Jason. His heart beat like crazy in his chest. What was he saying? It was all true, but he could've been nicer about it. Dick would've found a way to be nicer.
-krrrk- "Ibis, reporting in. I think you can trust him, guys. Even if he's a Bat, his connections and experience would be useful in our plans. Ibis out." -krrrk-
Jason flinched from the sudden noise, looking around to find the source. It sounded like it had come from everywhere, even inside his own helmet. Brambles immediately switched out her hostile look for an annoyed one, tapping an earpiece he hadn't noticed before.
"Ibis, you really have to stop opening up our comm lines to the public." She snapped, but there was no real heat to it. "And I thought I told you to stop eavesdropping!"
-krrrk- "Sorry, can't help it. I'm everywhere now! You shouldn't have given me this power." -krrrk-
Grim hissed.
-krrrk- "Don't hiss at me, young man! You were the one who suggested this!" -krrrk-
"I'm sorry, time out!" Jason made a T with his hands. The green from his vision had completely disappeared now. "What the FUCK is going on now?"
Brambles sighed, rubbing her temples. "You know what? Fine. We'll trust you. My name is Sam. Nice to meet you, Jason Todd."
Jason stepped back, immediately reaching for his gun. Grim darted forward and promptly flew through him, stealing all his weapons in one go. "I'm Danny!" Grim-Danny?-chirped in a human voice, giving him a shit-eating smile. "Sorry for the act, Mr. Hood. And sorry about the name drop, I'm the one that told them."
-krrrk- "I'm Tucker! There are more of us, but they're busy. I have literally so many questions for you, Mr. Hood." -krrrk-
"Now that introductions are over-Danny don't eat his smoke bombs, you're not gonna look like Dorathea-we'd like your help."
Jason squinted at them. "You understand this is all suspicious as fuck, right? And how did a pit demon find out who I am?"
-krrrk- "Yeah, we know. But lives are on the line here, and I think you'd really be a help!" -krrrk-
Brambles-Sam-sighed and pulled out a flash drive. "I was going to use this as leverage, but I guess it'll have to be useful in other ways." She tossed it to Jason, who numbly caught it. "Look over it if you want. If you don't, then just burn it. Do not try to plug it into the Batcomputer. Don't try to send it to the Batcomputer, either. A virus will target that specific IP address as soon as it makes contact. Any other computer is fine."
"Look it over, and we can go from there," Danny added, spinning in midair while chomping on one of Jason's knives. (His good one, too!) "And I'm not a pit demon, but I am dead. That's how I knew about you. Whatever brought you back to life gave the Realms a real headache for a while. It wasn't hard to look you up in the records."
"This is so much information. Lives are on the line? And two, three kids are dealing with it? By becoming crime bosses?"
-krrrk- "Technically, Sam's the only crime boss here. And that was kind of an accident. She was supposed to create a safe foothold in Gotham in case we needed to evacuate our town. But we all got cool nicknames out of it! And you're the only adult we've told this stuff to!" -krrrk-
"I'm what?"
"The only adult." Sam's unwavering gaze seemed to pierce his soul. "There are quite literally no other adults that can help, Red Hood. None that we trust, not really. Any adult intervention needs to be planned carefully so it doesn't backfire on us. We're trusting you here, Jason. Not only are you like us, which technically puts you in danger too, but you have power and connections to support a whole town of people the government wants to eradicate."
Jason looked at the little green flash drive in his hand. He didn't want to ask. "And this...?"
"A fruit basket," Sam said simply. "Originally, it was supposed to be blackmail. But instead, this is a present to show our goodwill and faith. To show you our skills. That drive contains information on other gangs, upcoming rogue attacks, chemical breakdowns of Joker Venom and Fear Gas, unfinished antidote formulas, etc. Tucker and his team scoured the underbelly of Gotham and gathered dirt on every single prominent figurehead. Including Bruce Wayne, should you choose to use it."
"I would never-"
"But you've thought about it." Danny cut in and scratched his neck. Jason's hands shook. "It's not a bad thing. It's just the nature of the dead. Wanting to right the wrongs left over from their time with the living. Even if you walk and breathe now, that doesn't mean desire disappears."
"The point is, we need help. Even if I'm loathe to admit it." Sam rolled her eyes, and suddenly, Jason didn't see a potential supervillain in the making. He saw a teenager trying her best, shouldering the responsibility of hundreds of people, both in Gotham and her hometown. Danny looked the same, no matter how other-worldly he was. What battles were they facing? Why weren't there any adults to turn to? What kind of lives were they leading if they immediately trusted a known crime lord with their lives upon the first meeting?
"I'll think about it." Jason finally said. Danny trilled in excitement, and some tension bled out of Sam's shoulders. "If the situation is bad enough, however, I'm calling in someone else for help."
Danny shrugged. "As long as it ain't Batman! I don't think he'll appreciate us smuggling a town of liminals into his city."
Sam poked Danny's shoulder, prompting him to look at her. "Let's go, before you break his brain with more info-dumping. Bye Red Hood!"
"Uh, yeah. Goodbye!" Jason stuttered. He watched the two kids walk towards the exit door, before shimmering out of sight before they even touched the handle.
What the fuck.
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kaladinkholins · 4 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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lunarharp · 9 months
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if i just told you i love you would this world change
#witch hat tag#orufrey#these kinda suck lol i feel like i cant draw right now *irritated sigh* BUT I FEEL EMOTIONS !!!!!!!!!!!!!!!!!!#if you are gay go watch good omens season 2 right now. NO YOU DONT KNOW THO!!!!!!!!!#i know being this affected by good omens is probably cringe. I dont care any more. the last 1 minute of good omens season 2 was#some of the most affecting acting i've ever seen in my life. sometimes someone acts with the force as if their entire career led to that#like during the credits part the very end im not even talking about before that. holy god#aziraphale i know everything about you. i know what you are feeling right now. i can see everything on your face. we're going to make it#ER.... NOT THAT THIS HAS ANYTHING TO DO WITH THIS POST. IT'S NOT SPOILERS !!!!!!!!!!!!!#I JUST FEEL THOROUGHLY CHANGED !!!!!!!!!!! SHIT GETS REAL FROM NOW ON.. LIKE IN GENERAL! IN MY LIFE!#tormented gay love tormented gay love TORMENTED GAY LOVE TORMENTED GAY LOVE !!!!!!!!!!!!!!!!!!!!!!!!!!!!#btw the first 3 images were drawn earlier with an entirely different feeling and an entirely different mood.#Why do you keep pulling away from me?#It is because i love you that i do this#the lyrics from one of my japanese orufrey songs (A SONG THAT THE CREATOR LISTENS TO!!!!) led to feelings#“あなたが知らない私を残さず見ててほしいの” but i'm not translating it cause it just sounds weird. if with his eyes oru's asking “WHY don't you want#to let me in? to see all of you?“ those lyrics are like ”I actually want you to see every last bit of the parts of me you don't know“#oru you have no idea how much i want to lay bare my whole soul for you#maybe it's an alternate version of chapter 40. to me#i need to draw something really fucking good or i'm not going to forgive myself. i will not rest in this life#until i have made the orufrey that fully satisfies me nor until i have seen what the manga is leading to#NO STORY MEANS ANYTHING WITHOUT TORMENTED GAY LOVE AT THE HEART OF IT. THATS THE HEART OF THIS WORLD!!!!!#........... so Hi im normal :) haha *goes and finally makes breakfast*
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nthflower · 1 month
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Cuno should join Hardie boys in the future not RCM btw my unpopular hot take opinion thingie.
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ryuucae · 5 months
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brother-emperors · 4 months
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ANTONY cry 'havoc,' and let slip the dogs of war
earlier in my script (which is not Shakespeare’s Julius Caesar), Antony refers to Dolabella as one of his ‘dogs of war’ when talking to Cassius (which IS a reference to Shakespeare’s JC), and it comes back around after Cicero writes to Cassius and informs him of Trebonius’ fate
While these things were taking place at Rome, Cassius and Brutus were collecting troops and money, and Trebonius, governor of the province of Asia, was fortifying his towns for them. [...] Trebonius, who was captured in bed, told his captors to lead the way to Dolabella, saying that he was willing to follow them. One of the centurions answered him facetiously, "Go where you please, but you must leave your head behind here, for we are ordered to bring your head, not yourself." With these words the centurion immediately cut off his head, and early in the morning Dolabella ordered it to be displayed on the praetor's chair where Trebonius was accustomed to transact public business. Since Trebonius had participated in the murder of Caesar by detaining Antony in conversation at the door of the Senate-house while the others killed him, the soldiers and camp-followers fell upon the rest of his body with fury and treated it with every kind of indignity. They rolled his head from one to another in sport along the city pavements like a ball till it was completely crushed. This was the first of the murderers who received the meed of his crime, and thus vengeance overtook him.
App. Civil Wars III. 26
For Dolabella is in Syria, and, as you have foreseen in your prophetic soul and have foretold, Cassius will crush him while they are on their way. For Dolabella has had the gates of Antioch shut in his face and got a good beating in trying to storm it. Not trusting in any other city, he has betaken himself to Laodicea, on the sea-coast of Syria. There I hope he will speedily pay the penalty of his crime: for he has no place of refuge, nor will he much longer be able there to stand out against an army as large as that of Cassius. I even hope that Dolabella has by this time been overpowered and crushed.
Cic. Fam. 12.14
Place then before your eyes, O conscript fathers, that spectacle, miserable indeed, and tearful, but still indispensable to rouse your minds properly: the nocturnal attack upon the most beautiful city in Asia; the irruption of armed men into Trebonius’s house, when that unhappy man saw the swords of the robbers before he heard what was the matter; the entrance of Dolabella, raging,—his ill-omened voice, and infamous countenance,—the chains, the scourges, the rack, the armourer who was both torturer and executioner; all which they say that the unhappy Trebonius endured with great fortitude. A great praise, and in my opinion indeed the greatest of all, for it is the part of a wise man to resolve beforehand that whatever can happen to a brave man is to be endured with patience if it should happen.
Cicero, Philippic 11
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Philippi and Perusia, Ronald Syme
ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app
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tetrakarn · 23 days
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pulling myself briefly out of the depression pit to say i don't think it's fair to say ivan is outright violent towards till or shows his affection through violence bc in every piece of media that shows them fighting ( that i can find at least ) till always turns things physical first
not that ivan doesn't instigate by doing or saying things that might provoke him ( intentionally or otherwise ) but aside from touching till's injury in one of the r6 flashbacks he doesn't seem to be physically hurting him for attention. i think the fight scene in r6 is also the only time we've even seen him retaliate
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abrahamvanhelsings · 7 months
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the hitch in van helsing's words when he says "i beseech you" im going to cry for real this time. it's not even simply that he knows how important it is that he gets arthur to trust him, that he's conscious of their duty to all living souls and lucy herself to do this to her and how difficult this will be physically and emotionally. it's that arthur now distrusts him, cries at him in anger - arthur, the man who looks like his lost son and whom he loves because of it. the man whose love and respect he may now never get back after suggesting mutilating lucy's corpse. he isn't just desperate for all the men in that room to trust him so they can give lucy peace and keep the living safe. that's the sacrifice of his father's heart splitting in two right there. wtf alan burgon.
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oceanwithouthermoon · 2 months
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ive come to realise that i dont actually hate kubokai, i just hate the way people write them
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