HAPPY BIRTHDAY, PRESIDENT OF TONARI CLUB!
I, uh, m-made something f-for you.
Know that I'm totally embarrassing my ass over here, so... Don't laugh loud enough that I can hear you from over here!
Aaaaaand now, per Lyndis tradition, I'm gonna overexplain shits and turn a simple Ask into a whole ass Ramble!
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If you're short-sighted, try removing your glasses or contact lenses and look at this picture. I just did and it's suddenly even prettier!
I actually planned to draw your Sonicsona at first. And then I realized I deadass couldn't even draw Base Sonic. Then I thought I should draw a mole. I realized I also couldn't draw a mole. I thought I should just go for the easiest shit and draw ToFu. I realized I could not draw either one of them, too.
Because I cannot draw, I cheat! I mean I turn things into shapes (chiefly triangles, though not all of them) and then color them and hope that something shows up. This is me using this scientific /+ philosophical concept called Emergence.
No, I didn't just say THAT to sound like I have a technique of any kind, trust. It's so totally a technique—my very productive ass told me.
I remember you saying your favorite color is something like pink, blue, and stuff? It was from that tag game from last year. Hence, I decided I should create a context so I could draw an obscene amount of pink and blue.
If I'm being honest, it took me less than a millisecond to come up with the exact context—Breath of the Wild/Tears of the Kingdom is abundantly blue.
And since I always wanted to sneak ToFu in, I thought I would make a purplish-pink dusk. And then I will sneak those stargazing two in.
Come on. Everyone knows those ToFu panels. Even someone like me, who had not seen that part of the manga yet, knows.
Bless Tonari for being so relaxing to color.
HOWEVER! Fushi's limited-ass color presented a big problem for my cheat-drawing. How many combinations of "white" can you even make before you zoom out and see... nothing?! So I basically sabotaged them. That's what you get for being difficult, you mopey, neck-crick-possessing, fragile-enough-to-be-blown-by-the-wind cutie doofus.
I made up the color of their pants. I didn't even refer to their Nameless Boy drip when I decided on the color. I assed that part.
Yes. I admit I put a shit ton of effort into coloring Zelda. This version of Zelda is my kin, you know. Anyway, I like the way her, uh, shirt turned out.
I also like how the Master Sword turned out, but there was so much blue I ended up requiring outlines to distinguish it from Link's shirt and the sky. Told ya I have no technique or skill. I cheat through and through
I was too lazy to draw those sky islands. Besides, the ToTK side is already saturated with details.
What the fuck issa "proportion?" Everyone's head is an orange. The difference, Nova, is whether it's a Mandarin Orange or an Orange.
I don't know if I overdid Dinraal's draconic mane. It looks like she's wearing a wig. At least she is different from how she initially looked—a red tapeworm outfitted with chicken legs.
I admit I put more effort than any Past Me would have into Dinraal because a certain mutual is very, ah, particular about dragons.
Drawing two of your favorite ships for their show of devotion was a completely deliberative choice on my end. Did you also realize that both Link and Fushi had a short, small, low ponytail and that both Zelda and Tonari had similar hair? I believe it's due to me hitting my drawing skill limitation.
There is actually an Easter Egg of some sort in this picture. It's not the ugly doodle thing, no. That thing is me. I'm not an Easter Egg; I'm a ghost.
I'm not telling you what that Easter Egg is. I'm fine with it never being discovered; it'd be like those secret levels in old video games.
But if you DID discover it, come tell me what you think it is!
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I hope you like it enough! Instead of it giving you a migraine, that is. Surely my """art"""... doesn't require a trigger warning... right?
Have a good one, mai bruzha!
---Lyn
A RAMBLE FROM YOU LYN IS THE BEST POSSIBLE BRITHDAY PRESENT I COULD HAVE EVER RECEIVED!!!! COUPLED WITH ART BY YOU????? AND OF MY FAVORITE FELLAS????? What did I deserve to be so blessed ;A; 💕💕💕
I’ll spare us all a little extra scrolling on my part by adding that read more you were fretting about, I have my own ramble upcoming!
I KNOW YOURE ON YOURSELF ABOUT NOT BEING ARTISTIC OR WHATEVER BUT THIS IS ART!!! AND DAMN GOOD ART TOO!!!!!!! This is!!!!!!!!!!! I want this made into stained glass I want to make this the permanent window to me bed roOM LYN THIS IS AMAZING THIS IS ALMOST CERTAINLY GOING DOWN AS ONE OF MY FAVORITE ART STYLES!!!! There’s no such thing as cheating in art, it’s all art!!! “Cheating” is a style, no technique is a style!!! I should know I have none either, hehe -w-‘ your art may be some type of cubism? Hehe idk I’m not an art student :3 Either way this is absolutely gorgeous I’m in LOVE!!!
It’s so creative and well done and I LOVE your eye for detail, the lighting is inspired!!!! Like the way the sun hits the space behind Zelda is so pretty, AND ZELDA IS SO PRETTY!!!!!! EVERYRHING IS SO PRETTY, I CANT FOCUS ON ONE THING BECAUSE I KEEP JUMPING BACK AND FORTH BETWEEN ALL THE THINGS I LOVE ABOUT IT (every thing, every last detail!!! Is that a little you in the middle? Is that the Easter egg???? I could just pick you up and pat your little head!!! 😭 I know you don’t love hugs but that’s how I’ll be standing if you’re ever ready for one!!!)
I should slow down maybe and pick a few things to focus on BUT I JUST CANT I LOVE IT ALL!!!! The two scenes just blend so well into one another that my eyes are just naturally being drawn back and forth between both of the scenery! Dinraal, who turned out AMAZIING BY THE WAY, ABSOLUTELY NOT OVERDONE, if anything I’m so glad you had fun working on her!!! She’s so gorgeous!!!! I bet your friend is so so proud of how well she looks!!! Oh but anyway, Dinraal naturally leads my eyes over to the sun/moon (and the 24, hehe, thank you!!! /)//(\ Your memory is astounding!!), which have their own beautiful rays of light leading down onto the adorable couples 😭 I love love LOVE the moonlight leading down onto Tonari and Fushi, and the fact that she’s pointing at it too like she can almost reach it? Beautiful! Gorgeous!!! And it just leads my eyes down to them too, there’s just such a natural circular flow here, no wonder I keep getting caught in a loop of admiration! 😁
The blues and the pinks, and the stars on the ToFu side!!! I just noticed them and they’re everything to me!!!! Hahaha I’m so glad Tonari was relaxing to color hehe, same for me, something about her is just so lovely and calming when she’s relaxed 🥰 As for Fushi’s colors, I didn’t notice! Even after you pointed it out it looks good to me! ¯\_(ツ)_/¯ this is from someone who never references colors though, I’m so loosey goosey about everything -w- BUT YOUR SOLUTION TO YOUR PROBLEM WAS GREAT, THEIR SHAPE IS VERY VISIBLE AND EASY TO MAKE OUT hehe :3 I love their crossed little legs 🥰
Zelda being your kin is so good to know hehe, I’ve always been drawn to all versions of Link myself! I think we’ve been perfectly set up to “play dolls” with these characters in the future, so to speak! Aaaahh they can’t have been easy to draw, there’s a reason I almost never dabble in drawing those two and their intricate outfits, but you make it look effortless!!! Zelda’s shirt turned out amazing, and I’m stuck looking at her little triangle braids!!!! I don’t know why I’m so fixated on that it’s just adorable!!! 😭💕 What a lovely technique, man, I’m so enchanted! AND THE MASTER SWORD, I know you called it cheating BUT I LOVE THE LINE WORK, it makes the sword stand out, almost like you lined that specific part with some sort of melted gold??? Aaaaaaaaaahhhhhh!!!!!
This is gorgeous and beautiful in every which way and thank you!!!! For everything!!! For this beautiful drawing and for giving me a chance to ramble and giving me something gorgeous to look at for the rest of my day, and for indulging in both of my silly little ships /)//(\ I’m so glad I don’t need glasses because I love every inch of your art, thank you thank you THANK YOU!!!!! Gosh it’s so so so lovely 😭💕 you’re so lovely!!!!
I don’t know how to say goodbye so I guess I’ll just say good night for now! Thank you for thinking of me… I’ll have a wonderful day, so long as you promise me you’ll have a wonderful night along side me 🥰
Goodnight, Mai Bruzha!
- Nova
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Sometimes I think about kubosai. And then I-
Kusuo would feel as though he was unlovable because he was too monstrous. Too powerful and downright just wrong. But then Aren comes along, he meets this also very strong man who is afraid of hurting the people around him and also hates himself for being so rough. He also hates the fact that he can't be softer for the people he loves. But here's the thing, Aren WANTS to change. He strives to be better, to be gentler. So that he can guide those who come after so that they won't go down the same path he did. He is calm and collected, he doesn't let this self hatred that lingers in the back of his head manipulate him and honors himself as well as his ugly past.
Both of these two has had a difficult run and while yes, Aren is much better than Kusuo in terms of changing for the better. There is also this part of Aren that is similar to Kusuo's self hatred. It is that he always has this thing about not looking weak and hating being vulnerable. But Kusuo knows that feeling too very well. He also hates this feeling of vulnerability which leads to him being on guard all the time and not being able to relax.
Ever since he was a child, he has experienced this type of hopelessness that if he just stayed silent, everything would be better. He understands Aren’s reactions to certain things but in a different way, whereas Aren is loud. He thrashes around and fights with whoever wants to crush him down. But Kusuo stays silent.
That's why they are so good together. With Aren, Kusuo can realize that maybe it's okay to let go sometimes and relax. With Aren, he can have a feeling of safety that he never had.
And with Kusuo, Aren can see that it's also okay to be weak sometimes. And to cry, and to feel vulnerable. To also want to be protected.
These two are broken, they both didn't get the luxury of living in a safe home where you feel loved.
But together, these broken pieces can be picked up one by one and be fixed whole again. Until they find themselves within the other's loving embrace.
Now that is why, they are perfect for each other. :3
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✨ Reading that one chapter in TWK✨
"He presses his mouth to my ear, kissing me there."
"He doesn't kiss me as though he's angry; his kiss is soft, yearning."
""Tell me that you hate me." "I hate you." He kisses me harder."
"I hate you so much that sometimes i can't think of anything else."
"He kisses me again, and it's like falling off a cliff."
"I don't want him to stop."
"This is an absolutely terrible idea."
"I could gather up my things and go. I don't."
"My hands are shaking. He captures them and kisses my knuckles with a kind of reverence."
"I want to tell you so many lies."
"his tail curling against his leg then twisting to coil against mine, soft as a whisper."
"I feel as though I'm drowning in sensation."
"I hate that I throw my head back, baring my throat. I hate the way I cling to him..."
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Did Matthias do anything illegal in his life? What I mean is morally unacceptable behavior that hurts people. If so, why did he do that?
I mean, has he killed someone? Has he beat someone up? How many times has he done it or has it only been occasionally? Do people find him rude? Should people be afraid of him?
I’ve said this about Matthias before, but he’s someone who’s had violent thoughts and urges ever since he was a child. I do think there’s a possible genetic factor at play there, but I also believe that the way he grew up left something chasmic in its wake, this gouge in his chest that he’s been clawing at ever since. Matthias was severely neglected as a child and his development was… slanted, for lack of a better word. There’s something warped in his head, you know? He’s a product of his upbringing.
To give you a picture of Matthias’s childhood, I want to make it clear that he never had any toys. His nursery was nothing more than a crib in a room. No bright colored walls, no alphabet blocks, no pop-up books. He didn’t play, or… not like most children, at least—not how you’d normally picture a child playing. His childhood was spent alone despite the sheer number of staff on the grounds of the estate. If Matthias reached for a hand or wanted comfort from a nanny or another member of the staff, he’d be pushed away. There was no emotional or physical warmth in the Evanoff household and a harsh line had been drawn between Matthias and everyone around him, including his parents, who he saw no more than a handful of times when he was young. What little socialization Matthias had was… well, it was nothing more than giving orders to attendants or having discussions with his tutors about the subjects he was studying. The staff were forbidden from interacting with Matthias more than was strictly necessary and the effect that had on him can’t be understated.
You can see, then, these early building blocks for cruelty being laid out. As a precocious child whose only real social connection with others was formed through analysis and study, it only made sense that Matthias found himself reaching for the books in his father’s library whenever he could, and through that those very same blocks began to stack. Play for Matthias was deconstructing humanity through history, through fiction, parsing through dense text in the ever-present child’s curiosity: but why? And Matthias’s father was an excessively cruel and frighteningly violent man, so his taste in literature certainly reflected that. This is also what I mean when I say there’s a genetic factor at play with some of Matthias’s impulses. Some of it’s inherited. In a way, he gets this from his mother’s side, too, although she’s a different kind of violent… a hands-off kind. I mean, that violence is how Matthias wound up being tortured for three years while trapped in a “therapeutic” reform school. It’s just as cruel, but it pretends to be righteous. So there’s this snapping violence and this opportunistic kind.
I’m saying all of this because I think it gives context to how much control Matthias exhibits over himself and his violent urges now as an adult. Sure, when he was younger he would react, he’d deride and break and hurt, but he doesn’t do that anymore. It’s not that he feels guilt over the impulses he has—there’s no shame there at all, really. To him, it’s just in his nature to get these flashes, these sudden images of brutality. They’ve been there all his life, you know? It’s normal to him. The only reason he doesn’t act on them is because he had impulse control beaten into him at the reform school and because he’s learned that the social contract is something that he can use to his advantage to get whatever it is he wants. He charms and obfuscates now. In that same vein, it’s not often that people find him to be rude, because he keeps his disdainful and unsavory thoughts to himself. You’d have to be someone who’s incredibly perceptive in order to see through Matthias… which just so happens to be Theo to a T.
So what I mean by this is that now when Matthias does actually act on these thoughts, these urges that dig at his brain, there’s normally a catalyst to them—this trigger that sends fire all through the synapses in his body. Matthias is incredibly loyal to Imani and Theo and he’s someone who’s very protective of them. Throughout his early teen years, back when he and Imani went to the same boarding school, he was constantly shielding Imani from the brunt of the corporal punishment that came with the turf. At that age he was volatile and would even hit back at times, but he knew that would land him in solitude and separated from Imani for days on end, which he just couldn’t have—not if he wanted to make sure nobody hurt her. He learned restraint for Imani’s sake then, but it wasn’t until he was trapped in the reform school that that restraint was fully drilled into him as a result of psychological torture and abuse.
He’s quick to offer a slicing comment, to give a chilling smile, to go eerily still and intimidate with his stare alone, but now as an adult he doesn’t often get physical unless provoked. He keeps it in and he holds himself back, this taut tension in his jaw only there for a moment before the mask submerges him again and holds his head under water. It’s really only when Theo’s involved that Matthias just… God, he really just can’t help himself. The cracks widen and he gets physical. It’s vicious. He has all this strength now, this imagination that only ever comes alive when he’s thinking of this, and he’s had years of experience in actual brawls that were just horrible—he’s been ganged up on, hit with metal chairs, humiliated and jeered at while bleeding everywhere, ripped out of bed and kicked until his ribs broke… It's safe to say that he takes pain like it means nothing to him now. So he swallows the blood he tastes when a hit lands and just plows through like it’s the only thing he knows how to do, like it’s programmed in him. It’s animalistic. It’s vengeful. It’s rapturous.
Like I said, seeing harm come to the only people Matthias loves has a disastrous effect on his self-control. Imani’s in a better place now that she’s an adult, but Theo… well, Theo’s been hurt by a lot of people—his parents, faces at clubs, ghosts from his past… too many instances to even begin getting into each of them. And Matthias has to unravel red yarn before a board and string together all of these physical reactions Theo has around some people, has to tilt his head as he replays the tapes and rewinds through remarks Theo’s made that felt off even before Matthias knew there was something going on there. Theo doesn’t talk about his hurt, doesn’t talk about anything that could make him weak, that exposes the nasty underbelly of his private life, so it’s up to Matthias to pick up on what’s been left unspoken. The specifics may not be there, but it’s enough to see Theo flinch at the sound of his own name being called, to watch him freeze up when a hand raises too fast, to track Theo as he checks the locks once, twice, three times in a row before he moves away. Matthias notices it all and he’s an eye for an eye kind of man. He can’t even help himself there, has no restraint when it comes to Theo, so… he handles it.
The furthest Matthias has ever gone, the worst he’s ever injured somebody, was when he nearly killed someone from Theo’s old summer boarding school. Theo managed to stop him, but only by a hair’s breadth. Matthias could have gone to prison for that one, he easily could’ve, but… there were circumstances and, when it comes down to it, Matthias is obscenely wealthy. In the end, he got off scot-free from attempted murder while the other party was hospitalized. He handled the rest without physical violence, though he certainly wanted to finish what he started. But, at the end of the day, Theo comes first, always.
He’s certainly engaged in far more illegal and immoral activities (his little blackmail moment was a personal favorite of mine), but physically he’s never gone so far as murder (though he’s not opposed…) and while he’s definitely lost control and grievously injured some people, I’d say he’s only ever hospitalized a handful. He keeps himself in check… most of the time, at least. He honestly doesn’t fly off the handle for no reason. If you keep your hands to yourself and watch your mouth then you don’t have to be afraid of him in that way. Still, it’s better to just keep your distance. He has too much fun pulling strings.
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