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#keep in mind that it's been a WHILE since i've seen fantastic four
jmdbjk · 5 months
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Looking back and forward.
2023 was one for the books.
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It is Thursday, Dec. 7 where I am... Friday, Dec. 8 in Korea.
It is the last Friday for Namjoon, Taehyung, Jimin and Jungkook to be civilians. This is their last weekend to spend in their homes, at the company to work, running along the river, doing boxing workouts, ordering delivery food, loving on their dogs, doing the things they've been doing the last over ten years. It will be about 100 days until they get time off and can maybe spend some time back at home.
They are tying up loose ends, getting their shit together, preparing to put their lives on hold.
They will return to us in mid-June 2025.
I've watched their last group live several times after the english subs were up. There were a lot of things I saw and I have a lot of mixed emotions about it all.
None of us know these men, we are observers and all we know is what they choose to show us. Unfortunately, they can't control every single thing and people and the media insist on prying and publishing images and things about them that lead to unconfirmed rumors and misinformation.
In the approximately 38 minutes they shared with us, they conveyed that they are getting ready to go, they seemed in positive spirits. They conveyed that they were still working on things for us (except Jungkook).
They said there was A LOT of content coming, so much... they've NEVER ever reassured us like this before.
They asked fans to NOT show up at the induction site out of respect for the other men and their families also entering the military those days. They explicitly said "we are their face and to do them proud."
During this live, I saw Tae being the fantastically funny guy that he is. Tae was alight with excitement. He was anxious to learn from his fellow soldiers. He is a flower waiting to bloom. And seeing his friendship with Jimin maturing, flourishing, same age friends forever was wonderful.
And Namjoon trying to keep up with the crazy shenanigans of the maknae line. Trying to be the voice of reason: "it'll go by quick, we've left a lot of content. Jin will be back soon. We'll all get strong." But there seemed to be a bit of push and pull between he and Jimin... it was interesting. But he was lighthearted, positive, going into with an open mind. Get in, get out, get back to work.
Jimin, Jimin, Jimin... There was a bit of resignation wrapped up in Jimin's positivity. He wouldn't agree that it would go by fast and he didn't want to show himself with the buzz cut. I wanted to reach through the screen and hold his hand and reassure him we'd be here waiting and that we know it's hard to leave everything right now to do this. This man lives to do work on his passion. He's already had to stop once. Now he has to do it again. I think he is going into his MS kicking and screaming because he does not want to leave his youth behind. It is unfinished.
He said he had been sick. He coughed, sneezed and sniffled the entire live. I hope all of these symptoms have disappeared by Monday/Tuesday. I remember his friend Sungwoon had to delay his enlistment date because he tested positive for covid. Please don't let that happen to any of our four.
During this last group live, I saw a Jungkook that I'd never seen before. His vibe was so in tune to Jimin. I know he's been that way since... 2017? 2018? But this was so in your face I was dumbfounded. Jungkook constantly soothing Jiminie. The things they probably talked about while they were in Japan a few weeks ago, man, to be a fly on the wall.
ALL of those lives he did this past year flashed through my head, how unhinged he was the first few months, falling asleep drunk with the candle, calling out stalkers. ALL those times WE said he was missing Jimin because he was begging him to come eat chicken and drink beer, or come do a boxing workout, or better yet, "let me come over and we can shower together..." No... I meant to say: he can go over to Jimin's and wash up and do a live together. Yes, that's what he said. Beggged him. Tried to use Army as leverage. And all we got was Jimin saying he "can handle it" and "you know how my personality is"...
Jungkook watching all that Jimin content... something happened, some decision was made early in the year. Jungkook embraced it and ran with it.
And to know they are going into the service together, it still has me astonished but it all makes sense now. Y'all... they knew they were going to do this wayyyyyy back, not just in August or September when they applied. Jungkook said back in February (before someone lit a fire under his butt in March to start working on music) that he had to take care of his body for the next year. This has been the plan and Jungkook said "no worries, I got this."
2023 was A LOT.
Jimin, Face: the melodies poured out (as they seem to be free-flowing from him at any given moment) but he had to pry those lyrics out of himself. Jimin achieved a #1 BBHot100. And yes, it appears there were not just one, but TWO of those blasted cakes. I didn't know much about PDogg before Jimin's documentary but now I know how much he supported Jimin during this process.
Yoongi, D-Day: I got to see Yoongi in real life. That weekend flew by for me. One of the best weekends ever. As soon as the concert was over I said out loud, I need to see all seven on that stage. His concert tour filled a void for us. We needed that so bad after last year's gut-wrenching news that there would be no tour. And now he's fulfilling his social service. Let him serve quietly with dignity.
Hobi, Military: after tearfully sending him off, what we hear now is he's cracking the whip, though ever-so empathetically (not to be confused with emphatically) over those new enlistees every day. I need to see his boom chakalaka marching drills. Jimin said when he visited Hobi, he wasn't greeted with his ebullient "Jaman!" but more of a lowkey "oh, you're here."
Jungkook, his solo songs and album: Jungkookie chose to go the route of choosing songs that resonated with him. Over the course of years, Kookie has always shared songs with us. We used to love his song recs and his covers of very poignant songs. He KILLED those songs with his vocals. He did what HE wanted to do. And look how well he did with it, also a #1 BBHot100.
Taehyung, Layover: again, Taehyung did what he wanted to do. Not on his album, but Taehyung singing along with Karen Carpenter was never on my bingo card, ever! (a clip on his Instagram stories where he was singing along to "Close to You")
RM, we kept wondering: why isn't he enlisted yet? Someone had to wrangle the maknae. Not that he ever did that this past year. He cut himself over his left eye and had to get stitches... that's gonna leave a scar. Good thing there are 40 bajillion plastic surgeons in Seoul...
Jin is coming. The Head of Ministry of the Military making the decision that no celeb will be doing anything special, instead they will serve just like regular civilians. Sergeant Kim Seokjin will become civilian Jin of BTS on June 12, 2024.
Their constant looking forward to 2025
Skipping over 2024 for the moment...
BTS has to evolve. They must evolve. They are not going to be a 30 something year old K-pop boy band. Some groups might be stuck but BTS will not stay stagnant, they never have. They have to step forward out of that niche and they have been trying to do that incrementally for a while now. They’ve taken us in baby steps already through chapter 2, and Joon said the REAL chapter 2 will begin when they are back from fulfilling their service.
What will they be like? Will they reinvent themselves? Perhaps, but not overnight. I don’t see any sort of extreme makeover for BTS once they come back together. I do see them addressing more mature topics (as we’ve seen), I do hope we see songwriting from all members.
They don't need to abandon their Korean-ness in order to accomplish this. There is nothing stopping them from being a mainstream artist who just happens to be from Korea and who release songs that are in Korean.
I think the accomplishments that Jungkook achieved will continue to pull BTS out of the K-pop realm and into the main stream Pop music realm. They worked that western market. They got pushback, especially western industry institutions: Billboard and the Grammys. And they learned.
Progress is slow but progress nevertheless. They will cross over to general pop one way or the other. They are not going to stay in the kpop box in the future. Straddle both at the same time. They can do it.
For 2024:
I think comeback/HYYH 10th anniversary reboot is already in the works and has been.
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I think PDogg will be working on the songs over the next year. I think they have recorded all this year.
I think when Jin and Hobi get back, they might record their parts. I also am pretty sure we'll see a full-bodied solo effort from Jin and more from Hobi. I think we'll get a ramp up to his discharge with some Hope on the Street content that he recorded before he enlisted.
I think we'll slowly see wheels start turning to get the machine going again much sooner than we imagined.
I think what we see next year will all be primed to pre-promote and whip up the excitement for 2025.
I just feel strongly that Bang PD would NOT have mentioned that specific thing and we would not be hearing the members constantly saying 2025. And especially saying 2025 is not that far in the future and that they are looking forward to the incredible synergy the group will have when they get back together. They've got a lot of work done already. They know already.
They said there is A LOT coming to us.
In about two weeks BTS: Beyond the Star docu-series will begin.
We know we're getting some sort of Jimin and Jungkook traveling content, whether a series or not...I'm leaning toward it being a multi-episode series. Camping? Drinking? Breweries? Beaches? Boating or sailing or both but separate? Fishing? Snow sports? They said it was fun.
We will see activity around all the solo album anniversaries. We still have an RM documentary, a Taehyung documentary and a Jungkook documentary. I bet the latter two will come out towards the end of 2024.
We might have Tae acting, we know he'll be in an IU MV soon.
About aging bangtan ...
Remember when we said this is Bangtan in 20 years?
I joke about it but seriously they are aware that things will be different as they evolve and age as people and as artists.
There are new groups debuting all the time and BTS is aging out of a certain demographic (as they should).
Yoongi saying "cruise with BTS" would be the best case scenario for their future.
I would love to be on that cruise if it ever happens.
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Hi sleepy! Merry Christmas and a happy new year to you! Have a wonderful year ahead! While I have been a long time ghost fan, I have to admit that this is the first time I've seen your work and I think it's absolutely fantastic! I would like to ask you four questions. 1- Apart from the usual traits, what was it about the character that drew you to ghost? 2- What inspired you to decide to pair up ghost with jade and how did you come up with her character? 3- How long have you been an artist? 4- Have you considered the possibility of actually writing a proper story about ghost and jade like one with a lot of chapters? Cause I've read your short stories and I think they are marvelous. Keep rocking the artwork and leading an amazing life! I wish you the best!:)
Hello hello! (´ ∀ ` *) Thank you so much!
Apart from the usual traits, what was it about the character that drew you to Ghost?
Well, apart from me having a thing for dark, big grumpy man who covers his identity with a mask, I think he's a very interesting character and leaves much room for fans to explore, specifically in the current rebooted version. Like how his character grows from disliking Soap/just working with others in general because they might hold him back, to finally understanding that he needs his teammates and showing himself to the teammates as the highest form of trust. There's just so much to add there; moments where he slowly opens himself up, where he finally allows other people to come in and know him (because of course the campaign is too short JAKSLSDKFJL). So yeah, the complexity of his character, and the wide room for exploration for character development.
What inspired you to decide to pair up Ghost with Jade and how did you come up with her character?
As I have answered in a few asks before, I just wanna give this man a BIG tight hug and give him a happy ending, and Jade is my manifestation of that. For a man who's literally closed himself to the world other than the moniker "Ghost", who is deemed as a legend and a myth, a soldier who's highly task-oriented, he would keep everyone he knows at arm's length. So I think in order for him to open up, he would need someone special who primarily understands him. Someone who knows what it feels like to be a living weapon and how heavy of a burden it is. Someone who gets him enough to alleviate his burdens and, for once, give him peace of mind. Like who the fuck in the world even knows what that feels like? Who can he share his burdens with? You got it : Jade. I'd like the thought of Jade being a paradox to Ghost, as she's been through a lot of trauma and darkness much like him, but she somehow managed to keep her 'light' - seen on how she treats people (and him), and how she's still as capable and as skillful as him to finish her job, and that's precisely how I want to insert her into the story. Ghost and Jade share that same aspect of working alone and the need to learn that they're not alone - that this person actually understands what the other has been through.
How long have you been an artist?
Hmmm.... if it's in the context of professionally (as in started making money and treating drawing as a serious passion instead of just a hobby), it's since I was 17 years old, so about 3 years. But if the question is more to the 'since when did I start drawing', I've been drawing since I was like 4 years old. It's all I've ever known, it's all I've ever done. So a long time.
Have you considered the possibility of actually writing a proper story about Ghost and Jade like one with a lot of chapters?
Y E S. (★‿★) I am currently writing a 12 parter (probably less, probably more ASKJJDFJASDF) of MWII Ghost x Jade series called "Cold Heart". I have all the outlines deep in my Google Docs! It's basically the MWII campaign story, but add Jade into it, and how she changes things up (and how she and Ghost started to grow close). I just need to write it. Though unfortunately only the prologue is posted (you can find it on my masterlist) as I'm still on my finals exam. But! After my finals are over, I'll immediately jump on the series and write it!
Hope that answers the question, and thank you for asking! (❁´◡`❁)
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phanfictioncatalogue · 10 months
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Outside POV (5) Masterlist
part one, part two, part three, part four
all that kindred eyes can see (ao3) - natigail
Summary: Teachers Dan and Phil figure that they could quite easily keep their relationship secret while working at the same school. It's only for half a year after all. But the keen eyes of a trio of friends soon start to pick up on little hints and clues. It's a good thing the students mostly just want to admire their love and figure themselves out along the way.
Always Together, Never Apart (ao3) - cherryblossomphil
Summary: “They were attached at the hip. The centers of each other’s lives. Inseparable.”; Dan and Phil’s relationship, as seen through the eyes of their friends (based on Vidcon 2k15)
House Hunters (ao3) - citizen101erased
Summary: Kath and Nigel go down to London to help Phil and Dan find a house to buy.
Immediate Family (ao3) - philsroots (shanegray)
Summary: “The first few times I didn’t mind all that much, but now it’s all the time and I’m starting to dread starting conversations.” Cornelia says, almost laughing.
Dan peels at the corner of the crisp bag, creating a small tear before slowly pulling it apart.
“It’s really that constant?”
or the one where Dan really wants a metaphorical picket fence and I write a love letter to being the gay cousin in a huge traditional family
Merry and Bright (ao3) - ahappyphil
Summary: Dan and Phil host their first Christmas.
now i smile and face the girl who shares my name (ao3) - plinth_of_life
Summary: kath meets her newborn granddaughter.
Oh Brother (ao3) - ahappyphil
Summary: Phil comes home from the Halloween gathering, and Martyn has questions
shadows / nocturne / parting clouds (ao3) - Tarredion
Summary: Phil wakes up with a migraine, causing him to snap at Dan. Throughout the day, while visiting a city for the ii tour, Cornelia observes the tension, and eventually, the two of them console.
since i looked up to you (ao3) - morelikeexisting
Summary: I've been meaning to tell you something, but never had the courage to — it reads — basically, i am gay.
And Adrian thinks: this is how he is going to come out? Through a fucking e-mail, and then he laughs, happy and proud and overwhelmed, because confrontation has always been Dan's weakness and this ... this e-mail is so, so Dan.
( or the one where dan comes out to his brother )
slipping through my fingers (ao3) - Gal_tic
Summary: Even though he said he’d never grow up, Phil grew up.
Or, Kath reminisces on how time flies
sometime, stranger (ao3) - dieofthatroar
Summary: Karen's thoughts on a little boy she thought she knew
the bear (ao3) - dizzy, waveydnp
Summary: Seven year old Phil has an imaginary friend, and his mother is concerned.
The Fantastic Mr. Whiskers (ao3) - chiridotalaevis
Summary: Mr. Whiskers does not approve of guests. But this human? This human was ok. This human could stay.
The Royal Mr. Whiskers (ao3) - chiridotalaevis
Summary: Mr. Whiskers just could not understand why they had to move to a new apartment. This apartment was perfect! It had the couch Mr. Whiskers liked, the little nook above the fridge from where Mr. Whiskers could keep watch, a nice warm bed for him. All the smells were accounted for, all the walls sufficiently improved by Mr. Whisker’s claws. But no, apparently with Phil moving in, his humans didn’t have enough space anymore.
the conversation (ao3) - calvinahobbes
Summary: "They had a joke in there. About a sex tape with him and Dan." A fic about Phil's parents and That Conversation.
they grew up so nicely, didn't they? (ao3) - natigail
Summary: Cornelia doesn’t just get a boyfriend when she starts dating Martyn, she gets a whole second family too. Kath and Nigel welcome her with open arms and she becomes a pseudo older sister to Phil.
She is there watching from the sidelines as a boy bolts right into Phil’s heart and sets up camp. She gets to watch as Dan and Phil build careers and an internet community and all the trials and tribulations, as well as the pride and happiness, it brings along.
through the years, we all will be together (ao3) - possumdnp
Summary: Martyn comes home for Christmas in 2009 and finally meets Dan, that guy his brother won’t shut up about. Ten years later, and it’s like Dan’s always been a part of the family.
Two of Martyn’s family Christmas celebrations, a decade apart.
to use black ink (ao3) - moonythejedi395
Summary: Laura Anise Jones, at the ripe old age of 12 ½, knew exactly four things in life. The first was that she would never touch illicit drugs. The second was that it was best not to tell anyone anything about herself, as nothing good would ever come of it. The third was that adults will always lie. The fourth is that the only exception to the previous rule is her English teacher, Mr. Lester.
together: a tale in five board games (ao3) - dieofthatroar
Summary: Dan in his BBC LGBT interview: "I had friends who honestly would be like, 'so, are you going to get a girlfriend at some point?' and I was like, 'so you have no idea, even though we've been friends for five years.'"
Dan and Phil have this friend that comes over for monthly board game night.
watching terrariums (ao3) - obsessivelymoody
Summary: They’re silhouetted against the gloomy grey London sky, light only touching the high points of their faces, illuminating their eyes. They look carved from marble, and by someone who is really able to capture love.
Or, Dan and Phil in 2019, told through two perspectives at two different times.
where we can live (ao3) - dizzy
Summary: Karen and Kathryn wait for their sons.
"Why did we have to have kids?" (ao3) - yikesola
Summary: Cornelia is recording on her phone, hoping she’ll never forget this sight. It’s so beautiful, more beautiful than she can say. So expansive, so lush— so peaceful… peaceful…
A ficlet about peacefulness and laughter.
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cami-chats · 5 years
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Abridge
Fandom: Marvel
Pairings: Tony Stark/Johnny Storm
Warnings: None
"Hey Tony is that you?" Sam asked, pointing at a picture that popped up on the television screen. It was a preview for the upcoming gossip that passed for news these days, a shady snapshot of Tony and Johnny Storm.
Tony looked up to see what he was referring to. "Yeah."
"Who's that with you?" he asked, since no one on the news team recognized Johnny. It didn't help that he wasn't facing the camera head on. If Tony remembered correctly, Johnny hadn't been wearing a helmet and Tony was calling him an idiot.
The tv put that picture next to one of Steve with the caption 'Iron Man and Captain America slumming it? Possible secret romance!'. Tony snorted, looking back towards his tablet. "Steve, apparently."
"That's not Steve," Sam said, rolling his eyes.
Tony hummed absently, not listening to him anymore.
Sam rolled his eyes again and changed the channel.
*
Johnny threw back five shots in a row. True to his word, he was still standing when the other guy fell flat on his ass.
Tony was snickering the entire time and trying to hide it. He knew from his party days how this was going to end, and he was pretty sure Johnny knew it too. At least Tony hoped he knew, because otherwise this was about to get very unpleasant.
They made it outside safely, but when Johnny turned to head for the car, Tony grabbed his arm, shaking his head. "No way."
"C'mon, I thought we were going back to your's." He wrapped his arms around Tony and reached down to grab his ass. He bit at Tony's neck, sucking a mark into the skin.
"You're about to get sick, and you're not doing that in my car."
"I'm not gonna get sick," he said defensively.
"Uh-huh, sure champ."
"I'm not."
They started walking, Johnny leaning heavily on his side, and they only made it past three buildings before Johnny heaved into a trashcan. Tony rubbed his back and made sure that he didn't get any shit on his jacket-- he was pretty sure Johnny loved that jacket more than life itself.
*
"That's a hickey," Natasha said, craning her neck to get a better look at the blotchy mark on Tony's skin.
"Yeah," Tony said. He raised his hand to rub at it automatically.
"Who's it from? I didn't even know you were dating someone."
He shrugged. "Not sure I would call it dating. I called him my boyfriend the other day and he told me that he wanted to 'keep it casual', whatever the fuck that's supposed to mean."
Natasha made a sympathetic face. "How old is he?"
"Legal."
"Well, yes. If he's over thirty, I would say he has commitment issues and he needs to rethink a few things about his life."
"And if he's younger?"
"Then I'd say he probably just wants to fuck around and you should think about whether or not that's something you want. Which is he?"
Tony wasn't listening anymore though. By the time she'd asked, he was on the other side of the kitchen, making a new pot of coffee. She gave an exaggerated huff and dropped it. Chances were, she'd hear how it ended.
*
"Johnny, come on. We text all the time, and we go on dates every two days. That sounds like we're dating to me."
"Yeah," Johnny said, rubbing his hand against his head uncomfortably, "but you know that's not what I mean by it, Tony. I told you that, and you said you were okay with it."
"Did I? Because I remember rolling my eyes."
"You did look at me like I was stupid," he agreed.
"That's because you're being stupid."
"Hey," Johnny protested.
"Did you seriously think I'd want to do this for months if it wasn't going to lead anywhere? I'm past the age where just sex is fun. If that's all you want, fine, but it's not going to be with me."
Johnny gave Tony a sharp smile that was all teeth and no humor. "Fine." He pushed himself back from the table and headed for the door, grabbing his leather jacket off the back of the chair as he passed. "See you around."
"No you won't."
He paused in shoving his feet into his shoes. "Yeah I guess I won't. Bye Tony. It was fun."
The door closed, and Tony dropped his head into his hands miserably. Tony Stark Luck aka fall in love with the exactly wrong person. It was a tried and true fact of his life, no matter what he did. Woo-hoo, he thought flatly. He was getting too old for this shit.
*
Natasha took one look at Tony, then pushed her bowl of ice cream over to him in offering.
"Thanks," he muttered, taking a bite.
"Rough day?"
He shrugged.
"If you haven't had a bad day, I'm taking my ice cream back," she warned.
Tony took one more bite, then pushed the bowl back to her. "Hasn't been the best. I'll go work on that comm update for you."
*
Sue looked at her brother, then turned away. Then she sighed and turned back. "Okay what's wrong?"
"Nothing's wrong," he lied.
She didn't say anything, just waited. Give Johnny silence for long enough, and he would break. Sure enough, a few minutes later he started talking.
"How did you know when you were in love with Reed? Like, you guys were together, then you broke up for a while, but you've been fine ever since."
"Johnny, are you in love with someone? I never thought I'd see the day," she mused.
He glared at her.
"Fine, fine." Sue leaned back in her chair, crossing her arms over her chest while she thought. "I guess one day I realized that I didn't want to spend my life without him. Like when I went off to get my doctorate and you were spending time in California, it kind of killed me. I realized that I didn't want to live my life without you, and after Reed and I got back together... I guess I thought the same thing."
"Hmm." Johnny was looking morosely at the floor, thinking. "So that's it? Just- you don't want to live without him?"
"I'm pretty sure that's how most people find out they're in love; it's not that weird."
"But that's so easy."
"Did you want a cryptic answer?"
"Well no offense Sue but that's kinda what I was expecting."
"Fine," Sue said, rolling her eyes. "Look deep in your heart and think about them and you'll know. Better?"
"Don't go into poetry, you'd starve."
"Oh for fuck's sake Johnny. Either tell the woman you're in love with her or get out."
"Man," he corrected.
"What?"
"It's a guy."
"Are you bi, then?"
Johnny shrugged. "I thought that would get more of a reaction, you know."
"Gasp, oh goodness, oh my," she said flatly. "Tell the man you love him, or get out."
"It's Tony Stark."
"WHAT?" Sue startled, looking at him with wide eyes. She'd knocked over her cup of water, but she didn't even notice. "Tony Stark? As in Iron Man?"
"That's the reaction I was hoping for," he said with a shit-eating grin.
She narrowed her eyes at him. "Jonathan Lowell Storm you had better be serious."
"Middle naming me? Really Sue?"
Her eyes narrowed to slits. It made her look half asleep, but also like she would kick his ass to the moon if he didn't tell her what she wanted to hear.
"Yeah it's the Tony Stark."
"How did I not hear about this? You can't keep your mouth shut about anything, but when it's something cool you clam up?"
"I thought Reed hated Stark Industries."
"Reed's jealous, and from what I've heard, he and Tony Stark don't get along. Can I meet him?"
"Technically we're broken up."
She threw a stack of papers at him. They fluttered to the floor long before getting in range of hitting him, but it made her feel better all the same. "Go make up. I want his opinion on these radiation scans, and since Reed and I got married, I'm pretty sure he ignores anything that has the last name 'Richards' attached."
"I thought Banner was the radiation expert of the team."
"He is, but he's also off world right now. Originally I was going to wait until he got back, but this would be much faster."
"Using my relationship to get your research expedited... that's villain stuff, Suze. You sure you're feeling okay?"
"Why are you still here? Wait, Johnny, are you actually worried?" When he didn't immediately answer, she said, "Oh my god you are worried." There was a chance then, where she could have done the sympathetic thing and told him that there was nothing to worry about, that she was certain everything would work out for the best. Instead, she threw her head back, cackling. "This is priceless."
"Whoever said women are sympathetic has never met you."
"If you don't want to be mocked, you shouldn't have come to me. What's the problem in your relationship anyways? If it was just being in love, you wouldn't look like someone scratched your favorite bike."
"There's no problem."
"Oh Johnny," she sighed. "You panicked, didn't you."
"No," he lied.
"See, because I'm nice, I'm gonna warn you right now. You can either leave to go fix this, or you can stick around while I mock you some more. Which is it going to be?"
"You're a lot meaner than you used to be," he noted, walking towards the door. She was also a lot happier than she used to be, so the trade off was pretty good. Considering that her 'nicer' days were actually just her being a pushover, he wasn't actually complaining.
"Let me know how it goes!"
He raised a hand to let her know he heard but didn't say anything in return.
*
"Uhhh," Bucky said, frowning at the person who was standing in front of the tower and looking up towards the Avenger's floors. He looked suspiciously like Steve, but there was something about his bearing that screamed they weren't the same person. Sort of... over confident and self assured. It reminded him of Tony, actually. He was just going to keep walking. It wasn't his business, and sticking his nose where it didn't belong had gotten him kidnapped by a villain twice since leaving Hydra's control.
Steve glanced over when he entered the room. "Hey Buck. How was the dog park?"
"It was good. There's someone in front of the building that looks like you. It's kinda creepy."
"Really?"
Bucky nodded.
"Huh, that's weird. Do you know where the peanut butter is? I can't find it."
*
"Sir," Jarvis said, interrupting him from the latest Iron Man armor design.
"Yeah J?"
"Mister Storm is at the front desk asking for you. Should I tell them to let him in?"
Tony paused. Johnny was here? Did that mean... No. It was likely that Tony had forgotten a tie or something at his apartment and he was just returning it. "Yes. Direct him to the penthouse, I'll meet him there."
"Of course, sir."
Tony sighed and ran a hand through his hair. This was not going to be fun. He saved the plans and got to his feet, patting DUM-E's strut as he passed. "Try not to destroy anything while I'm gone buddy."
DUM-E gave a chirp that was probably supposed to be a promise that he would behave, but Tony knew better than to believe it. He got up to the penthouse and filled a glass with water, just so he'd have something to do with his hands.
The elevator doors opened, and Johnny stepped out, looking around. He'd never been to the Tower before since he insisted that they weren't dating, and therefore there was no reason for him to be in Tony's primary home where he could meet all his teammates. "Nice place," he said mildly.
"Is that why you're here? To compliment the furniture my decorator picked out?"
"No," Johnny said with a sigh. He scratched at the back of his head.
"Are you okay?" He'd never seen Johnny so... reserved.
"Sue tells me I'm an idiot, and since she knows me better than anyone, I guess I have to believe her."
"Okay?"
"I missed you," he admitted.
Tony's hand clenched tightly around his glass.
"I was being stupid when I said we should keep it casual. I've never wanted to keep someone around before." He gave a smile and a shrug. "Guess I made a mistake leaving the other day."
"And?"
Johnny heaved a put-upon sigh and walked closer. "And we should start dating like we should have been doing from the beginning. I'm sorry that I ran away from my feelings and you got hurt because of it. If it makes you feel better, I'm new to the whole 'being in love' thing."
"You're in love? With me?"
"Uhh shit I didn't mean to say that."
"No take-backsies," Tony said, pointing a finger at him. "You made your bed now you have to lie in it. Tell me more about how magnificent I am and how much you love me." Tony was grinning, and he laughed when Johnny rolled his eyes, stepping into his space and taking the glass of water from him.
"You're magnificent and I love you."
"That's just repeating what I said, it doesn't count."
"Give me time, I'm sure I'll think of something."
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wait a minute. So I've read your bits on civil war 2008, and I have a question for you: all the characters in the civil war event, at least the major players(like stark, Cap, Spidey, FF), do you believe that they are acting OOC, or that the writers chose to bring out the character's worse qualities to create drama?
And do you think that if the writers had written them In Character, or at least written them to be more balanced, would it have improved the story? Actually, do you think that Civil War could have been... at least A not Bad Story under an intense rewrite? or that the whole concept should have been thrown away?
The OOC talk is tempting and also partially justified. There is a batch of previous stories scattered through the years with the Fantastic Four dealing with similar scenarios where Reed is pretty much anti-government.
1) In one Social Services sue the FF4 for endangering Reed and Sue Kids by keeping them in the Baxter Building despite it being blown up once every 2 weeks. They ask them to "register" them and put them in a safe government facility, so to spearhead a new law where they can get pre-teen superhumans "out of harm way" or some shit.
Keep in mind Franklin is still a Mutant in this story (And still is right now because FUCK YOU SLOTT). Anyway, Reed seemingly agrees,only to set up a dummy facility and "register" his kids there. He doesn't even announce it he literally only writes it in the Government's documentation and shit.
The facility is razed to the ground a couple hours later. Because yes the Baxter Building can explode at any time but AT LEAST they are there to protect the kids from the countless people.
2) In another story, Reed is asked by Congress to create a device that outs mutants and "abnormal" humans, so the government can better individuate them for "reasons." Reed agrees, and makes a device SO POWERFUL it detects every deviations from the supposed norm, so when he gives a demonstration in Congress, he reveals half of its members would qualify as "Mutants" if they kept that line of inquiry, which makes them hastily drop the whole thing. This was intentional, because who the fuck are they to decide who is or isn't not normal?
3) Compare and Contrast with Civil Ear Reed Richards, who is a McCarthy apologist who goes "Logically speaking, we need to listen to the government on this one otherwise we might get burned just like my (gay coded) artist uncle was by the McCarthy Trials in the 50s when he told the court to shove it and his life was ruined as a result. It's the rational way to do it."
4) (The three main proponents of the Registration Side being Rich, White, Heterosexual Men in positions of powers, with jobs in the science field that justify their decision with "Facts and Logic" was PROBABLY unintentional, but is also a great unintended allegory for this kind of shit. The ones who are hurt the most but these kind of laws are the ones who can't afford it after all, and who is ever going to go after the rich and powerful first? Especially if they come with little repercussions on their lives (Tony, Reed and Hank where all already outed as Superheroes after all))
5) Peter is OOC in OMD mind you, Civil War goes pretty much how you'd expect him to go (gets manipulated by authority figure into it, MJ and May are supportive of him because they see only half the facts, the SECOND Peter realizes that those people are monsters he drops them and gets the shit beaten out of him for it, unlike Reed or Tony who can AFFORD having their identities public Peter barely has the money to survive which ends with May getting shot for it). It's an incredibly poignant scenario that I wish was used to TELL A MESSAGE rather than just a backdrop to shoehorn OMD in.
6) Which is to say Civil War could indeed be written better under the same premise. If they want to keep the Patriot Act Allegory, they should be aware of what that would entail for the characters that support it.
We are currently seeing a similar scenario going on in Marvel in the Champions comics where the registration side is pretty much spearheaded by an unambiguous evil corporation and shit. In light of Civil War I existing the whole thing kinda loses its impact (Like that one joke scene where Tony goes "Maybe we should register them" with a smug look on his face as if he isn't responsible for so many deaths), but at least they are trying to shift the conversation? The villain is not the Government of course it's Evil Apple, but at least it's not a "Both Sides are equally ok" centrist bullshit take like they did in Civil War or in Skyrim.
Like, fuck, it's literally called CIVIL WAR to invoke the American Civil War in the context of the "brother kills brother" interpretation some bastards are so fond off, I wouldn't call THAT a "Both Sides are valid" scenario by a long fucking mile, yet here we are.
7) I think the best way to put it would be to set up the same scenario but make it realistic to the setting and shit.
Hank and Tony still support the Government because one is a Skrull Chaos Agent the other is misguided, Carol takes Reed's place in the Triad because Women can be War Criminals too (She was leading the equivalent of a child soldier program during Civil War so she is one already at least). Steve is also anti government because this is happening during the fucking BUSH ADMINISTRATION and he goes "When will Washington decide who the villains are?" Like he did in canon but in, like, a poignant moment.
Speaking of Reed he will keep his family neutral and go "I admit superheroing does need failsafes and some kind of oversight mind you, I just don't this this country's government has demonstrated their right to be that."
Let's not put the "Cap you are out of touch because you don't know what MySpace is" or "Luke every time I see a Sentinel that's like seeing a Burning Cross" rants in the story too because those were some raw shit.
Tony, again, lives in privilege, so it wouldn't exactly affect him, and is genuinely trying to do good, so we need to put him as the "Patsy" who gets duped by Skrull Hank Pym for it, the government is the one with the secret prison for Superheroes, Hank is the one recruiting Nazi Scientists and starting child soldier programs, clones Thor, sets up with the Government a Super Prison in the Ocean (can't use the negative zone without Reed), outside of US Jurisdiction so the government can ship then there with no trial and torture them. When Skrull Hank Pym is confronted for it, and the blame is attempted to be pinned on him and him alone, he goes "Are you earthlings daft or something? I did almost nothing, it was your government who did most of the work in their desire for security and safety, I just sped up the process for them, they would have done all of this with or without me."
Around the ending Tony finds out and is devastated and drops the whole thing."
When someone tries to comfort Tony over it because he didn't know any of this he goes "Oh, that's were you're wrong Peter. I knew. Deep down, I knew things weren't right, unjust, but I did nothing, because I could make things better from the inside, because it didn't affect me, because It would have been inconvenient to me to stop this. This is on me for passively accepting it as it is on the ones who enforced it." Which leads him to make amends, that way he is not as much of a awful character here.
The scene where The US kidnaps Ororo so they can strong arm Tchalla into getting registered happens but is treated as a international crisis as it deserves.
The Prison Break finale happens because Namor discovers the prison in HIS FUCKING DOMAIN and just goes ham on it with the help of the Anti Registration side, he drops a line like "I've seen shit like this before, I've seen what happens when man declares another man a criminal for things out of their control, for what they've been from birth, and I say NOT IN MY KINGDOM!" or some shit (He is a WWII veteran after all).
Since Steve isn't pummeling to the ground Tony in this scenario there isn't the dumb as fuck Everyday Heroes scene and he doesn't get shot by Sharon later on..
We have instead the scene from Secret Invasion where Skrull Hank Pym kills Steve (In SI it was Skrull Queen killing Janet Van Dyne) on national television, which leads to the anger of everyone involved who rush him, only for Tony to be the one who pull the trigger.
Tony is put in charge of SHIELD, which leads to Iron Reign (Dark Reign equivalent), and the story ends with him going "Let's see if things can reach change from the inside this time" as he actually reforms Shield from his position of power. The Registration Act becomes unpopular due to Steve's death and Alien Interferences, so that helps, and leads to actual protests in the streets after Namor reveals to the UN the war crimes the US is committing. It's a slow process, but is something.
OMD doesn't happen, The Peter storyline remains pretty much the same, but instead of Tony bragging about his private prisons for Superheroes in hell, it's the Punisher who shows up to him and reveals some troubling shit he discovered, Peter Confront Tony for it who dismisses it as fake news because he doesn't want to believe, Peter drops the registration side out of disgust, which then leads to the government sending villains after him rather than Tony. Tony is then seen strongly arguing with Maria Hill for this since Peter almost died from what he got from his suit readings (which he never hijacked or deactivated), but the Skrull Hank Pym shows up and supports Maria Hill for it, and Carol is busy with her child soldier program to comment.
May still gets shot and dies right as Peter and MJ discover MJ is pregnant with their second Daughter, which is ripe for lots of good stuff.
Maria Hill will therefore have to take even more of a role as a Government Plant and shit, but what's new.
Johnny Storm still gets hate crimed on but not by black people. Maybe confirm him as Bi while we're at it? You know, to get topical and all.
Ideally No More Mutants never happened so mutants are still a thing and most of them are vehemently anti registration. Emma Frost appears neutral at first glance, but ultimately she is playing the long game, secretly helping militant mutant groups and shielding the school from unwanted attention. She still has a restraining order filled for Tony Stark, she still points out to Carol how fucking dangerous a mutant life can be if outed via mind powers.
Can't think of much else for now, maybe Felicia helping MJ and May while they are in hiding? MJ is nauseous and all and she goes "must be the nerves" and Felicia agrees but May knows. This could lead to the polycule post May death since Felicia blames herself for it for not being fast enough, and MJ now is pregnant and scared and the Registration Act is getting repealed by the future is still glum and Peter is depressed so they all comfort each other and then 69 issues later we have a two parter maxi event where they face their fears and BANG we get the polycule.
Aunt May still poisons the Chameleon while he was posing as Peter. She actually actually poisons him rather then just drug him this time, because she knows of that one time he tried to force himself on MJ while posing as Peter which lead to MJ beating the shit out of him with a baseball bat, and May is a nice old lady but there are things she really can't stand you know?
Felicia and MJ help her hide the body. Peter never finds out.
And that's it?
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spencers-dria · 3 years
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Completely Fantastic
Someone To Stay Ch. 8
Spencer x fem reader
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The next morning you wake up and start packing as you prepare for the drive back home. You take your hair out of the bun you had slept in, leaving it with some long loose waves. You throw on a long, flowing navy and white maxi skirt with a navy tank top and some strappy sandals. You are feeling particularly in touch with your bohemian side after a weekend spent in the great outdoors.
After filling up on a quick breakfast, you grab your bags and head out to the car. You look to Spencer. "Is it okay if I drive?"
He appreciates you asking. No one ever does. They just assume.
"Sounds good!" He tosses his keys over to you. After filling the trunk with both of your bags, you scoot into the driver's side and adjust the seat and mirrors. You may be tall, but Spencer was much taller.
As you pull out of the driveway and make your way down the road, Spencer looks towards you.
"I'm guessing you want music. I don't really have much. If you hand me your phone I can put on whatever you like."
You unlock your phone and hand it to him, smiling at the kind gesture. Seems like he catches on quick.
"Hmm" you think out loud. "Well, I know you haven't listened to quite as much as me so we have a lot of genres to cover on this car ride. We'll start with the 70's and go from there. Just put it my 70's playslist on shuffle. We'll let my phone pick for us."
Gypsy by Fleetwood Mac comes on. A smile of content spreads across your face. You reach into the compartment above your rear view mirror and grab what you liked to call your "John Lennon Sunglasses". They're rosy and oversized and perfect for your current mood. You roll the windows down and let the wind whip through your hair, resting your elbow out the window. Sunshine warms your skin as you listen to the incredibly talented Stevie Nicks.
After a few more songs you ask him to flip to the 80's playlist on shuffle. As Forever Young by Alphaville comes on, you see a look of recognition on Spencer's face.
"Oh yeah, I forgot you were an 80's baby! 80's pop is some of my very favorite."
He smiles and nods. You get it. There's something oddly comforting about nostalgic music from your childhood. You let the rest of the 80's playlist finish, since you both seem to enjoy it.
Eventually Spencer turns in his seat to face you.
"I had a lot of fun this weekend." He states this with a fairly serious look on his face.
"Yeah me too! Is everything okay though? You look like you have more to say?"
He continues, while fiddling with his hands and hair and staring down at his lap. He's clearly nervous.
"It's uh j-just...would you...well would you want to be friends? I know that's p-probably an odd question I just, well I enjoy hanging out with you. Since I don't see you at my uh place of work I wasn't really sure the c-correct protocol for..."
You reach over and squeeze his hand to cut him off, since you can see he's clearly only making himself more anxious.
"Hey" you give him a reassuring smile.
"We're already friends. I think we have no choice but to continue hanging out. I mean, we just get along to well, it's not really up to me" you joke.
The both of you laugh and he seems to relax again. He squeezes your hand back as a thank you. Before you return it to the steering wheel.
"How do you feel about a weekly movie night?"
His eyes light up at the idea before clouded over, clearly thinking it through.
"My job..." he starts before you cut him off.
"I know, Spencer. Don't stress. My job schedule is inconsistent too. I mean, I get my schedule given to me six weeks at a time but, I work different sets of days each week. It's completely random. But that means I have four days off a week so I like our chances. And if some weeks it doesn't happen, that's ok too. You go save lives, and I'll help heal them. It's what we do."
He raises his eyebrows in surprise before responding.
"Oh well you've thought of everything, huh?"
You shrug, trying to conceal a smirk. "Maybe."
He looks to you. "Ok so what will be watching first?"
"Hmm, I'll let you pick first. And we can trade off?"
"Well I don't know how into fandoms you are but... would you mind if we watched some of Harry Potter?"
Usually your face is a huge giveaway to what you were thinking, and not just to FBI profilers. In this instance, you were incredibly determined to keep a straight face and not let on a single thing.
You just give a small nod as you keep your eyes on the road, expressionless.
"Sure, we can do that."
"Ok, so when and where? Or do you have that planned too?"
"Well..." you think for a minute before extending the offer. You don't want to scare off your newest friend.
"I'm free tonight if you'd like. We can unpack and maybe sneak in a nap first?" You glance over to gauge his reaction.
He smiles and nods, on board with the idea.
"Yeah, and I can meet back at your place at 5? Want me to bring anything? The DVD's?"
"Oh no it's fine! I'm pretty sure I saw them on Amazon or YouTube TV..." you respond, still trying to control your face. You really wanted to fool the genius profiler.
Spencer asks to borrow your blanket before curling up in the passenger seat and taking a nap the rest of the way home. It was too adorable. You couldn't help yourself. As you pulled up to a red light, you snap a quick picture of him. You also take a selfie with you making goofy faces, Spencer sleeping in the background.
You gently shake him awake after parking outside of your building. You grab your bags out of the back and wave to him as he backs the car out.
Once in the apartment, you take Juneau out for a quick walk. The dog sitter had given you detailed  updates while you'd been away. You throw your weekend bags in the closet and hop in the shower. After drying your hair, you throw on a Black Borgin and Burke's T shirt and some black leggings and get to work.
It's September which, for you, meant the Halloween decor was abundant. You plug in all of your purple, green, and orange string lights placed all around your living room and kitchen. You light several candles you have scattered amongst your Halloween decor. Your shelves are lined with pumpkins, potion bottles, and various skeleton items.
You pop in your guest room to make sure it looks presentable. You're fairly sure he won't be expecting anything like what he's walking into tonight. On one hand, if it scares him off then it was bound to happen eventually. But if he doesn't mind...well maybe this friend is in it for the long haul.
You grab two butterbeer mugs and set them on the counter next to an assortment of flavored hot chocolate packets. You also set out microwave popcorn and a bowl of Halloween candy.
You decide to do one last thing, really hoping Spencer won't think you're completely insane. It's not long before you hear a knock at the door.
You open it, wearing your Ravenclaw robe and your glasses which just so happen to look a bit like Harry Potter's.
Spencer's brow wrinkles in confusion before he starts laughing.
"So I'm guessing you've seen Harry Potter before!" He says after finally catching his breath.
"Ummm..." you smile and just take his hand pulling him through your apartment till you reach your guest bedroom.
His eyes widen as he looks around at all your Halloween decorations. Before he can comment he's standing speechless in the doorway.
He looks around to see a completely Harry Potter themed guest bedroom, filled with creatures, books, wands, and more.
"Yeah Spencer, I've seen the movies" you finally say, letting out a laugh you've been holding back.
He looks stunned. "How did I... but you..."
"Yeah I'm usually pretty bad at hiding things so I have no idea how I pulled this one over on you. Aren't you supposed to read people for your job?" You joke with him, nudging his side with your elbow.
He's still just standing there, eyes wide, taking it all in. He walks over to the book shelf to flip through what you have.
"You have the potions book?...the maurader's map?...even the Quibbler?"
You just shrug, smiling as you watch him look around.
"So you don't think I'm completely crazy?"
"I think you're completely fantastic!" He blurts out, blushing a bit after he says it.
You bite your lip as you say " I may or may not also have the movies on DVD in 4K...to watch on my new TV."
He steps back into the living room to see where the two of you will be spending the rest of the night.
"Oh, this is going to be perfect!"
He takes a moment to finally take in the complete explosion of Halloween across your home.
"I hired Jack Skellington as my decorator" you snicker, making fun of yourself a bit.
He turns to you, eyes wide once again. "You like Halloween too?" He reminds you of an eager little kid with the look on his face.
You answer him with an eager nod and a grin.
"Y/N, I think it's pretty clear that we were meant to be friends! Where have you been all my life?" He laughs.
You don't know why, but you feel yourself turning red at hearing this comment.
You prepare some hot chocolate and popcorn for the two of you while Spencer sets up the Sorcerer's Stone.
"Oh I almost forgot, I brought something!" Spencer pulls something out of his sweater pocket. He has handfuls of Ghirardelli chocolates.
"Are those Rossi's? From the trip?"
"I have know idea what you're talking about." He states with a smirk as he plops down onto the couch, tossing you one. You lean back against the opposite end, leaving you room to both stretch your legs out and share a blanket.
You try your best not to quote the movie that you know by heart, but you just can't help it. Then you look over and see Spencer mouthing along with the lines. You give him a small kick under the blanket.
"I bet you could do a one man show of these movies, Mr. eidetic memory." You giggle.
"From the looks of it, so could you. We could take our show on the road. We'd make millions."
The two of you burst into a fit of laughter. With Spencer, you're always smiling.
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zombiiesque · 3 years
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Nocturne Alchemy Seth's Dinosaur Collection - PART ONE
Originally published on 6/27/2017
Hello, everyone! I've been wanting to write some reviews for a while now, but we moved, and then I promptly came down with a really bad case of bronchitis, that did not seem to want to go away. I ended up with two different antibiotics and almost went to the hospital at one point, but it's mostly dissipated finally. Well, then I had to put my house together and get everything situated here, and I'm sure anyone that has moved understands how much effort that takes. I haven't moved in over four years, and I felt really bad about not getting my house organized! And here I am, going on and on. Anyway, I had intentions of reviewing Seth's Dinosaur Collection for quite a while, but I think it's particularly relevant now. Nocturne Alchemy is reopening in 4 days, on June 30th! *squeeing and flailing* I'm so excited to see the site redesign. Also, they've been working on new label art, and from what I understand, they'll be adding new scents to the various Permanent Collections. So much fun. I'm sure it's going to be beautiful. If you'd like to keep up with them in the meantime, they have been posting fun things on their Facebook Business page, including a sneak peek video of the new logo, which is absolutely elegant.
Well, I started this last night, and ended up having things to do that needed my immediate intention - so I had to put it down and come back to it in the morning! It seems like that's the way things have been going lately, so now this review is even more timely. Before I delve into it, I want to make mention that I had an email conversation with the NA crew, because I wanted to address some of the rumors I'd seen going around since they'd been closed. I saw that folks were concerned that they wouldn't be reopening, because they've been gone so long, and I also saw that many were worried that the catalogue as it was known might not be returning, so I wrote to see if they'd give me something to share with people - and they did! Such lovely, kindhearted people, and that is the reason I am such a huge "fangirl". I mean, don't get me wrong - they make the most exquisite perfume oils, and of course that drew me in, but once I began to see how much heart they pour into their company, and how much they care about their customers, that really made me fall head over heels. Honestly, in the world of indie perfumes, NA is a pretty good sized company. They've been making perfumes for 10 years now - actually, as it's June, they're into their 11th year, and they have a pretty extensive catalogue! So in their own words, I'll use a direct quote here from Nocturne Alchemy.
NA will return June 30th. We asked our customers last year what they thought of the old NA site. Constructive criticism concluded that it was dated. The truth is, we knew this and had been looking for the right host site for the past two years. We knew it would take time to migrate and create a new site but we'd have to be 100% involved and the focus of a new site would mean we'd have to shut down the old site. In the process, we decided to recreate the art for the labels of the Permanent Collection (we call it the PC because we view perfume as you would at an art gallery, where there is a Permanent Collection and a Limited Collection or the temporary exhibit if you will). In the past six months we've taken some much needed time off after a decade of perfume making, perfume soul-searching, travel for more unique perfume, and also back in the Studio for months now working on new PC, new art for new labels and a new look for NA. It took two years prior to opening NA in 2006 creating a small collection of PC and Limited perfumes, designing labels, the site...the fact that we can do this in six months, means we are at the top of our game. We know what we want to create but you can't rush art. NA will return June 30th. Find us on Facebook to stay up with current information. The PC and Studio Limited will return, as well as the beloved VApothecary line that has been rebranded under Nocturne Alchemy to facilitate cohesiveness at the new site.
So, there you have it! In addition to completely redesigning the site from the ground up, including a different type of "shopping cart", they've been working on all kinds of wonderful things. I am not sure I will even know where to start on Friday! I'm certainly looking forward to digging through the new site - bad pun intended? And now, I have to apologize. As I said, I'd meant to get this posted a few weeks ago, but life sort of threw me under the bus, and I just couldn't give it the proper time it deserved, as the Dinosaur collection, and the eNVie review, both deserve a bit more depth than just reviewing a single perfume. I'll be working on the latter today, to get it posted up hopefully by tomorrow.
So, roughly two summers ago, Nocturne Alchemy released the original Dinosaur collection, which was Seth's baby, as his other passion, from his early childhood, was dinosaurs, and he wanted to do a collection with that theme. I must tell you, it's been one of my very favorite collections, and I'm only missing a few of them. Last summer, they released a Resurgence, and added some new perfumes to the collection. It's alternatively been called the Prehistoric collection, but the name "Seth's Dinosaurs" has kind of become the popular name among the fans, and often gets shortened to "the Dinos". A little note about this collection: "These dinosaur perfumes are created with the beauty of resin in mind for each of them. The concept to this perfume, the label and the respect of the dinosaur is built on imagination. If you look at the label, there is an egg to the left. It is the same color as the Dinosaur. Apply the perfume on wrist and inner elbow and allow the scent to bind with your chemistry. Once this has occurred, inhale. This conceptually, is the egg. To allow the dinosaur to hatch, we wanted you to go to your Studio Limited Library and pull as many as you want, especially your favorites. The magic in layering the dino's with your Studio Limited Library will give your library a new NAVAlchemy aspect of layering and creating your own personal Dino scent. The fun in NAVAlchemy and hatching the dino eggs is all up to you!" - note from Seth. So, I've seen a few comments floating around the internet that say these oils seem to be rather linear, or flat - and I hope that people will read this, because if they don't realize that these were created specifically to be layered, then they'll miss the beauty of these. I do like them on their own, but I find that when they are layered with other perfumes, the beauty and versatility really shines through. I was never adventurous about layering until I was introduced to these beauties, and they really taught me to branch out, because the possibilities are quite endless. What's interesting is that a lot of the SL (Studio Line) is also fantastic for layering, so I'll make some suggestions for these together for you to try. I believe, from the hints that they've been dropping on the Facebook page, that we'll once again be graced with new Dinos this summer. I don't know if it will be happening with the grand reopening, or at some later time in the summer, but it seems that we'll be getting new Dinosaurs to play with! I cannot wait.
So, let's get started! I'll go with the first round of Dinosaurs that I have, and then the second round will be in a separate post. All of the Dinosaurs also make this mention: "*tiny bits of resin may occur in the Dino blends, these will only enrich the blend even more with aging!"
Cryolophosaurus: Resinous Amber Accord, Limestone Amber, Aged Organic Studio created Patchouli, Black Patchouli, SL Crimson and only a drop of fine aged Egyptian White peppercorn eo. So, this was my first love of the Dinosaurs. I was pretty new to NAVA at the time the first collection came out, so I was still trying everything via decants before I sprung for full bottles, because I hadn't learned what worked on me and what didn't yet. I think I ordered decants of everything but Spinosaurus, because I had learned at that point that black honey and I don't get on. Still salty about that! Anyway. The decants arrived, and I tried them all out - and fell madly in love with Cryolophosaurus, and promptly ordered a full bottle. It's....what are words! I feel as though I'm going to be repeating myself here with this collection, but I'll do my best for y'all. The patchoulis in this blend are bright and sort of herbal, almost minty? I don't know if that's a proper patchouli trait, but as a bit of a hippie, I've been a lifelong fan of patchouli (thanks, mom!) and was exposed to the dark and dirty hippie type patchouli early on in life. This was the first time I was exposed to patchouli as a more herbal note, and I was absolutely blown away. I often find NAVA ambers to have a "fresh" sort of quality, and the two ambers used in the Dinosaur collection definitely seem to have that, so it keeps any of these blends from being overly dark. There's definitely a depth and a sort of stoney feel to each one of these, but as I've mentioned, that seems to come out more once you layer them with another perfume, and Cryolophosaurus is no exception. I can wear this happily alone, it's quite different than say Hessonite, which can be a little overwhelming if you're new to patchouli, the ambers lift this up and seem to give the patchoulis a different nuance. You don't get the red musk (Crimson) or pepper aspect very much until you wear this one layered, but those aspects come out and shine once you pair this with another oil. Also, this oil is red! As I've had my bottle for 2 years, there's definitely some resinous bits forming now, but I couldn't seem to capture a picture of it.
I could rave and rave about this one. Goals: If they bring this back as a Resurrection again this year, GET A BACKUP BOTTLE. Hah!
TL;DR A fresh, sort of bright, herbal patchouli. The nuances of the ambers, red musk, and pepper come out to play when you layer this, but you probably won't notice them while wearing it solo.
Layering suggestions: Try this with Kashmir, Crystalline, Amethyst, Santalum, Crystal, White Ambre Ombre. If you have Labyrinth Oudh, this pairs beautifully with that. If you are a patchouli fiend, you might try hatching it with Patchouli Ombre or Hessonite. I like it with Sekhmet Amber and Black Raven, also.
Diplodocus: Resinous Amber Accord, Limestone Amber, a drop of Cacao, Boswellia carterii Frankincense from United Arab Emirates and a drop of steam distilled Oman Frankincense tears we picked from the actual Frankincense tree.
Believe it or not, although I tried all of my decants the summer that the Dinosaur Collection came out, I did not really pursue full bottles of any except Cryolophosaurus. When I heard that the collection was to be resurrected last summer, I decided I needed to try my decants again, and came to the conclusion that I would have to acquire full sizes of all the originals that I had decants of - oh boy! And then there were new ones joining them. I was in trouble. So, I was trying to decide which of these I absolutely had to have, and at first, I had decided since I had Holiday Egyptian Frankincense, I probably didn't need Diplodocus. Well, I fell pretty hard for HEF last summer and found myself layering it with everything, and before I knew it, I had gone through a half a bottle. Panic set in, and I decided I was probably going to need an alternative frankincense, as it was a note I was falling more and more in love with. Diplodocus became a must have, and I am glad I was able to sneak it in my last order before the collection came down. As a stand alone perfume, this is pretty much a linear frankincense - albeit a lovely one. Beautifully woody, you could wear this alone if you were in the mood to wear a sort of single note frankincense, but this lends a wonderful aspect with so many perfumes, I prefer to layer it. Once I layer it with another perfume, the bright, resinous, stony amber comes out to play with the woodiness of the frankincense, and it's heavenly. The cacao is not a starring note, I can find it with my nose only if I keep sniffing, but it plays a lovely supporting role.
TL;DR A perfect frankincense layering note, it does well with adding a sort of grounding to perfumes that might ordinarily be too bright or feminine for my particular tastes, and is lovely paired with the SLs as well to create a duality.
Layering suggestions: Kobalt Dark, Santal Ombre, Egyptian Musk, Crystal, Diamond, or even to add a tad more frankincense to Ember. I've also paired this and love it with Gabriel, Eternal Egypt, and Ozymandias. I love it with several LC perfumes as well; Black Velvet, Black Crystalline Black Fig, Vamp, Anticipation, Blue Lotus, Snow Amber.
Pteranodon: Resinous Amber Accord, Limestone Amber, a drop of Cacao, Pure Sandalwood left to age in the perfume, Santalum Gold, Santalum and a drop of Blue Santalum.
GODS. Gods. This was the one that made me sit up and take notice, why had I missed out on ordering a full bottle, and I need to rectify this immediately! All of the Dinosaurs are fantastic, versatile little workhorses when playing with layering, but Pteranodon became a quick favorite of mine, and dare I say? Yes, I dare, it became my favorite sandalwood thus far. Don't get me wrong, you'll be prying my gloriously aged bottle of SL Santalum out of my cold, dead hands, I absolutely adore Santalum White, especially when spring and summer roll around, but really I can see using it all year...but this, this is special. Samantha tells me that's because it has the most precious of precious, Santalum Gold. Since she sent me a little sample of her precious bottle, I can understand the obsession - there's something pretty amazing about Santalum Gold. It's a little more woody and resinous, more fully sandalwood than the new version Santalum. I love mine, don't get me wrong, but I can see why Santalum Gold is so popular that if one pops up in the secondary market, it is gone within minutes. Ah well, one day I will be quick enough! Until then - Pteranodon. Yes, I can and have worn this alone, and I absolutely adore it. I like it in my hair, it's one of my favorite layering components when I pair it with something and add a few drops of unscented hair oil and run my fingers through my hair. Hnnnnggg. It's hauntingly familiar, it reminds me of when I lived briefly in Minneapolis in the early nineties and I hung out in the head shops and the kitschy little knicknack shops of uptown and the fantastic thrift stores....ahhhh the nineties, it brings me a feeling of nostalgia, for that's when I discovered how glorious sandalwood was. Oddly enough, my mother is a darker creature, and I don't remember her wearing sandalwood during her hippie days, mostly patchouli and musk and especially dragon's blood. She was missing out, I tell you. This. This really evokes some strong emotions in me. So, once layered, again the ambers come out to play, and the cacao is there as a supporting note, but the star is the variety of sandalwoods. You really get a sense of the four once this is layered. I don't know what to say other than IF THIS COMES BACK AND YOU DON'T HAVE IT YOU'D BETTER GET ONE. I'll be picking up a backup. I might not be able to get my hands on Santalum Gold, but this will do.
TL;DR HNNNGGGG GORGEOUS INCREDIBLE SANDALWOOD.
Layering suggestions: Gods, it goes with everything. Seriously. One of my favorite things is to hatch this with a combination of Diamond, Crystalline, and Tibetan Crystalline. Alternately, I'll do Bloodstone, Egyptian Musk, and this (maybe some Amethyst too). It's fantastic with Ember Vanilla or from the LC, Phantasm Kiss. I love it with Egyptian Temple Oudh. Umm, Eternal Egypt, Bastet Amber, Raphael, Black Raven. Ambre Ombre, or even Santal Ombre. I love it with the OPs, Baba, Tawaret, Pakhet, Hathor. I've got a smidgen of my sample of Egyptian Peach Blossom left and it's lovely with that. Polichenelle. Cecilia, Adele, Music, Snow Amber, Patchouli Ombre. There hasn't been a layering combination with this one I haven't loved, so be adventurous. If a perfume seems a bit too sweet or floral, this makes a nice "grounding" effect. Just do yourself a favor and nab this if it comes back!
Tyrannosaurus: Resinous Amber Accord, Limestone Amber, a drop of Cacao, Dracaena Draco of Morocco (Dragon's Blood resin) and Sangre de Grado Dragon's Blood.
One of the things I don't think I've talked about a lot is exactly how much I love NAVA's dragon's blood. I seem to like dark, red, resinous things quite a bit, I mean, Kashmir is practically my signature, followed closely by Bloodstone. So, what is their dragon's blood like? It's that perfect mixture of spicy and fruity. It's so, so well balanced. I don't really like it when a db note veers too much into either territory, leaving the other territory well behind. I want that combination, just a little spicy, just a little fruity, almost delicious. This is another workhorse. Alone, it's a beautifully resinous, juicy dragon's blood with a little kick of spice. It might be too dark alone if you're not into db, but layer this big boy - did Seth name this one well or WHAT? Layer Tyrannosaurus, and it becomes bright and lifted with the amber, and it's possibly even more beautiful than Bloodstone. Wait, what? Blasphemy. Okay, maybe not my bottle of aged, thick, glorious Bloodstone, but it's pretty amazing. Worn alone, T-Rex is a hint of the amber, and the two dragon's bloods. Layered, and he comes into his full glory, the amber comes out to really play, and that lovely supporting cacao becoes just a little bit evident, to give it a little more depth.
TL;DR: T-Rex is a big boy, and this perfume more than lives up to its name. I find it apropos that his scent is dragon's blood. Layered, he is just the right amount of resinous, spicy, juicy dragon's blood and glorious, fresh stony amber. Mmmm. Mm. It makes me hum with happiness.
Layering suggestions: Ember Vanilla, Ambre Ombre, Patchouli Ombre, Santalum, Ember, Black Raven, Mists of Arcacia, OP Anubis, OP Pakhet. From the LC, try it with Phantasm Kiss, Blood Moon, Egyptian Temple Oudh, Copal Oudh, or Pandora.
Utahraptor: Resinous Amber Accord, Limestone Amber, hungry chomps of Kashmir and Black Musk Absolutes, Egyptian Musk and a drop of Crimson and Sri Lankan Black Peppercorn eo.
Oh, Utahraptor. I've listed this last, but not because I love it least. In fact, I adore it, and it's quite versatile - different layering options bring out different facets of this one. I'm sure I've made mention of the fact that I really, really love NAVA musks. Kashmir is probably one of my favorite perfumes. So naturally, I had to have this. Worn alone, this comes across as mostly Kashmir, with a breath of Black Musk underneath, and the amber lifts it up - it might seem like a heavy blend, but it's saved from that by the beautifully clean Egyptian Musk and ambers. Start playing with layering, and while Kashmir, a bold red musk, remains the star, Black Musk and Egyptian Musk come out to play a bit more vocally, and I love that little kick of spiciness in the background of peppercorn. I'm a big fan of pepper in perfumes - Music is a great example of this, I feel, and it's kind of a surprising note, I think that many people would envision it from a cooking spice standpoint, but it's a bit different when added as a component of perfume. It adds a little kick, and it's quite fun. If you've never had the experience, I highly recommend giving it a chance. Anyway, enough about pepper, it's a supporting note here, and gives this "egg" a bit of pizzazz when you hatch it with another perfume.
TL;DR: Kashmir, a bold red musk, is the star here but plays beautifully with the other two musks, Black and Egyptian, when layered. Don't be afraid of the pepper. Despite the musk heavy blend, it's not nearly as heavy as you might think, the ambers lift and brighten this perfectly, and it's quite fun with a variety of different types.
Layering suggestions: Crystalline, Tibetan Crystalline, Santalum White, Egyptian Musk, Ozymandias, Pharaoh Anniversary, OP Baba, OP Set. For LC options, I absolutely am nuts over hatching this with California Redwood Crystal Musk. Also, Underlord Akhenaten, Pyewacket Cat, Pumpkin #2, Copal Oudh, Enigma, and it's amazing with the Byzantium Amber from their 9th Anniversary perfumes.
Okay, whew! That was pretty extensive, I am sorry for the wall of text, but I do hope you'll find my "hatching" suggestions helpful. This really did provide me with the courage to really branch out and become a layering fiend, and now I will layer various perfumes in with my unscented hair oils too, and I get a lot of compliments about how amazing my hair smells. Tomorrow, I'll get the second half of this posted for you, with last year's additions. From the first year, I do not have Spinosaurus, Stegasaurus, or Styracosaurus. Feel free to offer up your own layering combinations with these amazing perfumes! I want to mention one more thing in closing, these are another collection that do even better with age, they become richer and seem to come into their own even more. Have a wonderful evening!
Editing to add a note, and a link to part two! I forgot to mention previously, is that these are lovely when you pair them together! And I've done this several times with different combinations. Pteranodon with Protoceratops or Deinonychus, Velociraptor with Utahraptor, Diplodocus with Giganotosaurus, Protoceratops with almost anything! Hah.
Another thing to mention, if you have eNVie Saphir, many of these are stunning when hatched with Saphir. Definitely worth experimenting with - I have Saphir, Ambre Saphir, and Encens Saphir, and they all do well with the Dinosaurs.
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THE IRISHMAN press conference
London Film Festival 2019 
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vimeo
London Film Festival Director Tricia Tuttle presents The Irishman’s Director Martin Scorsese with producers Emma Tillinger and Jane Rosenthal. And the actors Robert De Niro and Al Pacino.
Il film è incentrato sulla memoria e stilisticamente offre all’occhio del osservatore una quantità innumerevole di elementi visivi accattivanti. Questa opera fa dispiegare lo sguardo in modo drammatico sugli avvenimenti che storicamente si susseguono, inoltre allo stesso tempo ci fa fluttuare come in una sorta di distillazione del tempo e del luogo in cui è ambientato. L’uso degli effetti speciali è straordinario e come per quasi tutti i film di Scorsese ci troviamo di fronte a un capolavoro di genere.
The film is focused on memory and stylistically offers the eye of the observer an innumerable amount of captivating visual elements. This work makes the viewer's gaze unfold dramatically on the events that historically follow one another, and at the same time makes us float as if in a sort of distillation of the time and place where it is set. The use of special effects is extraordinary and like almost all Scorsese's films we are faced with a genre masterpiece.
Regia: Martin Scorsese
Interpreti: Robert De Niro, Al Pacino, Joe Pesci, Romano Bobby Cannavale Anna Paquin, Stephen Grahm, Harvey Keitel
Paese: USA
Anno: 2019
Durata: 209′
di seguito l’intervista    ==>
Q:
Why did it take so long? You've known each other for decades. I know this project it has been in your mind for a while...
Bob De Niro: Yeah... he said, I just read it, it just had come out, I got to read that book... That was about three years earlier.. Marty was starting to show me ..
Martin Scorsese:
Some special work that Bob and I'm involved in for twenty somewhat years. that we were trying to get another project film, based on... Hollywood in the 70s 80s.. that developed into something else, about something else. We never quite settled on the project. The last time we worked together was in 1995: 'Casino'. So from that point on we would check on each other what we were doing, whether I could fit into his plan or vice versa. Ultimately we did, I think, in the winter of Frankie Machine... We decided we had to do something... maybe in 2010, no, 2008.. We thought this might be a project with possibilities... I was really looking for something that would enrich more or less where we had gone in the 70s and the 80s and early 90s.. to just replicate or trying to do the beginning of our careers wouldn't be anything enriching. So, you were about to direct the 'Good Shepard' - Eric ... was writing that... And Eric, knowing that we were trying to do something called 'Frankie Machine'  about a hitman who retired... Eric gave you a book called 'I heard you paint houses' by Charles Bran for research
MS:
Jean Gabin film like 'Touches pas gris be'??? Matfields too low (Toulaux) Le deuxiËme circle...pictures like that... Gabin character...
By the time you're doing 'Casino', I felt that presence was similar
Bob:
And then I survived to read this book that I 've been always wanted to read called 'I heard you paint houses'. I read it just as research character . When I had read it I got together with Marty and said: you gotta look at this ... So that was it.
MS:
You had the story about (on the telephone) Brad Brit?? right?
Lady:
So you were ready to comit to making Frankie Machine, financed by Paramount, we were all on call together to get the green light and in the middle of this conversation Bob said:  Well, this other book that we are thinking about, maybe we could combine these two movies . And Brad said: So you want to take a go with it and turn it into a development project?... That was 2007 ... Then we brought Steve Zillion on and Steve delivered (Steven, Marty and Bob worked together and did option 'I heard you paint houses' and Frankie Machine went away and Steve delivered the script in 2009..
MS:
The point is that we were trying to find something that we could ride /write with (I don't know how you define ride/write... it's ambiguous... kind of we felt comfortable in a way.. something we could not articulate and once he described this character to me, I felt that  he had a good sense of it so I said: this is maybe where we could really try to explore and see what we could come up with, that it might really be of value ultimately or as a creative point which is what he cared getting out.. to impress the cast ... so we took a chance... Steve pulled together a wonderful script, and it took a number of years...
Bob:
Steve wrote the script which is terrific, wonderful as Marty says, and it was a matter of getting everybody's schedules to line up. Marty was doing ... coming over here.. I don't know when you was doing Euro.. 2009/ 2010.. We would talk about what we were going to do, if there was availability, you wanted to do 'Silence'... I said to Marty I wanted to make sure he was okay if we would just let it out there.. usually I am very superstitious about that it usually doesn't happen... I felt maybe in this case since we got no backers, no people really interested in the idea that we were doing it with Al and Joe... if they were okay with mentioning that they were on board.. So we did that and then we had a reading of the script..
Lady:
the reading of the script January right before you left to go to 'Silence'. That was this one opportunity to get everyone together, and we taped the reading 2012... I thought that that would be all we would have of the Irishman, since it would be difficult to get financing. Then when everybody heard it , there was a new energy, but Marty and Emma went back to shoot 'Silence', so we had another delay.. A good one.
Al Pacino:
I've known Marty and Bob for very long time..Anthony called me about it, it sounded really interesting...The opportunity to work with them was very important for me. For years we always spoke together, Marty and I, about different things.. and of course Bob and I worked together  we had known each other since we were young actors
MS:
The first meeting we had about this, we talked about it in a hotel in LA
AP:
That's right! The hotel! It's all coming back to me now...
MS:
After all the discussions he looked at me and said, is this gonna happen, because... the complications and schedules and then of course, no real enthusiasm to say the least about financing, really made it something that is a nice dream and you said: that maybe the reading was going to be the only time you've heard it or seen it... we knew that from the beginning
AP:
I think that reading was very well orchestrated 09.06.72
Very effective...
MS:
Bob arranged it so there were the right kind of people there
Yeah, they got excited about it but still didn't raise the money
I remember, it was you, Al, Bob, ... Bobby Carneval, pauly Herman??? Joe pesci, Stefanie...
AL:
You can feel it that there was a live wire there.. I always thought it wouldn't happen...
Bob:
I got a call from Al...is it gonna happen..?
don't worry, they'll work it out...
Lady:
Thank goddness you did, because there were these fantastic time sugressions?? ..
Journalist:
Hello, Catherine Dreyer from Free Cinema... I just saw the film ', of course mind blowing.. one of those old epic things that make you like it to be in the cinema and watching it.. So thank you so much already for that. The question is... this is obviously a Netflix production, it's coming out very shortly after running in the cinemas. It seems to be a very good collaboration between TV / internet companies with the film industry.. Will we have at some point to redefine perhaps what is cinema?
MS:
...I think it's not just an evolving sort of thing, it's a revolution, even bigger a revolution that sound was for cinema, it's the revolution of cinema itself. A new technology, bringing things that are unimaginable... is it something extraordinarily good for narrative films, or stories told in motion pictures... it opens up the original conception of what a film is and where it's to be seen has now changed so radically that we may have to say, okay, this is a certain kind of film, it's made here... there might be a virtual reality films that have holograms, all sorts of things that are coming that we don't even know... Something that should always be protected as much as possible and that I think will always be there, is a comunal experience. I think that's best in the theater... Now, homes have become theaters, too... It's a major change... just keep an open mind... there is no doubt that seeing film with an audience is.... there is a problem though.. you have to make the film.. we ran out of room in a sense... there was no room for us to make this picture... for many different reasons, ultimately there was financial issue, too in terms of the CGI that we did and the reason why, the CGI is kind of complicated...because at a certain point if I made the film earlier they could have played younger and then at a certain point we missed that, and then they said, use younger actors who play them younger, and I said, well, what's the point of that... I want to find a CGI... let's see what they experiment, open it up... I mean CGI to that extend is really an evolution of make up... you'll accept certain make up, you know that she is not that old, she's not that young. You accept that as a norm. I mean you accept the illusion so to speak. Taking that and having the backing of a company that says, you have no interference, you can make this picture as you want, the trade off is its streams with the attribule distribution prior to that. That's the chance we take on this particular project. What streaming means and how that's going to define a new form of cinema, I'm not sure. I thought for a while maybe long form TV cinema- it's not! It simply isn't. It's a different viewing experience. You're going to get three episodes, two, four-ten... one one week, second episode the second week... that's not ... it's a different kind of thing, so there's got to be still what has to be protected is the singular experience... experiencing a picture, ideally with an audience... But there's room for so many others now, and so many other ways. There's gonna be cross overs... Value..? the value of a film that's like a theme park film for example, where the theme is becoming amusement parks... that's a different experience, it's not cinema, it's something else.. and it shouldn't be rated ?? by it.. That's a big issue.. We need the theater (audience?) to step up to that, to allow to show films that are narrative films. A narrative film could be one long take for three hours, too, you know. It doesn't have to be a conventional 120 minute film.
What Marty said, it will be in theaters and even when it goes on plate-work??? it still will continue to be in theaters, so audiences have their choice of whether we're going to watch it in theater and have an amazing cinema comunity experience or whether they want to watch it on the platform. Roma, for example, is still in theater around the world. So the audience has the choice of how they want to use something...
LADY:
Cinema has reached a point where changing has the option of having streaming as it were in this case...???
Journalist from AUSTRALIA:
Sergio Leone's 'Once upon a time in America', started de Niro, a film had small similar to this one,... do you think there are any references to that film here?... It's a long film, not as action packed as your early gangster films, I think they are very different to this.
But how is it different to your early gangster films?
MARTY:
Well, this underworld milieu... I guess the similarity is that it's very long and Bobby de Niro is in it.... I guess the two of us made a movie, when we were trying to get the  finances, I know how to do this... I know how to follow it through.. I just went with that..
What did you feel looking at  yourselves younger for the first time when you're looking back at the movie. Was it a bit crazy?
MS:
How does it relate to them? Well, back in 1973 we're 29, 30 years old, now we're much older and so we hope that maybe the... over time... that something has evolved, maybe deepened to a certain extend of our life... in a back it can be conveyed in a story, performances, in the way a film is put together, that would be some sort of an advancement, rather then just replicating what we have done in the past
New technology and all that... does it open a brand new world for everyone?
AP:
Considering everything is crazy. It was crazy. I don't know quite what you mean though, I'm sorry... what were you saying?
AP:
I don't feel that way, personally... this is a technique that is barely on? It's what they have said, it's a form of make up.. It could change things... But I don't think you feel that way -- as an actor -- I think you feel that as an actor, you're playing a role,... a role that more then likely hopefully you're suited for... so when you do that... it doesn't matter what you look like.. It is sort of true in a way... because, when I saw the film.. he showed it to me without anything... I just went with it and I didn't think anymore that.... this was a story... it was handled / delivered in such a way, alectorially, visually, costumage.. everything. And also the acting. I think that was what was taking me up... the story... I wasn't thinking about anything else after a while, I mean I didn't even think about when we first started.. Of course it was me ... I wasn't thinking about the wines, our faces or anything... this was accepting these people.. they existed, too, this is another thing. This was an interesting thing... because it's a story about real things that happened. people really lived.. Maybe that had something to do with my reaction. This whole thing can be innovative, of course, but at the same time it tells a story... I'm a little more concerned about that...
As I say, I did see the film without any work... and it was fine.. as a matter of fact, I'm the only one who felt that way
MS:
I think it is really good that we have that potential, it is stating what it's stating: the old days... some actor that we all knew and love and they put grey hair on him, we say, oh, he got older, but you accept it, because this is in the story
Bob:
I always joked that my career will be extended another thirty years... No, it's a whole industry... where / how it will evolve... I was just thinking about copyrights... likeness, and who gets it long after we're all gone, families and stuff like that. We even have that now in some way, using famous actors from years ago, commercial... to represent that product... I don't know, I'm just happy we're at the beginning stages of really being ... God knows where it goes... what excited me about it was that pablo helman was doing this thing and wanted to make it state of the art, the best it could be to date. That was an ambition for this movie, which was ambitious always... it fit the whole enterprise
MS:
It's also how you move... these are the little things
AP:
You're walking along looking... pretty and then you got to get up... (grimace)... hey, man, what are you doing, you're 39!  25.22.23
Question from German Journalist :
What was the biggest challenge for each one of you on this movie (directing - acting
MS:
Making (movies?) is a big challenge.. in terms of realm... the guys are performing.. so I cannot speak for them, but for me it's cutting through all the issues of how you perceive a story, the sweep of a story, what's essential, what isn't essential, making those editing choices right there, on the set. First of all even before set, before shooting begins, make those editing choices, and in shooting  even top around those editing choices because it's very complex.. in terms of technology... and staying on point, staying on what's essential to the story. Those are the characters, particularly Frank's character, and eliminating everything else around that was getting in the way. And this I think was a 108 day shoot. So this is one thing. And then the editing, too. So it's wrangling the picture, in a way.. always threatening to run a little bit out of control, but grabbing it again, and using Frank Sharon as the anchor. The whole picture took finally to wind up with him alone. That's what all film is about. That's just general of how you make a movie. Otherwise you sometimes make a movie you don't know what you're going to do when you get there on the set... I tried that once, it didn't work... for me it didn't work... I usually like planning and fighting my way through the whole process.. until we get, the best we can, to the end... resolve with the character...
BN:
Yeah, I mean, certain things.. like Marty, every so often, I would come in to narrate pieces that Marty figured that had to voice over to give information or whatever... That's a novel part of making a movie...
MS:
You went into the audio tracks... the voice stories and setting and then we'd go... tell me something
Interesting... and then try to find time to shoot it.. in the film, like give it to Emma and tell her to find some production time, please
Emma:
I'd say yes
Q:
So was that your biggest challenge...
Emma:
.. helping Marty realize everything?... yeah...
(laughter)
We want all of them to have the time...time to create and the environment,  a quite / safe space for them to do. You wanna wrab that at all... it's a challenge, but we are phenomenal partners, the best, we carved out that time in stakes, I hope
Q:
Why do you think we are constantly pulled back into talking about films about pain and trauma as in the Irishman, there's a lot on the macro level with the asasination section, but it really does go into personal individual pain
MS:
I think pain is an important story to everybody, pain, suffering... that idea what makes an interesting story... what do you think?
Bob:
Well I think, this was a simple story. It was about a guy who was caught between two people... powerful people.. One of them disappeared - we never knew what happened really to this day -  the other one was also -- Joe Galler (?).. for him.. you still don't know who did that to him... it had that to hang on someway... this political, this grand story with these historical (if you want) type of characters... a simple story
MS:
... and not so far - in terms of that - of what we were talking about these guys.. and on the other level you have JFK, Bobby Kennedy, Martin Luther King... all this going on.. and nobody knows really what happened there... I always say, would it make any difference now if we knew exactly who, when, how, and where..
... the dark course of it take over (???)... that are always present... these guys are right in the middle of it, in a way... they just walk by a TV and there is missles coming from Cuba... and that's your afternoon lunch... when we say a simple story is because the rest is so complicated
Q:
For me in many ways this is about reflection. I was wondering as you have amazing careers... do you guys ever sit back and reflect or do you always look to what's the next project
And I was wondering... do you think you could have made this ...now, cause you have lived and are still alive ..so that now that you're in a kind of position to understand better the texture of this narrative
MS:
you mean, if we had made this film earlier it would have been different
Q:
Yeah
MS:
Absolutely, I mean... I don't think we got together and said, let's make a movie and reflect... as I say, it's intuitive
1 note · View note
eponymous-rose · 7 years
Note
Weird request, but you summarize stuff. I've only caught a few episodes of Critical Role but am curious about Kima and Allura. What's the story there? Don't worry about spoilers, I'm never gonna get caught up on this show anyway, but I am curious!
Oh gosh! Okay. This actually dovetails nicely with some logistical stuff I need to figure out for reasons, so hey, here’s my really long-winded summary (and other folks, please chime in if I get something wrong, there’s a lot of ground to cover here ranging from pre-series to right up where we are now):
So, basically, Allura (human wizard) and Kima (halfling paladin of Bahamut) were part of the same adventuring party, and their exploits culminated in a big ol’ boss battle fifteen years before the start of Critical Role against an ancient red dragon named Thordak. Their party managed to seal Thordak in the Elemental Plane of Fire, but in the process three members of their party were killed (Sirus, Dohla, and Ghenn), leaving only Kima, Allura, and their elementalist friend Drake Thunderbrand standing at the end of it.
In the wake of the battle, the three of them went their separate ways, despite the romantic relationship that had developed between Kima and Allura. Allura accepted an offer to become a member of the Council of Tal’Dorei in the capital city of Emon, but Kima wasn’t exactly keen on a political position and traveled north to the holy city of Vasselheim instead, where she worked with Highbearer Vord, the leader of the Order of Bahamut. Kima mentions in early episodes of the show that she and Allura would still try to meet up every few months for drinks, but their lives were pulling them in different directions. 
Matt’s made it pretty clear that Allura still spent a lot of time thinking about Kima during those years---in his playlist he posted way back in 2015, he says of Allura: “So long as protecting the realm means protecting this one person, then all the toil and challenge is worth it.” Kima also wound up struggling a lot with her faith in the wake of all the evils she’d seen, and frequently butted heads with Highbearer Vord and the more straitlaced folks she worked with.
Fast-forward fifteen years, when Kima starts to get visions of a terrible evil brewing under the dwarven city of Kraghammer and rushes in half-cocked. Allura starts to get worried after several weeks pass with no word and hires a group of adventurers that she’s worked with in the past to go find Kima---the adventurers, of course, are Vox Machina, and this push was the impetus for the first on-stream plot arc of the show.
Vox Machina manage to get Kima out of a bad situation in the Underdark, and then they all wind up embroiled in a conflict against a particularly corrupted beholder named K’Varn, who’s managed to get his hands (eye-tentacles?) on a Horn of Orcus and is sort of chilling with his mind flayer pals as a lowkey champion of the god of undeath, which is not fantastic. VM kill K’Varn, and together with Kima (who’d been turned to stone by a basilisk, thus beginning her longstanding pattern of bad luck on missions involving VM) just barely manage to escape via teleportation circle back to Emon.
After a Weekend-at-Bernie’s-esque pub crawl with Kima still in stone form, the party finally manages to restore her, and they all head over to explain the events to Allura. Allura is delighted to see Kima again, and they have a tearful reunion. Kima does travel with VM back to Vasselheim to seal the Horn of Orcus in the Platinum Sanctuary (a temple of Bahamut), leaving Allura in Emon. VM eventually moves on to the next plot, leaving Kima in Vasselheim.
Once VM finishes dealing with the next major arc of the show, the end result is a tiny floating, spinning ball in a forgotten ziggurat under the human city of Whitestone that also happens to nullify all magic for a wide radius in its vicinity. You know, your standard everyday stuff. Completely out of their depths, they ask Allura to travel to Whitestone and check it out while they return home to Emon, a decision that possibly winds up saving her life.
Allura heads to Whitestone and brings Drake Thunderbrand on board to evaluate the situation with the orb. When some of her arcane connections with cities across Tal’Dorei start to go dark, she heads back to Emon to report in to VM at their Keep just outside the city and figure out what the heck’s going on.
She and Drake arrive to find the party in the middle of a very serious argument, on the verge of an all-out brawl, over a magical skull housing some sort of entity that claims to be able to grant any wish. Why is a wish particularly tempting right now? Oh hey, turns out four ancient chromatic dragons, the Chroma Conclave (excellent 80s band name), just attacked Emon, killed most of the Tal’Dorei Council, made a beeline for and destroyed Allura’s home, and are spreading out to destroy most bastions of civilization across the continents of Tal’Dorei and Wildmount. When VM reveals that the leader of the group was Thordak, the same dragon that Allura and Drake barely survived sealing in the Plane of Fire, Allura is in shock.
Allura and Drake head out to the ruins of the Cobalt Reserve in Westruun to try and find some information that could help them defeat the Conclave. VM eventually make their way to Vasselheim in search of allies, and are startled to discover that the city is unaware of the devastation happening across the ocean. When Kima finds out about the destruction of Emon, she’s frantic and her first thought is to find a way to get to Allura. VM manage to assure her that Allura is as safe as anyone can be right now, and Kima joins them on their disastrous journey to the sunken tomb, where they face another beholder and Kima is nearly killed by a long fall in the battle. In the aftermath, she makes her way with the party back to Whitestone, and finds out for the first time that the leader of the Conclave is indeed Thordak---the news puts her into an uncharacteristic state of panic.
While VM travels around in search of ancient weapons to help defeat the Conclave, Allura eventually turns up in Whitestone, which has become the unofficial seat of a new war council. By the time VM shows up again, having killed one member of the Conclave, Kima and Allura are both there to greet them. At this point, the two of them have moved into a house in Whitestone together (there’s a cute moment where Vex knocks on Allura’s door early in the morning and Kima answers it in a too-big nightshirt) and are helping to coordinate studies of the orb under Whitestone as well as the defense of the city itself, once it becomes clear that forces are amassing there. Kima takes out a would-be assassin who comes after them in their home (part of an elaborate rakshasa revenge plot; Gilmore pulps his assassin, it’s a whole thing).
Kima winds up accompanying VM on their mission to Draconia to kill Vorugal, a member of the Conclave, and discovers before leaving that another member of the Conclave, Raishan, has been (in disguise) in Whitestone for some time, that she knows all of their secrets and could wipe out the last form of resistance in an instant, and that the party has worked out a very shaky secret deal with her, since it turns out they all want to kill Thordak. Despite Scanlan’s attempts to modify her memory to make her forget this revelation, Kima knows about the infiltration, and agrees to move forward with the plan regardless. The party manages to kill Vorugal and return back to Whitestone, at which point Raishan’s identity is revealed, for better or worse, to the entire war council.
Kima and Allura go to Fort Daxio to help coordinate troops for a final push against Thordak, who has settled down over the city of Emon and is slowly shaping the land into some sort of super-evil volcano. As you do. At Fort Daxio, Gatekeeper Xanthas, a former ally from Emon, reveals himself to have switched allegiances to work with Thordak, and manages to cast a Feeblemind spell on Allura. VM shows up in time to take Xanthas out and reverse the effects of the spell, at which point an extremely shaken Kima and Allura have their first “on-screen” kiss.
After Thordak is defeated, and Raishan escapes an attack from VM in the immediate aftermath of the battle, Kima and Allura accompany VM to Raishan’s hideout on the Island of Viscan, which once served as the home base of long-dead necromancer Opash. After some shenanigans with gravity-reversal and a whole lot of undead bodies, the party battles Raishan, with both Allura and Kima coming very close to death in the fight. In the aftermath, the party tries to escape the island with their dead and wounded... and discovers when their first spell fails that this island has some defenses in place against transportation magic.
Allura eventually manages to put down a teleportation circle and step through, but Kima hangs back a second, telling VM that something looks off about the circle. Before anyone can decide what to do, Kima resolutely steps through after Allura, and they both vanish. Keyleth manages to scry on them and discovers that they’ve landed in open ocean somewhere, which is bad news if you happen to be in full plate armor, like Kima. Through a complete fluke of a dice-roll (natural 20 on a perception check), Keyleth manages to spot them from the beach---swimming in the wrong direction and already exhausted---and Vex shoots out after them on her broom. 
She grabs Allura, Allura grabs Kima, and bookish-wizard Allura, zero-strength-modifier Allura manages to roll a natural 20 on her strength check to hang on to Kima until they get to safety.
In the aftermath, Allura and Kima are helping to put things back in order in Emon, ensuring together that more shadowy organizations like the Clasp don’t make too much of a bid for power in the chaos. When VM heads out on their next adventure, Kima makes sure to tell them that if they see Highbearer Vord, they should just pretend they haven’t seen her; she’s staying with Allura.
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Dear Jade, I am writing this to ask a few questions I've had regarding writing in the sims form. How would someone start one of these sims stories? And how would someone keep it from becoming flat, and continue writing it past writers block? Some tips on developing a character inside the story would also be fantastic. Coming from someone who has only written novels and poetry, any advice on writing short pieces to go with photos is greatly appreciated! Sincerely, Mel. PS: This is 100% Real
Wow Mel, hit me with the heavy questions why don’t you Q_Q But you know, as someone who also made the switch from novel writing to sim story format, I kind of know where you’re coming from. Hence we begin…
Jade’s Mega-Fantastic Tips For Adapting to Sim Story Format 
#DearJade to block, as this is an extremely LONG post. 
Disclaimer: These tips don’t apply to everyone. The general rule of simblr is to have fun and DO WHAT YOU WANT. This advice is only really aimed at people who are serious about the craft and want to improve on their writing and how to present it in this medium. Not everyone takes it this seriously, and not everyone needs to. But for those of you who are looking for more direction with your writing, this is my personal, and humble advice. The fact that I titled this “mega-fantastic” was 100% sardonic. I’m just a chick on tumblr. I have a B.A. in English with a focus on creative writing, and nearly 6 months of simblr experience. These are my only qualifications. So, with that being said, don’t listen to anything I say from this point onward. 
How to Begin:Everyone’s writing processes are different. Some people like to map things out, while others tend to go with the flow. If your goal is to write some sort of cohesive linear storyline, and not just sporadic bouts of gameplay, then it’s good to have at least an idea of where you want to end up. Some point to make within your story, or some goal for your main character to accomplish. That way, all the things you do between point A and point B will have a similar thread, and you’re less likely to get lost on random tangents. 
General writing tips: Start with something interesting! Introduce your new characters in an exciting way. If you’ve never heard the phrase “in media res”, now’s a good time to learn it. Start in the middle, at the beginning. It’s nice to already have something going on at the beginning of your story, and don’t put too much time into explaining who all your characters are, what they do, what they like… right up front. It will engage people with your story more if you start off with action instead of description. 
Presentation: Since you’re writing a sims story, you have to think double time. Here, writing is only half of the work. Which is why simblr writers really don’t get enough credit! Think about how you want your scene to reflect in photos. The first sims story I did, I made the mistake of writing it in it’s entirety as a novel, and then having to take “necessary photographs” to go with each scene. I ended up with a great deal of pictures of people walking around aimlessly, or standing in the same room talking, or sitting on a chair talking, or on a couch talking… You get the point. You can still write as a novel and adapt it (which is still what I do), but I would recommend writing your scenes with your blog in mind. Think  “This scene could happen in their kitchen, but what if I moved it to a park instead?”, better scenery, probably more angles/more things to look at. Try to be creative with your screenies. Experiment with different angles. Think about your favorite movies, and the ways they are filmed. Try to incorporate those elements into your pictures. Sims stories have a certain cinematic quality to them, so write with that in mind, because how interesting your photos are will draw more people in to read your writing. Trust me. 
Character Development:Understand that the vast majority of sim stories and legacies unfold over enormous amounts of real life time. If you’re afraid of longterm writing commitments, you should probably run away screaming! No, I’m kidding (kind of), but they are huge commitments. I know people who have been writing their legacies for years. My first sims story took four months to complete and was around 75,000 words in its extracted tumblr form. My point is, it’s going to take a lot of time. Which is great! Because character development takes time. My advice for adapting character development to sims stories is to make sure every scene has a point. If you want to make a post just for fun, that’s great too! But when it comes to scenes that move your plot forward, answer the question “What does this accomplish?”, “Why is this particular scene necessary?”, “Would the story be the same if this didn’t happen?”. 
Simblr writers can spend hours putting together a post. I would think that is a pretty accurate statistic. From the writing, to building the set, clothing your sims, downloading CC, posing them, taking photos, and then editing the photos, each 3-4 pictures you take for a particular scene probably consumed precious long minutes of your life. So make sure that it’s an important scene that you’re spending all this time on. And, of course, just like most anime fans will tell you, FILLER EPISODES SUCK Q_Q (Not always. But sometimes). Anyways, sim story format sometimes forces you to consider what is vital to a story and a character, as we usually make posts to highlight specific moments in our sim-babies lives. I think development is really inherent to this medium, so I wouldn’t worry too much about if your character is developing or not.
General writing tips:
Dialogue is important!
How your character reacts to things is important!
Formatting:There are many different ways to format your sim story, and none of them are wrong. Do what you are comfortable with. If you’re coming from writing novels or short stories, then paragraph format is a great way to go. You can do caption writing, which is writing your text (typically dialogue and similar to playwriting in effect) directly onto your screenshots. You can do textual playwriting, which would be to have short exposition to setup a scene followed by tagged dialogue:
Maria: I went to the store yesterday.Bob: Really? What did you need to get there?Mari: Oh, I just had to pick up a few things for the party Saturday. 
These are the three most highly used formats I have seen used on simblr. I think they all work great, and you can even mix them. Just do what you are comfortable with and what you prefer. Don’t try to stretch yourself to change the style of your writing just to match what other people are doing. 
General writing tips:
One thing I will say is to be wary of your Point of View (or PoV). If you are using multiple PoV’s (as in you swap them between posts) then you should label whose PoV it is for your readers (I do so in my tags), if you use captions, usually changing font color to depict two or more players is the way to go. If you would like to switch PoV within the same post, I recommend using third person point of view e.g. “Bob walked here. Maria said this.”
And how would someone keep it from becoming flat… As I mentioned above, the best thing you can do here is just to make sure your scenes are vital to the plotline, or character development in some way. Don’t bog down your stuff with useless scenes, if your goal is to write a cohesive story. There is a #ts4 gameplay tag for a reason. It is not the same tag as #ts4 story, and people who follow one tag, may not necessarily want to follow the other. As a reader, I’m interested in the storyline. Is your character involved in some shady business? Are they going to find out that their loser husband is cheating on them? I don’t really want to see three different posts devoted to your sim cooking eggs for breakfast. SORRY. #justiceforeggs
General simblr tips:
@medleymisty has recently incorporated the usage of #simnovel for longer text posts. I think this is an excellent step forward for hobby sim story writing. So you can use this tag if you thing it applies to your work!
….and continue writing it past writers block? I can’t answer this! I am not a magician, unfortunately. Sometimes inspiration comes and sometimes inspiration goes. Writers block is a legit thing, and if I had a super-fix for it, I would hand it out lovingly to the world’s writers. But since I don’t, I will say that you shouldn’t pressure yourself ahead of time. Don’t think you need to post regularly. Go at your own pace. If you need a break? Take one. Just bounce right on out the door. I hear there’s a new Mass Effect game out. Go play it! Tumblr will still be here where you come back. 
Remember, this isn’t your job, it’s a hobby. As for how to get inspired or stay inspired, I really feel motivated to work on my sim stories when I am having fun, either playing the game, or putting together some scenes. So just have fun with it. Make Pinterest boards. Dudes, Pinterest is so great for writers, utilize it as a tool! Make character boards and pin things that you remind you of your babies and go look at the beautiful pictures when you’re feeling stuck. Share your boards, too! Lots of simblr’s have pinterests and you can follow them, they’ll follow you back, it’s great. Fantastic. But yeah, just have funnnn and do your thing and when you’re not feeling it, don’t try to force it, because you’ll just regret it and start to resent your stuff, and it’s just a bad time. 
This concludes my massive wall of pretentious text.
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obspogon · 7 years
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Tldr; I listen to way too many podcasts. Skip to the very bottom of this long-ass post to see my top recommendations. Titles are links (this subreddit's css, doesn't make that obvious)I have loved podcasts for about 10 years, but for the last 3, due to my job, I have become a 40+ hour a week, power-listener. In that time my lists and recommendations have been very well-received on this sub, and since I'm leaving that job next month, I decided it was time to come up with a master list of my top recommendations across all categories.First of all: These are just my opinions. If your favorite show didn't make this list, don't get mad at me, just go ahead and shout it out in the comments. I put a lot of thought into the ranking, but if you ask me next week I'll probably have changed my mind on a lot of it.I have no qualifications to review podcasts except for the fact that I listen to way too many of them. Actually, the real reason I wanted to make this list was because I think the lists I've seen written by qualified reviewers are usually really bad, imo. I always feel like the reviewer has listened to like 60 podcasts, and is listing their top 50. I have no idea how many podcasts I've listened to but it's got to be in the thousands, and there are soooo many great shows out there, so I thought it's my duty to share.100 shows is actually only a subset of the shows I like. At first this list grew to over 200 and I was still thinking of more. So I decided to cut it at my favorite 100 and I added three criteria to help cull it down:It must be active: Some day I'll make a list of my favorite dead podcasts, but none are on this list.It must have at least 10 episodes: I think 10 episodes in is a decent trial period. If I've listened to less than that I don't feel comfortable recommending it. Also there's a trend right now of shows putting out one 8-10 episode season, and then just never renewing to a second season. So, if it has more than 10 episodes, I feel like it has staying power.It must be interesting for general audiences: Podcasts tend to be topical. That makes it a little tough to recommend them if I don't know you, because you might not be into the topic of the show. So I have only included shows that I think you don't need too much specific knowledge to enjoy (either because the topic is general, or because it's fun even for the non-initiated.)I'm sure at some point I screwed up on those rules, but they were the guidelines I was working from.Honorable Mentions: First here are some smaller podcasts that didn't quite make it into my top 100 but I still think you should check out:This is why you're single, Doughboys, Do By Friday, Hopefully We Don't Break-Up, Roundtable of Gentlemen, Mental Illness Happy Hour, Sleepycast, James O'Brien's Mystery Hour, Nocturne Podcast, Quirks and Quarks, Put Your Hands Together, Book Shambles, Sex & Other Human Activities, Singing Bones, A Taste of the Past, We Fact Up, The Bridge, Step By Stapp, Return Home, Movie Sign with the Mads, Save it for the Show, The F Plus, Next Picture Show, Be Here For a While, Code Breaker, GoosebudsOk, with no further ado . . .The List: In reverse order100. I Tell My Husband the News, A news-reporter reads current headlines to her husband, who is a comedian. Not exactly cutting edge satire, but I love this show for the hosts' chemistry. They are super in love and incredibly cute together. They just make me happy. And their banter is usually legitimately funny.99. You Must Remember This, True stories from old hollywood narrated over lush, old-fashioned movie music. The stories are great and give you a window into the crazy world of movies in the black and white era.98. 8-Bit Book Club, Three funny nerds read through old novelizations of video games. The books are ridiculous and the hosts make fun of them mercilessly. Great host chemistry. Tons of fun.97. Lore, Solo podcast exploring the stories and legends all around us. A tightly written and moodily produced show focused on the tall tales woven into our history.96. Longform, Long conversations with writers of non-fiction. Good host and really interesting conversations. A bit slow compared to most of my other podcasts, but satisfying.95. Superego, Very strange, slightly off-putting, free-association improv comedy. When it's bad it's just weird, when it's good it's magical.94. Our Fake History, Single host show exploring misconceptions and pseudo-history. Like a Hardcore History for things that didn't actually happen. Host is great and topics are usually very interesting.93. I Was There Too, Interviews with non-famous people who in some way worked on iconic scenes in famous movies. Fascinating if, like me, you have a love for pop-culture arcana.92. Shut Up and Sit Down, Four British comedians talk about and occasionally play board games. Lot of fun, and a lot of goofballery. I don't play a lot of boardgames, but I've bought several because these guys made them sound fun.91. I Saw That Years Ago, Two witty guys talk about movies they don't quite remember. The concept doesn't actually do much, this show is all about the chemistry between the hosts which is fantastic.90. Duncan Trussel Family Hour, Comedian Duncan Trussel invites guests on for long rambling conversations. Stands out for Duncan's odd choice of guests and the unique, weird nature of the conversations he engages them in.89. The Adventure Zone, Goofy brothers play Dungeons & Dragons. Took me several tries to get into this show (beginning's a little rough and I don't play D&D.) But I kept giving it chances because of some strong recommendations, and it does blossom into some really unique storytelling.88. Planet Money, Very NPR show about money and our world and the interplay between economics and our daily life. Fun and listenable in spite of the dreary subject matter. Has some really great education about dollars and cents that we really should all be listening to.87. Giant Bombcast, The crew of a gaming magazine get together and shoot the shit about games, life and everything in a long and rambling discussion.86. Burnt Toast, Conversations and researched features on food, food culture, and it's relationship to daily life. Lovingly produced and charmingly performed. An absoulte delight.85. Fireside Mystery Theatre, Storytelling and variety show done in front of a live audience. The stories are usually a lot of fun, and the theatre atmosphere adds a fun unique quality to it.84. Opening Arguments, A lawyer and a comedian chat about the law. Sort of like Star Talk, but for legal questions. The hosts perfectly hit the balance of informative and engaging. Law affects all our daily lives and it's something that most people know bupkis about, and I love that this show does a great job of making it accessible.83. Comedy Bang! Bang!, One of the old staples of podcasting. Loose format comedy show usually involving interviews followed by some light improv. Still a great show after all these years.82. The Black Tapes, Ghost stories, but in the form of a "non-fiction" journalistic podcast. Really well-told with a dark and brooding tone. A weaker second season has dropped it in my esteem but still great.81. Never Not Funny, Comedian plus celbrity guest ramble on about nothing in particular. Jimmy Pardo is a great host and has a wonderfully cutting sense of humor. One of the longest running big podcasts. Very rarely not funny.80. Leicester Square Theatre Podcast, Comedian Richard Herring does one-on-one interviews with comedians in which he asks them stupid and ridiculous questions. Throws out the formal interview format and just has fun. Having a big live audience elevates it.79. Rocket, A few tech journalists run a show about general geek topics, with an emphasis on tech. Perfect balance of smart informational chat and good host chemistry.78. We're Alive, Audiodrama about a Zombie infestation. Very good writing and acting and probably the best-produced serial scripted story podcast. Great use of tension throughout.77. Greg Proops Film Club, I've always loved Greg Proops' wacky smart-guy comedy, but his main podcast doesn't work for me as well as this one, where the theme of chatting about movies and geekery keeps him more on task. And through all the joking, he has a lot more interesting stuff to say than most of the serious movie podcasts.76. Harmontown, Comedy writer Dan Harmon plus friends talk nonsense and generally have fun. Mostly funny with occasional seriousness. Harmon is a great lovable asshole and the podcast format is perfect for him. Does fun and interesting things with the basic talk-show format.75. Smash Cut, Storytelling via dialogue collage. Wonderfully unique show that ranges from gripping to tragic to avant-guard. May be too weird for some, but hits a sweetspot for me.74. Desert Island Discs, Celebrities are interviewed with the same question: If you were stuck on a desert island, what five albums would you want to have with you. Mostly a conversation about music, but it expands into a bigger conversation about the guest's life and influences.73. No Such Thing As a Fish, The writers of a British trivia show go into depth on the obscure knowledge they've been researching and ramble on about arcane knowledge. Smart people chatting casually about smart things. Usually very interesting to listen to.72. Blank Check, Movie discussion pod that perfectly hits the balance between smart discussion and levity. The premise is talking about director's who get license to do whatever they want (the titular blank check), but it's really a pretty freewheeling conversation. Phenomenal chemistry between the hosts.71. The Future of Everything, Wall Street Journal's interesting impecabbly researched radio-style features on technologies and ideas that are pushing our world into an uncertain future.70. The Memory Palace, Bite sized stories from 18th - 20th century history, told with interest and pathos. Focusing on the human story behind the story of our recent past.69. The Orbiting Human Circus of the Air, Silly absurdist storytelling about a radio show that records in the Eiffel Tower. This show is not for everyone, but if it hooks you it is delightful and charming and always a joy to listen to.68. Imaginary Worlds, Serious discussions exploring the quirky little details of the worlds of popular fantasy and sci-fi franchises. Done as a host monologue, interspersed with interviews of experts and fans. I love the way he parses out interesting aspects of those worlds and tries to envision how they would really work.67. Hello From the Magic Tavern, Improv comedy set in a fantasy world with a diverse cast of funny improvisers playing far-out fantastical characters. Solidly funny and always fun to disappear into their goofy mythical world.66. The Joe Rogan Experience, Interview show with all types of guests. One of the most succesful podcasts in the world. It's a bit love-it-or-hate-it, and while I mostly love it, it can get on my nerves at times. Very hard for me to rank this one for that reason. But I must say Joe Rogan is a great interviewer and everyone should give it a try for themselves and find out which side they fall on.65. In Our Time, Big, heavy intellectual discussions of very serious topics in history, art and culture. This one might be a bit too smart for me, tbh, but I try and when I can hook into a topic it's immensely satisfying.64. Hello Internet, Two internet smart guys chat casually about smart and obscure subjects. There's actually not that much to this show, but the hosts are great and they have a very unique chemistry.63. The Infinite Monkey Cage, British-style panel show where a couple comedians and a couple scientists get together an tackle a difficult science topic and try to find answer. Unlike a lot of science shows, they don't shy away from talking actual science, but the chemistry of the hosts keeps the show always entertaining.62. Wolf 359, Narrative sci-fi podcast. Intriguing space travel story with a quirky sense of humor and good sound design to create a solid sense of atmosphere. Starts simple and blossoms into an awesome story.61. The Thrilling Adventure Hour, Comedians do a parody of an old-fashioned radio play in front of a live audience. So much fun. Best moments are when it breaks down. Was dead for a long time but there have been recent occasional releases so I'm considering it alive and putting it on this list.60. Doug Loves Movies, Comedian Doug Benson has several celebrity guests on each episode to talk movies and play games. The quintessential podcast for me. Slightly too lose and quirky to ever have worked as a radio show. Usually funny and always fun.59. a16z, Science and Tech podcast with interviews of actual scientists doing cutting edge work. Can be a bit dry, but I love how in depth it is, and that it doesn't dumb it down to a grade school level like a lot of similar shows.58. The Football Ramble, Four dudes with amazing chemistry talking bullshit and football (soccer) and just generally mocking each other and having a blast while doing it. I listen to a lot of sports podcasts but few are so good (and general-audience friendly enough) that I would recommend them to all podcast listeners. But this one is just tons of fun.57. Theory of Everything, Loose think-pieceish conversations about life and technology and the connections between things. Really interesting and well thought-out.56. The Truth, Short non-serial audio dramas. Stories range from serious to silly, often strange and off-kilter. Very well produced and performed, but the best part is the writing, which is awesomely creative and interesting.55. Reply All, One of many thinkpiece shows on this list. This one sets itself apart by focusing on internet-related stories. There's a whimsical nature to the hosts which gives the show a unique sort of charm.54. Spontaneanation, Paul F Tompkins has an interview with a famous person and then leads a long-form improv scene. Usually very funny simply because Tompkins is so funny.53. Candidate Confessionals, Interviews with losing candidates (or people who worked on losing campaigns) done as sort-of autobiographies telling the story of how a campaign fails. Fascinating deconstruction of politics from a new angle. Refreshingly honest at times.52. Mouth Time!, Absurdist show that parodies the vapid beauty mag culture but taken to the extreme. Part way between absurdism, improv comedy, and an actual pop cultuer podcast.51. The Black List Table Read, Audio performances of industry movie scripts that haven't gotten made. The concept is fabulous and the actors do a great job. Unique storytelling podcast with wonderful production. Some of the scripts are really great. Held back a bit by the fact that movie scripts aren't always written to be read out loud.50. 2 Dope Queens, Two sassy ladies host a comedy podcast with guests that chat with them or do their stand-up acts. Love the energy of the hosts. Generally great when the guests are good.49. Harry Potter and the Sacred Text, Two divinity professors use their techniques of scholarly bibilcal analysis on the Harry Potter books. Silly concept but they take it completely seriously. The result is part deep textual dive into the Potter-verse, and part reflection/conversation on life in general. Wonderfully introspective. Somehow both heavy and light at the same time.48. Monday Morning Podcast, Weekly show of the ramblings of comedian Bill Burr. Zero production or planning, just unfiltered Bill, who delivers the entire show in his trademark angry monologue. Usually funny, but that's not the reason it made this list: What makes this show stand out for me is its personal and honest nature. If you can get past Burr's abrassiveness, definitely worth a listen.47. The Adam Buxton Podcast, Comedian interviews celebrities. It's hard to stand out in this crowded genre, but this show does due to the host's magnetism and energy, and the quirkiness of the show's production, with little songs throughout (including the ads), and lots of silly digressions. And at it's heart, Adam is an excelent interviewer who gets a lot out of his guest.46. Anxious Machine, Introspective think-pieces about the human mind and how it works in human society. Usually done through interview intersperced with host commentary. The stories sit in a sweetspot between the personal and the general in a unique way.45. The Flop House, Three guys watch a bad movie and talk about it. The real joy, though, is in the constant flights of fancy when they say something dumb or misspeak that cascade into jokes that they follow to their logical conclusion. At its best it’s a top 10 podcast, but I feel like its lost some of its fastball lately, so its fallen on my list.44. Gilbert Gottfried's Amazing Colossal Podcast, I think Gottfried is one of the funniest guys in show business. This is his interview show, where he talks mostly to comedians, mostly about comedy. If you can handle his voice, it's a really wonderful show.43. Laser Time, Friends shooting the shit is probably the most common podcast genre, and one that I listen to a lot of, but not a lot of those made this list because while they may be listenable, they are rarely notable. Laser Time is a major exception in that the chemisty of the hosts and the odd specificity of the pop culture arcana they talk about makes the show consistently fun and fascinating.42. How did this get Made?, Three comedians and a guest review bad films. This show might be lost among the sea of decent/good comedy podcasts if not for the work of Jason Mantzoukas, who is imo the funniest man in podcasting.41. This Feels Terrible, Comedienne interviews other comedians about dating and love and relationships. Host has a lovely easy style that is good for getting people talking about really personal stuff. Has great chemistry with most guests.40. Beef and Dairy Network Podcast, Comedy podcast pretending (with a completely straight face) to be an actual beef and dairy specialty pod. The result is very high-quality absurdist comedy.39. Here's The Thing, Alec Baldwin interviews celebrities. The tone is very NPR but Baldwin keeps it a bit tighter than your average radio show. TBH, most of the time when a famous person decides they want a podcast the show ends up sucking hard, but Baldwin is a charming and natural host and consitently gets great guests. I know some people hate this show but I find it consistently great.38. My Favorite Murder, Two entertaining women talk through and dissect the details of a real-life grisly murder and generally try and figure out whodunit. Keep it pretty light considering how serious the subject matter is but it works because of how fun and interesting the hosts are. (Though it is guilty of my biggest podcast pet-peeve: Taking forever to start the show.)37. The Bugle, News and Politics satire with an absurdist twist. Three years ago this was a top-5 podcast for me and then they went on a long hiatus and lost John Oliver. Still great and slowly working its way back up the ranks.36. Guys We Fucked, Filthy comedy show that's secretly a positive look at serious issues relating to sexuality. The hosts have a good time and keep it light. Their chemistry makes the show great.35. Common Sense, Very heady current events discussion from an outside-the-box perspective. The host is a provocateur who tries to challenge your preconceptions about government and society. I don't always agree with him but he always opens my eyes at the gaps in my own thinking.34. Revisionist History, Malcolm Gladwell's odd little examinations of historical events from a new perspective are fantastic. The first season was very well-thought out, although still finding it's voice. I was very glad that it returned in time to have enough episodes to make itself elligible for this list.33. Love + Radio, Interesting people tell their stories in extended, tightly edited interviews. The people are usually non-famous people who have done remarkable things in their lives. Good production and good stories.32. 99% Invisible, Little think pieces about design and it's role in our everyday life. Impecably researched and always interesting, with a wonderfully charming delivery from its host.31. The Hilarious World of Depression, Comedian interviews comedians about depression and how it shapes their lives. Genius concept that perfectly hits the sweetspot of using humor to enlighten dark subjects. Fairly new and still finding its feet, but already one of my favorite shows.30. Radiolab, Reporters explore fascinating and mysterious stories usually in the realm of science and nature and wind their way to answers in a series of tightly cut together interviews. Really tightly produced (sometimes too much so) and very well researched, this show is one of the most iconic podcasts in the medium.29. Death, Sex & Money, Very personal stories about the big decisions in everyday people's lives, done in interviews in a journalistic style. Very heavy sometimes, but really great. Really digs into the real stuff in people's lives.28. You Made it Weird, Very long in-depth celebrity interviews with comedian Pete Holmes as host. A mirror-universe version of WTF, with a young-happy host rather than an angry older one. This doesn't have the same bite as WTF, but it replaces it with a wonderful sense of joy. Both hosts have mastered the art of the long interview.27. Reveal, Serious journalism, but with a slightly more of a conversational tone and more production to make it a more entertaining version of a news show. Nevertheless, the subject matter is heavy, and often deadly serious.26. Overdue, A couple funny dudes talk through great classic novels while riffing and making jokes. Spot-on chemistry and a perfect combination of high-brow art and low-brow comedy.25. Relic Radio, I love that podcasts are bringing back the audiodrama, an artform basically dead for forty years. But few of the new ones can match the originals, back when there was a big industry of daily and weekly shows and hundreds of professional actors and writers churning them out. Relic Radio lovingly curates from over 30 years of successful but forgotten shows to present them to a modern audience. The stories, while old-fashioned, are amazing, well-performed and fully produced with original music.24. Savage Lovecast, Call-in advice show about love, sex and life. Whet sets it apart is the kind and charismatic host, who has a gift for cutting to the heart of complex questions. Advice shows are a bit overdone, but he manages to elevate the format with his frankness and his ability to connect the problems we have in our loves, to larger questions we have about our selves.23. Crimetown, In depth audio documentary on organized crime in a big city (season 1 was on Providence.) Really well told story that feels tight and informative, while staying entertaining, mostly because the stories themselves are so engaging.22. Modern Love, Essays and stories about love in the modern world, read by famous actors. The pieces themselves are incredible, both joyful and heart-wrending. They often interview the author after, which sometimes makes me wish they would just have the author read it (due to the personal nature of the stories.)21. Wooden Overcoats, Scripted comedic audiodrama about competing funeral homes on a small British island. Very witty. Wonderfully funny and charming. Has probably the best character voice acting in scripted podcasts.20. Invisibilia, This podcast describes itself somewhat grandly as exploring the invisible things that shape everyday life. What it is, is a damn good radio-style interview think-piece show, with an emphasis on the patterns of human behavior. I love the light touch that the hosts give to the show. With a penchant for giving more questions than answers (in a good way).19. The Best Show with Tom Scharpling, Cult show that started in radio over a decade ago and slowly got weirder as it went. It's an ironic impersonation of a radio call-in show. This is definitely not for everyone; many of you will hate this show. But if you like it you will likely end up loving it. The host is a mad genius of twisting the radio format without ever totally breaking it. Best known for insulting and abusing his call-in listeners.18. WTF, An angry old comedian interviews famous people in great depth. Marc Maron's gift is in getting people speaking from the heart, and in breaching personal subjects that don't usually get talked about in interviews. WTF is often funny, usually fascinating and occasionally heartbreaking.17. Alice Isn't Dead, Weird, creepy, wonderfully produced and performed fictional story about a woman on a journey to find someone she lost. Uniquely moody and moving. Poetic to the point that it might be considered self-indulgent, so it might not be for everyone. But if you dive in, it's an incredible journey.16. The Moth, Personal stories told by a wide set of writers in front of a live audience. Usually funny and often touching in a smart-NewYorker-piece sort of way. Curated from a larger set of stories, and it shows: The stories are more consistently good than most of these types of shows.15. The Church of What's Happening Now, Comedian Joey Coco Diaz plus guest (usually comedians) trade life-stories. Diaz is really funny, as are most of his guests, but what stands out is Diaz's unique comedic voice and how he can talk about the really heavy stuff in his life in a funny way. And he is just overflowing with stories. He has had a crazy life.14. Strangers, Tough, beautiful personal stories examined in interviews with leather-voiced Lea Thau (I mean that in a good way: love her voice, it's like a smoked Nina Simone). It's like little audio documentaries about everyday people who have been through extraordinary personal turmoil. Beautiful stories, beautifully told.13. The Mortified Podcast, Grown-ups read their childhood journals to a live audience along with embarassing stories and memories about being kids. On one level it's really funny to hear their skewed childhood perceptions but also there's something amazingly cathartic about sharing in the embarassment. At least for me, being able to laugh at it makes me feel better about my own messed up childhood, and realize that all the stuff I was trying to hide, is the exact same stuff that everyone else was feeling as well.12. Snap Judgment, Great true-stories told by the people who lived through them, over some sick beats and tight riffs, all pulled together by my favorite host in podcasting.11. Here Be Monsters, Wonderful stories about suffering and hate and love and all the crazy things that are going on in the human soul. Told mostly through solo interviews with lightly intersperced music and production. The show is very heavy, but very listenable and very real.10. The Film Reroll, Rotating crew of actors and comedians pick a famous movie and improvise a new version of it with license that anything can happen. Hilarity ensues. The new movies are sublime and ridiculous and often better than the original. They use a dice system to run their stories like a game so they can't decide in advance what will happen. Brilliant concept, perfectly executed. Probably the most pure fun in podcasting.9. This American Life, Pastiche of stories about the American experience, told in a jounalistic style through interviews. Sometimes sad, sometimes joyful, always interesting. Many smarter things have been said about this show than I can say. Many of the podcasts on this list are in response to or immitation of This American Life, but the original continues to be one of the best examples of the format.8. Risk!, Similar to the Moth, people come on to tell their personal stories. I go back and forth between the two of them as to which I like more. Where the Moth has stories that are more cleverly written, this show feels more real and visceral. The storytellers are less likely to be writers, so we get less polished stories. But this show ultimately gets the nod for me with going to dark places of profound personal drama. Varies greatly in tone from episode to episode, but has been consistently great for a long time now.7. My Dad Wrote a Porno, A host and his two friends go chapter-by-chapter through his dad's erotic novel, constantly disecting and laughing about the bizarre and terrible writing. This might honestly be the funniest show in podcasting right now. And while it's mostly light-hearted humor, there's something very compelling about the bizarre view into a man's relationship with his father that comes out from the show's premise.6. Beautiful/Anonymous, Long phone conversations with anonymous callers who tell personal stories about their lives. The host is a comedian, but he doesn't try to be funny most of the time, keeping a balance between respecting the story and injecting levity when needed. Brilliantly simple yet unique concept and executed perfectly.5. Welcome to Nightvale, Bizarre, absurdist poeetry, delivered hypnotically in the form of a local radio bulletin, mixed with wonderful music for ambience and as breaks in the main show. Welcome to Nightvale is honestly pretty hard to describe. It's funny and dark and compelling and weird all at once. It's completely unique, and it's definitely not for everyone, but if it's for you, it's can be transformative.4. Song Exploder, Musicians break down the making of their songs, pulling out and explaining individual tracks and showing you how the song works piece by piece and ultimately how they work. Lovely and unique podcast for music lovers and noobies alike.3. PRI's the World, You could argue this is the best show in podcasting and it's basically a news show, but not your typical cable news fare. Reporters go around the globe and go in depth with local topics and how they affect the world and what they mean to all of us. These are all human stories, with all the pathos and weight of great fiction, but done in interview with real people. Heavy show but very listenable in spite of the seriousness.2. Criminal, Stories at the extremes of the human experience, told through interviews in a semi-journalistic style. Perfect blend of story-telling and introspection. Captures these wonderfully twisted stories with a matter-of-fact style that succeeds in putting you in the shoes of the people in the stories, and make you reconsider your preconceptions about the topic. Love the pacing and music on this show as well. Perfectly produced.1. Hardcore History, Powerful stories from the past, told passionately and intelligently. Dan Carlin has a gift for the dramatic, keeping the narrative human and personal while still showing you the great sweep of history. At its heart it's just great epic storytelling, you could easily forget that it's technically learning. But then he'll make some point that makes you realize these were real people with real feelings, and these stories created the world as we live in it. This show awakened in me a totally new understanding of our world. In spite of how many podcasts I listen to, it was pretty easy to choose which one I feel is the best. Warning: very long episodes.EDIT: Formatting via /r/podcasts
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spencers-dria · 3 years
Text
Someone To Stay
Original story by fairytales1896
Spencer x fem reader
8. Completely Fantastic
Y/N POV:
The next morning you wake up and start packing as you prepare for the drive back home. You take your hair out of the bun you had slept in, leaving it with some long loose waves. You throw on a long, flowing navy and white maxi skirt with a navy tank top and some strappy sandals. You are feeling particularly in touch with your bohemian side after a weekend spent in the great outdoors.
After filling up on a quick breakfast, you grab your bags and head out to the car. You look to Spencer. "Is it okay if I drive?"
He appreciates you asking. No one ever does. They just assume.
"Sounds good!" He tosses his keys over to you. After filling the trunk with both of your bags, you scoot into the driver's side and adjust the seat and mirrors. You may be tall, but Spencer was much taller.
As you pull out of the driveway and make your way down the road, Spencer looks towards you.
"I'm guessing you want music. I don't really have much. If you hand me your phone I can put on whatever you like."
You unlock your phone and hand it to him, smiling at the kind gesture. Seems like he catches on quick.
"Hmm" you think out loud. "Well, I know you haven't listened to quite as much as me so we have a lot of genres to cover on this car ride. We'll start with the 70's and go from there. Just put it my 70's playslist on shuffle. We'll let my phone pick for us."
Gypsy by Fleetwood Mac comes on. A smile of content spreads across your face. You reach into the compartment above your rear view mirror and grab what you liked to call your "John Lennon Sunglasses". They're rosy and oversized and perfect for your current mood. You roll the windows down and let the wind whip through your hair, resting your elbow out the window. Sunshine warms your skin as you listen to the incredibly talented Stevie Nicks.
After a few more songs you ask him to flip to the 80's playlist on shuffle. As Forever Young by Alphaville comes on, you see a look of recognition on Spencer's face.
"Oh yeah, I forgot you were an 80's baby! 80's pop is some of my very favorite."
He smiles and nods. You get it. There's something oddly comforting about nostalgic music from your childhood. You let the rest of the 80's playlist finish, since you both seem to enjoy it.
Eventually Spencer turns in his seat to face you.
"I had a lot of fun this weekend." He states this with a fairly serious look on his face.
"Yeah me too! Is everything okay though? You look like you have more to say?"
He continues, while fiddling with his hands and hair and staring down at his lap. He's clearly nervous.
"It's uh j-just...would you...well would you want to be friends? I know that's p-probably an odd question I just, well I enjoy hanging out with you. Since I don't see you at my uh place of work I wasn't really sure the c-correct protocol for..."
You reach over and squeeze his hand to cut him off, since you can see he's clearly only making himself more anxious.
"Hey" you give him a reassuring smile.
"We're already friends. I think we have no choice but to continue hanging out. I mean, we just get along to well, it's not really up to me" you joke.
The both of you laugh and he seems to relax again. He squeezes your hand back as a thank you. Before you return it to the steering wheel.
"How do you feel about a weekly movie night?"
His eyes light up at the idea before clouded over, clearly thinking it through.
"My job..." he starts before you cut him off.
"I know, Spencer. Don't stress. My job schedule is inconsistent too. I mean, I get my schedule given to me six weeks at a time but, I work different sets of days each week. It's completely random. But that means I have four days off a week so I like our chances. And if some weeks it doesn't happen, that's ok too. You go save lives, and I'll help heal them. It's what we do."
He raises his eyebrows in surprise before responding.
"Oh well you've thought of everything, huh?"
You shrug, trying to conceal a smirk. "Maybe."
He looks to you. "Ok so what will be watching first?"
"Hmm, I'll let you pick first. And we can trade off?"
"Well I don't know how into fandoms you are but... would you mind if we watched some of Harry Potter?"
Usually your face is a huge giveaway to what you were thinking, and not just to FBI profilers. In this instance, you were incredibly determined to keep a straight face and not let on a single thing.
You just give a small nod as you keep your eyes on the road, expressionless.
"Sure, we can do that."
"Ok, so when and where? Or do you have that planned too?"
"Well..." you think for a minute before extending the offer. You don't want to scare off your newest friend.
"I'm free tonight if you'd like. We can unpack and maybe sneak in a nap first?" You glance over to gauge his reaction.
He smiles and nods, on board with the idea.
"Yeah, and I can meet back at your place at 5? Want me to bring anything? The DVD's?"
"Oh no it's fine! I'm pretty sure I saw them on Amazon or YouTube TV..." you respond, still trying to control your face. You really wanted to fool the genius profiler.
Spencer asks to borrow your blanket before curling up in the passenger seat and taking a nap the rest of the way home. It was too adorable. You couldn't help yourself. As you pulled up to a red light, you snap a quick picture of him. You also take a selfie with you making goofy faces, Spencer sleeping in the background.
You gently shake him awake after parking outside of your building. You grab your bags out of the back and wave to him as he backs the car out.
Once in the apartment, you take Juneau out for a quick walk. The dog sitter had given you detailed  updates while you'd been away. You throw your weekend bags in the closet and hop in the shower. After drying your hair, you throw on a Black Borgin and Burke's T shirt and some black leggings and get to work.
It's September which, for you, meant the Halloween decor was abundant. You plug in all of your purple, green, and orange string lights placed all around your living room and kitchen. You light several candles you have scattered amongst your Halloween decor. Your shelves are lined with pumpkins, potion bottles, and various skeleton items.
You pop in your guest room to make sure it looks presentable. You're fairly sure he won't be expecting anything like what he's walking into tonight. On one hand, if it scares him off then it was bound to happen eventually. But if he doesn't mind...well maybe this friend is in it for the long haul.
You grab two butterbeer mugs and set them on the counter next to an assortment of flavored hot chocolate packets. You also set out microwave popcorn and a bowl of Halloween candy.
You decide to do one last thing, really hoping Spencer won't think you're completely insane. It's not long before you hear a knock at the door.
You open it, wearing your Ravenclaw robe and your glasses which just so happen to look a bit like Harry Potter's.
Spencer's brow wrinkles in confusion before he starts laughing.
"So I'm guessing you've seen Harry Potter before!" He says after finally catching his breath.
"Ummm..." you smile and just take his hand pulling him through your apartment till you reach your guest bedroom.
His eyes widen as he looks around at all your Halloween decorations. Before he can comment he's standing speechless in the doorway.
He looks around to see a completely Harry Potter themed guest bedroom, filled with creatures, books, wands, and more.
"Yeah Spencer, I've seen the movies" you finally say, letting out a laugh you've been holding back.
He looks stunned. "How did I... but you..."
"Yeah I'm usually pretty bad at hiding things so I have no idea how I pulled this one over on you. Aren't you supposed to read people for your job?" You joke with him, nudging his side with your elbow.
He's still just standing there, eyes wide, taking it all in. He walks over to the book shelf to flip through what you have.
"You have the potions book?...the maurader's map?...even the Quibbler?"
You just shrug, smiling as you watch him look around.
"So you don't think I'm completely crazy?"
"I think you're completely fantastic!" He blurts out, blushing a bit after he says it.
You bite your lip as you say " I may or may not also have the movies on DVD in 4K...to watch on my new TV."
He steps back into the living room to see where the two of you will be spending the rest of the night.
"Oh, this is going to be perfect!"
He takes a moment to finally take in the complete explosion of Halloween across your home.
"I hired Jack Skellington as my decorator" you snicker, making fun of yourself a bit.
He turns to you, eyes wide once again. "You like Halloween too?" He reminds you of an eager little kid with the look on his face.
You answer him with an eager nod and a grin.
"Y/N, I think it's pretty clear that we were meant to be friends! Where have you been all my life?" He laughs.
You don't know why, but you feel yourself turning red at hearing this comment.
You prepare some hot chocolate and popcorn for the two of you while Spencer sets up the Sorcerer's Stone.
"Oh I almost forgot, I brought something!" Spencer pulls something out of his sweater pocket. He has handfuls of Ghirardelli chocolates.
"Are those Rossi's? From the trip?"
"I have know idea what you're talking about." He states with a smirk as he plops down onto the couch, tossing you one. You lean back against the opposite end, leaving you room to both stretch your legs out and share a blanket.
You try your best not to quote the movie that you know by heart, but you just can't help it. Then you look over and see Spencer mouthing along with the lines. You give him a small kick under the blanket.
"I bet you could do a one man show of these movies, Mr. eidetic memory." You giggle.
"From the looks of it, so could you. We could take our show on the road. We'd make millions."
The two of you burst into a fit of laughter. With Spencer, you're always smiling.
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