Tumgik
#just thought i'd mention that
Text
im feral abt long haired ambrosius(why do i always hyper fixate on blond boys what is wrong with me)
just just just Ambrosius growing his hair out after everything and ballister loves braiding it meanwhile Nimona is just constantly putting dirt in it
Nimona sees it as ">:(...idk abt u...but boss likes you....so have dirt...." and when she warms up to him it's Grass and a few flowers
oh and when Nimona is in her child form i'm sorry but ballister just loves putting her hair in silly hairstyles i just had to mention that
261 notes · View notes
apple--cid-er · 10 months
Text
I cannot believe that Virgil got rad electric powers and all Richie got was autism and ADHD. Like congratulations, but I feel like maybe that serum needed some quality control.
36 notes · View notes
creatively-storm · 4 months
Text
Mr. Smiley: An Accidental Essay
WARNING: SLIGHT SPOILERS FOR THE EPISODE IN SEASON 5 MHA, "Laugh! As if you are in hell" READ AT YOUR OWN RISK. It'd actually be so easy to rehabilitate Mr. Smiley. Like, honestly, you just need to put him in a psychiatric hospital to make sure everythin's alright, then someone needs to reach out to an artist friend and get this man a job! I'd hire him. My argument and evidence:
Tumblr media Tumblr media
And he doesn't even have a disrespect towards heroes or authority, he's just tryin' to get his name out there. (Disclaimer: I do not condone destruction of property. Unless it's Endeavor's.) I say this because he painted All Might. (Amazingly btw) He actually seems like a decent guy, and he seemed genuinely so happy when Izuku complimented his art. As a fellow artist, I can understand where he's coming from and see why he does what he does. Like, someone just needs to get this man a job in the art industry. If this man was real, I'd probably love his work. He's not necessarily 'bad' or 'evil' he just wants to reach his dream. Also, his cowboy hat wins him extra points. Side note: This is my first time watching MHA through, and I know bad things are 'bouta go down, I just don't know what yet. Please no spoilers. Side note #2: The boys' laughs are all adorable. I love them. Final side note: I wrote this before finishing the episode, also Izuku is probably one of my favorites. It's gotta be tied between him, Denki, Mr. Aizawa and Eri.
4 notes · View notes
bluebudgie · 1 year
Text
I was just going to snap a single screenshot for that post idea from this morning but instead got distracted in Tangled Depths and am now making a different post.
8 notes · View notes
Text
I love Joe so much I'm gonna throw up
6 notes · View notes
mariwashereonce · 3 months
Text
Not related to anything that happened today but he can leave my legs shaking
0 notes
crimeronan · 10 months
Text
i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
3K notes · View notes
tomiyeee · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
likes the smell of pineapple-scented air fresheners while (sort of) implying that he doesn’t like real pineapples
likes drinking out of pineapple cups
??? i don’t know what to make of this but the presence of the pineapple seems intentional
hates the combination of pineapple and ham
...why does this man have a more complicated relationship with a god damn fruit than some shows have between its own characters???
6K notes · View notes
starflungwaddledee · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
some rather strong first impressions were made.
required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !
607 notes · View notes
airborneice · 3 months
Text
Tumblr media
they live in my mind rent free
279 notes · View notes
aquickstart · 4 months
Text
ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
Tumblr media
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
Tumblr media
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
Tumblr media
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
Tumblr media
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
Tumblr media
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
Tumblr media
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
Tumblr media
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
Tumblr media
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
174 notes · View notes
Text
Tumblr media
funtime sunshine
220 notes · View notes
echo-rambles · 6 months
Text
yours to keep
words: 1,728 tags: bang chan x f!reader, established relationship, fluff, kissing, attempt at humor. mentions of marriage. vague adhd!reader. notes: this is filled with nothing but fluff. tooth rotting fluff almost. I was feeling so incredibly soft for chan and I just had to get this out of my system. also the movie playing in the bg is absolutely kiki's delivery service.
-o0o-
You’ve refreshed the same three social media apps at least four different times each, falling into an incredibly boring spiral of doom scrolling, before you remember that if you’re bored enough you always have a boyfriend you can bother. It’s one of your favorite activities actually. Because he’s such a good sport about it. 
Shifting closer to him on the couch, you perch your chin on his shoulder, pressing close. He immediately leans into your touch, making a small little noise at your proximity. It makes your heart melt a little. 
For a few moments you silently watch him work. Clicking about on his laptop, pulling up various recording and editing programs, adding in and taking out bits of audio. You wonder what the track sounds like, but Chan has his big headphones secured to his head, so all you can do right now is imagine. 
It’s not completely silent. There’s a Studio Ghibli movie playing in the background that neither of you are watching, volume low enough to be nothing but white noise because you kind of extremely hate when there’s long stretches of absolutely no noise. It’s this weird thing your brain does; where it sort of feels all fuzzy and prickly if things are quiet for too long. 
Gently, you push one side of his headphones away from the ear closest to you. “Baby.” 
Chan hums in acknowledgement, but his attention is still focused entirely on his laptop. 
You’d be more annoyed if you weren’t so used to it by now. It’s kind of his job to be attached to it any second of the day that he’s not either preparing to perform or actively performing. Besides, you’re both sitting together and quietly enjoying each other's company while doing your own things and it’s kind of perfect. Except the thing you were working on has steadily lost your attention and now you want to ask your boyfriend a very important question. 
“On a scale of 1-10, how busy are you?” That’s not the question. It’s one of many lead up questions to accurately gauge how invested Chan is in his current project and how easy it will be to distract him. 
Another hum, and you watch his cursor rifle around in several different lists and menus. “Maybe a 6.7? Even 6 if I can find the specific snare I’m looking for in the next few minutes.” 
Below a 7 is promising. “So you can totally pause what you’re doing and give me like, five minutes?” 
Chan clicks around some more, and you recognize a little bit of what he’s doing. Going through the process of saving his progress before shutting his laptop entirely. “Actually, I can give you ten minutes.”
“You’re so generous.” You absolutely take that as your cue to crawl into his lap, taking the place of his computer as he places it somewhere safe off to the side. 
“I think I’ve been staring at the screen too long, my eyes are starting to rebel.” He groans, tipping his head back and scrubbing his palms over his face. 
Of course you still have that very important question to ask him, but he looks so soft and touchable and you really can’t help yourself. Moving his hands away, you lean in, pressing kisses to both of his cheeks, under each eye. To the tip of his nose, and even kissing his dimple when you feel him smile under your mouth. Using your hands to tilt his face, you kiss each side of his jaw. You move back up, placing a kiss to the curve of his forehead. 
Finally, finally, you kiss his mouth. He’s still smiling, but he kisses back happily. 
“Feel better?” 
He nods, eyes still closed. “I think your kisses might be magic.”
“Oh, they absolutely are.” You kiss him again simply because you can. It’s the sort of kiss that makes your bones all liquid and warm. A kiss you can feel in the roots of your teeth and the hinges of your jaw. It makes your stomach flutter, filled to the brim with colorful wings. 
It’s the type of kiss that almost makes you forget the question you wanted to ask him. 
“I actually have a very important question for you.” You declare, placing your hands firmly on his shoulders to try and keep him at arm's length. Lest you be drawn back into that mouth of his. 
Blinking up at you, breathing heavily and gaze a little dizzy, Chan nods. He mirrors the gesture, anchoring his hands at your hips. “Lay it on me, boss.” 
Settling into his lap, you try to ignore how stupidly wrecked he looks. You want to dive back in so badly, but you must stay strong, soldier. 
“If, for some unknown reason, you had to leave me to be with someone else, who would you choose?” 
That, at least, seems to sober him. Instead of looking soft and kiss-drunk, he comes back to himself, the gears behind his eyes starting to turn and grind together as he processes your insane question. 
You like to ask him things like this from time to time. Completely unprompted but thought provoking questions, because they really do feel important. You like to know these things. Not in a paranoid jealous sort of way. It’s all genuine curiosity. You just like to know.
“What kind of question is that? I don’t know. I can’t say I’ve ever thought about leaving you, or being with anyone else.” 
“That is the sweetest sentiment and I need you to know I’m feeling very warm and mushy over it, but it’s also incredibly boring.” 
“Wow, ok. I don’t know! Who would you choose?” He tries to throw the question back at you, but you’re ready. Of course you are; why would you even ask the question without having an answer of your own?��
“Changbin.”
It makes Chan laugh. It knocks its way out of him, causing him to lean to the side just a little bit with the force of it. “No hesitation!”
“No hesitation needed. He’s Seo Changbin.” 
Chan is still laughing. Little giggles as he nods along to your declaration. His fingers press into your waist, slipping between the hem of your shirt and your sweatpants, skin seeking skin. 
He didn’t ask for an explanation, but you have one. Because of course you do. “He’s the type of guy who would probably introduce himself as my boyfriend. Like, he’s the famous one, but I’m not his girlfriend. He’s my boyfriend. Does that make sense?”
“I hate to agree, but it absolutely does.”
“Right! Unfortunately I’m stuck with you.” You ignore his breathy wow, drawn out as he tries his best to not laugh again. “Because you’re the only person who plays into my jokes in the exact way that I enjoy.” 
You make sure to punctuate your explanation with a pout and shrug, truly playing into being overdramatic. Teasing him because it’s fun and easy and all he really does is smile so wide at you. The things you would do for that smile. 
He leans forward, close enough to place a quick kiss to the tip of your nose before he’s settling back into his seat. “Aw, I love you too.”
“Yeah, I guess I’m stupidly in love with you. It’s whatever.”
“Oh, absolutely.”
“Though,” You start, thoughtfully. “If I had to choose someone to get drunk married to in Vegas, I’d 100% no questions asked, pick Lino.”
Chan leans forward once again, into your space. The tilt of his brow and the line of his mouth spell out genuine concern, and it makes your insides twist up for the briefest of seconds. “Wait, what? Not me? But babe, I want to drunk marry you in Vegas so bad.” 
Ok, that makes you laugh. The weird little guilty knot immediately dissolves at his incredulous tone. “Absolutely not! We’re never getting drunk married in Vegas by some celebrity impersonator. Are you crazy?”
Well now he’s frowning. It makes you want to wrap him up in your arms and never let him go. Tuck him away safely in a spot behind your ribs, where no one can get to him and nothing can hurt him.
You’re smaller than him, not only because you’re shorter by a good few inches, but also in sheer mass and bulk. But you’d try your best. It’s probably a little morbid, and he’d absolutely give you a look if you ever mentioned it out loud. But it’s true nonetheless. 
You’d crack yourself open and rearrange everything if it meant you could fit him perfectly in the space next to your heart. 
Cradling his face in your hands, you make sure that he’s listening, tipping your head to meet his eyes and smoothing your thumb along the swell of his bottom lip. “We’d get sober married, on a beach or something, by one of our very good friends that got their license online!” 
Without missing a beat, Chan is nodding. “Seungmin.” 
“No question. He’d show up with a print out certificate from Ordained.com that he managed to get the night before.”
Chan’s eyes disappear as he laughs, and you press both of your thumbs into the apples of his cheeks as his smile transforms his face. There’s always something about the way Chan smiles that is contagious. Without fail you can’t help but smile too, scrunching up your nose and feeling your heart overflow with love. 
The things you would do for that smile. 
“Hold on. Did you just propose to me?” Chan asks, once his laughter has trickled off into intermittent giggling. You’re still holding his face, and his fingers have fully migrated up under your top to spread out along our back. 
You scoff, shaking your head. “No. We’re too young and you’re too busy for us to be married. Hell no. If anything I pre-proposed to you.”
“Aw, well I accept.”
“Good. We’d have a problem if you didn’t.” 
It’s his turn to pull you into a kiss. Both of your smiles pressing against each other. 
The credits of the movie neither of you were watching have started rolling, the familiar music washing over the both of you, and you could really spend the rest of the night here with him. The rest of the weekend. Maybe even the rest of your lives, some day.
228 notes · View notes
down-the-rabbid-hole · 6 months
Text
I love how the fanon (kinda) characterization for Rayman in captain laserhawk basically went from
"Antagonistic, Tumblr sexyman energy TV show host/crime lord"
To
"SNORTS COKE, HAIR SLICKED BACK, SHADOW THE HEDGEHOG LEVELS OF EDGE, SO MUCH TRAUMA??? GIVE THIS MAN THERAPY FOR GODS SAKE-"
188 notes · View notes
uhbasicallyjustmilex · 8 months
Text
quotes from alex turner's favourite authors that make me want to put my face through a wall:
"although i have never been an actor in the strict sense of the word, i have nevertheless, in real life, always carried about with me a small folding theatre" - vladimir nabokov, despair
"there is a terrible emptiness in me, an indifference that hurts," - albert camus
"there is no trap so deadly as the trap you set for yourself" - raymond chandler
"at eight, he had once told his mother that he wanted to paint air" - vladimir nabokov
"no man ever understands quite his own artful dodges to escape from the grim shadow of self-knowledge" - joseph conrad
"everything i've ever let go of has claw marks on it" - david foster wallace
"we're all lonely for something we don't know we're lonely for. how else to explain the curious feeling that goes around feeling like missing somebody we've never even met?" - david foster wallace
"i turn over a new leaf every day, but the blots show through" - keith waterhouse
"the truth will set you free. but not until it's finished with you" - david foster wallace
"curiosity is insubordination in its purest form" - vladimir nabokov
"i'm me and nobody else; and whatever people think i am or say i am, that's what i'm not, because they don't know a bloody thing about me" - alan sillitoe
"we live as we dream; alone” - joseph conrad
"i liked, as i like still, to make words look self-conscious and foolish, to bind them by mock marriage of a pun, to turn them inside out, to come upon them unwares" - vladimir nabokov, despair
"whatever you get paid attention to for is never what you think is most important about yourself" - david foster wallace
"i continued to stir my tea long after it had done all it could with the milk” - vladimir nabokov, despair
"i remained too much inside my head and ended up losing my mind" - edgar allan poe
"all the information i have about myself is from forged documents" - vladimir nabokov, despair
"how odd i can have all this inside me and to you its just words" - david foster wallace
"you will never be happy if you continue to search for what happiness consists of. you will never live if you're looking for the meaning of life" - albert camus
247 notes · View notes
rroyalguarantee · 24 days
Text
a ramble about arthur's relationship with dutch and hosea
haven't used tumblr in a while (let alone made an actual original post in who knows how long) but i can't stop thinking about that one interaction between dutch and arthur in lakay. specifically: "you sound like hosea." it breaks my heart, because dutch is right in saying that. as chapter six unfolds into the tragedy it is, arthur becomes more and more like hosea, and just like hosea, arthur tries and tries and fails to get dutch, stubborn and single-minded, to see reason.
one of my favourite journal entries, is where arthur says, "i love dutch like a father, but in many ways i love hosea more." arthur loved hosea. hosea saw arthur for who he was. knew arthur wasn't near as dumb as he liked to pretend he was. one of my favourite interactions between arthur and hosea is early on in chapter 3, very shortly after they get to clemens point. arthur walks by hosea sitting at a table, who calls out to arthur and asks what he thinks about dutch's plans. arthur's response is "you know me, i never did much thinking." to which which hosea says one of my favourite lines in the game, and it's a line that gives far more insight into arthur, hosea and their dynamic than you might first think.
dutch was arthur's father in a more abstract way. whether it was dutch's intention or not (and i believe, at the very least, it was later on), i always found his "you're like a son to me" comments to arthur to be very manipulative in nature, meant to reel arthur back in when he's concerned he's "getting away," so to speak. i have personal experience with men trying to get me on their good side by saying i'm like a kid to them, and maybe i'm projecting a little because of that, but the way dutch says that to arthur triggers the same alarm bells in my brain.
again: "i love dutch like a father, but in many ways, i love hosea more." say what you want, but hosea was arthur's true dad. he was his dad in all the ways that mattered. hosea knew arthur so well, he knew arthur was putting on "an angry moron act." in the video i linked, he sounds genuinely frustrated when he continues saying "but it's a thin enough veneer." he knows arthur is capable of more. is capable of being better, and i think hosea knew that things were doomed in the end, whether or not he would admit it.
arthur spent a lot of time, both early in the story and at the end, reflecting on what was happening, on himself, on the other gang members. i like to think he was unconsciously channeling hosea in chapter 6. honestly, the parallels are kind of painful. maybe that's, in part, why dutch was so adamant on not listening to arthur; because he reminded him, painfully, of hosea, his oldest and dearest friend. of course, that's not the only reason, but it makes sense, doesn't it? arthur is so much like hosea, and we see that more and more as the story progresses.
107 notes · View notes