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#ive been spending a lot of time on oc projects so sorry for those of u who followed me for the fan art
ciafalls · 1 month
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we fell in love in october - girl in red
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dianaraven · 8 months
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ok your turn, tell me all about your ocs👀
Sorry this took two weeks to respond to, school makes me work on my own time:
BOY OH BOY IM SO EXCITED TO TALK ABOUT MY OCS
So right now I have two main series that I'm working on, and one manuscript for a different series that is finished and going through editing.
Two main series are called Makings of Magic--previously the "Alexis" series--and Crystal Kingdom. The manuscript I have finished is the first book in my Save the Princess (STP) duology. It was my nano project for 2020 (and I won nano!! which was nice). Most of these have tags: tmom or the makings of magic and stp1 or stp, idr if ive posted much about ck before
The Makings of Magic
This is a whole ass world, nine book + companions series that I've been working on since I was 10. I could literally be here all day explaining who all the characters are, but I'll just go for the main gang and a summary:
Summary: Fantasy minor professional jock Alic gets kidnapped by baddies because they think she has a secret magic that they want to use their evil ways to un-secret. She does not have any of this magic. She ends up being the center of a secret-magic conspiracy and eventually is freed and decides to go after the people who kidnapped her, with another guy they kidnapped, and accidentally creates an international incident and starts a war while the conspiracy-nuts continue to try and prove that they're right by attacking people Alic knows.
Alic:
Alic is the mc of the series. She's very silly, and very brave. She's one of those people who will do anything on a dare. You cannot scare you, you cannot phase her, you cannot make her uncomfortable. She never lies because she doesn't see the point of it. She isn't afraid of anything. Light of my life. Not very smart <3
Gray:
Gray is the local prince, and Alic's best friend. They're basically QPR partners. He spends most of his time changing his personality so that people will like him (and thereby listen to him) but really he's very petty and a little neurotic and when combined with Alic willing to do very dumb things, because with Alic, Gray doesn't have to pretend to be put-together, and they love each other a lot and get into loads of trouble <3
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commission from @/lovermyme (alic is right, Gray is left)
Topaz:
Topaz is the manager of Alic's fantasy jock team. He's very suspicious of other people, and very good at spying on others. Alic (and by extension, Gray) decide he is their friend and he gets dragged into their crazy adventures. He leaves for three chapters in book three and they accidentally commit war crimes.
Jacian:
Jacian is a prince and scholar of magic from a nearby kingdom and he is blackmailed into helping the conspiracy-nuts essentially torture Alic until they figure out what magic she has. He and his gang of do-gooders end up freeing Alic, but in the process the conspiracy-nuts kill his father and give Jacian memory loss and brain damage and he sets out to try and figure out what he has forgotten: which is who killed his father and who the Big Bad is. This is a majority of the plot in books three and four as well as his side companion book. He's kinda wishy washy and nerdy which Alic thinks is cute.
Crystal Kingdom
Summary: This is my Princess and the Pea retelling. I'm not going to go too much into the plot here because hehe i like it being a surprise.
Zira: Zira is a paranoid, neurotic prince of a city-state that is constantly under attack (hence the paranoia and neurosis). He's also mean and bitchy and very petty, and doesn't trust Leihari, the supposed nearby Princess who supposedly lost her family and her country after a usurper supposedly kicked her family out. What sucks is that he may also be falling in love with her.
Leihari: Leihari is (supposedly) a princess from a far away city-state who has lost her crown and is staying with Zira and his family. In return for their kindness, she is helping them out with matters of state and other things a princess is supposed to do. She's kind, and a little sad, but trying to make the best of her new situation. It would be much easier of the prince stopped being mean to her. What's really frustrating is that he's wonderful to everyone else--it's just that he's paranoid. But seeing what he is like when he is nice to others makes her yearn to earn his trust, and maybe she starts falling in love with him too. Supposedly. But in the meantime, she isn't going to take any of his shit.
STP
Summary: My nano baby! This is a Princess and the Pauper retelling with dragons!! It's very exciting and i love it a lot :) Takes place in a historical alternate universe (with dragons) in about 500 BCE, in Ancient Israel because I'm Jewish and I thought why the hell not.
Adina: The Princess. Adina was meant to be married off to the highest bidder as any good princess of the time will, until her older brother was killed and she became next in line to the throne. Realizing that she knew nothing about her own people--after all, she's been expecting to be married off--she decides to switch places with someone who looks exactly like her. And everything is fine until the dragons attack.
Adina is quiet and generally second-best, and scared of the unknown and not meant for adventure, but she has a responsibility to go after the dragon that attacked her people, so off she goes. She's even shocked herself by how brave she's trying to be.
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Dekeli: The Extortionist. A cloth merchant who works for dragons and was doing fine until everyone in the known world came out trying to kill a bunch of them. Now he has to get his latest job finished, and the easiest way for him to do that is by extorting Adina's secrets. Ironically, he's the person she can trust the most. Probably.
He's snarky and rude and very good at what he does. Adventure finds him, and he goes with a flair and a quip. It gets on Adina's nerves.
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Mara: The Pauper. She's meek and smart and that's all Adina needs from her, so that's good. Right? Nothing more needs to be said, right? She has no ulterior motives--why would she?... right?
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grasslandgirl · 2 years
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im not even looking at the questions so heres a surprise mix for you: 11, 18, 32, 39, 1, and 4 have fun bestie
i love u i love u i love u
1. Which of your fics would you keep the basic plot of but rewrite completely?
truly wholeheartedly wish i had the energy and the motivation to rework my av tatbilb au. [you gonna break my heart, sammy?] i loved the concept and spent six months hammering away at it and by the end i was just tired of it and wanted it to be done, and i feel like the ending is rushed and hollow because of it. it was the longest thing i'd ever written or posted at the time- over three years ago, now- and while im really proud of the fact that i planned it out and wrote it and actually finished it, i do think i could and can do it better. spend more time fleshing it out, make it feel less like a trite reworking of the original, dont rush the get together at the end, etc.
idk if i ever will. but maybe some day
4. Do you have any OCs? Do you have a story for them?
:)) well. it depends on how you define oc's, but they're pretty close.
and yes ive written SO many stories for them, there's so much lore and extended universes and multiverses.... god. insane. shout out to dnau's. if you know you know etc
11. Three tropes that are fine but overrated.
oooh uh. hm. idk if it's a trope, necessarily, but like supernatural creature/ mermaid au's aren't really my jam- especially when those aren't themes or elements in the canon material, it just always feels so jarring and its hard for me to acclimate to enough to suspend my disbelief
a more traditional trope, i HATE the shotgun proposal trope at the end of a story/movie, especially when they havent been together longer than a year- they should NOT be getting married it will NOT stop their problems
uh also in fic im wary of kid fics, if only bc most people who write kid fics do NOT know how to write children and will write the most intelligent eloquent four year old in the world like. dude. talk to children before you make them central in ur fic. sorry.
18. First, second, or third person?
third, primarily. but given the right circumstances and personal heaspace ive been known to dabble in first and second.
32. Do you have a word/expression that you always use in your writing?
i'm always a sucker for the classic italicized Oh. moment, personally [insert essay about breath in the narrative and how impactful giving your characters AND your readers moments to breathe within the story can be]
but i also really enjoy a- to quote casey, who reads and edits a vast majority of my writing bc she's wonderful- "one sentence paragraph" i think it can be a really fun and a really impactful kind of narrative punch moment and can spice up the rhythm of your writing
as for like specific expressions that i use or over use, im sure i have them i just can't think of any off the top of my head- i write how i talk a lot, so i know a lot of my sav-isms and style of speech leaks into my writing but idk if im self aware enough to notice the explicit patterns yet (if you have noticed patterns/repeated phrases, please let me know!! id love to hear them svkjnsfk)
39. Wildest AU scenario you have written?
this is an impossible question skjfvnskfjvns ive written SO many au's for so many CRAZY concepts that like. the scale of which is the wildest is purely subjective, and im not the one to ask bc i wrote all of them skfjvnskfjv
ive also got a TON of unused crazy au ideas in my docs/ idea lists that i haven't used or written yet so like.... comparatively the ones i HAVE published are pretty tame skjvnksfj
all that said. my eldonado fic Happiest is insane just bc of the sheer self indulgence of it, i wrote them doing a play i did in highschool, and i gave sam the role that i played. can you say #projection ?
ty ty ty ty jamie- for someone who picked a bunch of random numbers you really happened to pick a bunch of questions that are really relevant to us skjvnskfjvnsf
send me writers asks from this list!!
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iniquity-fr · 2 years
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hey hi heehee. question... how on earth do u enjoy this game? maybe its just Not for me. i start projects but then they look ugly as hell to me after 3 months. ive tried lore writing, pretty dragon collecting, working with g1's. i love the dragons & concept of this site but i never look back @ my lair and go "yep. it was all worth it". it's miserable to get the stuff u need! ur ideas and outfits are very inspiring so i wanted to hear from u specifically how u make ur own fun bc DAMN is it hard!
HI SORRY for taking so long to answer this it’s been. a weird weekend. also srry for the long + public answer lmk if you want this taken down and i’ll DM screens or smth i just figured it might be helpful to other ppl too or at least maybe others can provide feedback!!! anyway uuuhhhhh the trouble w fr is you do have to Find and Make your own fun yea, and it is cool to me that there is different stuff that different ppl like to really focus on! but i imagine it can be frustrating when none of those different things quite feel like Your Thing
i think above all what has kept my FR enjoyment up the most over the years has been running this blog and being in a couple (small, not super public lol) discord servers and generally just being able to actually talk to people about FR! i hate using the forums and don’t chat people up onsite via PM or whatever, but i do have this blog to share my art and projects and characters and stuff as well as discord w some pals where we can hype each others stuff up and generally enjoy pixel dragons Together. finding a way to share what yr doing helps to enjoy doing it if that makes sense??? crafting lore and art and ocs and stuff around my dragons got a lot more fun (and i was inspired to do it more and keep doing it!) once i was actually sharing any of it (not that i still dont just keep a lot of lore locked in my head lol)
but sharing the fun still requires finding the fun aka what really feels like yr Favorite thing to do on fr itself? character creation & design is my favorite thing to do like, in general, and to make a neat character i need the dragon to be really cool and customized in such a way that inspires me and informs what kind of character they’re gonna be and where they fit into within my lore….. thus dragon dressup is my favorite part of the site, i spend a LOT of time fiddling around in the dressing room making outfits, i usually won’t even buy a dragon until i’ve at least got the beginnings of a good outfit started. i didn’t get into g1s at all until we could start dressing scries and now coming up w the perfect scry+outfit is SO satisfying to me, even if i take literal years to complete projects lol, knowing what the goal is is good enough for me to pull character and lore ideas from (and i always stick the outfit plan image+scry img in the bio so i can still always visualize it) helps also to find a couple niches or smth that you REALLY like and want to have groups of dragons w this specific kind of look or lore going on so you’re less likely to find the project ugly or boring later if that makes sense? ie i have my plague church and weird ocean cult and eldritch space monster tabs, being able to know where ur dragon fits in with your other dragons keeps ‘em interesting i think! having a loose handful of random guys w no connections can make it hard to feel like holding onto ‘em :(
so then i think it’s about making these end results (be it breeding projects or g1s or a mixed lair of whatever) feel, yknow, worth it! for me its worth it and i love to look at the finished stuff in my lair bc i then have these characters attached to them—not everyone is fully fleshed out with a gijinka design and everything yet, but i generally have an idea of their personalities and they’re always sorted into a lore faction where i know they’ll be participating in xyz activities/behaviors/etc. a lot of them do have this kind of background character syndrome atm bc of that but i still care about the end result dragon in my lair bc i CAN develop them into a character and base a design off of their genes/apparel/etc that i put all that effort into matching up perfectly. so having and completing these dragons and their outfits and gazing upon my own lair feels satisfying and Worth It to me because i like creating and this way i’ve created something / given myself this lovingly customized bunch of pixels to create with, yknow? they’re not JUST pretty dragons sitting there doing nothing, they have purpose and space in my head.
ofc that’s all just What I Like about the game personally and what’s Fun For Me and for you and other people that can or will be different !!! my hope is just that hearing What i like and How and Why helps u and anyone else to figure the same for yrself… tldr it’s about finding what you like and why and what your real end goal that keeps you feeling attached to your dragons is, and being able to actually share these things with other people somehow can be a big help! playing all by yrself with no real goals is definitely a rough experience for FR and i wish u the best of luck finding what sparks pixel dragon joy for you 🙏🙏🙏
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ask-shakespearehigh · 5 years
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Q&A post with the Mods!!!!
This is going to be a long one oh boy
How strict is the delineation of creative control vis-a-vis characters/plays between the mods? (@pedanticlecturer)
We generally have the plays split up along lines of “what we know”— we have a list at the very beginning of the blog. Sometimes we’ll draw the others’ characters (mostly me drawing some of Star’s…) but even then the final say on characterization is up to the “main” mod for that play — mod aster
what aster said -- mod star
What is your favorite play? What is your favorite character in terms of how they were written in the source material? (@pedanticlecturer)
I think my favorite play overall is Macbeth, just because I like the vibes (and the fact that I too could kill Macbeth), the fact that you don’t say it’s name in theatres, and the fact that it’s a play I did a full read through and analysis of in class. Favorite character? Puck from Midsummer. — mod aster
uhhhh,, hmm. ive always had a soft spot for midsummer since i saw it with aster esp bc of how fun the costumes were. of the comedies it has the largest potential to be the most visually pleasing bc of the concept of fairies,,,and im gay and dramatic so i love that. id die if i got to costume design for midsummer,,,or be in it,,,yeah. fav character. hmm. probably mercutio?? i recently saw a version of romeo and juliet where mercutio was played by a woman and oh my god it was amazing!!! not to mention mercutio’s portrayal in baz luhrmann's INCREDIBLE version of r n j!!! (I based my mercutio design on him) he just spends the entire time making dick jokes. love that. -- mod star
How do you answer asks so fast? I mean it's great but I'm impressed 😂 (Anon)
Personally, it’s a mix of: notifications on, quick drawing speed, and using the blog to avoid my class work — mod aster
aster is fast and (as you can see from all of my answers) im lazey -- mod star
Are there any elements/characters of the plays you're covering that you would have liked to work into this blog's plot, but couldn't due to the constraints of the setting or the synthetic nature of the blog? (@pedanticlecturer)
I wanted to make everyone gay but unfortunately due to plot constraints we have to have some hets but that wont stop me from making it lgbt as possible. -- mod star
I did want to make The Tempest more of a central play, but it just didn’t translate well. Similarly, other supernatural elements like the witches in Macbeth. This isn’t so much a constraint mentioned, but my own time/energy means that I want to show the Macbeth backstory, in a specific format, but I can’t right now— mod aster
Is there a hierarchy of import when it comes to each play's individualized impact on shakespeare high's general arc? If so, what plays are crucial to the foundation of the story? Which ones did you do mostly for shits and giggles? (@pedanticlecturer)
This is phrased like an ACT question and i might not answer it right so sorry in advance but: mod aster and i only selected a few plays for each of us to do given we dont know all of shakespeare’s works, but we tend to put more emphasis on the the more well known. But it also comes down to 1. How much we have plotted out for each play and 2. What the followers ask about most. Our two most popular are hamlet and macbeth bc people are familiar w those but around march caesar always becomes relevant again. I didnt even have designs for some of the characters until someone asked about them. -- mod star
I would say the same as star— it generally comes down to what people ask about. I will say that the overall plot is sort of separated into “has happened” and “is happening”. Like, the human potion of Midsummer, Julius Caesar, and Macbeth are all in the “aftermath” portion, while Twelfth Night, Hamlet, and Romeo and Juliet, among others, are happening. We’re trying to incorporate as much as we can, and I don’t think any of them were really put in without some thought.— mod aster
What personal significance does shakespeare hold in ur guys' lives? (@pedanticlecturer)
I go to a theater school rn and so ive dealt w shakespeare (although not all of them) it also helps that i was in loves labours lost last year as moth and that i read hamlet and r n j. Theres also a theater in my state that always does One Big Shakespeare per season and they always do them super well!!! My love for shakespeare probably started w seeing midsummer at that theater w mod aster!!! So. Theater kid rights!! -- mod star
To be honest, I got back into Shakespeare Because of the blog. I’ve been friends with some people that got really Pretentious about Shakespeare, and it kinda put me off of it. I did have a book of abridged plays (the plays’ plots written out in prose, basically) that I read as a kid, which is what got me into not only the plots of a lot of the plays, but also the idea of having them illustrated. And, same as star, the theater in state does the One Big Shakespeare— and they tend to do some really cool things with the costumes, setting them in diff time periods. I haven’t been able to see any lately since I’ve moved, but they still slap. — mod aster
🥰😘💙🥰🥰💜💟🥰I 😍💗💚😍😍LOVE🖤🖤 YALL ♥️♥️🧡💛💚💝❣️💕💘💖💗💓💞💝❤️💛💜 okay now i have a question i swear— how long have the two of you been doing art??? and what were your first shakespeare plays??? (@hellaghosts)
Uhh i started drawing when i was like idk 12 and i have the giant boxes of sketchbooks to prove it!!! I moved to digital art at abt 14-15 but mostly stayed traditional until this yr when i got a Neat New Tablet so some of my sketchbooks are sitting abandoned rip. My first shakespeare was either romeo and juliet or midsummer nights dream and i love both of them v much!!! I have a very old piece of art that i did for r n j for my freshman class assignment on it and it hasnt aged well alsdjfjafd circa 2016 i think??? -- mod star
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Oh man. I started drawing when I was about 10, but it was Bad. I don’t think I got much into drawing again until I was about 14? Sometime around the end of middle school/beginning of high school. I would say I started getting into drawing as more than doodling/coloring edits sometime around 2015-16? I would draw on my iPad with my finger, then I got a tablet for my computer, and now I pretty much stick to my iPad with an Apple Pencil. My first Shakespeare play was….. uh…… probably Midsummer???? I have No idea. We would go to plays when I was little, so I honestly don’t remember if I saw others before. It may have been Romeo and Juliet— I had that book where it was the original and the “modernized” with the little dog that explained things— which, if you know it makes sense, but if you don’t is probably a bonkers answer. — mod aster
Do you think this blog has like? An overarching thesis (be it b/c intentionally or simply b/c ur own take on the world has bled thru to the point where u believe it’s central to the piece at this point)? (@pedanticlecturer)
Not gonna lie, I had to read that like three times AND dm you to figure out what you were asking from us and all I have is “be gay, respect women, write your own happy endings”. — mod aster
This blog started with an ides of march shitpost and you think we have enough brain energy to write a whole thesis? I projected feelings of found family onto my half of the blog but idk if that counts. Be gay do crime 420 69 -- mod star
What’s the nature/rough dynamic of ur relationship? How do y’all know each other? (@pedanticlecturer)
Met mod aster when i was like 4 and even tho we didnt live close we became like, best friends although the Best part didnt start until we were like 13-ish and eventually we talked like non stop (about anime and homestuck. Yknow. 13 year old kid things) and we didnt see each other a lot bc of Distance and now its even worse bc aster is in colleg.,e but we consider each other siblings regardless of family bc we’re adopted into our own respective families so that bled over into our friendship and it would feel weird calling him anything other than my brother now. We’ve seen each other at our best and worst and if you really want a good insight on what we’re like as siblings watch griffin and justin mcelroy’s overview video of catlateral damage wherein i am griffin and he is the long suffering justin. -- mod star
Star is basically my long distance sibling and functionally the only cousin I recognize bc like their parents are basically an aunt and uncle and like our dads look enough alike that we’ve both accidentally gotten the wrong dad for a hug or similar so like. Anyways yeah Star is the Griffin to my Justin, complete with our absent middle brother who we love dearly— mod aster
Dubiously relevant q but what kind of music do y’all listen to when u do art (if that is indeed a habit either of u partake in) (@pedanticlecturer)
It can depend on the piece? I was working on some (unrelated) oc prints that were song-focused, and for those I just listened to said song on loop. Sometimes I have playlists. Sometimes I’ll just be in a Mood and throw a song on loop. But a lot of time for the blog, I’ll listen to The Adventure Zone for the billionth time, because I have Too Much Attention. I’ve also, on request from Star, linked the most recent “loop song”.— mod aster
I tend to obsess over the same like 3 songs every few weeks so those get listened to on repeat but it also depends on the tone of what im drawing or who im drawing i might genre switch bc of that. If im drawing ophelia i stick to lana del rey and if im drawing hamlet its the neighborhood, horatio is sufjan stevens etc. i have categorized,. Most of the characters i draw into different songs/genres/energies of music but not like i ever follow that. Sometimes i just pull up a really long nonsense video and forget to draw. Essentially: ¯\_(ツ)_/¯ -- mod star
How’d y’all come up with ur pseudonyms? (@pedanticlecturer)
I love space so much and my main blog is starryeydsailor space gay rights!! Im also tiny and full of energy and bright so basically i;m star -- mod star
Uhhhh i was like “hey i want to do uhhhhhh flower?” And then I google searched flower names until I found one I liked —- mod aster
How did you end up deciding the rough timeline of events in canon? (@pedanticlecturer)
It’s mostly determined by like. How we choose per story? If that makes sense. Like, we just take story by story, and decide “is it happening, has it happened, and when?” And then we fit them together in relation to each other just by dint of. All existing at once. Like, I knew I wanted Macbeth to be in aftermath, because like, even though there’s no murder, the way I’ve translated it to the AU is still kinda heavy, and it’s something that I don’t know that I could do properly if it were happening right now. Also, it’s more interesting IMO to have them at different times. Tl;dr we wing it per story and slot them together— mod aster (mod star agrees I just can word better, in theory)
If you could tell the story of shakespeare high in a different format than an ask blog, would you? Obviously y'all are making very good use of the format, but would you want to write this as a animated series or like? a comic book? or is the form inseparable from the story? (@pedanticlecturer)
I kinda wanted to do a webcomic or maybe to plot develop through like, animatics but the element of surprise comes from the asks we get and really makes us think so the blog is a good start. We didnt think we’d get this far -- mod star
Pretty much what Star said— there are certain elements where it’d be neat to do as a comic or as an animatic. Like, the fantasy dream is like, an anthology webcomic of each story, where you can like, see other characters in the background and stuff. But to be honest, we develop a lot by what we’re asked— there was a post about developing worldbuilding by being asked questions and then pretending you’ve thought about the answer, and it’s not far off. Personally, it’s hard to just lay out a story, because I have a whole WORLD and what’s relevant? What are people interested in? It’s by getting questions that I can then focus in on an area to develop. And yeah, we Super didn’t think we’d get this far lmao — mod aster
Any headcanons about your characters that you don't think will ever come up on the blog through asks or plot posts? (@pedanticlecturer)
I could make a whole separate post for this!!!!! Mostly its voice headcanons (and by mostly i mean like 1 or 2) or relationship hcs!!!! -- mod star
Honestly same. I don’t think I have voice headcanons for mine, though I bet I could find some. I’ve got a bunch of miscellaneous headcanons that just kinda float around, but like they’re scattered, too numerous for this post, and also not always things I’m sure are canon yet.— mod aster
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mapowrites · 5 years
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Misericórdiae (Erwin/OC)
Chapter 11: I Know
[ I ] [ II ] [ III ] [ IV ] [ V ] [ VI ] [ VII ] [ VIII ] [ IX ] 
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The clock struck two o’clock in the Supreme Commander’s meeting room, and as if on queue, the latter called a close to the assembly. The handful of high-ranking officers saluted their Supreme Commander before leaving the meeting. Erwin followed in the steps of his superior as he stood from his seat, a disgruntled look plastered on the commander’s face. Their request for additional funding had just been denied, and the Scouts had no other choice but to indeed throw a sponsoring event with what was left of their budget. This left a bitter taste in Shadis’ mouth.
“Get in touch with Duke Lichtwark; he owes me, and he’ll be able to reserve the venue. Ask him to have it ready for the end of the week. Then leave it to his wife to plan the event. After all, I doubt you joined the military to plan idiotic parties.” As they exited the meeting room, Shadis and Erwin walked together, and the commander grumbled his instructions in indignation to his right-hand man.
“And for Maria’s sake, if he asks you what colour tapered candles I want, shove the egg shell ones up his ass, would you?”
Erwin permitted a crooked smile at his commander’s misfortune and the absurdity of it all. “Yes, sir.”
Shadis, off to his next meeting in the capital, parted ways with Erwin. The blond officer steadily made his way through the immaculate halls of the military capital’s HQ, his dexterous fingers curled around a file of documents, until he spotted an unpleasant character in the adjacent hallway from him. Assertive and unwavering, Erwin’s strides never faltered as he faced the unavoidable. His fingers unwittingly pinched into the papers.
“Good afternoon, brigadier general.” The blond stopped to greet his superior out of duty.
Markus turned his head. “‘Afternoon, Erwin!” Markus replied cheerfully, and he dismissed his assistant. Left alone with the scout, the general requested to accompany Erwin, and the two men began their walk down the marble corridor.
Charismatic as always, Markus broke their silence. “So, what do you think? I didn’t know the military police and scouts were in the habit of organising parties for those pot-bellied nobles. Perhaps we should officially make it a bi-monthly event.”
Erwin answered, his eyes fixed on the walk ahead. “I can’t say I’m a fan of them myself, sir.”
“Do you think your engineers will come?”
“I'm sure they will.”
“And you'll come too, I hope. I know Ms. Reichart would like you to be there.”
Erwin paused. “I’ve no choice but to make an appearance.”
Markus hummed to himself, his eyes looking to the ceiling in thought. “I wonder what I’ll wear… Is there a knot that’s particularly fashionable these days?”
“You're asking the wrong man, general.” The blond monotonously retorted.
“What about women? Does a woman keep her promise?”
Thrown, the blond raised an eyebrow and turned his head towards Markus. “Sir?”
“Oh, you don’t know? I asked Ms. Reichart to marry me.” The man tilted his head to drink in any reaction from the scout, his lips donning a seemingly genuine smile. The malicious glint in his eyes — that only someone like Erwin could’ve noticed —betrayed his honesty.
Erwin felt his heart stop, but he refused to look at anything but what was in front of him; he wouldn’t let his reaction fuel the brigadier’s insidious remarks.
Markus continued to eye the blond, and when he elicited no visible reaction from him, he simply looked away and continued. “I’m waiting for her answer. Do you think she’ll say yes?””
“Once again, I’m—”
“Please, you seem to know her well. Help me out.”
Erwin paused for a long time, the clicking of their boots the only sound in the hallway. Reluctantly, he answered. “I suppose if it's not inconvenient to her.”
Markus let out an amused laugh. “Smith, you've become quite cynical lately.”
“Pardon my impertinence, sir, but I would rather not discuss personal matters of these sorts.”
“Very well,” The two officers reached the HQ’s exit and found themselves before a large outdoor staircase descending to the main street level. “I just wanted to tell you in advance, Smith, because I believe I know your secret.”
Something about Markus’ tone obliged Erwin to stop. The men turned to face each other, emerald meeting sky blue, and Erwin realised that all signs of facetiousness had dissolved from Markus’ aristocratic face. His green eyes mocked him.
“I’ve seen you together. The way you speak to her. And watch her. And look after her. I know her profound affection for you,” The blond’s unfaltering gaze parried the ominous glare as the air thickened around them. For what seemed like eternity, the men stood at the top of the stairs in silence.
Finally, Markus interrupted their tension when a grin broke out onto his face. He patted Erwin’s shoulder nonchalantly and laughed. “But you've behaved like a man, and as an honourable rival. I’m profoundly grateful.”
Cooly armed with a diplomatic quip, Erwin thought about replying, but they were interrupted by a sheepish soldier.
“General Schoenberg,” Markus turned to face his subordinate. “The commander would like a word, sir.”
Unruffled, the general bid Erwin goodbye with an easy smile. Quietly exhaling the breath he hadn’t realised he was holding in, he watched Markus disappear back into the building with the soldier.
Strolling down the stairs and flagging down a coach to return to HQ, he unclenched his fingers from the papers in his hand. The pages were bitterly warped.
--
Wilhelm was sitting at the desk in his living room that faced the casement window when he saw his daughter walk by in the street. Putting his pen down and taking off his glasses, he stood as the front door opened.
“Hello, father.” Lyor greeted him with a smile when she spotted him walking towards her.
She slid off her coat as they exchanged a kiss on the cheek, and Wilhelm noticed something different about her: her formerly long, ash brown hair had been cut into a bob that barely touched her shoulders. He also noticed the grim rings of grey haloing under her eyes. Not being one to vocalise these changes, the greying man returned to his desk but didn’t sit. He straightened his stacks of papers and books to put away. Despite his concern over her apparent exhaustion, Wilhelm was happy to see his daughter. He turned his head to her.
“It’s nice to see you, half-pint.”
They both exchanged a laugh at the old nickname, and Wilhelm began to organise his books onto the bookshelf beside his desk. After hanging her coat, Lyor’s lingering smile was interrupted when she noticed the now second damaged window in her father’s home.
“Father, why are the windows broken?”
“Just kids being kids.” Without hesitating, he continued to put away his books.
Her brows knit; she knew he was lying. “Kids broke two different sets of windows on either side of the house?”
Wilhelm replied with a thoughtful hum in affirmation, and took a stack of papers and quietly sat at the kitchen table a few steps from the living room. Lyor followed and sat across from him, her eyes perceptive as he flipped through some papers. “If I didn’t know you any better, I’d say you were hiding something.”
Wilhelm glanced up at his daughter from the papers he was organising. “Seems to run in the family, doesn’t it?”
Lyor searched her father’s sagacious gaze for the meaning behind his words. Afraid he would somehow figure something out if he looked at her long enough, she tore her eyes away. “I don’t know what you’re talking about.”
“You spend night and day at work. You haven’t been home in two weeks,—”
Lyor cut him off without hesitation, unyielding. “Heinrich is recovering. Someone needs to pick up the sla—”
“— you’ve been irritable and uncooperative; nothing anyone does at work is good enough for you. You snapped at Hanji, your direct superior might I remind you, whenever she showed interest in your progress—”
“I don’t like it when people interrupt me while I’m working.”
“And I don’t like it when people interrupt me when I’m speaking.”
She pulled back at his articulation, his steely tone bringing back unpleasant memories of being scolded. “Sorry.”
“Lyor, what’s going on?”
There was a long pause before Lyor looked away from him again. She spoke as if she was addressing a stranger in the empty living room; reluctant and toneless. “Do you know anything about brigadier general Schoenberg?”
Wilhelm tried to decipher the significance of her question, but found that between all of these turbulent events, his daughter had perfected that emotional veil of hers.
“The project supervisor? I can’t say that I do.” He replied as he sat back in his chair.
“He’s from the interior police, but you’ve never dealt with him before?”
“The interior police has a lot of officers.”
A cryptic silence fell between them after his matter-of-fact response, and he watched her drum her fingers on the table. After a few moments, she stood decisively from her spot and strolled to the kitchen counter where she filled a kettle.
“Would you like some tea?” She asked, dismissing their previous conversation.
Twisting around in his chair, he watched her seriously. “Why are you asking?”
“Because I’m making tea.”
Being accustomed to Lyor’s evasiveness when it came to discussing her problems, he managed to suppress an eye roll. “Your wit won’t work on me, half-pint.”
“It’s complicated.”
He couldn’t see her expression from the angle — not that it would have helped him much — but he recognised the edge in her voice. Wilhelm was a reoccurring witness to his daughter’s emotional compartmentalisation since her teen years, and he couldn’t be fooled by her ambiguity. He stood and joined her at the counter as she lit the stove, and gently placed his hand on her head. She looked at him curiously, and for a split second, he saw the same little girl that used to hold funerals for caterpillars.
The second passed, and he was left with the sight of a troubled young woman idly watching a kettle heat up.
“You’re making me nervous.” He admitted, but his daughter took his hand in hers and squeezed it. She extended him a reassuring smile.
“Don’t be; I simply don’t want to involve you. This is something I have to handle on my own.”
He watched her walk away before he could ask anymore questions. She traversed the kitchen and living room towards the stairs leading upstairs. “Watch the kettle, would you? I have to get dressed for the gala.”
“You’re really going?” He called after her.
She peered at him from in between the banister poles. “Hanji said if I didn’t get away from my desk, she’d solder my hands to it. Now that you’ve said I’ve been snapping at her, I don’t want to find out if she was joking or not.”
--
“Rick, you made it!” Rashad exclaimed from his seat as the broad man pulled out a chair from the squad’s assigned table.
“Don’t they ever think about scaling back a little?” He asked as he took a seat between Hanji and Kenji, gesturing at the ball room.
“They scaled back a lot. They cut two appetisers, cancelled the champagne fountain, and they reduced the catering staff to 21 servers not counting the point men.” Lyor replied, making room for Rick at their table.
Keiji took a swig of his whiskey. “Well, you can’t not have a point man ‘cause then what’s the point?” Tipsy, the group exploded into guffaws.
The immense ball room was full of bodies as the moon neared its halfway point, milling about or near collapse with flutes of champagne in hand and glasses of hard liquor. Some harassed the waitresses putting about, others puffed foul smelling cigars and tossed cards, chips and money on the tables circling the open area where people stood between themselves and acquaintances. These were the regular soldiers of the Scouting Legion and Military Police — dressed in their formal military attire and mingling amongst themselves — some swapping war stories, some discussing politics, and some, of course, playing drinking games.
It was comforting – how settled they were, how happy with just being. But they weren’t the main focus of the party. In the middle of the room, groups of men and women stood and chatted over their alcohol and hors d’oeuvres, while the attendees in the open space in front of the musicians danced gracefully to their serenades. They wore intricate dresses and suits; lace and glimmering jewellery. They were clean cut, their posture rigid and their expressions perfectly poised. From a glance, anyone would know these were not soldiers or heirs of poor families, posh bastards that they were.
Being here only for appearances, she watched the nobles from her spot, as they drank and talked in pretentious voices and haughty laughs – never glancing away from their circle yet always seeming aware. It was enthralling to see, in a place where looking through wool was a favoured state of mind, their eyes were opened – forcefully or otherwise – they lived without the delusions of the general populace. The higher ranking officers from the two military divisions mingled among the nobles, finding their place among them due to their ranks. Lyor spotted Shadis and a few familiar squad leaders amongst the nobles.
She forced herself to tune out the absurdity of the event after a while, sipping at the almost-empty glass of wine in her hand. She brought herself back to her squad, busy laughing and drinking amongst themselves at their table, occasionally forced to partake in inane conversation with passing nobles. They were no longer on their turf; they were in the noble world where not paying attention to your word choice could land you in the streets, stripped of rank. How obscene.
People feared Titans, called them monsters and fled from them like rats. She knew better, knew how monstrous humanity could be – how disgusting and vile. Titans were mindless, pathetic. Humans were premeditated; they could be manipulated, bought or threatened into committing atrocities that would make Titans look like child’s play. She pretended to not notice Markus between the crowd, schmoozing a group of lords.
Just as she lowered the glass from her lips, a voice spoke up from her behind her and Hanji, who sat beside her. “Ms. Zoe?”
The group turned to find a middle-aged woman standing across from them. She looked chummy, like a grandmother, dressed in a traditional dress, and a headpiece Lyor found to look slightly ridiculous.
“Mrs. Hamburg!” Hanji declared, pleasantly surprised. The squad leader shooed Rick out of his chair — muttering something about chivalry — and offered the seat to the older woman, two places down from Lyor. “It’s been a while! How’s your book store?”
“You haven’t seen it since we added a second floor, dear,” the lady replied. Lyor turned away from Hanji and the woman, resuming her previous conversation with her other coworkers. But she couldn’t help but eavesdrop when she heard his name. “Mr. Smith must have told you about it.”
“No, and that bastard never offers to pick up any books for me when he visits town!”
“Oh, he hasn’t visited since the fall, dear,” replied the older woman. “In fact, he bought a first edition Voltaire at that time. I’m not surprised that he hasn’t visited in a while — it cost a fortune!”
Lyor, who was not far from choking on her drink, widened her eyes at her words.
Hanji turned to raise an eyebrow at Lyor’s coughing fit.
The storeowner rambled to herself, “Yes, I’ve always wanted to ask him about it. He said it was a gift for his friend.”
From her spot amongst her coworkers, she had the perfect view of their commander’s right-hand man across the tables. That impenetrable man – taller than all the nobles he was speaking with – didn’t look particularly friendly. He wore expensive shoes, a brown, formal military vest with a matching waistcoat, and the angle he faced her cast a shadow over his gunmetal blue eyes – he was handsome, and he was cold, that Erwin Smith. Cold, but oh so charming. She could tell that his eyes were trying to see something else entirely as they scanned around the group of nobles he was speaking to. She smiled as she finished the last bit of her wine. He was always watching with a cunning eye; watching things beyond his area. And that was something she admired in a man.
Lyor leaned forward to address the older woman. “What was the name of the book?”
She blinked at the stranger but eventually replied, “Dictionnaire Philosophique.” Hanji eyed her friend suspiciously.
The brunette’s heart fluttered, and she suppressed the wily smirk that threatened to stretch on her face.
“I’m also curious to know what his friend thought of it. Why don’t we go ask him?”
“A-are you sure?”
Lyor stood, smoothing down her dress. She flashed a charismatic smile to the older woman, and charmed her into standing herself. “Yes, he’s a good friend of mine. Please, come.”
Baffled, Mrs. Hamburg nodded, bidding goodbye to her customer, and followed Lyor onto the floor.
Lyor watched Erwin catch their approach from the corner of his watchful eye, and he turned to the two women. She caught the slightest slip of surprise on his face before he replaced it with a diplomatic smile. He excused himself from the group of nobles, and the two women stood before him.
Though Erwin kept the observation of Lyor's shortened hair to himself, he noticed. He thought it rather suited her.
“Mr. Smith! It’s been a while. How are you?” The storeowner smiled delightfully as she spoke, plummy.
“Ah, Mrs. Hamburg. I’m well, thank you.” His voice was husky and accommodating, and Lyor eyed him with mischief at the piece of information she had just learned about him. Trying to contain her glee, she was bursting at the seams.
“Mrs. Hamburg came over here to ask you about the book you bought from her in the fall. What was the name of the book again, Mrs. Hamburg?” Lyor spoke, her voice silvery despite her thrill.
“Oh, that incredibly expensive first edition Voltaire for your lady friend. Did she enjoy the gift, sir?”
Lyor watched Erwin’s eyes slightly widen as he looked from Mrs. Hamburg to her, and it took all Lyor’s might to contain her laughter. In that instant, he looked like an innocent boy.
For the first time in weeks, her heart felt feather light.
Flummoxed, he seemed to struggle to form any words for a brief moment before the man finally pulled himself together. He locked eyes with Lyor, and she shot him a devious smirk. Amused, he managed a smile. “… I believe she did.”
Mrs. Hamburg let out a small squeal. “How wonderful! I would have been so disappointed for you if she hadn’t enjoyed it — it took me years to find such an impeccable edition.”
“Yes, in fact, she loved it so much that she refused to loan it to anyone.” With a pointed glance to the brunette, Erwin’s fruity voice risked sarcasm, but only Lyor caught on.
Lyor sheepishly offered a smile, guilty as charged. “Considering she definitely knew you bought it especially for her, certainly. If she did loan it, she would feel like an absolute cretin.”
Erwin’s smile grew. He exhaled, and he felt the tension in his shoulders release as he drank in the colour of her eyes. “I know.”
The conversation carried on for a few minutes, Mrs. Hamburg exchanging pleasantries with the officer and the young woman, before Mrs. Hamburg excused herself to find her husband — but not before falling for Erwin’s charm and promising she would convince her husband to sponsor the Legion. Thanking her, the two bid the storeowner goodbye, and were left alone amongst the sea of attendees.
“You look nice.” Erwin stated, and the two stood face to face, both of them cradling a flute of champagne in their hand.
“Yes, well, this is a really nice dress,” Lyor retorted before she returned his smile. “You’re freshly laundered.”
“It happens from time to time,” Entertained, the blond answered. “Are you enjoying yourself?”
Lyor repressed a sneer. “Actually, no, I’ve lost my cyanide capsule. Have you seen it?”
“I don’t suit this kind of affair either.” With a laugh, Erwin admitted, taking a sip of his drink as he eyed the crowd.
Lyor followed his gaze and sighed as they forlornly watched the sea of refined accoutrements. “I think it’s about time I say good night.”
“I wish I could go, too.”
Lyor’s skin prickled at the voice that came from behind them. “Oh, come now!”
Bitterly, the two turned to face the voice to see Markus approaching them: tall, provocative, and august. He seemed even more intimating than before, donning his formal military attire and a cunning smirk, drink in hand. Greeting him cordially, Lyor and Erwin were the epitome of diplomacy.
“Not before you’ve danced! Both of you. You two make a handsome couple,” Markus gave Erwin an amiable pat on the shoulder as he eyed Lyor. She couldn’t hide the forgery in her smile, but Erwin’s facade was impenetrable. “The next song is about to start; why don’t you two show me how well the Scouts dance? I insist.” He punctuated with a leer.
The deviousness spread to Markus’ eyes as the brunette and blond exchanged a meaningful but hesitant glance, until Erwin finally held out his hand. Lyor modestly placed her hand in his, and his touch was electric. Markus laughed heartily as the two of them smiled insincerely at the officer, walking away to the dance floor. With her hand tucked into his arm, Erwin and Lyor sifted through the crowd to the dance floor peppered with couples who bowed to each other when the song ended. She indulged in the opportunity to touch his arm, but she softly objected.
“Erwin, we don’t have to.”
“I’m not opposed to the idea.”
A new waltz began, and Lyor let go of his arm. When they faced each other, Erwin noticed the flush on her face. It was a time to see a woman redden who was not given to the reddening as a rule: not a point in the milkmaid but was of the deepest rose colour. In considerateness, he pretended not to notice and gently took her hand in his, and chastely snaked his other arm around her waist. He couldn’t ignore how incredible the indulgence of holding this woman in his arms was.
They fell in perfect synchronisation with the music and the other couples, but Lyor had trouble focusing. Her mind was hazy — their proximity and his scent intoxicated her: pine trees, leather and a subtle hint of cologne. All she could think about was the delightful burn of his touch on the small of her back, and the way his body towered over her own.
She compressed her lips to a demure impassivity, willing away any signs of bashfulness, and looked up at him. He smiled down at her when he felt her gaze — pure and penetrating — and an infatuated smile grew without thought on her lips. Blue eyes gazed into honey ones, and she felt as if they were the only two people who existed in that moment.
Lyor recalled the day they met, and she wondered what she had done to deserve that fateful encounter with a man as magnificent as him. She took in every detail of his features: the tenderness in his smile, his bushy eyebrows, sharp cheekbones, beaked nose, and the incredible strength in his gunmetal stare.
It suddenly became very clear to her that he was the only one for her.
--
Notes: *SCREAMS*
Although wtf is that son of a bitch Markus up to
Are we moving too fast? Thoughts?
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infinitelyblankpage · 6 years
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Ten Questions Tag
I was tagged by one of my favourite people, @ratracechronicler <3
i. Who/what is your biggest support system when it comes to your writing?
My best friend is incredibly supportive, she always wants to read what I’m working on and slaps me when I have too many side hoe projects. My parents miraculously aren’t ashamed to have a starving artist daughter, they always ask how the writing is going and for that I’m grateful. I’ve heard many horror stories about parents vs. writer children. I do also have a “Critique Partner” who kicks my arse when I’m not working enough.
ii. You forgot your lunch at home and now you’re starving, but you don’t have the time to go and get something. Which oc would gladly buy you lunch and bring it to you, but get the order completely wrong?
Lukas. I’d give him an order and he’d likely ignore it and make homemade equivalents.
iii. Do you prefer music or pictures as inspiration? Why?
Probably pictures because I spend a hell of a lot of time on Pinterest and, well, a picture says a thousand words. I do also get a lot of inspo from music, like I’d be lying if I said half the Eurovision songs haven’t added to Dark Magic in the past few days.
iv. How many novels are you working on?
Technically three, Dark Magic, the sequel to Dark Magic, and Hybrid Rising. Those are the consistent ones, inconsistently I have another four or five on top of that.
v. Which oc is absolutely brilliant, but lacks the recognition?
Probably Elisabeth from Hybrid Rising. She legit keeps Connor in check all the time, she’s the voice of reason, the brains behind the man, and when she dies everything turns to shit for Connor and the pack. She does it all with little to no thanks.
vi. If you are an avid reader, do you read the same genre as the books you write, or are they completely opposite?
Yes. I read what I write 99% of the time. 
vii. What is your favorite thing about being an author?
How seemingly complicated it is in my brain to everyone except me. Though I do have times where I have to write everything down because it’s way too cluttered up there. And my attention span sucks.  I also love the fact I can make an entire universe and its people. It’s kinda special.
viii. If you could choose any oc to hug the heck out of right now, who would you choose?
Zach, because he’d hate it. He’s allergic to affection from nearly everyone.
ix. Do you have any other hobbies/passions that sneak into your writing?
I actually don’t think so. Though one reoccurring thing is the fact that all my characters at one point or another will wear hoodies, because I wear hoodies to curb paranoia. So many hoodies!
x. If you were to write a historical fiction novel, what era would you choose?
Either 16th century or 19th. I have an obsession with the Tudors and the 19th century is just ... Victoria engineering, like I can’t even.
Tagging: @perringwrites @whollyart @parchment-and-petrichor @abbywritesfiction sorry if you guys have been tagged before
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[2/27/2015 9:48:23 AM] Evan: sup [2/27/2015 11:23:51 AM] YV??~: (So I was not ignoring this i just only ever wake up around 12 and i never change my status because i dont plan when i go to sleep. just felt like i needed to explain i was not ignoring this) [2/27/2015 3:28:38 PM] Evan: I kinda figured. heh [2/27/2015 3:29:23 PM] YV??~: so you wanted something? [2/27/2015 3:30:49 PM] Evan: Haha not particularly. It's going to sound pretty random, but I actually wanted to ask you a question. [2/27/2015 3:31:01 PM] YV??~: Ok [2/27/2015 3:32:21 PM] Evan: Cause I'm curious, and I can't remember if I ever asked. [2/27/2015 3:32:30 PM] Evan: Heh. Sorry if this is too personal, but [2/27/2015 3:32:45 PM] Evan: Why do you consider yourself a terrible person? [2/27/2015 3:42:39 PM] YV??~: Oh. Well you are in luck because i accidentally did a lot of terribly depression introspection earlier this week and have just the answer for that. From what i can put together from my somewhat incoprehansible whining. I've gotten through a lot of my life manipulating people through lying and gaining their pity all for my own gain...and probably will continue to. I tend to not do ANYTHING in every situation that would be optimal for working. I am able to somehow make people angry just by expressing emotion. and even when i find things i could fix i never try to change anything. [2/27/2015 3:42:54 PM] YV??~: just a short list of some of the things [2/27/2015 3:43:57 PM] Evan: I see. [2/27/2015 3:44:13 PM] Evan: It sounds to me like you're a human. [2/27/2015 3:46:21 PM] YV??~: Ehhh. I mean im not gonna tell people what they can think but i dont have to share anyone opinion [2/27/2015 3:47:23 PM] Evan: Haha, fair enough. I'll spare you the optimistic bullshit. [2/27/2015 3:47:28 PM] Evan: Why don't you change anything? [2/27/2015 3:48:51 PM] YV??~: That takes time. and effort im too lazy to put out. Ive tried to fix some things but i forget like a week later and stop trying [2/27/2015 3:49:40 PM] Evan: Do you not actually want to? [2/27/2015 3:52:05 PM] YV??~: Honestly, hell if I care anymore. I'm trash and thats that, Im not really worth the time or effort. [2/27/2015 3:52:29 PM] Evan: Not even your own? [2/27/2015 3:54:23 PM] YV??~: Im not really worth pretty much anything for anyone. Even thinking deeper about myself makes me feel like that was just a waste of time. [2/27/2015 3:54:49 PM] Evan: What do you do, then? [2/27/2015 3:55:50 PM] YV??~: Weh, theres a reason I have so many OCs and roughly 12 titles to my name with 6 running congruently at various stages of development. [2/27/2015 3:56:27 PM] Evan: Why do you make art and tell stories? [2/27/2015 4:01:07 PM] YV??~: I dont really have any other people around, and I dont really move from one spot like 22+ hours of the day so I gotta have somewhere to go, and someone to be. Even before I ended up like i am now barely leaving the house, I didnt have more than like 1 friend ever so those were my friends. I ended up picking up drawing from my sister seeing her do it because i thought itd be a good way to be able to really see these characters [2/27/2015 4:03:03 PM] Evan: Why do you animate them? [2/27/2015 4:06:56 PM] YV??~: Ive always been able to make up stories but when i create them i dont think of it as words, as a story would be if i wrote it down, I actually see the story's progression moving. When I create a story and characters I see them move and create the story themselves with small things i put in, and I hear them actually say what they have to say. out of all mediums of visual story-telling, animation is the closest to the original "being" of the story. [2/27/2015 4:07:38 PM] Evan: Why do you share them? [2/27/2015 4:10:20 PM] YV??~: I do that with pretty much any work i finish. Like "here i made this, heres proof it exists." Basically so i have something to show for myself, that i do have the ability to make things. [2/27/2015 4:12:29 PM] Evan: Does it make you proud? [2/27/2015 4:15:32 PM] YV??~: euuhhh...Proud? No. Satisfied with actually being able to have a finished product of some kind, even if its less than the original plan, is a little more like it. Even if I hate it later because there are things that could have been done better if given the time, its still better than nothing. And even then usually the ones i hate the most give other people the most enjoyment. [2/27/2015 4:17:22 PM] Evan: Do you make things that you hate? [2/27/2015 4:20:59 PM] YV??~: Oh yeah. Serious things that just went wrong early on and i was unable to fix, and joke things that ive put too much effort into that got too big compared to real work. I usually dont hate projects though. Even when I feel like theyre going no where and i retire the idea completely i dont usually hate those. Mostly art and animations, actual stories are different. [2/27/2015 4:28:05 PM] Evan: Does art make you happy? [2/27/2015 4:32:56 PM] YV??~: Not usually while im in the process of making it, im mostly just mind set on what it SHOULD look like. But stepping back to look at everything come together and finally become something finished usually is satisfying at the least. Some i never look at after that final moment of its creation, but some im really happy with the way it came out and end up looking at it over and over. So I suppose once the peice is made it does, in a way. [2/27/2015 4:34:34 PM] Evan: Are you proud when your art makes others happy? [2/27/2015 4:36:44 PM] YV??~: Well, i mean, i guess its nice when other people can find enjoyment out of something ive done. [2/27/2015 4:37:13 PM] Evan: Do you like making people happy? [2/27/2015 4:39:21 PM] YV??~: depends, usually i try not to sacrifice too much for other people, but sometimes i can be generous with somethings. really it depends on how I feel pretty much. [2/27/2015 4:41:55 PM] Evan: What makes you happy? [2/27/2015 4:47:07 PM] YV??~: I dont know, I tend to spend most of the day in a neutral 'emotionless' state, and most of the time any emotions I do have are very miniscule that I dont usually remember them. Though I enjoy being in the presence of other people, even without participating, people tend to ignore me 90% of the time. Thats a question that im not sure has a real answer [2/27/2015 4:50:26 PM] Evan: Do you have a dream? [2/27/2015 4:53:07 PM] YV??~: I try not to make solid plans more than 3 years in advance, so im not really sure. There's not a whole lot, at this point, that I could really accomplish by 2018, who can even say I'll still be alive by then. [2/27/2015 4:54:04 PM] Evan: But is there something you would want to do? [2/27/2015 4:58:05 PM] YV??~: Usually I just put goals on my characters, and I just exist to help them get there. I dont really see it so much as my life and things I want to do. Really the only thing id regret in dying is not that im stuck nowhere and im not going anywhere, but my characters not fufilling their roles and reaching THEIR closure. [2/27/2015 4:59:23 PM] Evan: Is there anything else that you do? [2/27/2015 5:02:50 PM] YV??~: All of my hobbies relate with art and story-telling in someway. Voice acting, singing, creating costumes and clothing. pretty much all of it is art and in some way has a story behind it. [2/27/2015 5:06:28 PM] Evan: What do you want to be better at? [2/27/2015 5:09:51 PM] YV??~: wehh..I dont know, theres a lot of things i could be better at and somethings i should be, but...im not really sure. [2/27/2015 5:22:15 PM] Evan: What do you think you're best at? [2/27/2015 5:28:41 PM] YV??~: Ive practiced various methods of drawing for years but, even though i just picked up sewing as a craft 3 years ago im better at that than i was with drawing early on. Everything else has taken since around middle school to get to a good level where i can still do it comparatively quickly, where sewing only took a year to get to that point. Overall for me it went from a beginner level to at least moderately experienced much faster than everything else. [2/27/2015 5:38:07 PM] Evan: What's your favorite thing to do? [2/27/2015 5:41:19 PM] YV??~: I dont know. Usually if im bored, and not too fed up with holding a pencil, i end up idly drawing....Its really like the only thing I do. [2/27/2015 5:50:40 PM] Evan: What inspires you? [2/27/2015 5:53:13 PM] YV??~: Usually things just pop into mind on their own. Sometimes they happen while im listening to, or watching something. [2/27/2015 5:53:40 PM] Evan: What sorts of things do you watch and listen to? [2/27/2015 5:57:06 PM] YV??~: Usually I put on miscellaneous gameplay footage or lets plays, and i pretty much switch between that and music. [2/27/2015 5:57:49 PM] Evan: What kind of music? [2/27/2015 6:00:23 PM] YV??~: It usually depends what i feel like. somedays its lighter faster stuff, somedays its heavier stuff. Somedays a combination of both, sometimes i just let my music shuffle and play in whatever order. [2/27/2015 6:02:12 PM] Evan:  Is music important to you? [2/27/2015 6:05:52 PM] YV??~: I guess....I mean some ideas wouldnt have happened without certain songs, and some projects probably wouldnt exist. [2/27/2015 6:07:53 PM] Evan: What's your favorite project? [2/27/2015 6:10:21 PM] YV??~: Honestly, there isnt a lot of public information on Mahito but ive been working with it for 2 years, and it was actually the first thing I envisioned myself actually animating. [2/27/2015 6:11:00 PM] Evan: What's Mahito? [2/27/2015 6:22:17 PM] YV??~: Its something I came up with one day, I guess the best way to describe its themes in short would be Madoka-esque even though i came up with the basics including designs before i even watched it. I guess one could say its very "magical girl" though it is not a straight female cast. It follows a team of 6 highschool students, their leader being a socially withdrawn, sucidal girl whos only real support are her brother and his best friend. These 6 people are given powers and forced into a battle thats been going on for centuries, for supremacy within a group of supernatural beings known to the humans involved as "gods." Many of these gods have no regard for the people they force to fight so long as they are able to take surpremacy in someway, since they are unable to kill each other or be killed. The team has to fight both other human fighters and "monsters", that are the remains of humans who tried to rebel against their "god", which live beyond a barrier and can threaten to destroy inncent human life. At first they look at it as their chance to help people, but eventually their powers become a burden. [2/27/2015 6:24:26 PM] Evan: That sounds really interesting. How much have you done with it? [2/27/2015 6:29:45 PM] YV??~: So far I have designs and short biographies for the main cast. As well as designs for a few of the mosters they will face, and bios for a few minor characters that still have some influence on a part of the plot. A lot of what i have written besides characters is mostly world building, information on the roles and powers each member of a 6 man team can have. Descriptions of the basic behaviors of monsters on different intelligence levels. I plan to have all the designs done at the end of this year, and the timeline for the plot fully written in detail at the end of 2016. [2/27/2015 6:33:31 PM] Evan: Cool. O: I assume it's also going to be an animation? When do you think you'll start making it? [2/27/2015 6:38:45 PM] YV??~: Ive been saying since around last year or so itll come out in 2018. It was the first thing I considered animating seriously, things before that where like that would be cool, or this scene could be animated. But this, i decided, this was going to be fully animated, i tried to start it out in a static format just to get things laid out to be adapted into an animation, but it never worked. While 2018 may be a little too ambitious, this is going to be nothing but animated [2/27/2015 6:44:46 PM] Evan: I see. [2/27/2015 6:46:57 PM] YV??~: yeh
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