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#its important but like. lets talk about the communism
mihotose · 4 months
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obviously im glad james somerton didnt make his disco elysium video but i also think its aftermath would have been extremely funny
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paintingformike · 2 years
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if the monologue was mlevens’ idea of “good communication” they need to actually reflect on how they view relationships and what they consider enough resolution to a conflict...because wdym a situation where only one side of the relationship is actually talking while the other is physically restrained and unable to respond to them and the one talking isn’t even sure if the other can hear them is a demonstration of the two properly communicating with each other 😭
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viir-tanadhal · 1 year
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i was going to post about this but then forgot but anyway i feel like it really is the case that the reason neil and chris have been still going for over 40 years and haven't had a major falling out or break is because of the nature of how much they respect each other both on a personal level and also a working partnership level
#i think the moment it clicked for me as to why theyve been together for so long is how tom watkins tried to tell neil to go solo#because he was convinced chris didnt do or contribute anything because he thought chris was just neil's bf#which is like a Whole other thing#but neil was very firm on not going solo and ditching chris and standing up for him and pointing out all of the major stuff chris does#and that neil is very self-aware that he probably couldnt be successful on his own and that chris is an integral part of the group#that really comes across with how much he will flat out say something was chris' idea even when chris is embarrassed by it#the other thing is neither of them have ever had an ego. the only circumstances is maybe when chris would get upset not being filmed#w/ the tonight show debacle that was v clearly he was in the right to be upset they wouldnt film him as if he wasnt the other member#and then that stuart price quote where he talked about how he's seen them get into arguments and disagreements over stuff#but they work through it in a way that they clearly respect the other's opinion and dont take it personally#not to mention the multiple rough personal events theyve gone through throughout their career#looping back to the ego thing the other thing is they recognize that their knowledge complements the other#like neil having never considered a bassline before meeting chris and realizing how important it was#they both bring something to the table that the other can't or can't do well#ig long story short theyve succeeded in having a long career because of the level of mutual respect in their relationship#and that they know how to communicate and work through conflicts when they happen#and at the end of the day making music together is something they enjoy and get pleasure from whether they release the music or not#they even kind of mention it in the reel stories ep with neil making sure chris speaks his opinion in interviews#i really like that he's mindful of that and is conscious of not dominating the conversation and letting chris speak#its just nice to see idk psb wouldnt fully work if they didnt have such a strong relationship#also last i promise it helps that neither of them have kids or been married so no hiatuses because of family and stuff#i mean theyve both been in relationships and given idk too much detail it seems like they made it work out#i guess i mean with neil and his 90s relationships i should say#yeah ok thats my last point hamsndndns sorry thanks if u made it this far i have a lot of thoughts
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omarwolaeth · 25 days
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It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.
#marwospeaking#The following tags are a rant. please skip if you are not interested in reading a whole rant#to be clear. actual real life ygo sure. you can call that a children's card game (even if card game is just easier anyway)#but. in universe you Would Not call it a children's card game. not even sure you'd call it a game at that point#ygo worldbuilding fascinates on different levels. and to be honest this thought came to be via the abridged Shun compilation video#because he does mention children's card game (paraphrased) often earlier on in reference to in-universe duel monsters#but. for some people it literally defines if you die or not (Shun Was/Is In A War). for others it's your ticket to not go to jail because#you're too powerful to not be let off the hook (survival of the fittest kinda stuff really)#if you even dare not show up to a match. with crowds Equal To A Football/Soccer Championship. your family is in social ruins (Yusho)#these cards house spirits. and can be used for so many varied things between ending the world. starting the world. and coldblooded murder#and treating all of that as though its below a character. not because they're untouchable. but because of an age demographic#I feel misses a point about Arc V that I'm not sure I can quite articulate without sounding fully manic#in other series too! Synchro causes the world to end because it attracts some giant anti-synchro bois (meklords)#Numbers can either possess or take the form of someone's personal desires and feelings (Titanic Moth and Hope Harbinger are the same card)#(just different monsters because two different people used the exact card)#The God cards. the sacred beasts. the whole of GX's dimensional shenanigans and most definitely Yubel and Winged Kuriboh#Even in Vrains. which is very mild compared to the previous 3 installments. its still baked in their society. Its just aggregated#into cyberspace. That's not mentioning the Tortures that revolved around duelling to train AIs on children's brains so you could have..#.. cyber immortality. and then you choose to kill the AIs that you see as like children to you - mentioned directly to your biological son#ANYWAY. tldr. Having an in-universe character calling Duel Monsters a children's card game outside of DM specifically is a fundamental..#.. misunderstanding of how important it socially is in-universe. and it'd be much more understandable for someone whose life isn't dictated#by how well he can play it to say anything along the lines of 'its beneath me!!' than fuckign Kurosaki Shun are you kidding me.#We won't make an actual point at how the social lives of people don't seem to be solved by talking as much as duelling. no. we'll say..#.. its for children so we can point and laugh at how weird it is!! Buddy I Have Fallen Asleep.#in other news exploring the navigation of a world where talking out problems would be weird without a duel to communicate should be..#.. done way more often. This world is as anti-talk no jutsu as much as it is very pro-punch no jutsu.#arc v#< because part of this was inspired off of some of Shun's abridged lines early on
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mageofmindfr · 1 month
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I'm thinking of turning this blog from only classpect analysis to just be the blog where I talk homestuck?
Like, I'd still do analysis (... sometime in the future. I'm working on it.) but also then I could talk (and maybe draw??) stuff for my AU that I've been working on for a while, or talk about my troll OCs beyond when their classpects finally show up in my askbox?
IDK I just want to do more stuff with this blog because writing these analyses takes up a casual 4+ hours to do all the making sure canon supports my theories (or at least doesn't outright disprove anything) part and recently that time of my weekends is being taken up by being Very Busy with homework (but hey, four years from now I'll be able to tell people I know what I'm talking about in regards to media analysis because I'll have a degree in that stuff, so, y'know, worthy sacrifices and all that jazz)
Uhm.
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pinkcadillaccas · 6 months
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I feel like the younger generation of queers have failed to learn the most important lesson from the AIDS crisis which is that barely 30 years ago major world governments were willing to let us die en masse because of their homophobia and racism and not enough has changed since then to guarantee they wouldn't do it again given the chance
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secondbeatsongs · 1 year
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as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally
like, on an actual flag - which was its original purpose - it looks great!
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those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!
but now look at how it looks digitally
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the pink and blue are so vibrant compared to the sad, lonely lavender!
and let's look at this statement from Michael Page, the creator of the bi flag:
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(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")
so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.
but...here's the deal
Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!
but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.
which got me wondering...what purple do you get if you actually blend 226 C and 286 C?
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oh! oh, my god.
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look at that! look at how nicely it fits between those colors!
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look at it next to the original color scheme! look at how much more vibrant the purple is!
and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!
let's compare all of them:
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(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)
look at all of the different purple options you can get just by combining these two colors!
if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.
anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.
and sometimes, I think it's okay to compensate for that.
out of all of these, this is my favorite bi flag:
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it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink
but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!
anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality
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catboysalmon · 11 months
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Birthday...approacheth. strange feelings accompanying
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brightbluekicks · 1 year
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given how productive i need to be this week it is really unfortunate to be having at least 2 different crises of self
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nasa · 7 months
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Astronomers used three of NASA's Great Observatories to capture this multiwavelength image showing galaxy cluster IDCS J1426.5+3508. It includes X-rays recorded by the Chandra X-ray Observatory in blue, visible light observed by the Hubble Space Telescope in green, and infrared light from the Spitzer Space Telescope in red. This rare galaxy cluster has important implications for understanding how these megastructures formed and evolved early in the universe.
How Astronomers Time Travel
Let’s add another item to your travel bucket list: the early universe! You don’t need the type of time machine you see in sci-fi movies, and you don’t have to worry about getting trapped in the past. You don’t even need to leave the comfort of your home! All you need is a powerful space-based telescope.
But let’s start small and work our way up to the farthest reaches of space. We’ll explain how it all works along the way.
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This animation illustrates how fast light travels between Earth and the Moon. The farther light has to travel, the more noticeable its speed limit becomes.
The speed of light is superfast, but it isn’t infinite. It travels at about 186,000 miles (300 million meters) per second. That means that it takes time for the light from any object to reach our eyes. The farther it is, the more time it takes.
You can see nearby things basically in real time because the light travel time isn’t long enough to make a difference. Even if an object is 100 miles (161 kilometers) away, it takes just 0.0005 seconds for light to travel that far. But on astronomical scales, the effects become noticeable.
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This infographic shows how long it takes light to travel to different planets in our solar system.
Within our solar system, light’s speed limit means it can take a while to communicate back and forth between spacecraft and ground stations on Earth. We see the Moon, Sun, and planets as they were slightly in the past, but it's not usually far enough back to be scientifically interesting.
As we peer farther out into our galaxy, we use light-years to talk about distances. Smaller units like miles or kilometers would be too overwhelming and we’d lose a sense of their meaning. One light-year – the distance light travels in a year – is nearly 6 trillion miles (9.5 trillion kilometers). And that’s just a tiny baby step into the cosmos.
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The Sun’s closest neighboring star, Proxima Centauri, is 4.2 light-years away. That means we see it as it was about four years ago. Betelgeuse, a more distant (and more volatile) stellar neighbor, is around 700 light-years away. Because of light’s lag time, astronomers don’t know for sure whether this supergiant star is still there! It may have already blasted itself apart in a supernova explosion – but it probably has another 10,000 years or more to go.
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What looks much like craggy mountains on a moonlit evening is actually the edge of a nearby, young, star-forming region NGC 3324 in the Carina Nebula. Captured in infrared light by the Near-Infrared Camera (NIRCam) on NASA’s James Webb Space Telescope, this image reveals previously obscured areas of star birth.
The Carina Nebula clocks in at 7,500 light-years away, which means the light we receive from it today began its journey about 3,000 years before the pyramids of Giza in Egypt were built! Many new stars there have undoubtedly been born by now, but their light may not reach Earth for thousands of years.
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An artist’s concept of our Milky Way galaxy, with rough locations for the Sun and Carina nebula marked.
If we zoom way out, you can see that 7,500 light-years away is still pretty much within our neighborhood. Let’s look further back in time…
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This stunning image by the NASA/ESA Hubble Space Telescope features the spiral galaxy NGC 5643. Looking this good isn’t easy; 30 different exposures, for a total of nine hours of observation time, together with Hubble’s high resolution and clarity, were needed to produce an image of such exquisite detail and beauty.
Peering outside our Milky Way galaxy transports us much further into the past. The Andromeda galaxy, our nearest large galactic neighbor, is about 2.5 million light-years away. And that’s still pretty close, as far as the universe goes. The image above shows the spiral galaxy NGC 5643, which is about 60 million light-years away! That means we see it as it was about 60 million years ago.
As telescopes look deeper into the universe, they capture snapshots in time from different cosmic eras. Astronomers can stitch those snapshots together to unravel things like galaxy evolution. The closest ones are more mature; we see them nearly as they truly are in the present day because their light doesn’t have to travel as far to reach us. We can’t rewind those galaxies (or our own), but we can get clues about how they likely developed. Looking at galaxies that are farther and farther away means seeing these star cities in ever earlier stages of development.
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The farthest galaxies we can see are both old and young. They’re billions of years old now, and the light we receive from them is ancient since it took so long to traverse the cosmos. But since their light was emitted when the galaxies were young, it gives us a view of their infancy.
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This animation is an artist’s concept of the big bang, with representations of the early universe and its expansion.
Comparing how fast objects at different distances are moving away opened up the biggest mystery in modern astronomy: cosmic acceleration. The universe was already expanding as a result of the big bang, but astronomers expected it to slow down over time. Instead, it’s speeding up!
The universe’s expansion makes it tricky to talk about the distances of the farthest objects. We often use lookback time, which is the amount of time it took for an object’s light to reach us. That’s simpler than using a literal distance, because an object that was 10 billion light-years away when it emitted the light we received from it would actually be more than 16 billion light-years away right now, due to the expansion of space. We can even see objects that are presently over 30 billion light-years from Earth, even though the universe is only about 14 billion years old.
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This James Webb Space Telescope image shines with the light from galaxies that are more than 13.4 billion years old, dating back to less than 400 million years after the big bang.
Our James Webb Space Telescope has helped us time travel back more than 13.4 billion years, to when the universe was less than 400 million years old. When our Nancy Grace Roman Space Telescope launches in a few years, astronomers will pair its vast view of space with Webb’s zooming capabilities to study the early universe in better ways than ever before. And don’t worry – these telescopes will make plenty of pit stops along the way at other exciting cosmic destinations across space and time.
Learn more about the exciting science Roman will investigate on X and Facebook.
Make sure to follow us on Tumblr for your regular dose of space!
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ariel26c · 2 months
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🎀Things I’ve learned about Shifting 🎀
1. Background noise doesn’t matter. I come from a Hispanic family household and let me tell you hun it’s freaking loud as hell. It’s like a zoo lol but guess what? I still shifted. At some point you will start to feel your CR kinda “fade away”. I have been in this state where I am in between my CR and DR. I can hear background noise from my CR but I still feel like I’m in a different room or I hear sounds from my DR as well. Has anyone experienced this?? Let me know, I’m curious 🤨
2. Have patience. Allow yourself to relax and naturally connect to your DR. Don’t stress about having random thoughts or having an itch or things like that. Have patience with yourself like seriously you got this babe. Sometimes for me it’s feels like it’s takes 1 or 2 hours until I feel fully connected to my DR. (It’s different for everyone btw) you may take less time than I do. Those things don’t matter if you decide that those things don’t matter.
3. Methods really aren’t needed. If you think about it all methods consist of the same thing usually. It usually consists of affirmations, visualization, subliminal audios, meditation, counting, blah blah blah. If you want to use a method, then do that but don’t force yourself to do a method that doesn’t resonate with you. If you don’t like counting, then don’t count. If you don’t like visualizing, then don’t visualize. Change things up a bit and listen to music that reminds you of your DR or do something that you think is fun.
4. Just because some people like to lie about their shifting experiences doesn’t mean that shifting is fake. Just like in every community there is going to be people that are dishonest or don’t have the best intentions but that doesn’t mean that shifting is a big inside joke. Don’t allow these people to discourage you from shifting to your DR or make you doubt in its existence. Don’t depend on other people's content to feel motivated or believe in shifting. Just KNOW it’s real and motivate yourself to shift. (even though motivation isn’t needed to shift)
5. Shifting is Real. I think we all should know this by now, but I don’t think people really fully understand just how REAL shifting is. I mean you are going to be able to use all of your senses. You will be able to taste food, see your reflection in the mirror, talk to people that may be considered as fictional in this reality, etc. The process of shifting is safe but if you are shifting somewhere that has violence or gore make sure you script your own well-being. High pain tolerance, no trauma, etc.
6. Time isn't important. Just because it's been 4 years or 5 doesn't mean you can't do it. Time doesn't apply to shifting because time is just man-made thing. We created the concept of time not the Universe. Don't blame the Universe for your "Failure". (Spoiler alert: it's not failure) You just need to realize that no matter what, it will happen. It is completely inevitable. Some people have shifted after 5 years so don't give up! It will be worth it.
7. You can't fail at shifting. When you do your method, you will shift to your DR or shift to your CR. You shift all the time. We are constantly shifting consciously or unconsciously. Manifestation and shifting are very much closely related. (But that's another discussion for another time) Just like how we are manifesting on autopilot we are also shifting on autopilot. So, when you do a sleep method, and you wake up in this reality instead of your DR you still shifted. (Just not to your DR) (Get it?)
I hope you found this post helpful! :)
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Okay time for the PBS Kids essay
Read it under the cut!
:readmore:
In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.
Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.
Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.
Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.
Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.
This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.
For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.
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Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.
Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.
Just one year after the debut of Mr. Roger’s came Sesame Street.
While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.
While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)
At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.
Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.
White actors were and still are a minority on show.
In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.
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It doesn’t get more explicit than this.
I want to point out this comment because it’s funny
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You’re telling me this bitch isn’t Hispanic???
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Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?
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That’s right. Non-white focus.
These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.
Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.
It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.
Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.
Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.
A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”
One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”
There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.
Sagwa, the Chinese Siamese Cat
Created by Chinese-American woman Amy Tang
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Dragonfly TV
Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups
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Maya & Miguel
One of the network’s first Hispanic-led shows
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SciGirls
I shouldn’t have to explain what the goal of this one was.
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Molly of Denali
When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!
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It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.
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Disney Jr. could never. (Other than trying to teach colorblindness, of course.)
I’m gonna have to cut this into two parts, since I just hit the image limit
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dcmcboxers · 6 months
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My shout-out to queer youtubers
Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!
let's talk about stuff/Sarah Zedig
If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.
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Pamphleteer
No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.
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Turbo Queer
Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.
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Kaz Rowe
Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.
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drapetomania
drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!
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I am error
Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.
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Swolesome
For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.
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Shonalika
Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.
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Vivian Strange
Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.
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luveline · 6 months
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jade i am begging on my knees ….. any time you are up for it …… it would make me very greatly happy to see something with a bombshell!reader x hotch <33333
The office is hot today in the midst of a ninety degree summer, and your coworkers have been forced to strip down to their lightest layers, the women in linen blouses, men with their shirt sleeves rolled up high. Spencer has ditched his sweater vest reluctantly, cooling himself with a makeshift fan fashioned from printer paper, and Emily huffs next to you at her desk, overwhelmed. 
“How aren't you hot?” she demands to know. 
You lean back in your chair with a demure smile. “Mind over matter.”  
She rolls her eyes. “I shouldn't have asked.” 
Hotch's office door opens. You turn in your chair to watch him appear —even Unit Chief's get hot, apparently. He looks flustered in the heat, pink-cheeked and hair skewed ever so slightly, the most unmade you've ever seen him at work. 
You could get used to it. 
He feels you looking, narrowing his eyes. You'd like to think it was playful. For Hotch, it is. 
“Hot, handsome,” you say. 
“I'm fine.” 
“I wasn't asking.” You beam at him. 
“Enough. You know the rules.” 
He doesn't seem too mad, but he's right; you know the office rules. Don't flirt, don't start, and don't text him inside of work hours unless that text pertains to work itself. You'd started calling him instead —what are you wearing right now?— and he'd decided that text now meant any communication lest you find another loophole. You're pushing it. 
“Ah, the rules,” you say, throwing your arm across your eyes in mock distress, before peeking under it to see if he's watching. He always is. “You know rules aren't made for people like me, handsome.” 
“Stop it, final warning. Or I'll have you moved.” 
He makes being his girlfriend very difficult. You roll your shoulders and drop the act. “Hey, I need to talk to you about something.” 
“Afterwards.” 
“No, right now. Please? It's important, I swear.” 
He gestures for you to come up. You take the stairs and cross the landing to his office, where he's already stepped back inside to open the window even further on its hinge. There isn't much wind to breeze, but there is a palpable difference between his office and the bullpen. You join him at the window and let the barely cooler air fan your face. 
“What's wrong?” he asks. 
“Can you give me a quick kiss? It would really lift my spirits.” 
He laughs somewhere deep in his chest. “No, honey. Now tell me what you wanted to tell me.” 
“I have a doctor's appointment next week, on the 13th. It's a Wednesday. I was hoping for PTO, but I can take a sick day if that's not agreeable.” 
Hotch gives you the side eye, brows gently furrowed. “Everything okay?” 
“Wouldn't you like to know.” 
“I would, actually.” 
“Yeah, well, you'll have to beg for it. Not everything in life is free, Hotchner–” You break into laughter as he grabs your waist, not expecting it, your hips tender as he squeezes. “Ouch, you're kinda handsy, you know that?” 
You sound beautiful like this, laughing as you talk, so happy it lines every word. Hotch pulls your front to his, arms crossing casually behind your back, his eyes expectant. “Tell me,” he commands smoothly. 
“Because you asked so nicely, I'm just fine, but I've been feeling a little under the weather. I think I'm anaemic.” 
“And this is the first time I'm hearing about this because…” 
“Because I'm not allowed to talk to you at work!” 
He rolls his eyes as you drop a considerable amount of your weight against his arms. Usually, Hotch would meet your eyes and say, You're punishing me for a rule created out of necessity, or something to that effect, but, despite everything that might say otherwise, he really likes you. Loves you.
“I know, honey, I'm sorry. Maybe we can… allot you a few texts a day.” He analyses your expression. “One a day.” 
You squeeze his naked forearm and lift up to kiss his cheek. He stays completely still while you do it, beside the small stroke of his thumb where it rests on your back. “Thank you. I'll leave you alone now, or we might get caught fraternising with one another and lose our jobs. Oh, wait, that's not actually going to happen–” 
You burst out laughing as Hotch once again squeezes your waist in warning, the hint of a smile on his lips. 
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honeytonedhottie · 8 months
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feminine body language⋆.ೃ࿔*:・🧁
90% of communication is body language, the mind is connected to the body. body language is so important to how u perceive urself and how others perceive you <3
DISCLAIMER : everything in this post is things i've noticed, and other girls have too, its little tips and tricks on how to be more feminine with ur body language if u wanna apply then do you but if this doesn't resonate with u then u dont have to take it~
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UR WALK :
ur walk is what ppl see when u walk into a room, and when u walk with confidence you literally FEEL confident. the most feminine thing to do when walking is walking with ur hips.
the best way for it to become natural is with practice and repetition ofc. practice walking in front of ur mirror, the point of this is to have open hips. if ur hips r open, then walking with ur hips will be easy peasy.
the more flexible u are, the more naturally and organically walking with ur hips will be, i recommend yoga and hip mobility exercises.
POSTURE :
envision that u have a string attached to the head of ur spine and its pulling u up, kind of like a puppet lol. walk with ur back straight and ur chin parallel to the floor. also, keep ur shoulders back and ur chest out.
some ways to help practice posture is by using back trainers, pilates, and ofc yoga
WHAT NOT TO DO :
dont ever walk into a room with ur head down
HAND GESTURES :
a feminine thing to do is talking with ur hands, using hand or bodily gestures to express urself while communicating, is literally scientifically proven to add emphasis and structure when u talk.
the main thing i've learned about when researching feminine hand gestures is tilting ur head when ur listening or thinking, touching ur arms or neck etc.
movements should always be SLOW, dont be rushed, slow down ur speaking, walking, bodily gestures, etc. take ur time and collect ur thoughts, dont be in a rush and dont let ur thoughts be all over the place. its all about control.
OBVIOUSLY dont over-do it but u get my point right?
EYE CONTACT :
practice eye contact, ik its a bit weird if ur not used to it but genuinely give it a try if u want <3
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lovehours · 4 months
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everyone has commented on this scene already but i just need to talk about how insane it really is. wilson giving up after trying to find furniture he’d truly love because he’s never really gotten attached to the places he lived before even with his previous partners… which is why he’d just let them do the decorating. he was opting more for comfort than actual care for the homes he would live in.
but this time he got something only house could use. something he knew house would enjoy. i love how he just affirms that he does let others define him... but it's house specifically who does so. like this is the guy who helped ruin all of his marriages after the first one (low-key ruined wilson's attempted reconciliation w/sam later too)... house is the most important person in wilson's life. no matter how much the things around them change, they’re a constant in each other’s lives and wilson is more than okay with that. the fact that he used furniture to communicate that is so... its just so them idk how else to describe it
i can only imagine the gay ass smile wilson had on his face as he picked the organ out and thought about house’s reaction when he’d come home and see it. just crazy. they really should have fucked here
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