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#is that how the dark side works?
thebibliomancer · 1 month
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Palpatine is such a troll that he can honestly say “your hate makes me stronger”
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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foundfamilynonsense · 6 months
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Y’know. Anakin was a real asshole in Ahsoka’s hallucination.
Like. She mentions something about what she’ll be able to teach her padawan one day, since all she’s being taught is how to be a soldier, and Anakin’s like “teaching’s not all it’s cracked up to be”
And like. Asshole move. And Ahsoka rightfully calls him out on it. And he goes on the whole “uuuh I was joking. Lighten up.” Literally a complete jackass.
But beyond how he answered the question, it’s a valid complaint Ahsoka is bringing up! Anakin’s teaching her how to live or die. But Ahsoka wants to be taught how to be a jedi.
What happens after the war is over (order 66 never happens) and she now has to navigate a galaxy without a war? The Jedi take teaching very seriously there’s no greater honor than teaching a padawan. And she’s not being accurately taught, so she will not be able to pass anything on to the next generation.
But Anakin brushes it aside because he simply does not respect her or her wishes. Like. He never wanted a padawan, despite teaching being foundational to the Jedi. And he only took ahsoka in because he started to like her and became attached to her. He doesn’t care about jedi legacy, not really. So he brushes her comment off with a joke.
But in the rest of the vision… idk it didn’t feel like we were supposed view Anakin as entirely wrong here. He wasn’t in the right, he was definitely channeling Vader and being an ass, but he was basically the reason Ahsoka survived the fall, right? Bc he was making her choose life? When Ahsoka wins against him it’s sort of like she’s both learned his lesson and moved beyond him. And then for the rest of the season he’s only talked about in positive ways.
And like. That one line ahsoka said was really powerful in relation to the entire point of the show. What does she have to pass onto her own padawan (Sabine) if she wasn’t properly trained herself? That is, perhaps, the only valid plot question asked in the entire show. And it doesn’t get an answer. It’s never even brought up again.
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avisisisis · 2 months
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I know everyone likes to make fun of Ezra for believing Maul, but I honestly really liked that, because. Like. He's been working so hard to learn to trust people again. His new-found family is teaching him how to open up and how to let himself love others without being too afraid of losing them to connect
And he doesn't immediatly trust Maul, which shows that even if his trust issues are much better now, he's still not stupid and knows to be careful around strangers, especially if you found them inside a Sith Temple
But. Maul shows and tells him what he wants to see; he acts kind with him, reassures him when he's in doubt, and manipulates Ezra (who is a CHILD) into beliving in him so he could get what he wanted
Then he betrays him, and by blinding Kanan, he proves Ezra's 'little me' right
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druidberries · 2 months
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after Seb talked with Griffin he informed Elowen of everything he'd told him, and told her he absolutely still wanted to become a vampire. luckily for them, Elowen may or may not have met one of the most infamous vampires out there, and she could definitely get him to turn Sebastian. the first few days after being bit were strange for Seb, it was hard watching Elowen bake and not being able to eat it :( his neck hurt and he started feeling cravings for something he certainly never did before.
once the turning process had ended and he was officially a vampire the very first thing he did was uh...break in the new coffin with Elowen
previous // next
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HE IS SO CUTE I HAVE BEEN WAITING SO LONG FOR THIS
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orange-artblog · 1 month
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dark cream week: day 7 - white smoke
shattered by galacii-gallery
cross by jakei95
dark cream week by @zu-is-here
a bit brighter below cut
i made a little extra for this :]
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icantdothistodaybruh · 8 months
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Was thinking about organizing all merch I've gathered over the year for a loooong time, and finally got myself a day to do so... AND i'M SO HAPPY WITH IT AJJDFSKOASAKS CAN'T TAKE MY EYES OFF OF IT
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Most of it is from the ones of my favorite artists - висит груша and Forte.khom, some stuff is my own, the rest was gifted to me by friends (I love u all beyond any comprehension) Will be hanging this beauty right on top of this little exhibition💅💅💅
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crimescrimson · 15 days
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Ada Wong & Leon S. Kennedy: The History [ Resident Evil 4 (2023) ]
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carefulfears · 9 months
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thinking about "you have a life" / "i don't know what i have" + "what do you want, dana?" / "i want everything that i should want at this time of my life" + the perceived shame in scully's loss of normalcy... "unlike you, mulder, i would like to have a life" + "do you believe in the afterlife?" / "i'd settle for a life in this one" + "don't you ever want to just stop? get out of the damn car? settle down and live something approaching a normal life?"
her friend ellen saying, "well, first you have to get a life." tara, pregnant with their christmas gift, saying that life before one grew inside her was "somehow...less, just a prelude," while barren dana cries in the kitchen. "i know you and dad were...disappointed...that i chose the path that i'm on."
thinking about how mulder said, "this is a normal life," and how she smiled. (he doesn't know any different). how, in the end, he said, "hey, scully? i know it's not your normal life, but thanks for coming out there with me."
(christmas before quantico, "i guess i'm afraid of making a big mistake. dad thinks i am." and missy's response: "it's not his life, dana.")
her application to adopt emily was rejected: "you're a single woman who's never been married or had a long-term relationship. you're in a high stress, time intensive, and dangerous occupation."
bill's reaction: "sounds like something your partner would say. this isn't about any little girl, dana. this is about you. it's about some...void, some emptiness inside you that you're trying to fill."
and mulder to the judge: "the fact that she can adopt this child, her own flesh and blood, is something i don't feel i have the right to question, and i don't believe anyone has the right to stand in the way of."
(that last christmas with missy before everything: "there is no right or wrong. life is just a path...just don't mistake the path for what is really important in life. the people you're going to meet along the way. you don't know who you're going to meet when you join the FBI. you don't know how your life is going to change, or how you're going to change the life of others.")
and ultimately, it all leads to a leather couch. and after contemplating that sacrifice of normalcy, what she should want, the decisions she could have made, she says, "i once considered spending my whole life with this man...what i would have missed."
she could've been a doctor, like her father wanted. she could've settled down, married waterston, had a normal life, like her friends and brother wanted. but what would she have missed?
"what if there was only one choice and all the other ones were wrong?" / "and all the...choices would then lead to this very moment. one wrong turn, and...we wouldn't be sitting here together."
#i truly believe that what's made this show so lasting and rich to so many generations#is how completely in touch with raw human experience it always was. there was always this kind of bleak undertone of...this is how it is...#and very rarely was it ever overcome or accepted or boldly subverted. it just was.#the pressures and the grief and the traps of abuse and trauma and power structures. this is how it is. this is how it feels.#'people thought the storyline and characters for x-files made it a 'dark' show but i never saw it that way.#i always thought mulder and scully were the light in dark places.'#my favorite quote about the show and why i think it's so comforting. it's the harsh reality of the world#of which mulder and scully are not exempt#but it's also mulder and scully going wherever they are needed with their unending kindness and their perseverance and their passion#and they bring all of those things to each other too. that's why she chose THIS life. despite it NOT being normal.#despite it NOT being what her father wanted for her. despite it NOT being easy. she chooses it over and again#because he is bringing light to dark places and she wants to be where he is and she wants to be doing important work. she wants to be#'on the side of the victim'#and that's rarely supported by societal structures and it's hard. but like she says#what would she have missed??#txf.txt#you people make me crazy when you dismiss her decisions and act like she Ruined Her Life or mulder Ruined Her Life#congratulations! you've missed the point!#all things#emily#dreamland
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laundrybiscuits · 2 months
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I've recently been tagged in a few WIP/"last thing you've written" type games, and…to be completely candid, I haven't been writing any kind of fic lately because I've become a little bit obsessed with analyzing the Broadway revival of Merrily We Roll Along.
Not for any particular purpose, I just saw it at the Hudson a little while back and have a lot of feelings about it! In my tiny scraps of spare time, I've been working on an essay about Merrily and inevitability that will probably end up rotting in my google docs*, because that's how I approach writing as a hobby.
There's just so much there, holy shit. I'm focusing particularly on "Franklin Shepard, Inc." because Radcliffe's Charley brings a frenetic, desperate vulnerability to the performance that reads so, so differently from earlier productions. Throughout the show, I was consistently blown away by the heavy lifting Radcliffe, Mendez, and Groff do in shifting the core tension from "art vs commerce" (fine but basic, and difficult to keep modern) to "how people prioritize different types of relationships in their lives."
In an effort to make this slightly less wildly off-topic for this blog: this has gotten me thinking about the way that platonic relationships are treated in narratives, particularly but not exclusively in fandom.
"Found family" is and has always been a popular trope, but I do think its current incarnation trades a lot on the underlying fantasy of relationship permanence. When we recategorize friendships as familial relationships, we're making a claim—whether or not it's justified—about the indelibility of those relationships.
That's not inherently bad (or, god forbid, problematic). I think it's very very natural, especially for those who don't necessarily have a lot of experience with the way adult friendships change over time. Why wouldn't you want something as precious and unique and amazing as a good friendship to stay with you forever?
Certain people can feel like pillars of your world, and it's fucking terrifying to think about that being yanked out from under you—or even worse, to think about your lives slowly shifting like geologic plates until suddenly you realize it's been weeks, then months, then years since you last really talked.
CHARLEY: We're not that kind of close any more, the way we used to be. And a friendship's like a garden. You have to water it and tend it and care about it. And you know what? I want it back.
It's a peculiar, particular kind of grief when it happens, because even though it's a fairly common human experience, it doesn't get socially acknowledged in the same way as e.g. a romantic breakup.
So yeah, it makes a lot of sense that found family is a popular trope in all kinds of media, not just fandom.
However...at this point, I've developed a knee-jerk wariness to the phrase "found family," because I've found it often correlates with a really flat, simplistic depiction of human relationships. In extreme cases, it simply recontextualizes a relationship within the socially acknowledged/acceptable framework of a stereotypical family unit.
This does a disservice to familial and nonfamilial relationships alike. Every family is different, so why do so many found families in media look the same?
(I was monologuing about this to my very patient girlfriend, and she pointed out that this also sets up a success/failure binary condition in relationships, where permanence is the arbiter of success in both romantic and nonromantic contexts. She is of course both beautiful and correct!)
I have friends with whom I can sometimes share a glance and know exactly what they're thinking. I even have a running joke with one friend about the sheer number of times we've said the same thing in unison over the last 15 years. I still need to be intentional about building those relationships, extending empathy when we differ, and carving out time to reconnect. Truly intimate long-term relationships of any kind involve disagreements, conflicting priorities, and negotiating and renegotiating boundaries.
Being "basically the same person" or "sharing a braincell" actually sounds super fucking lonely to me, personally, and it handily elides the difficult, essential process of keeping people in your life.
FRANK: Old friends let you go your own way. CHARLEY: Help you find your own way. MARY: Let you off when you're wrong. F: If you're wrong. C: When you're wrong. M: Right or wrong, the point is, old friends shouldn't care if you're wrong. F: Should, but not for too long. C: What's too long?
That's a more complicated and much more mature narrative to tell than "friendship will save the day!" Because it's not that common and there's not a deep bank of references to draw from, it takes a lot of effort and skill to depict well, and I don't blame creators for not wanting to let it suck up all the air in the room. However, I think it's important to acknowledge that platonic relationships can also be flanderised and flattened.
In the context of fandom, which has always traded heavily in Romance genre conventions, I would really like to see more thoughtful explorations of complicated nonromantic relationships. I'm not even talking about genfic here! I've actually been thinking about Stobin specifically because that relationship (rightly & understandably) tends to show up in any Steve-centric fic, including the vast ocean of Steddie fics, so it makes the issue slightly more visible than I've seen in other fandoms.
I'm not saying I want to see them fight, or not be friends, or not love each other fiercely and near-obsessively in the way that lonely teenagers can. I'm just saying I want them to be distinct individuals who view the world in very different ways, and choose each other anyway. They already have a complicated past; I know from personal experience that it's possible as a lesbian to be best friends with a guy who once made a little speech about how into you he was, but that little layer of history never quite goes away.
I don't want frictionless relationships in my life. I want people who will challenge me and whom I can challenge, in the context of love and trust. I want people in my life whom I have to work to understand, because my life is richer when I do. And sometimes, I want narratives that will reflect the grief of friendships that are no longer part of my life, despite the best efforts of everyone involved.
In Merrily, Charley sings, "Friendship's something you don't really lose—" but Radcliffe's thready, pleading delivery makes it all too clear: Charley already knows he's lying. The audience just needs to catch up.
*Other essays in that particular graveyard: understanding the cast of Peanuts through the lens of anomie, humor and subversive linguistic nationalism in 00s Singaporean TV, how to fix Miss Saigon. WHY am I this way.
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multifandomaceflux · 10 months
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The Dark Side
@amypihcs and @jelloduckie , you know what you did
To the rest of you, sorry for the zero context heheh
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completeoveranalysis · 8 months
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[7]
OH NO NOW IT’S CATCHING
NOT THE MARKETPLACE HIMBO ;_; His Kenergy was unmatched
The split screen between Fai and Kurogane as they go Full Intensity Mode is FANTASTIC though. Kurogane’s sword is OUT and READY FOR THREATS. 
Luckily the people mostly just seem to be threats to themselves more than anything at the moment but it’s good to be prepared
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OHHHHHHHHHH Oh dear that is bad
The time loop could sustain itself comfortably potentially forever as long as everything was the same and there were no changes, but the second they arrived things grew less and less stable, and the more new things they did the more this escalated.
To the point where now when they’re asking new questions people all around them are just coming apart at the seams and the entire time loop is collapsing. 
The really interesting part is that this is probably a bit of a parallel to what Evil Wolverine is doing to the universe at large - where things are all nice and working just fine as long as everything is contained within the rules that run the universe, but the more Evil Wolverine pokes holes in the timelines and disrupts things with his plans, the more the logic of the universe starts to collapse around itself and things just generally start falling apart. It’s like a slowly escalating entropy scale that suddenly starts to tip the heavy it gets - and I assume his plan is to get it to flip entirely so he can finally just do what he wants and the rules can’t stop him.
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And CONFIRMED: Kurogane and Fai both read them as alive, so they are living beings in some sense or another. 
Which has that LOVELY CLAMP TWIST OF THE KNIFE, where we could already guess that they were alive due to the cues given, but they didn’t confirm it in the narrative until AFTER they all started falling apart right in front of us. 
:D It’s the CLAMP way!
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kirbyliker12 · 10 months
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This is the deepest I can delve into how I view them n their implications through imagery before it bcomes incomprehensibl 😙😙😙😙maybe I’ll do a tiny bit of elaborating in tags idk(this was mostly an excuse to practice drawing dranzas head)
#kirbyliker12png#dark taranza#taranza#Susie haltmann#parallel susie#man there was Barely any info on dark taranza🥸poor guy I miss him(not really)#nyway I have no idea on how da dark mirror works (nobody does really)#I don’t even know what the mirror even DOES#why does he look so similar to magolor soul they can’t just do that#is dtaranza like. taranza if nobody was there 2 help him n if he just turned to a path of loneliness for what he wants#(taranza voice) wow if I wasn’t surrounded by the beauty of nature n friendship I’d probably destroy the world to bring joronia back😋😋#IDK ik it doesn’t make much sense but😏I love taranza having world ending potential#not in terms of ‘I’ll use this EVIL artifact n it’ll use me’ but in’wow dis guy is so op good thing he’s on your side ahaha’#also I reely lauv how her dads demise is entirely suzys fault#the Japanese version specifically says she wanted to ‘make him pay’#so she really did intentionally want him to get a bit hurt#she’s also more emotionally vulnerable in the aftermath instead of going ‘ermmm this wasn’t calculated🤓what a nuisance!’#instead of taranza where it’s more like unlucky Suzy is entirely the problem and she knows it#oh yeah parallel Suzys hm well it’s kinda endearing how she still treasures her dad#even though the Suzys ditched their pin#I don’t think original Suzy has a likeable personality n that she’s aware of it but can’t do anything to change it#AGH it’s l8🥸why do I always post at night anyway#oh man can’t wait for da morning where I find how messy these thoughts are
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madhyanas · 2 years
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think of one single clone trooper, not particularly remarkable or skilled or noteworthy in any way beyond any other average soldier, who lies awake at night. he stares at the ceiling above his bed and listens to his brother, sprawled in the lower bunk, snoring lightly.
he can’t sleep. the sheets itch. he thinks of how after tomorrow’s mission, he might not hear that snoring ever again. he scratches his cheek as he feels a light tug in his chest. he blinks.
tomorrow’s mission will be tough, he thinks idly.
dark eyes filter into a watery, sickly yellow.
he stares at the ceiling.
not all his brothers will make it back. they never do. more are made every day but with no less than morbid curiosity, he wonders what the numbers are like. what the felling and sowing of the GAR’s troops look like, to the republic’s pencil-pushers. to the senate. the harvest of his family. they’re planted and grown and tweaked and chaffed and ground up and squeezed into pristine standard-issue armour.
his eyes have remained open all this while, staring hard into the inky blackness. they begin to water.
not all of his brothers will make it back tomorrow.
he blinks again, and it - whatever it is, he hasn’t noticed it - is gone. flickering amber melts back into the deep, dark brown of freshly turned soil.
the familiar rumbling below eventually lulls him into a fitful sleep. in the morning he won’t remember what he dreamt of, save for the rustling of cornstalks in his ear. a big open field, perhaps, of young, tender seedlings. the glint of a sickle in the distance.
the tugging in his chest doesn’t stop.
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short-wooloo · 1 year
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"Some people fell to the light side"
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quietwingsinthesky · 19 days
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morally i can’t agree with the relentless queercoding of villains to make them seem more threatening to the straight heroes. on the other hand im only human and when the predatory gay villain starts being seductive i go awooogaaa 👁️👄👁️ more please
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