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#is anyone still around
angelfic · 4 months
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annabeth and grover frantically submerging percy in water the way you’d put an iphone in a bowl of rice
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canisalbus · 20 hours
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*carefully picks you up and peeks into your conch snail shell*
Ehm... Sorry to bother, but... Could we, maybe, possibly... see Vasco's wife and her lover pictured by your hand? Sorry again, thank you for listening. Take care.
*delicately lays you back into the water to prevent any stress or dehydration*
Unfortunately I don't have her lover figured out yet, but I think Ludovica looks something like this:
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ghoulbats · 2 months
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well….it finally happened
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exewing · 3 months
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breaking my 5 year silence
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napping-sapphic · 8 months
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I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay
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b4kuch1n · 2 months
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podcast people in my phone
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tomiyeee · 1 year
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likes the smell of pineapple-scented air fresheners while (sort of) implying that he doesn’t like real pineapples
likes drinking out of pineapple cups
??? i don’t know what to make of this but the presence of the pineapple seems intentional
hates the combination of pineapple and ham
...why does this man have a more complicated relationship with a god damn fruit than some shows have between its own characters???
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gabe-lovebot · 1 month
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hello councilnation how are we feeling
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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mysterycitrus · 24 days
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i think isolating the bats from their teams and external support systems is like….. functionally bad. like wdym red hood is on dicks speeddial but his actual soulmate donna troy isn’t. why is everyone in gotham. why do these people have no friends
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swagyna · 2 months
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atem can you fucking chill for FIVE SECONDS
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saintbleeding · 5 months
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it’s a horror tragedy. people are mean and uncharitable and impatient with him and don’t give him the benefit of the doubt because he is the protagonist of a horror tragedy. u are supposed to think it is tragic. dare i say u are supposed to be horrified.
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in-the-multiverse · 5 months
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You only knew a world of caution, mistrust, betrayal
Never the soul bound, to care and look out for someone…anyone
Never the tightly woven teams, to trust a chosen few and cherish each hour with them
No wonder you look around and ask
“When did everyone go soft?”
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ahaura · 2 months
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im sure its been said already but as the election draws near more and more liberals will come out of the woodwork to shame people with a conscience to give away their vote to the democrats for free. i'm already seeing posts saying "why aren't people more concerned about a trump presidency?" you want to know why? it's because people already know he's bad. everyone already knows what he is and what he's done and what he'll do. there's nothing to discuss. he's a racist despotic worm of a man. there's nothing else to say.
biden is currently president. the genocide is happening under his watch. he's the one funding isra*l and arming them; he's sidestepped congress more than once to give them weapons. by oct. 27, the biden administration already knew that "Israel was regularly bombing buildings without solid intelligence that they were legitimate military targets." the state department/biden have engaged in atrocity propaganda, cast doubt on the legitimacy of the death toll recorded by the gaza health ministry, and so on. the united states is currently in the process of trying to pin the "war in gaza" on netanyahu (see sen. schumer's speech) after months of backing blatant genocide as a means to act as if they're "doing something" about the genocide (Instead of, say, threatening to cut off all aid to israel with the condition that all hostilities in gaza, the west bank, and occupied jerusalem are halted immediately and permanently, allowing palestinians freedom to travel, allowing aid into gaza, etc etc etc.)
the long and short of it is that liberals view their own lives as being worth more than palestinians'. that's it. they'll vote for another 4 years of the guy ushering in genocide and supporting apartheid + settler colonialism because he isn't outright attacking them (despite various laws and rulings happening both at the supreme court level and at the local level all over the country that will endanger people). they'll settle for the illusion of safety and security and shame anyone with a conscience and accuse them of "supporting the republicans" when in an actual democracy you would be able to use your vote as leverage to extract concessions from those who want to be elected. that's how it's supposed to fucking work.
democrats are not owed people's vote. if biden loses, it will be biden's fault; it will be his campaign's fault; it will be the democrats' fault. trump is bad; the republicans are bad. we already know this. this is not an endorsement of either. but if democrats are too cowardly and feckless and servile to the motivations of the american empire and never do anything for their constituents then why the fuck should anyone vote for them. you want to get mad at someone, why don't you do something useful and stop worrying about team-sports with a purely selfish basis and start hounding the people in power who are supposed to serve you, the voter.
#i think i already said this and frankly idc#uspol#📁.zip#to me personally it's abhorrent and vile to tell palestinians 'biden is facilitating the murder of your people culture and history but you#still have to vote for him!!1' like how is that not unbelievably callous and ghoulish#frankly speaking. a lot of this 'you should be concerned about trump' is going to turn into#blaming palestinians and arabs and muslims and anyone remotely with a conscience for biden's loss#instead of doing something productive like pushing for people in power to do something they'll nitpick and belittle#and tell palestinians + arabs and muslims + everyone who understands that genocide is bad that they SHOULD#settle for a decrepit genocidal monstrous freak who is CURRENTLY facilitating genocide because#it makes THEM feel better and they aren't personally threatened (yet) by the guy currently in power#any and all 'you're not taking trump seriously' comments should be met with extreme skepticism#because i promise i PROMISE that the vast majority of people unhappy with biden are not going to turn around and vote for trump#and if they do? well guess what THAT'S BIDEN'S FAULT! nevermind the vote uncommitted campaign that was very successful and#will be replicated in the near future. but liberals only care about asthetics and superficial and not#about real material change which is why they'll dress up their callousness and racism in a 'you hate gay people if you dont vote for biden'#like this country is already going to shit we are rapidly descending into fascism and i dont see biden doing anything to even remotely#challenge it do you???? once agian. NOT an endorsement of the republican party but my GOD when the 'lesser evil'#is DOING the evil or normalizing the evil then you cannot settle for 'the lesser'! end of story.
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There's always something about this ending in the film that gets me choked up whenever I rewatch it.
Just seeing the two brothers together as they jump around the platforms in their new home in the Mushroom kingdom, laughing, goofing off, and having a good time.
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Then, in the very last shot, we see them jump into the warp pipe, waving back to the other Toads, and then they seemingly look back directly at us, the audience, almost as if they're saying "Thanks for watching the movie, we'll see ya soon", that sort of thing as they disappear.
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It's makes it more emotional since it's the very last shot we see before the title card comes up, and it gets me EVERY, DAMN, TIME.
I guess I miss them too much at this point 😢
That and I'm never going to hear Mr. Blue Sky the same way ever again after watching this film. XD
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rose-of-the-valley · 1 year
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Screencapped the HoL 1st floor map from my PC so it's actually readable!
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