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#interest filler
annsource · 5 months
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✷ capricorn energy
a free airdrop inspired template by annsource
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queersrcs · 1 year
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.‧₊˚🍜˚₊·੭* name banner!!
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i’m rusty as fuck at name banners- but i’ve been inspired to start creating them again! this is the first one (of many) that i’ll put out. please, please, PLEASE include your playby, full name, and colors. (click for quality!!)
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cozylittleartblog · 7 months
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gooseworx in the glitchx livestream: i want to see people draw jax in a suit. people should draw him crying
me: sure thing, boss o7
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fixyourwritinghabits · 2 months
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No Such Thing As Filler
Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.
The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.
The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.
Instead of thinking of that writing as filler, try to approach it with three things in mind:
Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?
Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.
Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???
A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.
Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.
When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?
Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.
But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.
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gumi-writes · 9 months
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Sister Sabri has lived an extremely sheltered life. What fun activity would you introduce to them? 🔍
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gayalicent · 1 year
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i love that syd and carmy are a slow burn. truly. but sometimes i forget myself and keep screaming at my tv “how are they not together? there’s SO much chemistry”
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comicaurora · 11 months
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Hmmm… fun shrike fact?
extremely good at leading her "boys" (gender neutral) and making sure they're well-paid and well-respected, also absolutely determined to become A Problem
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mimdecisive · 6 months
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does anyone else find it kinda weird that SPOP just casually dropped in the fact that there’s a Prince who can see ANYWHERE in the world magically, aka the perfect spy, and Glimmer just… didn’t think of recruiting him?
Why wasn’t Peekablue already part of the Rebellion??? What is he using his powers for that’s soooo important? He could literally see all of the Horde’s plans and warn the Rebellion and give them a HUGE leg up on them, and he wasn’t even mentioned until S5.
I know he was a hermit almost never seen but are you telling me Glimmer wouldn’t even TRY to find him and convince him to join?That’s a mystery in itself; where IS Peekablue, and why does no one care? Is he literally missing? Because if he’s literally missing, maybe someone should help him.
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rusty-gloinks · 1 year
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doodle thingy of her i cooked up earlier
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asydicsydney · 9 months
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"We know nothing of them...yet we hope all humans achieve enough happiness to be able to share it with others."
"People are inherently good, even if they sometimes do bad things."
"The world is better for having humanity."
"He did not understand how something so terrible to see could be so gentle to hear."
"The child was frightened of the unknown. Learning is scary."
"He would have many more misunderstandings, many more selfish exchanges with gentle people who only appeared monstrous."
"His soul needed room for a monster."
"The desert is a place where one can see trillions of miles into the universe, yet still live invisibly."
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annsource · 2 years
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✷ 90s bitch
updated: version 2.0
a free spotify inspired template by annsource
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noe-clara69 · 6 months
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Okay so hear me out: draco as a spy for the order.
He proves himself to the golden trio in fifth year, for reasons I have yet to explain but will figure out soon enough, and runs to Severus during the summer in between fifth and sixth year before he gets the dark mark. Snape calms him down and they figure out what draco wants to do moving forward and what would be the smartest thing to do while keeping his morals in tact. They figure out the spy solution.
So snape takes draco to the order and is like “he should be a spy” and everyone’s like “no 😠” at first but then dumbledore goes “yes 🤓” and everyone goes “yeah we were joking he can join our club 😁” (I’m being funny not serious. I am also seriously minimizing the amount of time all of this will take and the complexity of all of it, but follow along)
Does all of that make sense? You guys obviously can’t read my mind and have no idea what I’m going to do with the characters yet, but this solves a big plot hole that I was trying to figure out a way through.
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worstloki · 3 months
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entering the story and deciding it's your mission to save your favourite depressed, lowkey suicidal, losing-hope blorbo
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snurtle · 1 year
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I said I would do it, and I did it! A thinly veiled excuse to draw more cowboy Kaname morphed into postcard appreciation ft! the most desirable vacation locale in Bleach, obviously. And Ashido Kanou!! I felt bad only having him as a teeny 1 inch bull menos-rider in the background, so he gets to be the page ornamentation on the back <3  He is camping do not bother him <3 <3 <3
I’d love to do more of these in different locations with other underappreciated characters.
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beansterpie · 2 months
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rewatching LoK, i'm being reminded how much I dislike the.... the brothers, mako and bolin, yanno? they're such underwhelming characters on basically every level. it'd almost be impressive if they weren't in every episode and didn't annoy me so much ugh
#bean talking into the void#also this show in general is very flawed lol#cool things about it but the choice to structure it more like a#prestige tv show#as in each season follows One Story#is... i wouldn't say it was a bad choice but i feel like you can see the growing pains#switching over from the episodic structure of ATLA#s1 while flawed is solid#it knows what it's trying to do even if it doesn't always stick the landing#season two feels like a season-long filler episode LMFAO#which is hilarious because a lot of world-building stuff happens#but tonally it's all over the place#serious political plots interspersed with the B Plot following Tenzin and his family#on vacation???#so fucking random#but anyway back to roasting the brothers#i find bolin just annoying in general his brand of comedy totally doesn't work for me#but at least he has like#a personality that's consistent#mako is sooooooo blah#the writers have no idea what to do with him and he comes across as having a strikingly boring personality#with no defining traits other than being wishy washy (and a boot licker)#it FEELS like he was meant to remind viewers of Zuko#at least in appearance if nothing else#another broody pretty boy to latch onto#but he has literally nothing interesting to actually get invested in#sure he's got his tragic backstory and he's the 'older brother who took care of his younger brother after their parents died' boo hoo#but that's all just exposition and it's barely shown in a way that feels illustrative or emotional in any way that matters#(other than him comforting bolin in s1 after he KISSES THE GIRL HE KNEW BOLIN HAD A CRUSH ON lmfaoooooo)#(what a good big brother lmfao)
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do you ever get an idea in your head and you can’t get it out unless you draw it. that’s what this is basically
also based on this scenario i came up with in a fit of Evilness
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