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#in the linked response
jakeperalta · 7 months
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letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake
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aslyran · 4 months
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Visions
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nonasbirthday · 7 months
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Clear as mud! But I expect nothing less from a Homestuck 🫡
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emily-e-draws · 4 months
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something something jumping on that twitter trend
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The return of air jail.
Whatever he did, Warriors absolutely deserves this and I hope Wind has fun 😌
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communistkenobi · 3 months
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The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 
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luna-lovegreat · 7 months
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I love how warriors is the one who always asks paramedic-style questions when someone’s hurt
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He’s asking questions not just to distract, but to see how bad the wound has impacted mental functioning “maybe we should be worried, because that’s not what I asked”
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Calling by name to draw attention, asking easy questions…
Like look at his face in each panel, how closely he’s watching while talking to assess the damage
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He’s always the one taking action in first aid (though obviously he can’t do magic stuff like hyrule but outside of that it’s him)
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Wars is a captain, he’s trained and has had to take care of wounded, so he knows how to take care of not only the physical but the mental impact of injuries as well, and he always comes through for it.
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I just kinda think that’s pretty cool
(Credit to Linkeduniverse au)
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bludgeon-alt · 2 months
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hey, so, i've been a wilbur fan for ages, and i want to see the evidence against him. this isn't sarcasm or anything, i just genuinely want all the evidence so i can make a decision
Sure! I got you covered, anon. No shame in deliberating on the evidence yourself. I'll link you a few posts.
This is a good master post, but I will provide a few additional sources:
Shelby's Stream
A Follow-Up Tweet by Shelby
Additional Corroberating Statements From Former Lovejoy Trumpeter, Zoe
Statements From Admin of Wilbur's (unofficial) Discord
Statement From Julie Verlintox (Wilbur head mod/admin)
Clip of Shelby Talking More About Her Story on Lexie's Stream
Addition Piece of Potential Evidence Submitted by an Anon: Wayback Machine Archive of a Reddit Post Likely Made by Shubble in November; Mirrors Her Stream Statements
Additionally, both Smajor and Ranboo have unfollowed Wilbur. Make of all that what you will!
EDIT (3/27/24): Wilbur responded.
Shelby's Response to Wilbur's Response
Aimsey's Response to Wilbur's Response
Ranboo's Response to Wilbur's Response
Lexie's Response to Wilbur's Response
Punz's Response to Wilbur's Response
Tubbo's Response to Wilbur's Response
And many, many more.
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Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".
I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.
(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)
To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).
But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.
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zellink · 2 months
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i only pray, don't fall away from me.
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aslyran · 3 months
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A moment of respite
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ladyrijus · 9 months
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TOTK where everything is more or less the same except the dragon tears are as giant as the springs that Zelda went to, and Link has to wade through them to experience the vision. On top of that, after he sees the vision in full, he can relive that vision for as long as he stays in those tears.
Now, the reason why I want that is because I want to see Link witness the final memory and turn numb with denial and guilt and grief. It should not have surprised him the way it did; he knew in the previous memories she had planned to do it. But there were still more geoglyphs to search, still more time and hope for her to realize there was a different way, a better one that didn't ask her of so much.
He was wrong, of course. Destinies like theirs were never so generous.
Imagine that he appears expressionless, a stark contrast to his more emotional nature that has come out during gameplay. And yet his eyes are noticeably glazed over and he's frozen to the bed of the spring. The sages watch him through their vows, knowing this to be the last memory, and they feel it, immediately, that something is wrong. They desperately try to talk through their avatars, much to the surprise of their loved ones.
"Link? Link, snap out of it!"
He hears nothing.
And so the scene parallels to the off-screen moment Urbosa had with Zelda -- a careful Sidon wills his avatar to carry Link away from the cursed waters, and is pained when he's met with vehement resistance. Why would his wonderful friend drag himself back there, when whatever he saw tore his heart and shattered his soul? It wasn't good for him, to deal with grief in such a poisonous manner.
But for Link, he would weather the heartbreak in watching that bright, curious, ambitious girl sacrifice everything that made her who she was infinitely if it meant he could commit her face to memory. The Sheikah Slate that he took pictures of her with had been dismantled, and the Purah Pad contains no recollection of Zelda. He would watch his princess lose herself, over and over again, in that damned tear, than forget what she looked like.
He couldn't do that to her. Not again.
In the meantime, Tulin, Riju, and Yunobo have created a circle around him together, blocking the hero from hurting himself any further.
By this point, Link's expression is wavering, brows furrowed and lips pressed to a thin line. They don't get it, do they? All of the closest friends he had from an era past are gone; yes, Impa, Purah and Robbie are still alive, and they belong to that era too, but they didn't know him like the Champions did. Like Zelda did. She fought for him in death as much as he fought for her in life, and now he lost her too.
He finally collapses to the ground, shaking, and cries.
He had one job: Protect the princess. And he failed her. Twice.
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twilight-linkess · 11 months
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I'm enamoured with the idea of the older Links having a night out sans the younger members of the Chain (and Time), but like, they all want to relax so nobody remembers to bring the brain cell. A night of brotherly bonding and ridiculous shenanigans ensue. The kind that's like, 'We're all closer than we were before, but also we take this night to our graves lest the rest of the Chain loses all respect for us.'
I don't know. I'm not a writer
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I’ve been scrolling through some of the Linked Universe tags the past few days and every so often I’ve come across your art, mostly of Warriors and Time and I just wanted to say I absolutely love it! Your art style is really cool and I love the way you colour the pieces you draw, it’s very nice! I hope you’re having an excellent day!
Thank you so much!! I’ve had so much fun drawing Warrior and Time shenanigans and it’s really helped push my art wrt character interactions
I’m so glad you’re enjoying it! 🥰🥰🥰
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Time: So, what’s going on here?
Warriors: Not sure, but it definitely seems like something you should deal with.
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royalarchivist · 3 months
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Phil: [Looking at art of the Morning Crew] Aww, this is cute. This is so cute. Tallulah: Tio Pac and Fit are so Perfecta by Miranda coded. We can listen to that song rn Phil: [Proceeds to tease Fit and Pac for the entire duration of the song]
Copyrighted music doesn't play in Phil's VODs, but this is one of my favorite songs and I know not everyone caught this funny moment live, so I edited the audio back in! Make sure to show love to the artist who made this fanart.
Bonus:
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oriato · 2 years
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Here's some MM Adult Link with long hair for y'all
(he's also v grumpy which is how he should always be)
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