calling them soulmates in every universe in a lore stream vs saying 'they should get a divorce' in the reddit aita,,,, the duality of ma(rty)n
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This is my unethical polycule. The nonmonogamy is consensual and negotiated we're just evil in other ways.
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post itself
false flags
trans/adjacent tags
accessibility features
tumblr live post (thanks for the link, @problemnyatic)
flashing / strobing / lights
unblockable flashing ad
buying ad free
staff @/macmanx guilt trip
list of staff + more issues
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drinking buddies (ft. textpost from @demilypyro)
(edit: Added ID made by @princess-of-purple-prose! embedded in alt text.)
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something that i really like about blue eye samurai, now that im thinking about it, is that it discusses violence against women without becoming torture porn. like, in a lot of media that portrays women's issues, they show you that scene. like they give you this extended visual of a woman experiencing something traumatic and then laud themselves as feminist for doing so.
blue eye samurai doesn't do that. the whole show is set in a world that is extremely antagonistic toward women, and it makes a point to tell you that being a woman right now sucks, because they are property and are used sexually. but even though it doesn't shy away from this, it doesn't show you the violence itself, which you would almost expect it to because of how graphic the rest of the show is.
im thinking specifically of kinuyo. they very well could have shown us a scene of her being abused, but they didn't. they didn't show the abuse itself, but they did show how it affected her. they showed her seeing a doctor for her sores. they could have made this incredibly traumatic and grotesque scene a spectacle, showing us exactly how powerless she is and how powerful he is. they could have shown us this incredibly triggering event in full detail for our entertainment, but they didn't. they chose not to. and i think that's how it should be.
it is not necessary to have an extended visual and auditory reenactment of violence against women. we the audience understood the gravity of the situation and were able to empathize without needing that scene. having that scene would have completely detracted from the point they are trying to make. it would have turned something completely reprehensible that women everywhere fear because it's a very real issue into entertainment.
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adventure time transgender character real????
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happy yaoi friday to 19yo bakugo for having his sexuality crisis & to deku for helping out
might add some more thoughts tmrw but this was fun i think young adult bakugo would have some things to sort out help
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sure you have "neurospicy accomodations" (stim toys and slime) at your group meeting but are masks required. is it wheelchair accessible? is the lighting harsh or flickering? is there a place to go if you're upset or overstimulated? is there a clear schedule? does anyone in the group speak sign language? could a nonverbal person participate? are there multiple options for activities? is there music? is it loud? is there food? how many options are there? are there common allergens in it? are they clearly labelled? are there flashing lights? can you attend virtually? are hallways and pathways clear? are there accessible bathrooms? do they have a sharps box? do they have space for someone to transfer from a wheelchair to a toilet? do they have space for a caregiver or support worker? are there enough places to sit down? is there enough space for everyone to be without crowding? can people opt-out of planned activities? et cetera...
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are they wrong?????
no.
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Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
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I think it’s so funny during the exchange on the balloon when sokka is like, “yeah being good at war seems to run in the family,” and zuko gets all defensive and goes, “hold on, not everyone is like that!” and at first sokka thinks he’s talking about himself, but then zuko reveals that he’s talking about his uncle. and sokka just has to sit there mentally calculating whether it would be a good idea to bring up the fact that historically, his uncle is great at war. if i had to attempt to transcribe his inner monologue in that moment it would just be “don’t bring up the dragon of the west don’t bring up the dragon of the west this guy is willingly sacrificing his life for your self-indulgent suicide mission you need him on your side don’t bring up the dragon of the west…” at which point he then looks back up at zuko and says thru gritted teeth, “haha yeah. no, cuz like, totally. for sure.”
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I simultaneously look forward to and dread the possible interactions to come with Wilbur's return.
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God They’re Idiots
(For anyone wondering why reblogs are suddenly off, theres a few posts of mine- like this one- that have gotten so many notes it’s genuinely starting to annoy me, so I’m trying to minimize. Sorry!!)
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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While Tim was setting up the final touches to rig Ra's base to blow, he finds someone that could be his carbon copy in the dungeons.
The guy is unconscious, chained to the wall with multiple chains, and branded.
Tim, obviously, grabs Pru for a last minute extraction and gets the prisoner the hell out of there.
He knows this isn't a clone, because the earlobes are different, as is the brow shape and hair thickness. This is just...someone that apparently looked enough like Tim that Ra's, unconfirmed but APPARENTLY, decided to use to take out his aggression. Probably whenever Tim didn't listen.
They get the doppleganger out, get him treated, and he still isn't waking up. Tim takes him back to Gotham. The dude doesn't wake up. Gets him secured in the Bunker with Alfred. Alfred reports that the under-fed teen isn't waking up.
They get Bruce back.
Bruce goes to take a look at the ex-prisoner once he's recovered. Bruce gets Zatanna.
Zatanna tells them that the brand is acting as a seal, and the only way to get the kid to wake up is to disrupt the seal. But warns them that said seal only works on Beings from the Realm between Realms, and that to unleash one that had been abused would surely lead to the destruction of their own.
Tim calls bullshit.
Or; Danny was tricked and trapped by Ra's, who was siphoning blood out of him to add to the Pits and increase their efficacy. Tim finds Danny, misreads the situation, and rescues him.
Now, even though Danny would probably just roll over and go back to sleep, JLD is telling the Bats that if they break the seal then he'll destroy the world.
Tim disagrees.
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