oh man i thought i was the only one getting Kinda Sick of redondo’s inability to draw more than one and a half types of facial features (all of which are Wide And Muscular)
like he’s objectively a good artist, i’m just… he’s never drawn dick in a way that looks right to me
ive never been a massive fan of redondo’s art because it’s kind of the metaphorical cherry-on-top for how reductive tom taylors nightwing is. i don’t think it’s controversial to say that the layouts and style (as well as the writing) are very similar to fraction ajas hawkeye, but redondos art just feels really….. idk. sterile? which is a really really weird thing to say about a comic set in bludhaven. where’s the grit?? the grime?? why does everyone look like they’ve had the pores airbrushed??
aja’s style is very distinct and like… textured. it’s purposely minimal so when he focuses on on the details it’s easily legible to the reader. there aren’t many artists who can successfully go through a whole issue of a comic with almost no dialogue twice over and still portray some exceptional storytelling. like this is so gd good
but regardless of ajas style, i think those kind of page layouts are much more successful with artists like leonardo romero, who does draw characters distinct to each other, and also does really great splashes
even ignoring that tho, and ignoring that dicks skin colour is literally blinding white, i also haven’t ever liked how he’s been drawn and how everyone looks so similar. idk like technically he’s very skilled, but his art reminds me more of expensive corporate advertising than comic books
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I’m about to literally yeet myself off of the bear tumbler until after I watch season 3. Like most of you guys are really super cool and I’ve had some genuinely awesome conversations about meta and characters with really cool mutuals. That being said.. SOME, AND I MEAN SOME NOT ALL, ARE WAY WAY TOO INVESTED IN THE PERSONAL LIVES OF THESE ACTORS AND YOURE NOT SEPARATING THE ACTORS FROM THEIR CHARACTERS. This I feel like mostly applies to Sydcarmy (as I’ve observed). Like I said, SOME of you want sydcarmy to happen so bad (which is fine) that you would go as far as to push the same narrative onto the actual actors. Why do you care so much about what they do? Why speculate on the nature of their relationship? Why hate or obsess over it? If they haven’t come out and said “yeah we’re a thing” or some shit then it’s not really anybody’s business what they do or don’t do. Whether that would be together or separately as their own people. I completely understand the love for shipping the characters but literally leave the actors alone.
And also while I’m at it, I think having favorite ships is fine and shipping in general is fine, but I’m almost kinda to the point where I’m tired of digging through all the shipping content for the bear (all ships really) to try and get to the actual stuff people post about individual characters, plot lines, meta. Like yes, I think shipping is fun and I generally don’t have any thing against it all, it’s just that at this point within the plot the relationships and priorities of characters feel like they need individual focus. We literally ended last season on close up contemplation for each individual character within the show. They are all trying to grasp their own personal struggle with the chaos and all feeling different about it. There needs to be more of that. They all have stuff to work on individually. I just don’t think we need these characters forming romantic or intimate stages to their relationships with each other or others until they settle the situation the storyline took us through last season. I may be the only person that feels that way but idk🤷🏻♂️ like I need so many other plot points explored before any sort of romance or intimacy. I need carmy to fucking get his shit together and figure out if he wants to do this restaurant shit. I need syd to do the same thing just in a little bit of a different font. I need Richie and Carmy to fix their shit. I need to see what Marcus is gonna do. I need carmy and Nat to lay more of their Mikey shit out on the table. I need more syd taking the reins and being acknowledged for said effort. I need Carmy to call his fucking mom. I NEED CARMY TO JUST FUCKING SAY SOMETHING AND IT NOT BE A TOTAL DEFLECTION. BRO I NEED HIM TO LIKE ACTUALLY INTAKE OXYGEN FOR A MINUTE. AND I KNOW THERE HAS TO BE MORE MIKEY FLASH BACKS. THERE ALSO HAS TO BE MORE WORLD BUILDING IF THATS THE CASE. WE’RE ONLY TWO SEASONS INTO THIS SHOW AND THERE IS SO MUCH MORE SHIT I NEED TO KNOW ABOUT.
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2024 reads / storygraph
Those Beyond The Wall
sequel/companion to The Space Between Worlds, set a decade later
character-focused sci-fi set in an area divided in two, the rich protected city on one side and everyone else in the post-apocalyptic desert
follows a woman who works under the Emperor in Ashtown, keeping the peace
when mangled bodies start showing up with seemingly no murderer, she’s tasked with finding the cause, and finds out that it’s the result of corruption spanning both cities and multiple worlds
explores oppression and messy revolution, police violence and apartheid
bi & polyamorous MC
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So the guy I was today, has the fun mix of taking control and being rough w me, but also makes me feel like he feels lucky to get to be w me. Idk how to describe it. But like I notice it from the comparison to other men, but like how he compliments me and my body def feels like he’s like maybe appreciating that he gets to fuck me more. I feel that from some other guys too, but it’s such a consistent thing w him. And it’s def nice.
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“i want to spend the rest of my life with you, scar,” grian said slowly, constructing the sentence carefully, trying to perfectly articulate exactly what he was trying to say. “but, i can’t give you what you’d want.”
“how do you know what i want?” scar asked, it sounded more like a desperate plea, for something, for grian. he took a step forward, closing the distance between them a little bit more. “i want you, i don’t care what that entails. i just,” he paused for a second, shrugging helplessly. “i can’t lose you.”
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I liked about half of Tunic. very pretty and had great level design, but the fighting mechanics were not consistent enough for the level of precision it demanded of the player. exploration was incredibly well done but the combat TO ME was something I just suffered through to enjoy the rest of the game. and then when I got to the boss rush I just uninstalled it. the combat felt so bad to play that when it felt like the developer was saying "here, you love this right? great news, you get way more of My Awesome Combat System" it felt insulting.
i think a lot of it is banking on Zelda nostalgia, but I've never played a Zelda game and I was coming at it through the lens of "this is an isometric soulslike" instead of "this is a challenging zelda-like" which made me have a bad time. i also did not think the gameplay meshed with the plot very much, for a game that was touted as "just like outer wilds."
also to be fair, I didn't engage with any of the meta-puzzles, because to me there weren't enough lore tidbits or hints of things lurking beneath the surface to make it seem worthwhile. it was just for the completionists or language nerds (laudatory).
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Hmmm I kinda want to make a side blog for RPG Maker game development related things to be able to talk to more experienced people in that community, but at the same time I both don’t really think I’d get much attention and don’t want to accidentally spoil my own game (^^ ; ).
I have a rough story, concept doodles, a tileset, some character sprites, an enemy that walks around but can’t initiate battle yet (if I even decide to have a battle system), a couple rooms with some events, and a functioning run button, but I’m still lost on how to do much else at the moment. Especially since this program has the ability for scripting, meaning I’ll probably have to learn and actually retain another coding language.
So, I’m not very far at all lol. Idk how well that’d go over on the established fandom website, but eh.
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