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#idk what it is about this opera???
monotonous-minutia · 5 months
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5 seconds into my rewatch and I'm already crying
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riacte · 3 months
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best friends -> something more -> situationship -> lovers -> best friends is such a dynamic actually
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houseofborgia · 2 months
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hot take but the borgia apocalypse script was actually pretty good, and the characterizations were spot on. it's mindboggling how some fans hated on it solely because they expected a sunshine and rainbows ending between cesare and lucrezia. the truth is, they were never meant to be a pure fairytale couple. the most compelling aspect of their relationship is their intense toxic codependency and destructive dynamic. their obsession with each other consumed the energy, love, affection, and innocence of those around them, leading to tragic outcomes for anyone who got close to them. neil jordan stayed true to the plot with the apocalypse script, unlike what we saw in the s3 finale. despite cesare proclaiming his devotion to lucrezia and claiming to prioritize her happiness, he hurt her by killing alfonso and betraying her, alongside rodrigo, while keeping her in the dark about their plan. cesare ultimately turned out to be just like his father—his mirror image, his favorite chess piece, and a future king and pope. it was captivating to watch both rodrigo and cesare spiral into ambition and murder, becoming sociopaths. personally, i'm fascinated with the idea of cesare and lucrezia's relationship growing darker and cesare prioritizing his political gain, which terrifies lucrezia. this is the direction cesare's character would have headed if the show hadn't been canceled and if showtime had allowed neil jordan to film the script. 'world of wonders' should have been the episode that made the audience realize cesare was a manipulative, self-contradicting psychopath but alas! anyway, in the apocalypse script, he reaches the last stage of becoming a complete monster (for example, *spoilers* when he cuts off catrina's lips and poisons naples' water, killing half the city). this transformation occurs as he loses the remaining traces of humanity that were present in the first three seasons. valid criticism of the rushed nature of the script is understandable. jordan didn't have time to edit it and only released it to console devastated fans. i'm confident that his final draft would have been 100% better than what we have. in short, there's no way someone as genius as him would ruin the show he created with a disappointing ending or ooc moments. so if there's an opportunity for him to adapt it for the screen, it would be a serve as i enjoyed the overall conclusion of the story
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kotaka-kun · 2 months
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i spent way too much time putting together this maximalist kidcore (?) poto banner for my blog.
for no reason other than i was revamping my blog.
only to realize it doesnt show the full thing when my blog is viewed on mobile... also the theme i chose doesnt show my header anyway lmao
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flea-palace · 2 months
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was anyone else fundamentally changed as a person when they watched the 2004 phantom flashback scene at way too young an age and made their entire personality revolve around some french incel's tragic backstory for the next ten years or so or was that just a me experience
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REPO! The Genetic Opera but it’s a silent film from 1928
Pavi Largo - Conrad Veidt
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Blind Mag - Theda Bara
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Graverobber - Arthur Edmund Carewe
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Luigi Largo - Lon Chaney
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Amber Sweet - Olga Baclanova
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Shilo Wallace - Marceline Day
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the production of don giovanni im watching has a very talented leporello but im way too distracted by his outfit to focus on his lines
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what is this. pink on green? crosshatch on stripes? bigass feather cap?? this is the outfit of a man who hasn't realized he's bisexual yet. i need him
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sideshowreject · 9 months
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HUNKY BABE WITH HER PLASTIC BOOBS, AND THE POISON IN HER SKIN / BLEEDING STITCHES ON THE FRESH CUT WOUNDS, I CAN FEEL HER NEEDLE STING
good morning repo! nation. some gramber for you?
thank you merc my token gramber mut for the pose reference. which will be under the cut.
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bumblingbabooshka · 14 days
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What’s your favorite, most unrealistic or downright ridiculous Tuvok hc?
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For some reason I've always pictured him eating chips with 'chopsticks' (Vulcan word swapped in but we all know) as he watches/listens to some Documentary or History Channel thing Head Empty in his room. He has to destress after work too! He can't spend ALL his time meditating or taking care of plants - Vulcans have to just chill in their rooms sometimes too...but of course he'd never admit to this. BONUS HEADCANON: When he's alone in his quarters he sometimes sings or hums to himself as (he says) a way to focus on whatever he's doing...like a mantra or a chant. The only people who've heard him do this outside family are Janeway (who didn't let him know she knew) and Kes (who said she heard it can be good for plants, while smiling)
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saviourkingslut · 3 months
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
#le triomphe de trajan (1807) out here calling for a man's execution with this banger:#point de grace pour ce perfide; que tout sons sang coule sur un autel#(no grace for this treacherous man; let all his blood flow on an altar)#this is also annoying to me when people write historical fic and the characters treat the opera as this elitist thing#that they don't know anything about.#you know when they go to the opera reluctantly and then they have no idea what's going on on stage or who the composer is.#which is. very unlikely for anyone with the money to attend an opera in certain opera houses in the 19th c. tbqh#like im more of an expert on paris and vienna idk what it was like in london#but if you were decently (upper) middle class or nobility (esp in paris) you went regularly. this was like a whole social space too#i recently read a fanfic and one of the characters was like 'oh it's in italian. i don't know that' and the other character went like#'it's by a man called donizetti what did you expect'#(this was situated in 19th century london)#like first of all. donizetti was NOT a librettist he was a composer he did not write the text#and second of all. he worked on french operas ?? so did rossini. and spontini.#opera was an incredibly international art form. also bc productions would be performed in different countries all the time#(sometimes changed and/or translated but not necessarily)#and again like i said. this was one of THE main forms of entertainment. people were familiar with its conventions! it was well-liked!#ofc bc of the seating prices it was not very accessible to lower classes most of the time#but lbr most characters that get written into an opera scene in fiction are at the very least decently bourgeois lol#i wish people knew how to properly historicise forms of entertainment whose reputation has changed in the modern era#from what it was a century or more ago#very adjacent to people 'cancelling' old lit bc of 'bad takes' like idk how to tell you this but people thought different back then#completely different world view from what we have today. that does not make lit from that era irredeemable it is just from a diff. time#acknowledging that and reading the text critically but also still enjoying it are things that go tgt here#ok rant over (it is never over)#curry rambles
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dolokhoded · 11 months
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what i really love about figaro being a barber is that it serves absolutely no purpose to the plot. it's such a random ass useless part of the story and it has no reason to be written in. literally none. and on top of it all it's a Big Thing too the entire opera is called the BARBER of seville he has an entire cavatina talking about what an absolutely spectacular barber he is and that's how he's introduced to us. it's not going to contribute to the plot in any way. but you have to know.
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menlove · 9 months
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I think my favorite doctor who moment is when a woman in the 2040s who is in her like 40s/50s says "my nan had a tumblr" which means she's like my age (born in 99) and yet her grandma had a tumblr
and I know the joke was supposed to be to make us tumblr users feel old like woah! her GRANDMA had one? but bc they did the math wrong it just makes it sound like her grandmother, who is the same age as our grandmothers, used tumblr. granny was blogging about one direction in her 70s.
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benny-the-spaceman · 11 months
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i cannot stop thinking about the legoland 4d movie where emmet just starts opera singing because like? was he always just able to do that?? what is the backstory to this?? i like to believe he wasnt even in choir or anything and he just taught himself because he had some weird interest (maybe a hyfx? why not throw the autistic emmet hc into this too) in opera for a bit
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dragynkeep · 8 months
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i didn't care for things you see in a graveyard
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llitchilitchi · 3 months
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I thought I need a beer after all we've seen today but I guess I need a whole vodka bottle
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a-wins-a-win · 5 months
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unpopular opinion?? maybe?
Matt & Ivy have a really interesting dynamic!! both pre- and post-canon!! with or without romantic undertones!! either reciprocal or one-sided!!
and obviously it has to be handled with a particular level of care/respect BUT I think if we allowed them enough grace there is space to explore a really interesting possibility for that relationship.
#obviously Matt is not ENTITLED to Ivy - im absolutely not saying that at all#and he definitely did a lot of things extremely wrong and Ivy doesn’t HAVE to forgive him - she doesn't even have to *like* him#and in many stagings she actually doesn’t at all! even pre-canon she isn't into him on a *platonic* level - which i love for her#but I also think that - misguided & clumsy about it though he was - Matt is genuinely trying his best to see her as a person.#an idealized version of a person yes. but a person nonetheless.#which is what Ivy wants from Jason (and tbf he sees her as a person also but it’s an obviously different situation)#and while you can't force romantic compatibility (that was like. the whole point.) in some versions of the show they're not-quite-dating#- in varying types of “situationship” with varying levels of commitment. so it's not insane to me to say hey#maybe they need time to stabilize themselves and figure out who they are again after the events of the show. but maybe a couple years -#- down the line they reconnect and they're both in a better place & maybe this time it can all work out.#idk I think I just see a lot of people write it off entirely - and they’re well within their rights to do so don’t get me wrong#but I don’t think it’s fair necessarily to put them in the ‘doomed to fail’ category#wow okay I care about them as a pair more than I realised#tldr; give Matt & Ivy and their relationship dynamic the grace + complexity they deserve#mouse talks bapo#bare a pop opera#Ivy Robinson#Matt Lloyd#[as a side note - sometimes I think about queer Matt & transmasc Ivy & the interesting concept of their potential boyfriendism]
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