I feel like talking so, you're gonna get it.
This Is Why is Paramore's best album (and I am an after laughter truther), I was skeptical bc of CCC and the length of it but tbh, the album as a whole is so cohesive and flows nicely together. It's the perfect length for a drive, a shower, even doing the dishes. Some of their best lyrics (Crave & Thick Skull) to date... I wish I knew more about music theory so I could dissect it, but even the sound has matured. I truly think this is the beginning of their actual true sound..
Forgive me, I spend too much time on Reddit but people who hold on to brand new eyes and riot as their best are just wrong lol! I wish I could feel casual about this, but I've followed this band since 2007 when I was 12... and to really grow up with Hayley has been an incredible experience. She has inspired me in so many ways, I relate to her personal solo music and I just think she / paramore are one of the most authentic musicians of our time!!!
Anyways, Crave... all time song of our existence... truly their best song. Thanks for reading, love your blog! I submitted for the zine and can't wait to see everyone's work for this fantastic album!!!!
oh i welcome this ask with open arms! <3 if you're interested in music theory, stereogum did a piece on ROOT that was extremely interesting to read.
i don't know if paramore will ever develope a true sound? i think they're artists that are always on the search for new ways to express themselves through music. i think describing what makes paramore, paramore, is difficult as it's almost more of a feeling? does that make sense? i used to think it was hayley's voice, but then again i think no friend is such a paramore sounding song.
the people who think riot is their best album doesn't know paramore's discography and are just stuck in time. it's okay to love the sound of the record, and now years later it's a defining album for that particular sound in the 00s. but paramore then and paramore now are just so detatched to me. it's not the same band anymore. i agree that bne is one of their strongest albums but then you have AL and tiw who i think are both much stronger bodies of works.
i'm a little too young to have been here from the beginning, but they've been such a monumental (<- pun intended 😎) band to me throughout my pre-teen/teenage years and now young adulthood- just like you <3 every album have defined my life in different ways and i'm so happy to be a small part of the fandom here on tumblr.
and AH!! it makes me so happy to hear that you submitted something for the zine!!! <3 can't wait for it to be posted tomorrow (well technically today for me) so we can share all the great art and writing we've gotten! @ignorancelive have been working their ass off to put it together <333
here's to 1 year of this is why <3
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So I’m rewatching and catching up on Doctor Who for the first time in like 6ish years so I can watch the new specials and like my favorite will always be Tennant, he was My Doctor blah blah but you know what, this rewatch reminded me how much I love 12, mainly his season with Bill.
Capaldi is such a great Doctor. He’s not always nice but he’s always kind and he loves so hard. He’s so funny and I love how he loves playing guitar and he has sonic sunglasses bc he’s just trying to have a good time, he may not be a kooky bow tie guy anymore but he’s still silly. Him and Bill are like best buds and I wish we’d had another season with them and even Nardole bc their relationship was just fun, there was no pre-destined or weird importance placed on her, she was just a normal person who loved learning and was kind and had good vibes. The best of humanity, the kind of person the Doctor takes along bc they remind him that people are important. Bill brought out the best in him and also GAY🦭 anyways his last words are so beautiful and I miss him
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I am once again thinking of how we never actually see the name that killed L, just his legal name in "Death Note: How to Read".
I'm thinking of Rem ripping out the pages in her death note she'd written on as she turns to dust, taking too the only written instance of name that killed the world's greatest detective, quite possibly as one last act of defiance against Light Yagami. Thinking of how if she hadn't, Light would have read the final name she'd written, kept inside him the knowledge that he's one of the only humans alive to keep the name that L felt was *his* at the day he died. Sure, he could've just attached hard to how he wanted to remember L, but it doesn't take away the fact that it feels as if he *doesn't* know L's name (because with all the focus he had on finding it out it doesn't erase the care he put into finding it)
I'm thinking of L, who's never really identified himself with a name. Not his legal name, given to him by his guardian, nor any of his number of aliases. He might as well have been L Lawliet just as much as he was the detective L, or Eraldo Coil, or Deneuve, or even his brief stint as Hideki Ryuga. He's been called so many names in his life, but doesn't identify with any of them. I'm thinking of the fact that Near and Mello clearly identify themselves as their legal names despite their similar use of aliases, the way that their legal names are explicitly the names needed to kill them. However, with L, we never see his legal name written down in the note nor do we get to see the name floating above his head. Unlike others from a similar background, we don't know the name that killed him, nor does he seem to identify with his legal name.
Of course, this brings up exactly what the name had killed him was, and if it simply was his legal name, why it wasn't just shown as with other characters. For someone who couldn't seem to form an attachment around any of the many names they've been called, I almost wonder if the name that killed him was something secret, played around with in his head, something only he (and someone with the eyes of course) would know.
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I think Moonlight Chicken is doing a really good job with their characterizations in general but SPECIFICALLY the relationship between Uncle Jim and Li Ming.
Uncle Jim is this nearly 40 year old parent/guardian who’s doing a terrible job, not for lack of trying, at being a part of his 17/18 year old sons/nephews life. Its the struggle between a child who thinks they’re an adult already, and an adult who knows they aren’t yet and doesn’t know how to balance letting them TRY being an adult, and when to treat them like the child they still are. It’s extremely realistic and awkward and sort of heart aching to watch.
On top of this, the way Uncle Jim and Li Ming act when other people are within THEIR bubble is also very realistic to their personalities. Uncle Jim seems sort of traditionally minded. Yes he has a strong support system with friends who are like family, but there’s a difference for him between that and FAMILY family. FAMILY is at home, family is Li Ming.
There’s a huge difference between people outside of the home (especially Wen) seeing Uncle Jim and Li Ming’s relationship, and people inside the home seeing it. I think Uncle Jim looks extremely uncomfortable at first having someone witness just how hard of a time he’s having with Li Ming. It’s in his private space, his family space, and he isn’t ready for Wen to be a part of that family yet. Luckily for Uncle Jim, Wen isn’t in a rush to make himself family, even though he’s pretty clearly showing that if that option were out on the table he wouldn’t say no.
Meanwhile Li Ming’s not afraid of sharing his frustration with his uncle with whoever asks about it. That being said he’s still picky about expressing how he struggles with school. I think he and Uncle Jim are both being overprotective about their most important problem at the moment. They’re not so dissimilar when you look at to that way, even in terms of their found family. Li Ming is picking and choosing who he likes and trusts with his personal life, and in a way building on top of the family his Uncle built before him by trusting Wen and Heart with his problems and affection respectively.
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Someone help me out here please
I work at a summer camp, and at this camp we tell a legend at the end of every week, a fantastical story about the origins of camp. A very fun, very important part of camp. The story means a fuckton to me and a lot of people.
A part of why it means a fuckton to me is because a woman I used to be very close with used to tell the story, and then she passed it on to me to tell.
It's a long sad story about why we're not close, but the important thing to note is, we can't talk to each other. At all. And we agreed not to pass messages through other people or anything cuz it just really hurts.
Back to the story. It's oral tradition, but I decided I wanted to collect transcripts from as many of the storytellers as I can and put them all together to help preserve it, as it's so important to camp and many people. Part of the reason I started was because that old friend of mine gave me a transcript of the story. It means a lot to me because of her, I started this important project because of her, she's a big part of it even though she doesn't know it.
Soon I'm going to send the various transcripts I've collected to the people that have helped me. Everyone that's given me a story will receive the entire set I've collected and have access to it forever and ever, to see the new stories and watch the history grow. I think it'll be really super fucking cool.
The thing is. I believe that old friend deserves to have access to it all too. After all, she was such a big part of it. However, according to the promise that we made, I can't contact her either directly or indirectly. So I don't think I can just email her the transcripts with everyone else or give it to someone to pass on to her. Right?
I'm torn because:
She deserves to have this part of camp history because I know how important it is to her and how much she would love to see it grow. She really loves the story and she helped so much with the project, even if she doesn't know it. But she deserves to know it and it doesn't feel right to leave her out of this.
BUT at the beginning of the whole document I'm going to write a quick preface explaining the project and thanking those that have helped and etc. I have to thank her in that, everyone that gains access to the document should know how much she impacted it. But if she reads that from me, it might be too much. If I just sent her the stories, maybe, maybe that might be okay. But the foreword has to be included and she has to be included in it, but we agreed not to contact each other and her seeing that foreword might break the promise, if sending the document doesn't. Just sending the document would probably even break it.
She deserves to have it, but she doesn't deserve to have her trust in me broken, and I'm afraid that she'll be hurt by being left out, but also she might be hurt if I send it.
I texted my best friend, who's friends with both of us, and he said that I should just send it. But the is a really big, important thing that I could easily fuck up if I'm not careful. Do I play it safe and not send it, leaving her out even though I know that's not fair to her? Or do I take a risk and send it, even though it might hurt her?
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