love love the intentional aspect of the trust, loyalty and devotion that's shared between luffy and zoro. as much as fate has come into play in the story, agency and choices are so important too and these two have 20+ years worth of publication in terms of how their relationship's been structured and built along those years and it's fascinating, truly.
I know there's mixed opinions on whiskey peak, for example, but I like that it happened precisely before major arcs such as alabasta, jaya-skypiea and water 7-enies lobby in which luffy actively chose to trust zoro - with saving smoker, during the confrontation against bellamy's crew, with nami robin and chopper, with zoro's assessment of robin's situation and later usopp's comeback to the crew. because luffy has been plenty made aware that the straw hats' well-being and safety is something zoro greatly prioritizes and watches out for. thriller bark also wasn't a random or blind decision made by zoro, it was the result of all the love/loyalty/devotion he's come to feel for luffy and the crew throughout their journey, especially luffy who's proved time and time again that he's a man worth following and given zoro so much in turn (a home, friends to care for and who care for him too, adventure, someone who completely believes in and respects both zoro and his dream, a reason to keep fighting and getting stronger for etc etc).
idk. it's just so deliberate in a way I find compelling. every single time luffy places himself or the crew, their allies or just civilians under zoro's protection that's a choice, one with so much weight and context behind it. when zoro says stuff like "there'd be no point in me being pirate if not on this ship", no matter how casually he does it, that's the kind of thing that highlights how he continually chooses to remain by luffy and the crew's side, for similar reasons. really good stuff.
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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one.
wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
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There is something very ironic, to put it lightly, about seemingly being so unique or at the very least, maladjusted in some way that it is impossible for me to connect with people or to have a social life, but just apparently not unique enough to not be considered someone considered unique. According to American society.
I just want to have my handful of people that see me, laugh with me, and in heaven above, even see my creations at something other than internet garbage. It's literally a fantastical unicorn once you're past the age of 23 unless you worked out something really special. I don't enjoy anything anymore. The world has taken everything from me.
Being creatively unaccomplished, having no partner, kids, friends or community makes you nothing at all. It is a living nightmare.
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thinking about caleb’s tower and its stained glass and its nine most frequent visitors and how each of them can be associated with a school of magic, magic user or not, and --
essek with dunamancy, most literal of them all, who deemed its secrets worth more than his country and position, willing to cross borders and commit treason in the hope of uncovering them
jester with transmutation, despite caleb being the transmutation wizard, because in his own words, she’s the one who changes people
kingsley with necromancy, gone and back again, the knife’s edge between resurrection and tampering with the dead, proof that no one comes back unchanged
caleb with evocation, his original specialization, with his dancing lights and his webs of fire, all energy and potential and enough imagination to make it a reality
caduceus with divination, tucked away in the crow’s nest, sitting beside the kiln, buried deep inside the folding halls, reaching out to the wildmother with his questions as he seeks his path, listening to the birds, the insects, the trees
yasha with abjuration, to protect and defend, the magician’s judge charged with dispel magic, the spell that would free her from obann’s chains
fjord with conjuration, falchion and star razor appearing and disappearing in his hands, creating a new face, a new accent, a new life as the situation demands
beau with enchantment, fighting with her ki to attack body and mind, forcing truth in one second and stunning them in the next
veth with illusion, hiding her hurt behind a goblin’s face, behind a broken doll mask, throwing up an illusion of a body lost to comfort her family, until the day she can stop pretending
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