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#i write like a dad :
excavatinglizard · 7 months
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Shoutout to my dad for being the funniest person I know
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daisywords · 7 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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ecoamerica · 2 months
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idiotsonlyevent · 2 months
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i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?
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he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?
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its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.
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also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.
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like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so
EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.
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inkskinned · 8 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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ghostbsuter · 8 months
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"Hey constantine, who's that?" Someone asks and Connie looks down at Danny, blue eyes staring back at him.
"My coworker."
"He's my dad."
"What?"
"What."
Who knew John Constantine would gain a ward, one being such a little mischievous bastard with bright eyes and good heart.
He certainly didn't.
Nor did he expect the stabby Robin to get into a heated argument with his ward, gesturing to his form next to Batman and spit venom.
"But‐ Damian! Look at him! I can fix him!" Danny argues back and Robin, so done with this, rips his mask off and—
Oh.
They have the same face.
Connie looks at Batman, nervous what the reveal will change.
("I don't care if you can 'fix' him, danyal! Return to Father, to me!")
Batman stares back.
("Connie is dad shaped! I chose him myself, damian! Leave me and my choice alone!")
The day will only get longer, it seems.
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willowser · 9 months
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katsuki is sitting on the couch in the living room, holding his new little baby in his arms, and you notice that he's just been staring at him for the longest time. adjusts his little hat so his head doesn't get cold, pulls his small hands away from his face so he doesn't scratch himself.
and they're both quiet for a while, aside from the occasional squirmy baby noise, but katsuki eventually speaks up to ask—
"why's he lookin' at me like that?"
not only is the question itself funny, but the way it's voiced — tone deep and gruff, almost affronted — pulls a true laugh from you, has you shaking your head as you come around the couch to stand beside him.
and sure enough — your new little bean is frowning. even his little hairless browline is furrowed, hard.
you laugh again, sharp enough that your son wiggles in katsuki's arms. "because you're looking at him like that."
katsuki tch's, before turning to give you his son's exact same expression. "no 'm not. this is just my face."
"well, maybe that's just his face."
his frown deepens, hilariously enough. "ain't his face with you." and then he looks back down at him, like he's checking to see if he's still being glared at. he is. "looks like he's pissed."
"maybe he is."
you don't bother to correct him, to inform that your son does, in fact, give you a stink face every now and again — just like his father — and instead you watch katsuki lean down close to him, until their noses are nearly touching. watch the way little fingers squeeze around katsuki's thumb.
"the hell do you have to be pissed about, huh?" katsuki asks, voice quiet and low and small, enough for the boy in his arms. "far as i'm concerned, you're livin' the life."
you only laugh, smile while running a hand through katsuki's hair.
you'd say you are, too.
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ecoamerica · 2 months
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moongothic · 5 months
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Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.
At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little
You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)
Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right
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So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?
Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)
Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)
Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass
Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)
My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?
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Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO
So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.
Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.
Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))
But like, once they set sail to Alabasta...
Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.
But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.
But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)
Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.
The only question is, how would Robin take that?
Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good
So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.
Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.
And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.
What's she going to do?
EDIT: I wrote a sequel post, enjoy
#Moon posting#OP Meta#Sir Crocodile#Crocodad#Nico Robin#THIS POST WAS AN ACCIDENT. I DON'T KNOW HOW THIS HAPPENED. WHY DID I WRITE THIS. WHAT DEMON POSSESSED ME#I'm sure someone's written this already right#Right#Surely this fanfic already exists#Please tell me it exists#I dunno what to tell you I am not immune to a Juicy AU#Anyway on a more wholesome side of things: Robin accidentally calling Crocodile ''dad'' and he just inhales and swallows his whole cigar#Nearly chockes to death. Gets burns on his throat.#Robin feeling less alienated because of her DF ability because Croc has seen weirder AND is made of sand himself#If anything if they're literally by themselves then Robin being able to literally lend a hand to Croc at any time could be extremely useful#Like. In regular life situations. 'Cause Croc only has one hand. And Robin as many as she wants. Perfect duo.#(Also if they were travelling on like a small ship then it'd probably be built for a Tall Motherfucker like Croc right)#(Robin's ability would just make the ship more accessible to her and Croc would find that independence good)#Robin still gets a codename because Croc can't have anyone realize who she is. Maybe she even wears like a mask or summin' in public#If Crocodile's openly trans and the news of him transitioning recently broke out. Like. No avoiding that convo eh#Baby Robin's like ''...I read in a book once that some reptiles can change sex but I didn't know crocodiles could do it too''#''💦.../Humans/ can't do that normally either''#''Hmmmm. Weird. I don't think being a girl would suit you though'' // ''...I'll take that as a compliment''#I just. I think they could have really cute interactions if they warmed up to each other after a little while#And I'm Extremely Normal about that
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Overindulgent father Astarion who tells his children they’re allergic to any kind of jewellery that isn’t made of the highest grade Dwarven crafted gold. 
It’s not even because Astarion might have a certain aversion to silver, no, he just raises his children to have standards, thank you very much. 
And it doesn’t end with shiny things, oh no… 
The Ancunín brood is known to be dressed in perfectly woven cotton, silk and soft leather clothes, no matter the occasion.
They’re seen playing with expensive toys, reading artfully illustrated books that certainly belong behind thick glass, not in children’s sticky hands. 
There’s even talk that one of the children is not as naturally inclined to music as his parents claim him to be, surely his lyre must be enchanted—the instrument certainly looks extravagant enough! 
And then there’s always this air of effortless haughtiness surrounding the Ancunín children whenever their nannies and servants are parading them through town as if they were perfect little dolls; objects to show off the wealth their parents acquired in quite the mysterious ways. 
So, it’s no secret that Astarion and Tav are pampering their children—some might say they’re even spoiling them rotten. 
And maybe they are, especially Astarion.
But he doesn’t see why he should raise them any other way, nor does he want to.  
When it comes to his children, Astarion has his own standards, and as long as Tav agrees with him nothing really matters. 
Because, these people, they don’t know anything about the Ancuníns. 
They don’t know that it’s not unusual for Astarion to wash out dirt and mud and strawberry stains from comically small finery, leaving behind only the memories of a day spent playing in the garden, chasing after ducks, picking flowers, lazing in the sun…
That any holes and tears the children’s clothes might suffer are quickly mended, making them look as good as new in no time. 
Nor do they know that Astarion doesn’t mind fashioning a brand new dress to match that of a favourite doll, either. Or to embroider a pretty vest with the likeness of that stray cat the children seem to adore, although their father would rather they don’t touch the mangy animal. 
No, those people know nothing at all...
“Not tired!” Astarion’s youngest cries; the vehement denial of her father’s earlier accusation is cut short by a telltale yawn.
The room still smells of fragrant lavender oil and peaches even when the bath water has already grown tepid, just one or two degrees above what Astarion would consider too cold to be enjoyable. 
Amused, he raises an eyebrow at the protesting toddler before he lifts her out of the copper bathtub with little effort. 
By now, he knows every step of this game.
“Tut-tut, my dear child, what did mama and I say?” Astarion kneels, quickly wrapping a soft towel around the child to keep her warm. “We only tell lies outside of this house.”
Unfazed by her father’s gentle scolding, the girl crosses her arms that haven’t yet lost their puppy fat across her chest, reminding Astarion a little too much of a very displeased Tav. 
Suppressing a sigh, he leans back to consider the pouting child, wondering what could possibly be upsetting her this time—the list is growing longer by the day, after all. 
“What’s the matter, dear?” Astarion asks gently, hoping it’s something easily fixable as it’s growing rather late. 
“Want apple!”
Decades ago, Astarion might’ve rolled his eyes—he knows exactly which stupid apple the child wants, it’s been haunting him all day—but once he started to treat his children’s problems as if they were his own, his life has grown somewhat easier. 
“Why, let’s get an apple on our way to bed, then. Would that be alright, Your Highness?” 
The girl promptly nods her head, allowing Astarion to pat her hair dry before dressing her in a clean night dress. 
She rests her cheek against her father’s shoulder as he carries her first to the kitchen to grab a fragrant apple and a knife, then to her bedroom where they settle on the cosy window seat, just like they do every night.
Soft moonlight is pouring through the windows; the child giggles at the way the knife’s blade is catching the silver light as Astarion peels and cuts the apple into even pieces.
“Here you go,” he finally says, giving the slice of apple one last examining look before surrendering it to the impatient little hands reaching for it. “A sweet treat for my little sweet. Doesn’t it taste so much better when we don’t eat it off the floor, darling?” And when it’s not crawling with ants…
The appeased toddler nibbles at the juicy fruit as Astarion carefully combs through her still-damp curls. 
Her hair’s getting long, he notices, knowing that taking care of it will become more time-consuming each day. 
Once, Astarion would’ve thought this task tedious, brushing out hair that’s not his own, oiling and braiding it for no other reason than knowing his children enjoy him doing it. 
But that’s why he loves doing it in the first place, he supposes.
Astarion can tell by his toddler’s heartbeat that sleep is about to claim her. 
The half-eaten slice of apple is still clutched in her little fist as he cradles the child to his chest, slowly rising from the window seat to put her to bed. 
He’s just about to lay the child down that the fruit drops to the floor, his daughter’s tiny hand clutching at his shirt instead.
“Thank you, papa,” she mumbles, more asleep than awake.
Astarion pauses.
He breathes in the clean, yet unique scent of the little girl that is forever engraved in his brain, the same way he knows under which exact constellation she was born. When she took her first steps, what her first word was. Soon, he will have to memorise her favourite colour, and what she likes to eat when dirty apples won’t be that appealing anymore. 
By now, Astarion knows this game by heart, knows that with every year that passes, he has something new to learn about his children.
And sometimes he wonders what it’s like to grow up with clean bed sheets and full bellies. Sleep filled with naught but warmth and happy memories. Ever open doors and tears that are dried by tender kisses. Living in a house where mistakes and anger are welcomed, safe. 
He wonders what it’s like for his children to know that their father’s love comes without conditions. Not now and not ever. 
Sitting down on the bed, Astarion holds his youngest a little closer to his chest, unwilling to let go of her, yet. 
He’s often accused of spoiling his children when most people can only just grasp the very surface of his love for them, the bare minimum of what he feels for his one and only, precious family. 
These baseless accusations are as unimportant to Astarion as the people voicing them.
He’s raising his children to have standards, wants them to take their father’s love for granted, to accept nothing less but pure devotion.
It’s the only way Astarion knows how to love them, the only way that comes most naturally to him. 
Astarion looks down at his little girl, now fast asleep, a gentle smile tugging at her lips. 
After all these years—all these children—he’s still in awe watching them sleep in his arms as if no harm in the world could ever befall them.
And it won’t—not if Astarion can help it. 
“No, thank you, my heart,” he whispers, pressing a kiss against the crown of the toddler’s head. 
When it comes to his children, Astarion holds himself to the highest standard.
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ghastlybirdie · 5 months
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John Price is, of course, the husband that has a special whistle just for you
Did he lose you in a store or needs to get your attention? He whistles in the way meant for only you
Only needs to do it once till you’re bounding the corner seconds later and going straight to him, no detours, smiling at him just the way he likes
It’s worked on day one and knew from then that you were his
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jomeimei421 · 28 days
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Felt a bit nostalgic watching RT shut down…Here are the og faves again for old times sake 💙
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omi-boshi · 2 months
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"you gotta let me go, lovebug." kiyoomi rumbles, attempting to gently wiggle out of your baby's grasp. the lovebug in question only gurgles, happy to have her father's attention on her. it quirks a smile on kiyoomi's face. his amusement is short-lived, however, when the grip on his finger seemingly tightens in response and tightens even more when he wiggles just a tad harder.
his rising panic amuses you to no end.
at the sound of your quiet giggles, kiyoomi looks up from the baby cradled in your arms and looks you in the eye.
"a little help would be nice, you know?" he frowns. "our food's gonna be here any minute."
"i would love to but there's nothing i can really do when she's clinging like that, kiyo." you send him the most sympathetic smile you could muster with the laughter still bubbling up your throat. "you know how she gets."
and kiyoomi does—he really does. your daughter got it from you, after all.
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royalarchivist · 6 months
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Ramon: So opinions on [Bagi]?
Fit: She's legit, we can trust her. We can trust her.
Ramon: Would you rather a dad or a mom [for me?]
Fit: Uh- I- no one! No one. Let's- let's get over to Felps' Square, Ramon. [They head to the warp at Spawn, then Fit hesitates] Um, wait- Ramon. [He pauses, briefly looks at the camera, then says in a rush] If I had to choose between the two, it'd be a dad. Alright, let's go. Let's go, let's go.
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ghostbsuter · 9 months
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There was a teen in the cave.
A teen no one knows and looks like he could be a wayne, stands in the cave.
"Actually, I'm a wayne." He says with a shrug.
Bruce, Batman, carefully thinks of the implication.
"Not yet," The teen, Danny, doesn't say anything. Simple smiles. "You're not a wayne, yet. You will be. But not yet."
Then Bruce sighs, dropping the batman mask in order to take in the teen.
"Does future me know of the time travel?"
Dannys smile grows into a grin, deciding to take pity on the man. "You, grandbat, have..." He makes a vague gesture. "Theories, which none of your children ever confirmed."
The bat's mind short-circuits at the choice of words
Dick is sputtering incomprehensibly, there are Baffled expression all around.
Because.
Because that child isn't Bruce's, but one of theirs.
"Who is it?" Jason demands, hand clenching his gun uselessly.
Danny continues to smile, a hint of mischief now peeking out.
The cave is filled with theories, some yell, some sob, yet all eyes leave danny.
All but one pair.
She had known the moment his body language switched just enough for her to read.
She had known the moment he disappeared before the clan.
Had known when his hand found hers, shoulders bumping.
Her heart clenches, throat dry and memories of her childhood flooding to mind.
So she asks, voice soft and hesitant.
"Am I a good mother?"
And danny looks up at cass, adoration and pride laid out plain for her to see and accept.
"You're the best."
And so they both watch the clan together, silent and comfortable.
(Cass doesn't question when she finds him, how and why. All she knows is that she's more attentive when out on patrol, looking and waiting.)
(This is how Cassandra Cain-Wayne returns one night from patrol, a child, barely out of toddler stage and clinging to her form.)
(This is how the Batclan officially meets one Daniel James Cain-Wayne, freshly washed and clothed, a cookie in hand and hiding shyly behind Cass.)
(When they meet, all they say is "Welcome home, danny," and "Good to see you again.", Danny doesn't necessarily get it, but that's okay. Maybe his new mom will explain it one day when he's bigger.)
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willowser · 5 days
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you call the baby growing in your belly a multitude of things, like lovebug and gum drop and sprout. cute things, that remind you of how tiny it is and how full of joy you are, and the names don't stop even after you find out what you're having.
katsuki doesn't follow along—at first. every silly little term out of your mouth is only met with an arched brow and a small shake of his head, the occasional roll of his eyes and the even rarer uplift of the corner of his lips.
"he," katsuki always continues. "he ain't gonna care what color his room is, do whatever y'want."
there aren't many appointments he's able to make, something you think eats at him more than you. being involved with a pro hero requires all kinds of sacrifices and you both knew that before your relationship started—but facing the realities isn't always easy; it bothers him, in some deep, dark way he's not able to talk about. even with you.
it's hard to tell how he feels at the first one he comes along for: he stands, quietly, eyes glazed over and lingering on the grainy image of your ultrasound, unmoving. when two little feeties are made clear in the picture, he silently crosses his arms and raises a hand to pick at the skin of his bottom lip—a nervous habit, one that gives him something to do and that hides his face just a bit.
he doesn't say anything for a long time. not until you're out in the car with your pictures in hand, going over them in the passenger seat.
"sooooo," you prod, "what'd'ya think? he's kinda...blobby, huh?"
he casts you a lazy glance, comes alive with a slow inhale before holding his hand out for the photos. the one with the little feet sticks out to him and he snorts, the corner of his lip raising. "yeah," he murmurs, before turning his attention back to the road. "but he's just a little bean, ain't he?"
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stevebabey · 2 months
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"Alright, here we go!" The bartender announces, leaning up to place the drinks on the bar.
"That's one whiskey, neat—" He says, sliding the lowball cocktail glass with amber liquid in front of Eddie.
"—And one Whammin' Slammin' Booty-Bangin' Pina Colada."
He places the extravagant cocktail in front of Steve. It's decorated to the nines with a straw, an umbrella, a piece of pineapple, and a little bit of tinsel on a toothpick. A whole party decoration in a drink.
"You guys have a good night." The bartender says warmly, already moving down the bar to tend to other customers.
Eddie stares down at the whiskey in the glass before him and pouts a little. Beside him and watching his boyfriend closely, Steve rolls his eyes.
"Oh, quit being dramatic," Steve says, sliding the cocktail across the bar so it's in front of Eddie, who had ordered it. He steals the glass of whiskey back at the same time.
"It happens every time."
"It happens most times."
"That isn't much better!" Eddie protests, even as he leans down and takes a long sip from the straw while they both get to their feet and leave the bar. Steve's hunting for a table they can snag, his eyes narrowed in focus. Eddie follows him blindly, his cocktail cupped in both hands.
"I'm serious, Steve! What is it about this adorable face—" He says, gesturing to himself, barely letting go of the straw to talk. It doesn't seem to faze him that Steve doesn't even glance back. "—Says I don't want to enjoy a Whammin' Bammin' Big Booty Colada?"
Steve comes to a stop, pausing his search for a moment to look back at Eddie. His expression seems unimpressed on the surface but Eddie can see his lips twitching up at the corners.
"We've had this conversation too many times, babe." He sighs halfheartedly and takes a quick sip of his own whiskey, eyes casting back out across the bar. "You have scary dog energy, you know this. You specifically dress like this on purpose."
Eddie picks up the pineapple wedged on the edge of his glass and bites into it, sending it down with another sip of his cocktail as Steve leads them further into the back of the bar. He finally spots a spare empty table.
"C'mon, I think I found one." Steve urges, one hand snaking back to make sure Eddie's following.
"Is it a crime to wish to not fall victim to stereotypes?" Eddie prattles on, following Steve duly by slipping his hand into Steve's outstretched one. His cocktail wobbles precariously as he takes another gulp.
"Like when that waitress gave me your awful black coffee! And you got my delicious delicacy that I paid extra hard-earned money for..."
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i like to think that when steve and eddie go out, people always lean into their assumptions and are like hmm ok preppy boy with the polo? oh he gets the fruity cocktail! and eddie is always like >:( i don't want this expensive puddle of piss gimme the bonanza supreme cocktail pls. like excuse me i paid for that.
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specialgrades · 11 months
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Not really a request but what are your headcanons on the JJK men's dick sizes?
OHOHO cracks knuckles i can do that. going full in like nanami should be in me rn dick-scriptions time
characters: gojo satoru, geto suguru, nanami kento, toji fushiguro, sukuna, choso, atsuya kusakabe
GOJO SATORU : a bit above average, a good 6.5 ~ 7in. slight curve upwards. a good 2.5 ~ 3.5in thick. pretty pink flush on the tip, shaft a few shades darker than his skin tone. cut. carpets match the drapes of course, he keeps it trimmed. fun trail tell me i'm wrong (i'm not). super sensitive vein on the underside. sensitive thighs too. grower.
GETO SUGURU : honestly, average cock size. he rounds up to five inches but we all know it's 4 3/4. two inches thick. like gojo, a nice pink flush and a few shades darker. no curve. for sure has a piercing, prince albert probably; silver jewelry. uncut. not a jungle, mildly maintained. sensitive head, especially with the piercing. shower.
NANAMi KENTO : nothing overwhelming, though still impressive. 7.5in long, 3in thick. cut, duel toned because of it. top half is more pink than the rest. short trim. curve to the left. right under the head is the key, he'll bite back a really embarrassing noise if you focus there. grower.
TOJi FUSHiGURO : i pray for y'all toji simps for real, cause fuck. 8.5in easy. 4 inches thick minimum. man built like a tripod. uncut, darker with red undertones. upwards curve. jacob's ladder. three of 'em. this man doesn't shower i'm so sorry. two prominent veins when you pull back the foreskin, sensitive but he'll never show it. shower.
SUKUNA : i pray for y'all as well. find a pringles can. it's bigger. ten inches long, four inches thick. curves upwards and a tad to the right. cut, pale so it gets a nice flush. his tattoos make an appearance, wrapping around the shaft a few times. grower thank god.
CHOSO : average length, 5.5in but thick. four inches. curve to the right, uncut. darker than his skin tone by around four shades. not super trimmed, a delicious fun trail leading to a mild bush. mildly sensitive head, though go for his navel and you'll get a lovely show of him getting all breathy and twitching. shower.
ATSUYA KUSAKABE : i've only just met this man but i want him. carnally. so... six inches in length and 2.5 in width. cut, duel toned though you can't really tell until he's flushed and the top half goes a pretty dark pink. like choso, tasteful amount of hair with the fun trail. one prominent vein that's sensitive, under the head too. grower.
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