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#i sometimes doubt he’s watched the show because does he not understand the point of the show is that superheroes are not always good
sunglassesmish · 10 months
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and of course i was watching a trailer for a horror movie in the cinema and my brother was like ‘OH MY GOD THAT WAS ANTONY STARR!!!’ and i thought he was joking but nope
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makoodles · 1 year
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ミ tìtunu
part one | part two | part three (nsfw) | part four (nsfw
🍓pairing: tsu'tey x human fem reader
🍓word count: 9k words (oops)
🍓warnings: alien courting rituals, misunderstandings, accidental sexy touching
yoooo i was not expecting people to like this ahhahahaha but thank you all so much for all your lovely excited comments! they've been so fun to read and honestly pushed me into writing this faster! pls forgive me if i forgot to tag you (i tried to include everyone that asked) 🍓 masterlist
reblogs are always enormously appreciated!
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Tsu’tey is beginning to wonder if he had received some irreparable damage to his head in the fall from the sky that had nearly killed him all those months ago. It’s the only explanation for what’s gone so terribly wrong with him.
After his failed first attempt at courting, you don’t come back to the village for a few days. It’s probably a good thing, Tsu’tey tries to convince himself; he needs to decide what it is he truly wants, and how far he’s willing to go to get it. But even though he tries to use the time to himself productively, he finds himself on edge and impatient.
His foul mood is clear to the whole village to see, and so it’s only a matter of time before someone confronts him about it. 
It’s just his luck that the person who approaches him about it is Jakesully.
“So,” The new Olo’eyktan drawls as he sidles up to where Tsu’tey is watching a group of young warriors training with their longbows, “Word has it that you’ve chosen a mate.”
They may be brothers in arms and tentative friends, but that doesn’t mean that Tsu’tey is pleased to have him poking around his business. His ears flatten back in a wordless warning to back off, but Jakesully pays no heed to it.
The bastard is grinning, as though this is the most entertained he’s been in weeks. “Word has it that your chosen mate is human.”
“Do not speak on matters you do not understand.” Tsu’tey bares his teeth in a move that is bold at best, considering he is speaking to his clan chief.
But Jakesully just laughs, his stupid shoulders straightening. He has become so confident since becoming one of the people, and Tsu’tey envies him for it. He was sure of himself just like Jakesully once, but now it seems like all he does is doubt himself.
“Relax, brother.” Jakesully says casually, leaning on one leg as he follows Tsu’tey’s gaze out towards the young warriors. “You are too tense. How could she want someone so grumpy?”
Tsu’tey turns to him then, his tail coiled in a tense loop as he glares. “She is a demon.”
Jakesully just rolls his eyes. It's a gesture so human that it’s almost jarring. Sometimes it’s easy to forget that he is alien, just like you.
“Everyone sees the way you look at her.” Jakesully says, raising a brow at him. “It’s a different kind of scowl than you give everyone else.”
Tsu’tey doesn’t think that he scowls that much. He tries to force the frown off his face as he turns to look at Jakesully head on.
“It does not matter what you think you see,” He bites out, frustrated and on-edge with embarrassment. “She is tawtute. Sky demon. She does not see, cannot connect with the People or with Eywa.”
Jakesully is nodding, but he still has that infuriating smirk curling around his mouth that suggests he understands Tsu’tey’s feelings better than Tsu’tey himself does.
“That hasn’t stopped you so far, has it?” He points out with a faux-innocent tone that is utterly unconvincing. “I mean, you certainly seem happier to show her around and explain things to her than you ever were with me.”
“That is because she listens, Jakesully.”
“Yeah, yeah,” Jakesully waves this away as if it’s inconsequential, before his expression shifts. 
The next look he levels at Tsu’tey is uncomfortably sober. 
“Look. I know that you’ve been having a hard time since...” He trails off, and his eyes dart down towards the harsh, ugly scars that cover Tsu’tey’s torso from where the brutal human weapons called bullets had nearly torn him apart. “Look, who cares what anyone else thinks? The People are still wary of the humans left over, but they’re looking to you as an example on how they should act. You could set a precedent here.”
Tsu’tey clenches his jaw as he stares out at the warriors. Instead of answering, he shouts out to one of the younglings near the edge of their makeshift firing range. “Netu’li, keep your elbows up.”
Netu’li fixes his posture, and the next arrow he looses hits home in a perfect bullseye. Tsu’tey nods in satisfaction.
Jakesully is still staring at the side of his face, and Tsu’tey realises that there is no way for him to escape this conversation. He takes a breath, and tries to ignore the resentful embarrassment coiling in his belly.
“She did not accept my advances.” He mutters, his ears flattened against his skull.
Irritatingly, Jakesully doesn’t seem bothered by this in the slightest. 
“Oh yeah?” He drawls. “Hm. Well, I never thought you’d give up so easily. I’m surprised.”
Tsu’tey flicks a quick glance his way. What a ridiculous, painfully transparent attempt at goading him into admitting the interest he’s been trying to deny. The worst part is that it might actually be working.
“I did not say I was giving up.” Tsu’tey says sharply, well aware that he’s playing right into Jakesully’s hands right now. “I am just… I am thinking.”
Jakesully raises his stupid eyebrows, but Tsu’tey is studiously avoiding looking at him now. This whole situation was mortifying enough when it was all going unsaid; now that it’s being discussed, Tsu’tey feels like climbing inside of a yomioang plant and never coming out. 
“Well,” Jakesully sounds smug, which should be a warning in itself, “You’d better do some thinking quickly, because I believe that’s her coming now.”
Tsu’tey straightens quickly, and tosses a look over his shoulder. Sure enough, your familiar figure is standing awkwardly by the treeline. It seems as though you’re reluctant to step further into the village; you’re fidgeting with your fingers, eyes darting around until they finally find him.
Something in his lower belly leaps, and he finds himself taking a sharp inhale through his nose at the sight of you. It’s been days since he’s last seen you, and he had been beginning to wonder if you would ever seek him out again. The sight of you here is a ridiculous sort of relief, one that he doesn’t even want to fully think about. Even better is the fact that you look alright, you look healthy. It doesn’t seem as though he’s done lasting damage to you with the meat.
You smile at him, and even from across the village he feels his heart thump against his ribcage. Perhaps you don’t hate him after all.
Aware of your eyes on him, Tsu’tey hefts his longbow from his back and shoots an arrow. It flies straight through the target, and hits it with a heavy, satisfying thump.
Jakesully just laughs. “Wow. Impressive.”
“Be silent.” Tsu’tey grumbles, his tail coiled tightly around his leg. He is anxious in a way that is entirely unbefitting of a warrior, and he resents you for being the cause of it. “I do not wish to speak to her.”
“Oh, come on!” Jakesully tilts his head back, shaking his head as though Tsu’tey is nothing but a child. “I thought we just talked through this!”
Tsu’tey ignores him. He can feel your gaze on his back like a weight, and though he stands straight and tall he cannot bring himself to turn around and meet your eyes. It’s all too much – even from across the camp your presence needles at him, and he hasn’t even decided on what he’s going to do just yet.
Jakesully’s eyes on the side of Tsu’tey’s face don’t help very much either. “Where’s all your confidence from the other night gone, when you practically declared what you wanted in front of the whole clan?”
Tsu’tey’s tail lashes restlessly. That had been a moment of pure madness. “It was rash of me.”
Jakesully just makes a face. “Whatever. Look, if the People could accept a skxawng like me as Olo’eyktan, why wouldn’t they accept your interest in a human mate? They respect you; they’ll respect your choices.”
It’s a reasonable point, but Tsu’tey remains stubbornly silent. It rankles, the way that Jakesully is trying to insert himself into his business. Tsu’tey’s thoughts and feelings about you are confused and conflicted, but they’re private. The way Jakesully speaks about you as though he knows you makes Tsu’tey’s skin prickle.
“I must think on it.” Tsu’tey says at last. It’s a weak response, but he just wants to buy himself some time.
Perhaps Jakesully is right. Tsu’tey has always been strong-willed and stubborn, and has always known exactly what he wanted. Now though, he's floundering. Now he doesn’t know what he wants, and he’s casting about desperately in the hopes that someone will advise him on what to do. After having his life and expectations so soundly upended, he just wants to make his clan proud. He wants their approval, but Jakesully is right – when has he ever given up on anything just because it posed a challenge?
“Fine.” Jakesully says, jarring Tsu’tey from his thoughts. He had nearly forgotten the Olo’eyktan was still there, and it’s unnerving to realise that he’s being watched with a smug sort of smirk. “I’ll keep her company for today, then. Considering you need your space.”
Tsu’tey’s jaw clenches hard but he does not protest. He can’t, not after making such a big deal out of not wishing to speak to you today. His pride is hurt, and all he can do is double-down on his position. Besides, Jakesully is mated to Neytiri, and Tsu’tey knows that he would rather die than stray from her.
That doesn’t stop him from turning his head as Jakesully leaves his side, watching with sharp eyes as the Olo’eyktan approaches you. Even from this distance, he can see the little smile on your face through your mask as you tilt your head up towards him. The sight of it causes something to curdle in his low belly. 
That should be him on the receiving end of your sweet little smile. It’s a selfish thought, but one that he can’t quite shake off. The sense of possessiveness surprises even him, and he watches with narrowed eyes as Jakesully leans down to say something to you.
When Jakesully’s stupid five-fingered hand touches upon your shoulder to lead you away to somewhere else within the camp, Tsu’tey feels his tail whip around his ankles in aggravation. 
I will try again, He thinks wildly as he turns back around to stare unseeingly at the practicing warriors in front of him. And this time I will not fail to impress.
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Now that Tsu’tey has reached the decision to court you (officially), there is much to be prepared. He has never been one to take half-measures, and initiating a courtship is certainly no exception. You may not be Na’vi, but he will court you with all the respect and courtesy as he would if you were one of the People. 
Part of him wonders if his decision is written across his face somehow, because the People of the village seem to know. When he begins searching for materials to make an official courting gift for you, he begins getting help from unexpected places. 
Some of the children have started leaving pieces of twine and plant fibre in his treehut, and he is pleased to find that it is of good enough quality to begin weaving immediately. The old woman, A’nayla, who is the best at carving beads in the whole village, slaps his hands away impatiently when he attempts to pick out a number of beads for your gift. She directs him instead to some of her shiniest and most vibrant beads, and refuses to make any trades. A gift, she had insisted, her old face crinkling in a knowing smile as she had waved him away.
He feels supported, even more so when Neytiri visits him in his treehut one evening after dinner. It has been a few days since you visited the encampment, but Tsu’tey is determined to have everything in good order before he approaches you in earnest. 
When Neytiri enters the small hut he had built in the trees when they first settled in this encampment, she takes a moment to peer around with a neutral expression.
Tsu’tey has been sitting on the woven mat in the middle of the room, but he looks up and waits for his old friend to speak.
“My Jake has told me about your intentions with the tawtute.” She says after a long moment, stepping forward and sinking down to sit in front of him with her legs crossed. “Many people speak of it in the village.”
Tsu’tey’s ear twitches at that, embarrassed, but he just focuses back on his weaving. There’s no point denying it; he does not plan on hiding it for much longer, anyway.
“Yes.” He says simply. “My first attempt was… not successful.”
Neytiri hums. He thinks he can hear an undercurrent of amusement. “Yes. I saw.”
His ears flatten in earnest at that. He had hoped that no one had witnessed that particular humiliation, but that’s no matter. People will soon forget, and he will soon have you distracted with his second (and surely more successful) attempt. 
Her eyes fall on the half-finished woven piece in his hands, and she eyes it carefully. “That is too big. She is small, remember.”
“Of course I remember.” He snaps, before raising the half-finished jewelry to his face and squinting at it. “You think it will not fit?”
“Give me.” Neytiri demands, and stretches out her hand. 
Tsu’tey passes it without complaint. They have known each other since birth, certainly long enough to forgo any passing formalities and niceties. He trusts Neytiri with his life, his best-friend and once-potential-mate, and he finds himself waiting with his tail curled protectively beside him as he awaits her judgment; not only on his half-finished gift, but also on his choice of a mate.
“This decision I have made,” He says suddenly. “To court the sky demon. It is madness, isn’t it?”
“Yes.” Neytiri speaks with hardly a hesitation, though she doesn’t raise her eyes from his weaving. She starts picking out a loop where he had made a mistake, and begins reweaving it with deft fingers. “But I will not be the one to judge you for that.”
“And Mo’at?”
“She thinks you are a skxawng.” Neytiri says easily, “But she loves you like a son.” The next look she darts at him is quick and sharp out of the corner of her eye. “Out of everyone in the village, your heart was the most firmly closed against the Sky People. Does that not make it all the more meaningful, that you have chosen a sky person as your mate?”
Tsu’tey is silent. He used to think that he knew exactly how his life was going to work out; he would be Olo’eyktan, he would mate with his first love Sylwanin, they would be happy and prosperous and strong together. But that future evaporated like mist before his eyes; not all at once, but gradually, until he could barely see the vapours. His reality is very different now; he clings almost desperately to the idea of you. There have been many people that Tsu’tey has not been strong enough to protect, but you are so small and soft – you need protecting more than anyone he’s ever known, and he’s determined not to let you down.
“She will accept,” Tsu’tey murmurs, before casting an uncertain glance in Neytiri’s direction. “Do you think so?”
“I see her look at you.” Neytiri murmurs back, her mouth curving. “She will accept.”
That brings a rush of relief so sudden and unexpected that Tsu’tey feels it like a physical blow. He keeps his head bowed in the hopes that it will not be so obvious, and hums absently as though he’s only half listening. It’s not enough to convince Neytiri, but he hopes that it works to recoup at least some of his pride.
“You have redecorated.” Neytiri comments, though her eyes stay focused on fixing the small section of the necklace that Tsu’tey had messed up. “Your kelku is inviting.”
That pleases Tsu’tey, and he sits up straighter. Decorating has never been a strong suit of his, and it presented more of a challenge than he had initially anticipated to decorate in such a way that it would appeal to a human. He knows you are very interested in the plants of his planet, considering the amount of time you spend studying them, so he has effectively cushioned the rough wooden walls and floors with softer wide leaves. From the ceiling hangs intense blue eanean flowers and hippophae leaves, lending a soft phosphorescent glow to the small space.
“Humans are weak,” Tsu’tey grunts. “Soft bones, fragile skin. She needs soft surroundings, too.”
Neytiri hums her agreement, before finally lifting her head. In her hands, the knot in the half-finished necklace has been unpicked and resolved. She hands it back, and Tsu’tey takes it cautiously into his hands before peering carefully at her work. Her hands are far more practiced in the art of weaving than his; she has done a wonderful job.
“Thank you.” He says quietly. He is appreciative on several levels; for her weaving, for her company, for her support.
She seems to pick up on what he isn’t saying, as usual. “You should approach her again soon. My Jake says that she is sad – she thinks she has upset you, and that you are angry with her.”
Tsu’tey raises his head sharply at that. He’s not sure if he’s more displeased at the idea that you are upset or the fact that you have apparently been confiding in Jakesully. It is difficult to push past the feeling that you should be confiding in him, that he should be the person offering you comfort. But how could you approach him when he was part of the problem?
“I will find her tomorrow.” He decides. The thought of him losing his chance is sickening – he can’t afford to wait until everything is perfectly prepared. He will just have to do his best with what he’s got so far.
Neytiri grins at him, her lips peeling back of her teeth in a way that is both joyful and intimidating.
“Sìltsan tìtaron.” She says, and Tsu’tey finds himself grinning back without conscious thought.
It is a customary saying in their tribe, used for both chasing prey and courting mates. Good hunting.
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When the next day dawns, Tsu’tey curses himself for feeling nervous.
The last time he felt this way was the night before his iknimaya, when he was a fledgling warrior. Even then, he was so confident, his ego inflated by the simple fact that he had never experienced a loss before. 
This time is different. He finds himself anxious in a way that he is utterly unused to experiencing, and it makes him bare his teeth in frustration as he bounds down from his treehut into the village properly. It is already a hive of activity, and the familiar buzz of conversation and laughter eases some of the tension out of his shoulders. 
He will take this slow, he’s already decided. Slow and careful. 
The thought of you refusing him is something that he can’t bring himself to consider; he needs to show you that he is strong, that he is thoughtful and caring, that he can provide for you and keep you safe and make you happy. He has to convince you that there is no one who can care for you better than he can. 
Finding you is easy enough; the human scientists that have remained on the planet follow a routine, and you are no different. Besides, as some of the children in the village tell him, you have been lingering close to the village for days now. Ostensibly you are studying the plantlife, but Tsu’tey knows that you have likely been waiting to catch a glimpse of him. The realisation has a hollow feeling of guilt gnawing at his stomach, but he tries to push it aside – he will apologise soon.
He finds you in the forest, only a little while outside of the village. You are not alone; as is standard procedure, you are accompanied by three other scientists and a dreamwalker. 
Norm is as awkward as ever in his Avatar state, discussing whatever he is reading from his demon technology with wide eager eyes. Tsu’tey is familiar with Norm now, mostly against his will – Jakesully is fond of the scientist, and he has been invited to take part in village life on several occasions. Tsu’tey will begrudgingly admit that the dreamwalker is respectful of Na’vi life and culture and he has come to accept his presence both on his planet and around his people, but seeing him around you is making him fidgety.
One of the scientists is armed (and the sight of the gun makes his skin itch from the memory of bullets tearing flesh) and Norm is at least Na’vi-sized, but that is the extent of the protection they have brought. Tsu’tey’s fingers twitch. It is not enough. You are so small and fragile, entirely unsuited for his world. Don’t you know that? Don’t you know how dangerous it is to be out here like this with so little to protect you?
You’re so preoccupied with the helicoradian you’re studying that you don’t seem to notice anything else around you. Your head is bowed, your eyes bright and shiny with interest as you inspect the orange pigment dusting the leaves. 
The dappled light that filters through the trees casts shadowy patterns across your face in a way that is nearly mesmerising, and he ends up staring at you for a longer moment than he had originally intended. You are strange-looking and alien to him, and yet his fingers itch with the desire to touch you.
Tsu’tey leaps from the branch he had been watching you from, and lands neatly on the balls of his feet. His movements are nearly soundless, and none of the humans raise their heads. They don’t seem to sense his appearance at all.
His brow furrows in dissatisfaction. Anything could creep up on you, and you would not see it coming until it was too late.
He reaches out one leg and steps purposely on a twig. The snap is resounding, and the man with the gun whirls around and hoists the weapon higher, aiming at Tsu’tey’s chest.
He just bares his teeth in warning.
“No!” You yelp, throwing your hands up as soon as you realise what’s happening. “Don’t shoot him!”
Despite the situation, he’s sure that he looks quite smug. It feels good to experience you standing up for him, even if he doesn’t really need it – he could knock this puny little gun-toting tawtute into the dirt with a single backhand if he wished, though he refrains. He’s trying to be on his best behaviour.
“Fuck!” The little man yells, clearly spooked. “What does he want?”
That makes you falter, and you look up at him with uncertainty. It seems like you’re waiting for an explanation as well. All of the scientists are silent are apprehensive, eyeing him cautiously as they wait to see what he’s going to do. Their eyes linger around the knife strapped to his waist and the longbow strung over his shoulders.
Norm is looking at him with raised eyebrows, his ears perked up. Judging by his expression, Tsu’tey assumes that Norm has guessed exactly what he’s doing here.
“I wish to speak with you,” He tells you in Na’vi – he knows that some of the other scientists will be able to interpret his words, but it brings an illusion of privacy all the same.
You blink, but hesitate. When you don’t agree immediately, Tsu’tey feels his ears pin back. Your uncertainty is surely a bad sign for him – has he misjudged how upset you were?
He turns to the other humans and narrows his eyes at them. “Leave.”
They burst into motion satisfyingly quickly. The moron with the gun looks as though he is about to start arguing, but Norm hooks the long fingers of his demon body into the back of his collar and tugs him away. For once, the scientist is not being a nuisance.
You’re still standing there, turning to stare in apparent bewilderment at your comrades, who are practically fleeing. “What-”
“Come.” Tsu’tey says. Now that it’s just the two of you, he loses some of the edge in his voice.
 When he turns away and begins to lead you into the forest, you follow after him without complaint. Out of the corner of his eye, Tsu’tey can see you twisting your hands nervously. Your clear anxiety has him frowning – he wants you to be comfortable with him, not on edge.
Once he’s determined that you’re both far enough away from the other humans that they could not hear you, he turns to you. You’re already looking at him, fingers twisting as you bite at your lip.
 Calm and steady, Tsu’tey thinks to himself. Just apologise for ignoring her.
Apologising does not come easy to him, but he rolls his shoulder and takes a breath before opening his mouth.
“I’m sorry!” You blurt before he can make even a sound.
That throws him, and he ends up staring at you with his mouth ajar for a long moment like an absolute moron. Why are you apologising? This isn’t how this was supposed to go.
“I didn’t mean to get sick,” You continue, a little desperately, “I really did appreciate your hunting, it was very impressive and the meat was very nice, I swear I didn’t mean to come across as ungrateful-”
Oh no, are those tears he sees shining in your eyes? 
Tsu’tey feels as though he’s been frozen in place. He knows that his face is stuck in a confused scowl, but he can’t soften his expression no matter how hard he tries. Panic starts to curdle in his stomach. He may be a seasoned warrior, fearless in the face of fearsome opponents, but he finds himself at a total loss in this situation.
You just keep going – his silence seems to be making you even more upset. “I never meant to offend you, and I’m so, so sorry if I have. I never meant to make you angry-”
Finally, Tsu’tey manages to find his voice. “I am not angry.”
Even he has to admit that he doesn’t sound particularly convincing, but he’s never been an eloquent person. How does he explain that he’s not angry at you, he’s frustrated with himself? Right now, with you staring up at him with your eyelashes all wet and clumped together as your lower lip trembles, he feels like kicking his own ass.
He needs to make his move now, he realises wildly. Be conciliatory, he thinks. Let her know you are interested.
His voice sticks in his throat, but he manages to push the words out. They come out slightly strangled, but semi-confident all the same.
“Would you like to come fishing?”
You hesitate, and Tsu’tey feels his heart seize in his chest – you’re not going to turn him down, are you?
“Would I-” You begin, face crumpling. “What?”
Despite all the similarities in your bodies and faces, Tsu’tey finds himself floundering when it comes to reading your expressions. Is that disappointment? Confusion? Anger? It’s so difficult to tell with your tiny blunt ears and lack of a tail.
“Fishing.” He repeats. His own tail lashes restlessly, the only part of his body that moves at all. “Come and watch me fish.”
It doesn’t come out quite as smoothly as he had planned in his head the night before, sounding a little more like an order than an invitation, but Tsu’tey thinks it’s a victory just to get the words out at all.
You look a little lost, but you nod all the same. Your tears are blinked away, your expression smoothing a little. Is Tsu’tey imagining it, or do you look hopeful?
“I- alright.” You swallow, and your hands reach up to tug at your hair in what appears to be a compulsive sort of movement. “Yes. Fishing. Right.”
Tsu’tey barely stifles his reaction. A success. He can’t stop his ears from pricking up, but otherwise he tries to appear neutral – he doesn’t want to scare you off. 
“Come then.”
Just like before, you follow him readily through the jungle. He is careful to keep his back to you – it is a display of trust, to show off his conviction that you will do him no harm. It is mostly symbolic in your case, considering that you are unlikely to cause him any real harm even if you wanted to, but he is determined to carry out these courting rituals correctly even if the rest of this courtship is unconventional. 
His ears are pricked the whole time for signs of danger or any other signs of life approaching, and to ensure that you are close behind as the two of you make your way towards the river winding towards the Omaticaya stronghold.
“You don’t have a fishing rod.” You say when you both finally reach the river.
Tsu’tey has no idea what you’re talking about, but it sounds as though you’re doubting his ability to fish. 
He frowns, turning to squint at you – is this a challenge? Do you require him to prove his prowess right away? Displays of physical prowess and skill are part of the courting process, but he had thought that he had already done that with the hunt you had witnessed. But then again, the meat from the prey of that particular hunt had made you sick – perhaps you had decided not to count that hunt as an official courting display. 
You stare back at him, looking perfectly innocent, if a little confused.
Fine. Tsu’tey straightens his back, and pulls his bow from his back. If it’s a display of prowess that you want, that’s what you’ll get.
In one smooth movement, he draws, nocks, and looses an arrow. It lands true, hitting home in the sleek, smooth body of a large fish that has just darted out from behind a stone lodged in the riverbank. 
You let out a startled sort of sound, but lean forward quickly as Tsu’tey strides into the water and reaches for his catch. He had been planning on drawing this fishing display out a little longer, but it seems that you’re a demanding little thing. He doesn’t mind that; if anything, it will make satisfying you all the more exciting.
He retrieves his catch and holds it up for you to see. The fish is a large one, and it glints in the sweet sunshine that streams through the canopy of trees above you. It is a catch to be proud of, but he is careful not to be too pleased with himself until you react.
You laugh at the sight of the smooth glinting silver surface of his catch, clapping your hands together.
“Oh!” You call out, and you sound delighted. “Amazing! You make it look so easy!”
The praise sends a pleasant warmth effusing through his chest, and he feels a slow, hesitant grin begin to spread across his face.
“I am good at providing.” He tells you earnestly, stepping forward. He snaps off the long shaft of the arrow before proffering the fish towards you for your inspection.
You glance down, still smiling, but you don’t look particularly closely at his catch. That dulls some of his satisfaction – he glances down at the fish himself, wondering if there was something about it you found lacking.
“I know.” You murmur, tilting your head as you gaze up at him with lidded eyes. “You’re strong.”
His ears twitch like a child’s, and he nods, pleased. Hearing those words coming from the person he has chosen as a prospective mate fills him with a type of excitement that he has never experienced before. As a tawtute, you cannot connect with Eywa or with the People; but in this moment, Tsu’tey feels as though you see him anyway. 
He swallows, and sets his catch aside in the pouch at his waist. He feels flustered in a way that is entirely unlike him, and he has to push his reactions down deep. He doesn’t want you to think of him as a silly little youngling – he wants you to see that he has taken this decision to court you seriously.
Time for the next step.
“We are close to an area where the Tsahìk gathers her herbs for medicine,” He says, clearing his throat as he turns to look at you with wide, earnest eyes. “I have offered to collect some for her. Would you like to help?”
Plants have always fascinated you – he knows that the original reason that you came to his planet was to study the wildlife and the flora. He waits, hoping that he’s right in thinking that this is something you will enjoy.
Your strange, sweet little face brightens. “Really?”
Tsu’tey nods, relieved by your reaction. “You would like this?”
“Yes!” You breathe. For the first time since he had approached you, you relax in earnest and Tsu’tey finds himself mirroring you. 
He reaches out and cups your elbow as he helps you step over a log, and he doesn’t miss the little shiver and quick glance that you send towards his hand where it’s wrapped around your arm. It seems like you’re just as taken with the size difference between you as he is, and his lips begin to curl in excitement at the realisation. 
This is good, He thinks, biting at the inside of his cheek. He is very slow to remove his hand, and you make no move to shake him off. Very good.
Tsu’tey does not want to speak too soon, but he feels as though his courting attempts are going very well indeed.
You had loved gathering the medicinal herbs with him, even more than he had hoped – you had badgered him with questions, curious about the names of the plants and their properties and their appearances, and you had bounded along at his side with a bright grin the whole time. It had pleased him greatly to experience your interest in the ways of the Omaticaya and the life of his planet; it was proof that you could be taught, that you were willing to learn.
And most thrillingly of all, you were receptive to his advances. Over the next couple of days, he continues with his cautious attempts at approaching you with little gestures.
When he gives you flowers and pretty leaves, you take them with brilliant, near-blinding smiles. Every time he shows off by flexing or practicing wrestling with the other warriors, you watch with interested eyes and tiny smiles. Whenever he tentatively touches you, small brushes to your shoulders or hands or waist, you never flinch away – on several occasions, you lean into him. 
He tries not to let it go to his head, but it’s difficult. Since he’s started to admit his urges and his attraction to you, he swears it’s gotten worse. It feels like all he thinks about is you. He’s distracted during training, during his duties, during meals. He thinks about your reactions to his offerings, to your smiles, your scent, your voice. It really does feel like an illness, but it’s one he’s beginning to come to terms with if it means having you close by.
It’s beginning to get more difficult to keep his hands to himself. Traditionally, at this point in a courtship it would be acceptable for a courting pair to exchange flirtatious touches and other little intimacies, but Tsu’tey is aware that this is not exactly a conventional courtship. 
He’s trying to be careful, to avoid spooking you or making you uncomfortable or uneasy, but it’s beginning to wear on him. Though he’s getting bolder with his little touches, it’s not enough to quench the skin-hunger growing in him.
But no matter. The courtship is going well, and moving at a good pace. The next step is one of the most important ones. 
His carefully woven courtship necklace has been completed. It is customary to present a potential mate with a statement piece of jewelry, and Tsu’tey has spent several late nights fussing over the finishing touches. He recognises on some level that he’s stalling; it’s not in his nature to be nervous, but he’s beginning to grow nearly obsessive about getting the necklace as perfect as possible. It has been crafted to fit you exactly, with fibres and beads selected by him personally based on what he thinks you would like and what he thinks would suit your features. 
The finished product is eye-catching, and Tsu’tey feels nearly delirious at the thought of it decorating your neck. 
He crushes any semblance of nerves as best as he can, just like he might have done before a big hunt.
Of course you will accept his mating advances. Why wouldn't you? He is a strong warrior, a protector, desired by a great number of women. He could likely pick any woman he wanted out of the available women in the clan, and they would be honoured. Why would you be any different? You may be difficult to read at times, but he has laid his intentions out loud and clear and you have not shied away. You would accept him. 
His mating necklace for you feels like it’s weighing him down as he steps through the village. It’s tucked safely into the pouch at his waist, though his hand keeps drifting to his hip to check that it’s still there. He’s not unaware of the looks he gets as he makes his way towards the edge of the encampment, but he ignores them. No doubt many of his people have guessed at what he’s up to, but he can’t give them his attention right now; he’s too focused on you, now that he spots you sitting next to one of the large pxiut trees.
Your head is bowed over your silly little notebook, lost entirely in your own world. Tsu’tey’s steps slow as he approaches you, taking the opportunity to drink in the sight of you while you’re unaware of his gaze.
His eyes track over the curves of your strange features, the slope of your alien nose, the arch of your neck. Your features may be exotic, but he’s finally beginning to admit to himself what he’s been trying to deny for a while now – you’re attractive to him.
He likes your weird little face, your odd five-fingered hands, your thick silly accent when you speak his language. He likes that you are so much smaller than him, he likes that you are soft. 
He appreciates that you are patient with him, too. He knows he can be gruff and surly, and most people find him off-putting or intimidating, especially when they don’t know him. But you – you’re so calm and sweet, and you never seem to care when he’s stoically silent beside you. Most of the time when he’s around you, most of his brain-power goes into trying to keep his hands to himself, and he doesn’t have much intellectual power left to attempt conversation. He’s content with simply listening to you about whatever it is you wish to talk about, occasionally chiming in to ask a question or just to hum gently to show you he’s listening.
As he watches, you shift where you’re sitting and reach up to scratch absently at your neck. Beneath your odd human garments, your skin is glowing lightly with a thin sheen of sweat. Tsu’tey finds his eyes tracking over your exposed skin like a moron, and he clenches his jaw as he pulls himself together.
You're a warrior, you're a warrior, you’re a warrior, he chants in his head. He would not be cowed or intimidated by a tiny human.
You raise your head as he approaches, and a smile unfolds across your face. Your expression is bright, full of pure innocent happiness just to see him. He wavers, and nearly turns right back around.
“Hey, big guy.” You call out, setting your notebook aside as you beam at him. 
You’re waiting for him to join you, he realises. He jolts forward, his previously confident stride turning a little jerky under your sharp eyes.
“Hello, little demon.” He murmurs, keeping his voice low and level.
You bite at your lip, still watching him with that little smile on your face. He watches you back just as closely, even as he sinks down to sit next with you. Your smile melts into a little look of surprise; usually, when he comes to you it’s so he can invite you somewhere else, either to show you something or to give you something. Joining you as you just sit is new for both of you.
For a moment, you’re both quiet. It seems like you’re waiting on him to speak, but he stays silent. He’s trying to compose himself, to appear cool and calm as he reaches his hand towards the woven bag slung around his waist.
Finally, he says, “I have something for you.”
It comes out impressively calm and level. While he’s not a man prone to nerves or to doubting himself, this is entirely new territory for him. When your expression brightens into a look of excitement, he feels a new little seed of confidence build in his chest. You’re anticipating his gift, you want it. 
When he slips his hand into his bag, you sit up onto your knees so that you can watch him. Over the last few weeks, you’ve gotten used to receiving little flowers, plants, beads, or little carved figures. You accept each one with your usual brilliant, sweet smile; the thought of how you may smile at him when he gives you the necklace makes Tsu’tey’s tail flick eagerly.
He pulls it carefully out and hands it to you. As you take it your fingers brush his, and he twitches slightly as he stares at how small your hands are next to his.
“Oh,” You breathe, lifting up the necklace to eye level so you can get a good look at it. “I… Really? For me?”
“Yes.” He says simply, his eyes sharp and alert as they drink in every minute flicker that crosses your face. What are you thinking? 
“It…” You begin, and then pause. Tsu’tey is just beginning to feel like crawling out of his skin when you slowly continue. “Tsu’tey, it’s beautiful.”
You so rarely say his name, choosing instead to call him variations of big guy, and he feels a near physical jolt run down his spine at the sound of it in your mouth. He wants to hear you say it again.
He just hums, still watching your face. You are examining the necklace intently, fingering the beads and the weavework, and he feels his pride inflate the longer you inspect his work. You are giving real, earnest thought to his offering rather than simply making your decision rashly. He respects this, and revels under the careful consideration you’re giving his proposal. 
“You like it?” He murmurs. His voice comes out rougher than he had intended, and you jerk your head up to look at him.
Like this, your faces are very close together. Tsu’tey had leaned closer unconsciously as you were examining the necklace, and he makes no attempt to back off. Likewise, you make no attempt to retreat either, blinking up at him from behind the odd clear surface of your bubble-like mask.
“Yes,” You whisper, a shy, cautious smile beginning to bloom across your face. “Did you make this yourself?”
Tsu’tey just huffs. What sort of fool wouldn’t make their mating offering themselves?
 “Of course.”
“Oh.” You bite at your lip. You seem to be trying to suppress your smile, though he can’t imagine why. He wants to see it, now more than ever.
You are certainly not racing to give him an answer. Your fingers trace over the beads, taking your time to admire the craftsmanship. Your obvious appreciation is certainly inflating his ego, but the longer you go without giving him a firm answer, the more agitated he gets. He hides it as best as he can, aiming to appear cool and unflappable. He is a warrior – he doesn’t want you to think of him as someone who is easily ruffled.
When you finally turn to look up at him, your eyes are shining. He can’t help but sit up a little straighter, watching you very carefully as he awaits your decision.
You proffer the necklace back to him, and Tsu’tey feels his stomach positively plummet. He truly hadn’t considered what he would do if you refused him.
“Will you help me put it on?” You ask, a little shyly.
The relief nearly bowls him over. Tsu’tey swears his stomach jolts so violently that he nearly makes a truly undignified sound. You are not refusing him – you wish for assistance. 
“Yes.” He says lowly and seriously, taking the necklace back. 
You beam again, then turn your back to him and bow your head to give him access to your neck. Tsu’tey’s heart thumps dully in his chest at the display of trust and vulnerability, though he keeps his face carefully still.
As he reaches out and slips the necklace around your neck, he gives in to his weakness and allows his fingers to drift over your shoulder. Your skin is so soft, your frame lacking the lean hard musculature that is so common among his own people, and he allows himself a moment to admire the feeling of you beneath his hands before finally beginning to tie the two ends of the necklace together.
He can feel you breathing carefully beneath his hands, the steady rise and fall of your chest matching the thumping rhythm of his own heart. The blood is rushing through his ears as his knuckles brush over one of the knobs of your spine at the base of your neck and you shiver in response.  
Success, his instincts are screaming at him. Success.
When he finally pulls his hands back, you turn to look at him through your eyelashes behind your breathing mask. The corner of his mouth twitches as he eyes the way the necklace sits above your collarbones; a perfect fit.
It probably goes without saying that you have accepted his advances, but the customs of the Sky People are odd and he wants to make certain.
“You accept, then?” He asks, reaching out and settling his fingers over the woven fibres of the necklace. You’re small under his hand – his fingers reach one of your shoulders and his palm reaches the other, dwarfing you. 
Your head tilts, a little frown creasing your brow, before you smile and nod. “Of course I accept it. It’s very lovely. I’m honoured. I didn’t know that you made your own jewelry.”
The last piece of mating jewelry he had crafted had been a bracelet for Sylwanin. It’s not something that he wants to think about right now, so he shrugs roughly.
“I do not, usually. This is different.”
“Oh.” You say, a little breathlessly.
Tsu’tey’s tail twitches recklessly. It’s time for the next step.
“I would take you to my hut.” He begins cautiously, watching your face. “It is finished now. I have made it comfortable.”
You blink, and take a careful breath. He wonders what you’re thinking. 
“I would like that.” You say quietly, your eyes drifting towards his tail, which is twitching as he awaits your answer.
Triumph soars in his chest, and a slow smile begins to spread over his face. This feels better than any hunt, any accolade, any success he has previously enjoyed. This one is his and his alone – you see him, you want to be his just as he wants to be yours.
You appear to get flustered, and look down at his twitching tail in an apparent effort to distract yourself. You watch the movement, your own lips beginning to curve, before you reach out to touch it.
Tsu’tey goes entirely still, his eyes flaring wider in surprise. He doesn’t pull away, watching intently as your fingers trail over the thin, sensitive skin of his tail. It is bold of you, so bold it nearly steals his breath away. 
“You’re like a cat.” You say, and laugh.
Tsu’tey has no idea what that means, and just continues to stare at you. You’re still holding his tail in your warm, soft hand. The fact that he isn’t pulling away seems to embolden you even more, before you start to bite your lip as you look up at him. 
Tsu’tey takes a soft, quiet breath – do you even know what you’re doing to him right now? Desire is beginning to pool, dark and hot, in his belly as your fingers stroke absently over the thin skin of his tail, your liquid eyes gazing up at him with that shy, enigmatic little smile playing over your face.
Slow and steady, he tells himself firmly, fighting to stay composed. He doesn’t want to scare you away by moving too quickly, but your soft warm hands and sweet little smiles are making it terribly difficult. He wants to touch you back, but he doesn’t want to startle you.
“Sorry,” You murmur, apparently growing self-conscious. You begin to pull back. “I didn’t mean to-”
“You may touch me.” He interrupts before you pull too far back. He has been intimate with women before, but this moment with you feels infinitely more intimate and illicit than anything he has experienced before. 
You watch him in return, eyes bright. Is he imagining the excitement on your face, mirroring his own feelings?
Slowly, you trace up his tail. His skin shivers under your touch, but he doesn’t pull away. In fact, he leans in a little closer as your fingers move from his tail to his chest, tracing over the lighter stripes on his skin. It feels as though your touch is leaving trails of heat in its wake, and he fights to keep his breathing steady and even as your eyes follow the path of your fingers.
His own fingers twitch, but he keeps his hands to himself. He wants to give this to you, to allow you the opportunity to be in charge of this moment. You’ve always been curious, and watching you exploring his own body only stokes his desire – but he holds back. He will be patient, and he will take this slow. He wants to do this whole thing right.
Your fingers trail down over the defined muscles of his abdomen, and he flexes entirely on instinct. You must like what you see, because your smile turns bashful as you trace your way around his waist.
He’s so preoccupied with watching your face that he doesn’t watch where your hands go next. It means that he is taken entirely by surprise when he feels your delicate, small fingers wrap around his kuru.
His back goes ramrod straight, his eyes flaring wide in shock. It was an innocent touch, only wrapping around the protective braid curiously, but the sheer fact that his prospective mate, wearing the mating gift he had made, holds the most intimate and sacred part of him in their hands has his toes curling into the dirt where you sit. 
A jolt of pure, liquid elation jolts down his spine. No partner of his has ever touched his kuru – it was saved specifically for a mate. And though you may not be capable of making tsaheylu with him, the sheer sensation of you holding this sacred part of him nearly makes his vision white out.
“Oh!” He hears your voice say as though from a distance. “I’m sorry, I didn’t mean to overstep-!”
He’s sure his pupils are blown wide, his ears alert and hot. He wants to reassure you that your overstep is most welcome, but it feels as though his brain has half-melted.
“Tsu’tey?”
He comes back to himself, though his thoughts are still scattered. As he regains some of his awareness, he realises that his desire is beginning to grow obvious beneath his loincloth. 
Fuck. He was meant to be taking it slow! He couldn’t invite you to his hut and then grow so visibly aroused in front of you; it was not honourable, and he did not want you to feel pressured.
He lurches backwards, nearly sprawling in the dirt. It’s a graceless movement, ungainly and unlike him, but then again all of this is entirely outside of his realm of experience. 
You’re staring at him with wide eyes and an open mouth, your hand still raised in midair.
“I have to go.” He says sharply, pushing himself to his feet. It’s all he can think to do to preserve both of your dignities before he ruins his careful courtship plans with his own reckless desires.
“But-” You start, your face crumpling. “Am I still invited-”
“I must go,” He repeats, hastily angling himself so that you can’t see his front. 
He takes several firm steps away before hesitating, then turns back to look at you. “Tomorrow. You may come back tomorrow.”
You still look utterly bewildered, but Tsu’tey hurries away all the same. As he goes, he adjusts his tewng as surreptitiously as possible. 
Despite his tactical retreat, he feels more optimistic than he has in a long time. As he approaches the village he feels a feral triumphant grin begin to grow over his face. That likely could have gone smoother at the end, but overall he finds himself feeling impossibly pleased with himself. 
He has succeeded at his attempt at courting a human, and he has done so without Jakesully’s help. You have accepted all his gifts, you agreed to come and see his hut, and judging by the way you had groped at his tail and his kuru, physical attraction certainly wouldn’t be a problem for either of you.
 It has left him excited for tomorrow, and yearning for more of your soft little hands against his skin.
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Hii, could you write something about possessive Soap? You have total freedom to write what you want, but please don’t do anything sad, I can’t stand 😩. In any case I will read everything you give me, I really appreciate your writings I find them really very satisfying! 🩷
However forgive me but I don’t speak English, I hope for being quite understandable
POSSESSIVE SOAP FOR MY GIRLS!
Thanks to this kind reader for the request! ^^ (tag. @dokboom )
- Possessive!Soap is a strange kind of boyfriend, let me explain. He will let his darling dress however she pleases to, because he is a very proud man, and he will flaunt and show off his girl to everyone. Sometimes it feels embarrassing, how easily is for Soap to just lock eyes with a complete stranger and just point at you, you’ll have men watching you, turning their heads for you and your boyfriend would without missing a beat just randomly manhandle you just to show you off. He is so secure about this relationship that nothing really threatens him. If his girl wants to dress up she WILL dress how she wants, because he can fight.
- His ways of showing possessiveness are not quite loud or openly shown. You’ll notice small gestures Soap does to assert his presence in the room and to make sure everyone gets the message about you being off limits.
- One particular thing he does that may seem minor but it’s actually pretty assertive is a quick pinch at your waist. It’s something you two invented, something intimate that he never shared with any woman. He’ll do it in random times too, while you’re out with friends, talking and drinking, his hand making its way to your left wrist jokingly pinching it between two digits. It always makes you giggle, but from an outside perspective you can see the intimacy of the gesture, the message of a man that claims his woman, showing the world how she’s off limits and untouchable.
- “The eyes chico, they never lie”. And his never do. There’s always a particular spark they hold in moments of friction. You could be beside him or at the opposite end of a room, and just by the way he’s looking at you, there’s no doubts to be made, nobody in their right mind would get close to you after seeing how Soap looks in your way. Utterly in love. You’re his girl and his only, he’d go above and beyond for your happiness and well being.
- He’s not fast at introducing you to the Task Force. Ghost is actually the first one to know about your existence but even then it’s only thru a picture that he can see who you are. Soap knows his teammates, he respects them, he looks up to each and every one of them, but he is slow with it, he does not rush you into meeting them, mostly because he is afraid of introducing you to another important future influence that just happens to be of your opposite sex, and he doesn’t know if he’s ready to ‘share’ your attention with another male. It’s not something he can postpone forever, especially with Simon, being his closest friend, but still he’s not really dying for y’all to meet. He also does not want to put Simon in uncomfortable situations, Soap knows how he gets with you when he feels jealous, and it’s a part of him he doesn’t really want to disclose to his Lt.
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fifi-afterhours · 1 year
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Telephones and Their Possible Connection with the Audience
So some time ago l was scrolling through @/partycoffin’s blog as one does when you fall into the fandom hole of welcome home, and I wanted to do a little speculation post about telephones and this picture:
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Or more specifically, Eddie's and Howdy's ones, and their different rotary dialers.
[Supposed tiny post turned into long theory ramble below cut!]
(I have checked that this was made on 4 December, 2022, so I think this could be speculated on!)
As we can see, not only are the phone types different (with theirs presumably being portable), the numbers used for dialing are replaced with colours instead. Now, a simple explanation could be made that the colours simply replace the numbers, but that's not the case:
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(I know they're not buttons, but let's just use that as a placeholder name for now-)
Neither of them seems to match with the 10 buttons needed for a a normal rotary dial, so the only explanation I could think of is that each colour corresponds with a neighbor.
@softestvine made a post about this before, and if you take a look at the guestbook signatures, the missing purple button on Eddie's phone makes sense since purple should represent him, and therefore his phone number in a sense.
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The real question is why would Howdy have his own phone number. Maybe an extra set of hands means he owns two phones? Or maybe it's normal to have your own contacts to ring yourself up, and Eddie is actually the odd one out? For that I'm not sure.
Continuing on, there's also the curious addition of a black button, which doesn't seem to connect to any neighbor at all. My first thought was that it could be related to Home, but considering that it communicates through onomatopoeia that even Wally couldn't understand sometimes, I feel like it's doubtful that it's meant to be for Home. (though I'm not saying that it's impossible, just unlikely for now).
Which leads to the second theory: it's to represent us, the audience, the viewers of the show. My speculation is that there was a segment on the show that would involve the characters calling or receiving a phone call from a fan of the show, similar to how irl children shows that includes audience participation will show off fanworks in their episodes. (the closest example I could think of is Blue's Clues right now since my sister used to watch that).
Admittedly this feels like a stretch, but phones seem to be important to the show in some manner. In some old posts, we have audio of what prank calls to some of the characters are like, and although they're definitely not relevant to the work now, it's interesting to note that the concept of a way to communicate with the puppets exists.
Another thing is that on one of the secret pages of the website, you're sent to this page:
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An error page that shows altered text and a phone gif instead of the one with Home. Perhaps I am looking too much into this, but compared to the other hidden links, why would this one take us to an error page first, albeit a different one?
Some people have pointed it out here that if you inspect the phone gif, it says "It's for you". When you click on it, you're taken to a page called 'duet' where Wally is singing to Home.
Don't you think it's coincidental that the only page with an audio file was only found through a phone? And why is the page called 'duet' when Home only responds after Wally finished his song? That's because the duet isn't sung by Wally and Home, it's supposed to be sung by Wally and you. By clicking on the phone, you're answering Wally's call, hence the "It's for you" file name.
My conclusion is that the phones were used to talk to the audience back when the show is running, and now Wally is using them to try to reach out to us.
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lizaluvsthis · 1 month
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Hey Liz, how are you doing?
What are your favorite headcanons for Smg34??
(btw I luv your art <3)
I'm Fine. :)
Thank you! I love people's arts too :>
My favorite SMG34 Headcanons are...
SMG4 is very much the oblivious sun pair with three as the tsundere pining moon.
Three does better cooking than smg4 but he teaches for some ways so that he wouldn't always have to rely the cooking for him.
SMG4 shows three some funny memes to where sometimes he may or may not understand the humors of it but still smiles. (He appreciates it)
SMG4 is the big spoon and three is the small spoon
SMG4 is a slight inch taller than SMG3
When three skips a shower a day, Four would overreact and will demand Three to take a bath.
When one of them feels sad, they cuddle up each other and talk out some stuff (comfort leading to laughter)
SMG4 would brush Three's long hair because he loves how wavy it is
Despite Three annoyed with Four's teasing from his hair, he allows him to pat his head.
They both dont like public affection so they do it on their own time in private.
Three does find fashion interesting and organizing stuff properly while Four finds memes funny and has some- sense of humor
SMG4 would tease three and he would fluster up from his words.
There are some times four would flirt as always, there are some other times that Three flirts back making Four blush.
Three lets four do his long hair (either braid, ponytail, half ponytail, or pigtails)
Three is the first to come out as pansexual before SMG4 did.
SMG4 is rarely aware if three really is pansexual
SMG3 figured four was bisexual after 2020
SMG3 has black nails while SMG4 only has plain ones
SMG4 does feel a bit heart touched when he get some times where Three treats Eggdog as his son.
They both listen to mitski or cavetown sometimes
Three likes opera meanwhile Four just likes memes
SMG4 would sometimes stare at Three's lips while he sleeps, SMG3 would always stare at four's eyes
Red resembles love and compassion, so four would sometimes bring Three a red rose or two in special occassions.
They both sometimes forget their anniversary but they still make it up for each other.
In a movie theatre when watching. SMG3 and SMG4 would be paying attention to the screen, next by step- Four starts to gain on his senses and ends up staring at Three for a couple or a few minutes. (He loves how three would express his own emotion because he rarely does it.)
SMG4 likes to blow bubbles while Three sometimes uses cigarettes
Coping mechanisms. Four edits his videos, Three would stream and play games on his twitch chat.
Four would sometimes watch Three's twitch stream while he plays and leaves anonymous replies (a joke or something else to vibe with three making him have fun for a bit)
In some other times when three is near four, he could smell that his hair stinks and may had said that out loud to him to the point he went outrageous and left.
Since four doesn't know how to deal with emotions, he searches stuff from google about hair products that would go alright with three. (He thinks as a good helping hand friend- you get to also care with hygiene)
SMG4 felt really bad for three judging with his low self doubt on himself
But now four finally understands, he wants to change.
SMG4 has Autism (for misunderstanging people's emotions)
SMG3 has Adhd (getting a little bit distracted)
SMG4 stays by his side so that they both don't get separated.
SMG3 keeps four safe by putting him to safety first before he takes care of himself
SMG4 may not have did much for three but he still loves to annoy him with kindness and goofyness
SMG3 is the one to carry four in bridal style (even tho it was supposed to be four)
SMG4 does his daily routine where when he wakes up, brushes his teeth, and use shaving cream.
Tho SMG3 does the opposite. He wakes up to make his own morning coffee and take care of the cafe and his eggdog.
[I'll keep on updating as much as possible if theres any other stuff]
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kiragecko · 1 month
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cherrystainedknuckles
I guess the only problem with being asked to take a “marie kondo approach” is that in order to find any fanfic that appears to be based in actual canon timeline and plot points and characterization (which does exist, and I’m not sure why fanon fans seem insistent that it doesn’t), I literally have to search for hours. I’m not joking, I consistently make fic rec lists, and I have to search for hours and hours for actual canonical basis. same thing with character tags on tumblr.
I’m not saying fanon fans have to stop enjoying fanon or making up their own content. I’m just saying that when the tags used for both fanon tim drake and canon tim drake are the same tag it just becomes incredibly annoying sometimes, and I understand why people who like to engage with canon (me, often) become frustrated
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I have definitely had periods where I got incredibly frustrated with fanon! Around 2019, I was wondering if I needed to leave the Batfandom, because it had been so long since I read a new fic where the characters felt 'right'.
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But, if you're willing to, I'd like you to consider what you mean when you divide 'fanon' from 'canon'. Because I struggle to find a hard line between the two, for several reasons:
1. Fandom is transformative. Every fanfic is going to have some interpretation of the source material. The line between what is too much interpretation and what is acceptable is different for every person. For me, I find it can even vary based on writing style or other odd things - lighthearted fic can have more noncanonical stuff in it than heavier fic, and still seem true to canon.
2. 'Canon' is subjective. I do not consider the movies or video games to be 'canon', and it annoys me when things from those creep into the fic I'm reading. (I'm okay with SOME Battinson.) Some aspects of the cartoons are okay. I consider precrisis Jason Todd to be an alternate reality version, but Donna's precrisis origins are more canonical than the dumb retcons. Wayne Family Adventures isn't my main version of the characters, but I'm not bothered if some elements show up in my stories. I'm ignoring most of the nu52, but I like Duke and I'm still watching this new Lian to see what happens. I doubt your divisions are identical to mine.
(Also, some things that I think of as 'fanon' have shown up in nu52 canon! I do not accept them as any more canon because of this.)
3. Most 'fanon' is based on canon. Canon Tim has weird sleep habits. 90s Dick is really lighthearted and joking around some characters in ways similar to fanon. Dick can canonically not be trusted to take care of himself if his mental health gets low enough. Jason likes classical literature. Etc.
These are exaggerated and/or twisted in a lot of fic, but where is the line where they stop being canon? I wouldn't bat an eye at a lot of this stuff, if it didn't show up SO OFTEN.
4. Most 'fanon fans' do know some canon. What line are you going to set where it will be 'enough'. And are they allowed to mention parts of the canon they haven't read yet? Is anyone allowed to talk about Dick's early Robin days, or only the tiny amount of people who have read the golden age stuff? A lot of the 'mistakes' I see are obviously made by people who have read ABOUT canon, but don't know quite how it fits together.
5. 'Canon' is FULL of contradictions. Yes, there are canon events. Yes, there is characterization that is consistent across 3/4s of comics. But. I'm still working on my sidekick timeline. I've devoted days to figuring out ages and passage of time. I've spent over a decade trying to figure out Jason Todd's motivations, and why Tim treats him the way he does. I've read all the 90s and early 2000s CANONICAL character assassination of Jason.
I spent years thinking that Donna's death was almost as foundational as Jason's, only to later discover that I had just happened to read the specific comics that focused on the fallout, and she only stayed dead for a short time. That happens to fans ALL THE TIME! We read a character summarizing an event we haven't directly read, and just accept it as what happened. But characters have biases, and not all writers care about accuracy.
-
I've read some Tim Drakes that I consider to be almost entirely 'fanon'. And quite a few that were so scarily 'canon' that I got chills. (Not all of which were similar to each other.) But the vast, vast majority have fallen somewhere in the middle.
I definitely do not want the responsibility of deciding which ones count as 'canon'! And I think I would strongly dislike anyone who tried to decide for me.
Being frustrated is logical, and I empathize. But the original post was about the impossible expectations some fans feel. The expectation to read thousands of comics, synthesize all the contradictions, and come to conclusions that match the 'true fans'. That's a perfectly reasonable thing to be complaining about.
If that's what some fans are experiencing, of course they're not going to want to engage with canon! There's no way for them to succeed, so why should they even try?
When you join THAT conversation to discuss your frustration about fanon, it strengthens that perception. When you call them 'fanon fans' it emphasizes their belief that you don't think they belong. And rather than trying to change, it's more likely that they'll double down. Canon is full of gatekeepers, so they'll avoid it.
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harmonysanreads · 9 days
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˚₊· ͟͟͞͞➳❥ One Year Commemoration Post↬Sumeru Love Hexagon
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-; ੈ♡˳ BEHIND THE HEXAGON
☆ The primary inspirations behind this AU are Alhaitham's Demo and this Fan Musical that debuted on Spring HoyoFair 2023!
Alhaitham's Demo no doubt gave many writers and daydreamers heavy brainrot and I happen to be one of them lol. But it was not until the fan musical that I had a concrete enough idea. I was charmed by the amount of tavern shenanigans this concept had the potential to bring, which is something that I really wanted to write at the moment :>
☆ Originally, Scaramouche or, Wanderer wasn't even supposed to be part of the AU!
Mainly because I didn't see many inclusion of him in the Sumeru Crew (at that time) and was unsure how it'd be taken D: But then, I remembered the v3.6 trailer where he was duking it out with the others and I was like 'why not?'. From that point on, he's come a long way and has even become the Best Boy of the Hexagon! :D
☆ Scaramouche's 'innocent in front of reader and the opposite behind their back' act is a tribute to his very first in-game appearance in the v1.1 Unreconciled Stars event!
This is something I'm humbly proud of, so to say. I still occasionally go back and admire the writing from that event. I think it's absolutely criminal for such a lore-rich and well-done in terms of character introduction event to be limited but oh well. Scaramouche, in my opinion, can be an excellent actor when he needs to be and if you watch the story from this event, you'll understand. Combining this with his mental state from after the Interlude Quest creates quite a messy situation though and, I kept it that way intentionally :>
☆ In the initial draft, Alhaitham was written as a very jealous character!
The cause of it being reader's infinite care for Kaveh. But obviously, I scraped it and wrote a much more toned down version and I sometimes wonder if I should've gone with my initial thoughts. Admittedly, I was playing it safe due to some reality checks regarding his character so I don't regret it a whole lot. But if it was up to the present me, I would be down to writing jealous Alhaitham immediately lol
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-; ੈ♡˳ QUESTIONNAIRE
Does the Reader have White Knight Syndrome?
Well, I didn't originally write them with this particular condition in mind, however, upon further reflection I can see that they definitely show some symptoms of it. And considering the situation they're in, it's very easy for them to fall into the condition itself. I'm not at all qualified to diagnose someone with a mental condition so, my answer will have to a soft no. However, if anyone wants to imagine them as such, they're of course free to do so.
Is there any character you'd want to write differently if given the chance?
I already mentioned Alhaitham to a degree but, I really really wish I had been more considerate of Cyno. We're entering debatable territory here but the Hoyo writers putting so much emphasis on Cyno's TCG addiction and jokes while handling his actual lore whimsically made me lose interest in his character at that time. Though, I hope his upcoming Story Quest will fix this and do his character justice <3
Who is your favorite among the boys?
If you've lingered around my blog for a while, I know you thought I was going to say Alhaitham but, within the confines of the AU, it's actually Kaveh! He's like the initial spark that kindled the actual fire, as such, he's the first one you read about. I felt immense empathy for him after I learned about his lore through leaks, which is reflected onto the reader as well. Had this been a different timeline, Kaveh and Reader's relationship would be pure wholesomeness.
Who among the five is the endgame?
Ohohohoho.. place your bets because it can be literally anyone :) Even someone outside the hexagon in the off-chance they end up slaughtering each other lol. Kind of out of topic but, I think the Wanderer route would be genuinely heartbreaking unless he does something about Reader's mortality. He'd have to watch the one person who truly loved him decay slowly, while he remains afloat his raft of artificiality, safe from the clutches of death temporarily. Thinking about the endings make me feel quite sad honestly, it's a reminder that even the lighthearted shenanigans of the Hexagon will end at some point.
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-; ੈ♡˳ ENDING NOTES
I could've easily done a writing event to celebrate the anniversary but I just really, really wanted to talk about these little tidbits. Many many kudos to you if you've made it this far, I hope I didn't bore you :')
Memories are fragile things, so I'd like to think of this as a memorial of sorts that I can look back to after a few years and not think of myself as a total failure lol. I wrote this AU at a rather difficult period of my life, which is why this is more lighthearted despite falling into the Yandere genre.
I don't really know how to express my gratitude without sounding overly sappy, but I'll forever remember every interaction, comment, ask etc regarding the Hexagon fondly. I even remember someone saying they're binge reading this late at night instead of studying for an exam or something which is.. wow, I hope you're doing well nowadays my fellow night owl! I appreciate every each one of you for even taking some of your time to read my silly ramblings <3
This is not at all the end of the Hexagon AU, just to clarify! I'll still answer any asks regarding the five losers (affectionate) because, despite the limitations placed by reality, in fiction, we have the power to imagine and write infinite tavern shenanigans.
Just before I posted the original concept, I thought to myself, 'If even one person smiles because of this, I'll consider it a success.' and now, looking back to the amount of people that enjoyed the Sumeru Love Hexagon (very silly name but I digress) I just feel so, so happy.
Thank you, everyone, sincerely <3
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mediocreanomaly · 4 months
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Amen. Priest!Wolfwood x Reader (NSFW)
**GN!Reader** Authors Note: I have an issue. Yes Priest!Wolfwood sparks joy, so please enjoy 4,539 of depravity as my welcome back, small note at the end!
**Content Warning: I grew up religious so I'm using real scripture here, if you're religious or that makes you uncomfy this might be a skip for you, if you're depraved like me read on**
Being raised Catholic was a one-way street to spoon fulls of guilt being shoved down your throat. Most everyone in the church was more or less aware of that fact, whether they acknowledged it or not.
However, there’s a warning they don't bother to put on the good book. A warning about the more...complicated relationship you develop with religion once the guilt that's swelled up in your chest has nowhere else to go.
"Then God said, 'Take your son to the land of Moriah and kill your son there as a sacrifice for me. This must be Isaac, your only son, the one you love. Use him as a burnt offering on one of the mountains there. I will tell you which mountain.” Church sometimes God ask things from us, things that seem...unimaginable, unbearable, but we are not lead blindly. No, quite the opposite, God-' " Father Wolfwood emphases by pointing to the rafters of the church as if the big man himself was sitting there, watching. "He has a plan, a plan so great and magnificent that we cannot begin to comprehend. With that understanding Abraham takes his son, because he trust, church, he trust God enough to follow-"
The sermon is drowned out. To anyone around you you'd look devout. Pious even with how well you focus on Father Wolfwood, but it's not the bible that makes you show up every Sunday. It's the dark black tousled hair that trails into stubble lining his cheek. It's those big brown eyes wide and confident as he preaches to the congregation. It's those hands, large and calloused, that make you wonder what life he must have lived before this as he moves them around with his speech. It's his skin, perfectly tan and forehead beading with sweat from the insufferable heat of the church, no doubt that cassock isn't helping. It's his voice, deep and raspy with that perfect cadence that makes you wonder what it'd be like if he said your name while bending you over-
"Y/n?" The altar boy who you didn't even realize had come to your pew ask. He's holding out communion in a way that tells you he's been there for a second.
"Oh! uh-" you reach out for the wine when a hand around your wrist stops you, you blink a few times and look up to see the man you were just ogling at meeting your gaze with dark eyes.
"Why don't you pass that out to the other pews, y/n is joining me for a special communion after church, they had something they wanted to pray on with me" Father Wolfwood says easily.
"I do?" the words fall from your mouth dumbly which causes Wolfwood to raise an eyebrow at you as if you're stupid. You let yourself swallow and bow your head as if scolded, you wonder what part of being a priest blessed him with so much sass.
"ah- right! yes I had forgotten, thank you Father Wolfwood" you correct. You had not, in fact, discussed anything of the sorts with the Father, but there was clearly something you were missing here.
He gives you a curt nod before softening his eyes and turning back to the young boy.
"Go on" he insist. He does, continuing to the next pew with all the confirmation he needed and Wolfwood finally let’s go of your wrist. The warmth of his hand that lingers isn't lost on you as you wearily glance up at him.
"Special communion?" You try hoping to gather a bit more information on the situation you'll be faced with after Mass.
"mhmm, God has called me to you. Something weighs on your mind, perhaps a repentance is in order?" his face gives away nothing, although you swear his eyes darken as he watches you with a pleasant smile that stays locked on his face.
Alarm bells ring in your head. Did...did he know? You had done your best to hide your less than innocent gaze as worship. Thinking back on it perhaps you were less conspicuous about it than you thought, that or God was the worst wing man ever.
"Father Wolfwood I-"
He holds up his hand to pause the word vomit that was about to stutter out and shakes his head.
"Later. Best to confess without prying eyes, no?"
He lets you simmer on that as he makes his way back to the front of the church. When he leads the church in prayer you do take it upon yourself to pray for once. You pray you'll sink into the floor or be struck dead before the end of the sermon.
By the time the church doors are opened, and people file out you're sure your heart will burst anyways. You stay seated in the front pew, not moving an inch because if you stand it'll be to bolt out the door and... well technically nothing was keeping you from it. It's not like the god damn (sorry God) preacher would shoot you if you attempted to run. He had simply suggested you confess. Easy. He probably hears peoples fucked up sexual fantasies all the time sitting in that booth. You knew the sheriff’s wife was sleeping with the banker and you knew the sheriff was sleeping with the widow down the street so it's not like the stuff that’s pulled from the great Catholics of No Mans Land weren't anything he hadn't heard before.
That's the thought you try and let comfort you as Father Wolfwood finishes up thanking people for coming to church and shaking hands.
The church doors shut with a thud that makes you jump in your seat; you press your hands together firmly and feel your fingernails dig into the skin there. This was fine.
"You know" Father Wolfwood folds his hands politely behind his back and takes agonizingly slow steps down the aisle "People with guilty conscious are more likely to be startled by loud noises."
You keep your head bowed slightly in what must look like a mock prayer, but you aren’t praying any more, you're just doing everything possible to not throw up on the churches nice red carpet, carpet that is interrupted when two black dress shows come into view.
"y/n?"
That voice. It makes you press you lips in a firm line scared of what filth might come out of it if you speak. Instead, to show you're listening, you slowly raise your head to meet Wolfwoods eyes, the likes of which seem clouded in some strong emotion. Were priest always this intense? Well, the easy answer was yes but this was a different type of intensity, not kind that filled revering words but one that more closely resembled a predator zoning in on its prey.
"Y/n" he says it again, albeit softer this time as if coaxing forward a scared animal. "You have something on your mind, don't you? Something that plagues you?"
You feel your fingers instinctively move to fiddle with the hem of your shirt. If the heat from the church before was unbearable before then this is downright swelting.
"Don't you usually do this kind of thing in the booth?" a poor attempt of a smile graces your lips in a desperate attempt to lighten whatever mood was staring to suffocate the air.
"Usually yes. This is a special case I believe though..." he leans down and your heart slams against your chest, his breath fans against your cheek. You can smell lingering cologne and... was that smoke? Surely not, if your local priest smoked it'd be the talk of the town, although now that you think about it those plush lips would look perfect balancing a cigarette between them, and they'd look even better if he used those teeth to-
"I almost forgot! You haven't received communion" He straightens out in an instant and claps his hands together nearly scaring you out of your skin while your face heats up from pure embarrassment.
You watch as he crosses from the pew to the table behind the pulpit and grabs a small cup of wine and bread. Just as quickly he's back in front of you with the objects. You reach out to accept them when he pulls his hands back.
"ah ah ah, I said this was a special communion didn't I? I'll deliver it unto you, you just sit and do as your told."
Oh. Yeah, that definitely didn't do anything to you. Nothing like a gruff handsome man in priest wear telling you to obey in the house of God. This was for sure not bubbling up any worrying realizations about yourself. Nope. Not in the slightest.
He steps back putting a little bit of room between the two of you before his eyes flicker from you to the carpet in front of him.
"Kneel."
You go instantly and willingly, a bit too willingly. Your mind flashes with Father Wolfwoods sermons about the disciples who kissed Jesus’ feet. You wonder if this was an elaborate way to get you to read the bible more because you're beginning to understand what was going through their minds now as you sit on your knees in front of the priest.
You aren’t sure if Wolfwood expected you to be so eager. He pauses for a moment before you swear a hint of a smirk plays at his lips. He raises the glass and the bit of bread slightly.
"Listen to me closely, we wouldn't want to spill and stain the carpet now, would we?" he ask.
You shake your head no. He makes a satisfied hum and continues.
"Tilt your head back.”
You do as your told, tilting your head back until your eye level is forced to be centered on the man in front of you.
"Open your mouth.”
Your mouth begins to salivate despite the fact there’s nothing in it yet. Perhaps it's due to the fact that what he's about to put in it isn't want you’d like to have resting on your tongue.
"Good. Why don't you stick your tongue out a little bit? I don't want you to dribble."
Fuck him. Fuck him so bad. There was no way he didn't know what he was doing but if had any hint about this sadistic game he was playing with you he gave no indication, he remained at stoic as ever as if you weren't having the most unholy thoughts imagine about your fucking priest.
There’s no going back though. You follow his instructions and let your tongue loll out of your mouth. You swear something flickers in his eyes, but it's gone as soon as it arrives.
He raises the glass and bread more as if offering it to God.
"Close your eyes.”
You do. You let the light of stained-glass windows be blotted out by your own blind obedience.
“Corpus Domini Nostri Iesu Christi custodiat animam tuam in vitam aeternam....Amen."
You feel him press the small bit of bread onto your tongue, you close and eat. You don't need to be told before your opening your mouth again.
The wine follows right after, poured into your mouth and you swallow it down focusing on not letting any hit the ground with the speed at which the contents are emptied down your throat.
What realistically could not have been more than a few seconds feels as though it's lasted a lifetime. You take a deep breath once the bitter wine has settled in your stomach and before you can even think about getting up and excusing yourself from the church Wolfwood puts a hand on your shoulder, signaling for you to stay in place.
"Good. Why don't we get that confession out of the way then?"
Right. The reason he had probably pulled you aside for all of this in the first place. Had he seen through you? Seen how hungry your gaze had become? Probably. Looking back on it sitting in the front row was probably not the best idea when the entire reason for your Sunday visits was for potential fantasy fuel. There didn't seem like any reason to lie though, it's not like a priest could tell anyone about these things and outside of church Father Wolfwood was a bit of an anomaly to the town.
He didn't have any friends that you knew of, didn't gossip, or hang out at the bar, the man lived in this church which was making you feel a bit more guilty about your infatuation now that you thought of it but hey, if you weren't guilty about something then were you even a catholic?
"Forgive me Father I have sinned..."
With a grimace you realize why the damn confessions booths were so popular. Admitting this to God or a wooden wall was a little too easy. Admitting this to Wolfwood was like someone slowly peeling off your skin.
"I see, well, tell me child what is your confession?"
a swallow, then a leap.
"I have been...ah having inappropriate thoughts about someone. Someone who I go out of my way to see to add to these...fantasy's I have."
He listens closely and his hand comes up to cup the back of your head.
"I see...lust then?"
You nod in response, and he makes an affirming noise.
"And what do you imagine happening in these...fantasies of yours?"
The silence in the empty church is so loud it's deafening. Your hands scrunch and unscrunch the fabric of your pants.
"I...I imagine him pushing be down against these very pews Father. That one day as I'm standing up to leave mass, he'll shove me right back down and take me against the wood."
It's said strained but even you must admit maybe there’s something to this confession shit because you feel a bit lighter with it off your shoulders. Father Wolfwood looks less light. In fact, he looks you've just damned him to hell.
"Is that all?" he asks but it comes out breathier than he means it to.
The tone sends something to your core, oh you see it now. Lamb and shepherd your ass, you were still most certainly the lamb but the Father was no shepherd, he was the Wolf. Maybe God himself had put that divine foreshadowing into his name.
You shift on your knees and press yourself flatter trying to rub your thighs together. Wolfwoods eyes flicker down to the action then back up to your face, he opens his mouth to say something, but you beat him to it.
"No Father. Sometimes I imagine him taking me on the stand in front of the whole congregation. Still preaching while he finishes in me, holy words even in his most sinful act. But...do you know what I really want Father?"
Wolfwood swallows, his fingers trace along your face, and you fight every instinct to lean into it. He looks like this is paining him, He's all gritted teeth and square shoulders as he speaks.
"What do you want?"
Hook. Line. Sinker.
"I imagine he'd keep me here after church, that he'd have me kneel before him still while wearing his holy clothes, that collar, the rosary...and I wish he'd undo his belt to-"
"Enough."
Your mouth snaps shut scared you've pushed to far. You can feel heat bloom across your face in embarrassment now that your words are catching up to you, this was meant to be a confession not a shit porno, maybe you DID need God...
"You drive me insane you know that? Every day you come in here- the house of god mind you and stare at me like..." He clicks his tongue and motions to you.
"Well like that."
You aren't sure what to make of his tone, it's scolding and firm but hinges on needy at the end. You're starting to worry you broke the poor man before he makes an irritated noise.
"Fine. You want to repent so bad?" Wolfwoods hands go to his belt and with a soft clink of the metal it comes fastened. Your eyes flicker to look towards the door to make sure that no one was about to walk in on the scene that'd put Judas’ sin to shame when you're snapped out of your thoughts.
"Pay attention sweetheart, you were doing so good before, what happened?" The mask of a holy man cracks and gives way to something cockier, more taunting, more...Wolfwood.
"Unless you need scripture to keep your focus?" he works to undo the button and the zip of his dress pants as he tilts his head.
"Then here's something for you, 'the serpent said to the woman. “For God knows that when you eat from it your eyes will be opened, and you will be like God, knowing good and evil.” When Eve saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom..' "
He frees himself from the confines of his pants. You feel your mouth water and although your knees are starting to hurt from kneeling for so long you have a feeling you're about to get your real communion.
" '...and she opened her mouth, and took.' "
In beat with his preaching you let your mouth fall open. In all honesty, you get it now. You get how appealing that lush fruit must have been to Eve, you get why even after being promised paradise, she gave in to temptation. The weight that settles on your tongue as Wolfwood presses into your mouth makes your eyes roll back and an involuntary moan escape your throat. Wolfwoods breath stutters.
"God..." He groans and if your mouth wasn't currently full you might have made a witty comment about using the lords name in vain but a quick hand lacing through your hair from Wolfwood serves well enough to sever whatever thought had flitted through your mind.
You flatten your tongue and take more, allowing as much as you can to the back of your throat but when tears prick your eyes and you gag slightly on the sensation he pulls you off with a wet pop. You whine slightly at loss before Wolfwoods hand grabs your chin while he uses his thumb to wipe up the drool leaking from your lips that you hadn't realized was there.
"Patience, don’t you listen to a word I say up there?” he muses, you sheepishly look up at him through your eyelashes and it’s answer enough. He pulls you back in front of his cock, "Be good then, swallow every drop and I might forgive you"
You don't have much time to argue has his hand guides you back. You're more prepared this time, the way you sit on your knees...you’re a picture perfect saint and who's here to judge you for your sin anyways? Wolfwood? Sounded like a set up to a joke.
"Fuck, yeah baby just like that. So good-" His words break off with a grunt and his hips stutter forward, he pulls your head forward and your reach up to steady yourself with his thighs. He rocks his hips to your mouth as he face fucks you in the middle of the church. When his breathing speeds up and he mutters out a sting of gentle curses you know he’s close. You close your eyes and let him use you as he spills down your throat. You're desperate to show him you can listen, you swallow down as much as you can trying to not let a single drop of cum hit the floor.
When the rough handful of hair is released, you pull back to try and catch your breath, a worthless endeavor it would seem considering you're just as quickly being lifted up by your arm. You feel yourself being tugged up the steps towards the pulpit and make peace with the fact you're officially the worst Catholic ever...well besides the priest who's currently the instigator of this depravity.
"Not done yet sweetheart, the grace of god doesn't come with a blow job surprisingly" Wolfwood huffs amused as he presses down on your shoulder to force you to bend of the wood stand.
"Are you even a priest?" wrong question you guess because Wolfwood makes an irritated noise.
"Aren't you supposed to be repenting?" His hands grope at your thighs spreading them apart much more slowly than you'd like, as if he's savoring it...reverence you think.
"Father-"
He chuckles lowly at that.
"Father" he imitates "you let that name fall from your lips like it doesn't turn you on just to say it"
His fingers ghost over your thighs, then around the area you want him most before sliding up under your shirt to explore flesh. It's so hot in the church and when you peer out across the wooden pews you see the stain glass window casting rainbow light that sprawls out across the floor all the way up to your body.
"Focus on me" Wolfwood corrects your wandering mind by nipping along your neck and your body instinctively shudders against him. You press your hips back to feel his growing hardness pressed against your ass. His hands slide your shirt up over your head and he begins to focus on trailing kisses along your back.
"Thank you, lord," His lips move against your shoulder blade.
"For delivering this sinner unto me, so that I may show them rapture."
His fingers hook along the hem of your pants and tug them down your legs until they rest right at your knees.
"Despite that, I must confess, I have sinned."
His fingers trace along your entrance before slowly sinking in. You groan and press your head to the wood in front of you, fingers scratching against the surface.
"I have lusted for someone of my own congregation. I have imagined them kneeling for me and I worst of all I have imagined me taking them, devouring them until there is nothing left to fill them but me"
Another finger lazily joins the first and he begins a slow rhythm of pumping them in and out. You attempt to wiggle your hips back to chase the feeling, but his other hand keeps your waist flush against the stand.
"But I am only a man so with my mortal body I will show them euphoria"
You feel his fingers pull out and whine at the loss only to feel the blunt head of his own cock begin to line up with you.
"Amen"
Wolfwood doesn't give you much more warning before roughly pressing in. You moan as he sets a backbreaking pace, thankful that he at least prepped you before. He's leaned over your body; his hair tickles the back of your neck slightly as he pants in your ear. You imagine your own noises can't be much better as his left hand, the one he's apparently wrapped in a rosary, comes up to catch your chin, two fingers press into your mouth as he supports your head. His other hand stays at your hip, bringing your body back against his with every thrust.
It's so hot in the church, sweat beads along your body and you can feel your hair beginning to stick to your forehead. Your mind feels foggy and you lap absent mindedly at the fingers invading your mouth. Wolfwood groans and pushes you down further against the stand and it'd be uncomfortable if you could focus on anything other than the priest fucking your brains out. He produces an ungodly amount of precum, you can feel it making a mess between your thighs right as drool begins to leak from the corners of your mouth and bead down to the wood below.
Wolfwoods hand shifts from your hip to where a blooming warmth has begun. You nearly cry out with relief babbling nonsense around his fingers, hell maybe even a few prayers. His own mouth is becoming less of that of a reverend and more of that of a ravenous man, mouthing and biting at what he can reach. The fingers press deeper into your mouth and your feel the smooth beads of the rosary are you toy with them with your tongue. You're close, you tremble beneath Wolfwood and he catches on because both his hands pull away to once again fit along your hips. You nearly sob from the new lack of stimulation as he rocks into you.
"Beg for it" Wolfwood says so firm you'd have sworn he was once again leading congregation. Your mind is half way to mush right now so it doesn't take much convincing to do what he wants.
"Please please please let me, I’m sorry, I’ll be good, I repent" you babble out hoping you’ve said the magic words.
His hand comes down firmly on your ass as he thrust into you then finally finally reaches to touch between your thighs.
It sends you over the edge instantly, your legs trembling as you whine and moan, Wolfwoods own obscene noises match your own as he finishes inside you, letting you milk him for all he's worth.
The two of you stay like that for a moment, you become aware of the fact your priest is pressed up against your back, trying to catch his breath from fucking the ever loving daylights out of you. You whine slightly and Wolfwood responds by nuzzling his face against your neck.
"Are you okay?"
You do actually laugh at that one, letting your forehead rest against the podium.
"The priest I've been fantasizing about fucking me for a year now just has. This has been the best lay of my life and you want to ask if I'm okay?"
"You're awfully vulgar aren't you?"
You snap your head up to make several points about irony of the statement but when you turn you see a shit eating grin on his face. Your playfully hit his chest and groan.
"You've got to be the worst priest ever"
"Can't say I'd deny that claim" He leans forward and kisses you, you go into it easily but the taste of his lips remind you of something, when you pull away you raise an eyebrow
"Do you smoke?"
He shrugs and keeps his hands on your waist.
"I prefer to keep certain things in my life separated from the church"
"and me?"
"Consider yourself a special case." He smirks and takes hold of your chin between his fingers "Although I do hope this was enough to keep you coming to my sermons?" he ask
You swallow at the dark look in his eye and place your hands on his chest.
"and miss the holy word? Perish the thought"
He chuckles lowly at that as your hands begin to play with the collar of the cassock he wears.
"Although Father, I fear I may not have properly confessed."
He raises an eyebrow and eyes you "No?"
You shake your head "See I only...repented for two out of three fantasy’s I had also mentioned being taken against the pews"
Wolfwoods hands tighten around his hips and his smile widens.
"Well...let's fix that, shall we?"
Author's note: ahhhh I'm back! I've been storin this little beauty away for awhile now. This is my welcome back post because I feel like I lost the way I wanted to organize and write for a little while and this was the first piece that got me back in the flow of things. I missed you guys! We're back baby! (I'll add my spacers in later I'm missin the files rn and I don't feel like searching for them)
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muzansfangs · 9 months
Note
Hello! I am new to the demon slayer fandom but I just finished up season 3 so far and I am in love with Douma!
Could I possibly request headcanons on what he would like in a partner, like personality wise? I know he’s clinically apathetic and the only time he felt something was with shinobu, so he’s capable of it! But what would his partner be like to make him feel the same way? To make him love and care for them?
Preferably a demon reader if ya don’t mind!
If you don’t feel comfortable writing that that’s totally fine!! Thank you!!
What Douma seeks in a partner.
Starring: Douma x f!reader (both human and demon).
Warnings: none, basically fluff and a little innuendo to sex, because it’s Douma we are talking about.
Format: head canons
Plot: what does Douma seeks in a partner? What peculiar traits she posses that pique his interest? Are there any differences between a demon s/o and a human s/o?
﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏
If you are a demon…
• Douma is probably attracted to you for your physical appearence, at first. He is a simple man from that point of view: he likes you, he is going to get you. Obviously, his lack of emotions and empathy are going to make things hard, especially since you would struggle to grasp whatever is crossing his mind, or understand the meaning of his actions. The only hint you would be able to take is his clinginess. He becomes your shadow. Wherever you are, he is.
• Douma would not mind it if his partner was weaker than him. Actually, there is an high possibility that you cannot keep up with him. He possesses the rank of Upper Moon Two, after all. This might grant him the chance to protect you and, consequentially, to make him show you that he genuinely cares for you.
• When it comes to the kind of personality he would adore to find in his partner, Douma would seek devotion and respect. He is used to be worshipped as a living god. He is well-educated too, which means he would probably enjoy long conversations about philosophical and mystical concepts, especially regarding the meaning life. Two immortal beings could easily indulge in such topics. Despite being goofy, even around Lord Muzan, he is the type of guy who could easily focus his attention on you and display a vast knowledge on various subjects.
• If Douma finds his perfect match, he would probably open up about his inability to feel emotions and understand feelings. Therefore, if he feels comfortable around you, he will have no troubles in expressing his doubts and questions about sensations, behaviors and reactions he cannot comprehend. What he indeed seeks in a partner is acceptance.
• Since his significant other is a demon too, he would have no troubles in letting you join him during his meals. He knows that a demon cannot be horrified by the act of eating human flesh. He would not mind if you were a ferocious, greedy demon as well. If you cannot seem to get enough, he would probably spoil you by giving you the full access to his followers in the Temple. His cheerful nature would probably make him say something among the lines of “Please, darling, choose your next meal! They are all quite tasty!”.
• If you loved to mess around like him, that would mean stepping into a real Paradise for him. Testing other demons’s patience? Annoying Akaza? If you even suggested him something like that, he would probably turn you into the divinity worshipped into his Cult.
• Sometimes, he might not understand why you seem to be so rough towards the slayers trying to kill you. He is not only an Upper Moon, but the second strongest demon after Muzan. This and his natural predisposition for being apathetic lead him not to take most of his battles seriously. On the other hand, you are feral and your instinct makes you want to end your battles quickly, most likely in a bloodbath, because you truly risk your neck. However, this is not a problem. Douma likes this wicked part of you.
• The fact that he does not need to really watch over you because your demonic nature grants you some indipendence is quite fine for him. He wants you to rely on him, sure, but he does not mind you taking care of your business on your own. He likes your determination.
• The fact that you are a demon means that you are not completely submissive by nature. The slightest hint of defiance and dominace, especially in the privacy of your chambers, is appreciated.
If you are a human…
• Douma does not mind your mortality. Once again, this man sees the beauty in your features before anything else. Your fragility makes you look so lovely and delicate in his eyes. He would have constant need to have you around him, to watch over you and make sure you do not get hurt. You are like a little gem to be treasured and he knows how to keep you safe from people that are not him. He needs and wants to be the only danger in your life.
• His human significant other has be devoted, as previously mentioned, but he wants her to be kind and generous above anything else. The innocence in her eyes would kind of tickle something into his dull, apathetic heart. He would seek her attention, her touch and, sometimes, simply her presence. He could spend hours contemplating you.
• His ideal partner should somehow be dependant on him. He would not mind taking care of her and he believes actions can be a tangible, unconfutable proof of his love for you. He does not struggle at all in dedicating his existence to find the most romantic words to whisper in his lover’s ear, but he conscious about the fact that they might sound a tad too much saccharine, coming from someone as emotionless as him.
• If his darling is grateful for what he does for her, he would feel like the luckiest man alive. He would seek acceptance from his lover. If you want to stay by his side, and do not end up like his former potential love interests, then you should learn to live with the fact that he is a demon. If you do, he might be kind enough not to slaughter and consume his followers in front of you. Show him gratitude and love and he will make you his queen.
AUTHOR NOTE.
Hello there! It looks like I have finally been able to fulfill a request! I am so sorry for the delay, but inspiration comes and goes. I will try to take care of the requests waiting in my inbox and being gradually covered by dust, lmao. I hope you enjoy this, dear anon. Likes, comments and re-posts are appreciated!
Until next,
X O X O
TAGS: @doumadono @doumaslotus @koyuki-the-flower @mrskokushibo my lovely mutuals and Douma’s simps❤️
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hamliet · 9 months
Text
It's A Boys' Love Story, Your Honor: Be Gay, Do Crimes
This review is often satirical and sometimes facetious. Or is it?
Anyways I got dragged into watching HIGH&LOW, a Japanese action show full of pretty boys punching each other. Aside from me wondering how all of them don't have CTE and screaming CHEST COMPRESSIONS when one character codes and the nurse like... walks away (he's ok the power of friendship is stronger than any defibrillator), it turned out to be a surprisingly excellent, enjoyable, and even poignant watch.
The plot is vibes at best and the narrative ideas are less formed than, say, those of Kinnporsche. But, what it does have down pat is characters. Pretty much every character is compelling from their introductory scene (except for the Mighty Warriors who exist purely to suck). The characters may not necessarily be the most complex or psychologically challenging, but they come across as intriguing enough, flawed enough, to carry series on their own. Like, I would honestly watch a full series based on any one of them.
To be honest, this show does more to establish who a character is, what they want, and make them interesting within a character's first 30 seconds than some high-brow directors do with three hours of film. I would honestly recommend it to anyone trying to understand how to characterize.
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Also, it's basically a yaoi but with fighting instead of f*cking. It's just dripping in homoeroticism that they infuse with just enough plausible deniability that insecure straight guys can watch it too!
Although, being straight in this 'verse is pretty much a misery sentence for everyone except Kizzy and Kaito. I haven't seen such flagrant use of bury/break up your straights since Togashi.
But:
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It's not a yaoi! you say.
To which I shall respond with numerous examples of what the f*ck is this then? The power of (b)romance?
Doubt. (Heh ifkyk.)
Cobra + Murayama
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The same episode we get a girl having a crush on Murayama he's shown as completely disinterested because he's too hung up on Cobra. This leads to him seeking Cobra out. And also to him having realizations about himself. He's then kind to the girl, but not romantically interested. The framing of this Cobra-Murayama realization about himself with the episodes opening with a girl pining and ending with his kindness to her is clearly to get the audience thinking about romance and the other interactions in light of that.
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Murayama embarrassingly asks to join Cobra in front of all the other gangs.
Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.
In End of Sky Murayama literally going behind Cobra's back to get Hyuga to agree to join Cobra's alliance to protect him, at personal risk to Murayama, even though Cobra will never know what he did for him, when even those most loyal to Cobra have abandoned him, is literally a romance trope as old as time. And it's literally set to inspirational music.
Murayama calls him Cobra-chan and sides with Cobra when all the other leaders of SWORD refuse. All three others have left but Murayama still tells Cobra he has his vote, even though it's not going to do anything, just so Cobra knows Murayama's on his side.
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At the end of the movies, Murayama gets a motorcycle and is implied to join Sannoh eventually with clever color symbolism as @eatprayworm points out.
As if we didn't get it, The Worst literally shows us Murayama calling Cobra-chan on his phone and tells us that he frequently drunk calls Cobra by having him say that he's not calling about bikes... this time. This phone call shows 0 narrative purpose besides reminding us that Murayama's endgame is with Cobra.
Chiharu + Yamato
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Yamato saves his life and then is told he has to "take responsibility for" Chiharu, which is totally not a reference to the common idea of a guy taking responsibility for knocking a girl up--
except it is explicitly because even Yamato's mom directly asks if he knocked someone up when she hears that he has to "take responsibility" for someone.
When they finally reconcile after Chiharu confesses to drugs Tetsu tells them "you look good together."
Chiharu then takes a bullet for Yamato. I mean, not actually, because it was a blank, but no one, not even the person firing the gun, knew it was a blank.
Tetsu + Dan
Whenever Dan expresses interest in a girl Tetsu gets mad at him and when Tetsu cuts off his dreads to be more appealing to girls Dan gets mad at him. They're in love your honor.
They'll leave a gang for one another.
They exist only in proximity with each other.
Tatsuya/Kohaku/Tsukumo
These old men are so gay. They started the fall. And by old I mean they're supposed to be like 26 but they are clearly played by actors in their mid-40s and so I'll just pack off and head to the Villages then.
Smok(e)y + Hiroto
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Ah yes when you're wandering around Nameless Street looking for your older brother and he's not there so you and your other brother decide to leave but then! then! a sickly man wasting away everywhere but his hair (which remains luscious) walks in front of you, barely glances at you, and you instantaneously walk away from your brother and your life to go follow the twink. Much straight.
Rocky + Koo
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Here.
They also use "anata" for one another. Which means "you," but also is frequently translated as "dear" because it's what married couples often refer to each other as.
The manga also implies they live together.
Yasushi + Kiyoshi
Everyone in canon refers to them as "Yasukiyo." They exist in a state of symbiosis with weird hair and insanity.
If anyone implies Yasushi was involved with drugs Kiyoshi will fight to defend his honor.
"He sacrificed himself for me!" ?????? That's a love trope, Your Honor. Don't worry, though. They're gay, so Kiyoshi survives his sacrifice.
Odajima + Todoroki
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Fellas is it gay to spot a man across a battlefield and be so in awe you run over to him right away?
Is it gay if you then ask said man "you're different from the others. Want to play with me?"
Tsukasa + Fujio
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Tsukasa mopes around like Bella after Edward left after Fujio moves away for like a week.
Tsukasa takes a bus ride across the country for the chance to fight his BFF again in the rain (wet, what is symbolism) and then tells him "I'll be waiting for you." And also "I should move here because it's boring without you."
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Tsukasa might be held as a hostage but he knows Fujio will come for him. In fact his relationship with Fujio is explicitly paralleled with Amagai and Suzaki's.
Amagai + Suzaki
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The redemptive power of love, as beautifully written by @eatprayworm here.
I mean Suzaki literally can barely stand and limps over to protect Amagai when Amagai is experiencing the consequences of his actions and then saves Amagai from himself.
At the end of the day all he wants is to be boyfriends with Amagai.
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Probably my favorite ship because it's everything I love, meaning one of them is too good for this world and one is a bastard.
Nakagoshi + Nakaoka
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Nakagoshi sacrifices himself for Nakaoka even in a parallel to Yasushi and Kiyoshi (don't worry, they're gay, so they live too).
Tsuji + Shibaaan
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Do I even need to comment here?
And I didn't even get into Sachio's sunset conversation with Fujio, in which you visibly see the twink fall and then they, not knowing who the other is, subsequently meet and recognized each other on the battlefield like Mr and Mrs Smith.
Themes Too!
High&Low isn't exactly an uber-deep thematic exploration of what it means to be gay and do crimes, but the themes it does do it does pretty well.
One of those is indeed the redemptive power of love, which involves being seen and known. Y'know, that mortifying ordeal. Because love itself leads to freedom. It's true for Chiharu, it's true for Noboru, it's true for Arata.
Rocky and Kizzy/Kaito's story is kind of one of the best examples of the redeeming power of (platonic) love leading to freedom, and it takes like... 3 minutes? of the story. And it's not left unexplored; it's just succinct. Kizzy and Kaito are trafficking women and Rocky comes to stop them, and when fighting, notices that Kizzy is actually a transwoman. He stops the fight and says that he doesn't fight women. That's enough for Kizzy and Kaito to follow Rocky, giving up their life of cruel crime and atoning--truly atoning--by spending the rest of their lives doing exactly the opposite of their crimes: fighting to free women from traffickers and protect them.
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The significance of that moment is that by seeing Kizzy as she really was, Rocky pointed out to Kizzy that she was engaging in self-harm, keeping herself trapped (symbolically) and never able to live as she could. But for Kizzy, to be truly free to be herself means helping other women also be free. It's also, even if unintentional, a good twist on the transphobic trope and conservative talking point of a transwoman trying to harm women (cough, she who shall not be named).
Kizzy also never styles herself super feminine even after gender confirmation surgery (as implied by Rocky that she received), but she still is a woman, and her being herself leads to redemption and freedom for everyone around her. We stan Kizzy and her loyal boyfriend (husband?) Kaito in this house.
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Another theme, and connected to the idea of self-discovery and freedom and love and all that, is how to handle the past, a question everyone is always asking because as long as we're alive, we're evolving. Obviously we see that with the Amamiya brothers and the Mugen backstory, and we also see that in the present with Murayama and Todoroki. But we also see this most sharply highlighted in the conflict between Cain and Smokey.
Cain is not subtly named after the first murderer in the Bible, who kills his brother. Cain, of course, kills Smokey in cold blood, with Smokey asking him "did you come here to kill me?" and Cain affirming that he did indeed because if he doesn't, he won't be able to completely erase his past.
But the thing is, you can't kill your past without killing yourself. You have to embrace it and let it live. And something as precious as a life won't be so easily destroyed. To live, you have to live with all of yourself, the past and the present and the hope of a future. It's a struggle, it's a fight--but with people beside you, it's worth it. Almost like the fights in the series are a metaphor for struggling through life or something.
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And then we have gentrification. Let's just say the horrors of it are not exaggerated. Smokey's death--and life--offer poignant social commentary on what happens when people treat others like they don't deserve to live, like they are forgotten, like they don't exist. Because they do exist, because they love.
When Cain kills Smokey, Smokey tells him--in all sincerity, despite being abandoned by his parents, living in a homeless slum, and being terminally ill his entire life because the rich poisoned the people in the slum--that he lived "the best life." Why? Because the scenes flash back to him meeting his adopted sister Lala, caring for Eri, meeting his gang. He had a family, and he loved them, and they loved him. When he dies, he's buried in that same slum and Takeshi comments that "to Smokey, this [place] is heaven." And it is, because heaven is love.
(Also, the "rich poisoning people by being careless because these people don't matter" is hardly unrealistic. Bhopal would like a word with you, Dow Inc, you sh*theads.)
In Conclusion
Things you'll have to endure: multiple Mighty Warrior music videos.
Things you get to enjoy: Hyuga being a Barbie girl in a Barbie world who shows up to fights with all the Durama Ikka and planned choreography and bespoke songs.
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Things you get to enjoy: multiple twinks needing rescue from being dragged into the drug trade to save their loved ones only to get whumped in true hurt/comfort fanfic fashion before sobbing in the arms of their friends who welcome them home.
Things you have to endure: Noboru trying to convince Cobra et al to join the Mojo Dojo Casa House Kuryu Group.
Things you get to enjoy: The power of friendship saving Noboru from himself, Rocky from dying alone, Smokey from having no meaning to his life, Amagai from himself, Murayama from himself, Todoroki from himself, Arata from himself, setting captives free, and rich bastards who trod all over the poor getting what they deserve.
Things you have to just not think too hard about: gangs seeing drugs as the biggest taboo which I'm pretty sure is not usually the case but hey, hoodlums have standards, and also the evil guys keeping their secrets in a folder literally stamped with the label TOP SECRET.
Things you have to endure: Smokey dying. I'm not over it. Someone fight me to bring him back. But also it's one of the most beautiful death scenes in fiction.
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Things you get to enjoy: Generally no one, unless you're Smokey, straight (Takeru), or yakuza (no one cares).
Things you have to ignore: why no one ever studies at these high schools and why they all look like they're in their 30s-40s.
Things you get to enjoy: pretty great rep of a trans woman that directly counters some of the most harmful tropes.
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Things you have to endure: Noboru being resurrected by the power of True Love's Handholding, because the nurse literally RAN AWAY from a coding patient to "get the doctor" but it's okay, his friends beg him to live and he does.
Things you get to enjoy: a series that founds its premise in action and violence that offers a surprisingly wholesome, kind message on relationships, humanity, redemption, and love... whether that love is platonic or romantic.
But, I mean, Final Mission literally ends with the gangs defeating the evil corporation with a rainbow-colored smoke that takes over the sky of the city. So it's gay.
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carefulfears · 1 year
Note
Yes! It’s especially insane with Phoebe bc like the show goes out of it’s way to explicitly show how fucked up she was idk how people forget it
yep yep yep!! it's quite literally the entire point of the episode. but i still see people all the time like...calling mulder stupid for "trusting" her and making jokes about the way he behaves around her and it's just like...please don't piss me off. same exact thing with diana.
fire is one of my favorite episodes though i think it's such an interesting look at mulder's character and example of the ways that he views and interacts with people close to him
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because he understands and acknowledges from the very beginning that phoebe's just there to fuck with him, that she made the trip from boston to DC to bring him in on the investigation for no reason other than knowing that it will scare him
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he knows what she’s doing, and he still agrees to help her
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his only concession being that scully not be involved
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noting that he's not going to "put her through" phoebe's games
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this is something that we've seen him do before, with his former partner jerry earlier in season one, who broke into his office and stole his work.
it's clear throughout ghost in the machine that mulder isn't comfortable working with him, but helps him anyway because jerry asked him to
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and builds him up when jerry is feeling insecure
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he infamously does it again with diana, always affording her the benefit of the doubt and defending her
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and with his parents, consistently coming whenever they call, despite all of their lies and neglect
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(side note from pulling ghost in the machine caps but his ties in this ep are soooo classic baby spooky i miss s1 soooo much)
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anyway, this is the dynamic that fire circles around, and the only time in the episode that mulder pushes back against phoebe is when he cracks this joke about having a "refined technique" with women who cheat
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which he apologizes for instantly, recognizing that it upset her
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fire is also one of the best portrayals of the true sign of a toxic/abusive relationship: not realizing anything is wrong with it until you tell your best friend
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i see criticism of this episode sometimes that interprets it as glorifying phoebe, portraying her as sexy and her behavior as righteous, but i disagree.
i don't think that you can base the episode's stance on phoebe on mulder's behavior, he's responding to her through a very warped and controlled lens. just because he views her in a positive light, doesn't mean that we should as the audience.
whereas, scully is immediately wary of phoebe and critical of her, even before knowing the context for her actions.
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this shot is my favorite lmao. she is contemplating murder. she is wondering if she could get away with it.
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her lil passive aggressive "bye bitch" finger wave
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her "mmmmyeah sure sherlock"
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her watchful eye as she hangs in the doorway while mulder and phoebe meet with the arson specialist
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she literally sits at his desk in his chair and waits for him just to make this sherlock holmes joke 😭😭😭 they are BEST friends
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now, this is when she finds out the true history with phoebe, and the reason behind her visit. and it's when mulder tells her that she's off the case.
and from that point, scully starts investigating the murders herself, consulting her own sources to put together her own theories
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while these two do absolutely fuck all
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she shows up uninvited at the event in boston, having SOLVED THE CASE HER-FUCKING-SELF
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and she's the only one who gives a fuck when mulder gets hurt
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while phoebe shakes hands and schmoozes at the party
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sweetie pie making sure her partner gets some water and some rest
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now, dana 😭😭😭😭😭😭😭
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after making sure mulder is okay (and getting a peek at him shirtless) she shows him the evidence that she found, telling him that she just "didn't know a whole lot about arson" so took the opportunity to do some research "for my own edification, of course" GIRLLLLL
and they identify the groundskeeper as the murderer based on the information that she gathered
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the face of a woman who single-handedly solved a string of serial murders to get her best friend's bitch of an ex away from him. she is truly an inspiration to us all.
and she has 1 more sherlock holmes joke in her.
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so, anyway, mulder is visibly uncomfortable around phoebe from the start, and this is something that scully picks up on immediately, even before being told any information about phoebe or her motives
and this is an ongoing theme from the very beginning, as mulder is generally unaggressive and compassionate to a fault, leaving scully feeling a responsibility to be conscious and wary of their surroundings.
scully isn't being jealous towards phoebe, just like she isn't "taking things personally" with diana. she understands this about mulder and how exploitable it is, and she's fiercely protective of both him and the kindhearted qualities that leave him vulnerable to these situations
anyway TLDR let me see any of you call either of them stupid again
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cynical-canidae · 8 months
Text
I had an epiphany yesterday lying awake in bed and now I completely understand Aziraphale's motivations and decisions in s2e6. This is coming from someone who on first watch-through was also upset with Aziraphale. However, I have changed my mind. Instead, I am deeply saddened for him.
Some of this may be obvious, but bear with me. I will try to be to the point, but I am a rambler. So come along for the ride!! I talk about emotionally abusive parents, so if that bothers you, don't read on.
Crowley's relationship with his parent (God/Heaven) is meant to symbolize that of someone who has been disowned/cut them out of their life. And Aziraphale's relationship with his parent (God/Heaven) is that of one who still has that figure in their life. Someone who still has to interact with them. Someone who has not separated themself from their source of trauma, so it keeps happening/they have had no time to heal. From personal experience, this creates a very complex dynamic between you and your parent figure/abuser, and exploring this PERFECTLY explains why Aziraphale does what he does.
Here is why.
When you have an emotionally abusive parent, it's really, REALLY hard to unpack. You are taught that your parent can do no wrong. They're always right. If they do something awful to you, then it must be your fault. You learn to associate this treatment with love. Because that's the thing, isn't it? They love you. They tell you they love you. They're doing this "because they love you." They want "what's best for you." You're ungrateful if you think otherwise.
It can be super hard to grow out of this mindset because your self-worth becomes solely dependent on your ability to make them happy and please them. Even if you can acknowledge that they are abusive, it still takes a lot to stop associating their approval with being loved and having a purpose.
It is even harder when you have not separated yourself from this constant cycle. It can be so, so frustrating because YOU love THEM. You probably shouldn't, but you do. You WANT to make it work. You WANT their approval. You WANT this happy world where they can magically be like "Oh, I understand the error of my ways. Let's be a proper, happy family from now on." Even if they have been abhorrent to you and you can acknowledge that, you still love them. It would be so much easier if you didn't, but you do.
That's why you keep hope. You defensively keep them at arm's length. Sometimes, you see moments where you truly believe they could change. Maybe they do something nice or maybe they respect a boundary they didn't before. These moments stay with you even when they cross that same old line. The moment you feel like "maybe everyone was right. Maybe I would be better off without them," these moments drag you through the bad times. It's why people saying "why don't you just leave them?" is so frustrating (though it may be true). Because you have this optimistic idea of how things could be in your head. You would rather keep trying than admit that your parent doesn't truly love you. You would rather keep trying because your brain thinks their approval is the one thing that you can't live without.
Does this sound familiar?
Aziraphale is the culmination of millions and millions of years of mommy issues, and in s2e6, he's just been given a whole platter of things to doubt himself on. The Archangel Gabriel actually feels the same way, very done with Heaven's bullshit. He even did this very forbidden, totally against regulation thing that Aziraphale has also kept quiet (falling in love with your "hereditary enemy"). The Metatron, who Aziraphale was definitely NOT keen on beforehand, is actually surprisingly understanding and kind. To which Aziraphale pointedly says he believes HE (Zira) misjudged them (The Metatron). SO understanding, in fact, to the point that The Metatron even shows what could be acceptance of Aziraphale working with Crowley. Even perhaps reinstating them to be an angel.
This is very important because this is what every person in this situation dreams of hearing. Your abusive parent admitting that they might have made a mistake. They were wrong. Because if they're wrong, that means that what you believe about yourself (it's all your fault the way they treated you; it's not fixable) can possibly be wrong, too. The Metatron saying that to Aziraphale means Heaven could have been in the wrong for casting out Crowley. (NOT at ALL that Crowley is not good enough for Heaven.) That Heaven has the capacity to change for the better and continue doing good even greater than before.
So I really don't think Aziraphale was drugged or anything like that at all. I think he is unwilling to let go of this hope of Heaven changing for the better, which is why he was so, SO excited to share the news. Saying he "wasn't as devastated" by their little breakup or doing it to be malicious is incredibly not true. He loves Crowley just as much. They certainly need to work on their communication, yes, obviously.
However, they ultimately disagreed on this one little thing. EXACTLY LIKE the Gabriel situation. Crowley's solution is to be as far away from the danger as possible. And Aziraphale's solution is to try to fix it. The disagreement in the beginning of the season foreshadowed their disagreement at the very end of this season. Only this time, they've run out of ridiculous "apology" dances and bandaid solutions to distract from the fact they won't talk to each other.
Thank you for reading my word vomit lmao. 🫰🐺
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captain-amadeus · 3 months
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You have some of the literal best takes ever about Stf characters. Chief ones among them being you get the point of the show!!! which is to give people the opportunity to change, and you don't hate them obnoxiously to prop up cedric (who doesn't need that to begin with anyways)
Basically I'm just so happy there's people out here who like Roland and Chrysta and all the other good characters the fandom demonizes
GAHHHHHH
/pos this is so nice man
I do not understand why people are so adamant to point out every other character's flaws, and yet they make Cedric out to be correct in so many situations that have so much grey area to them. Cedric was NOT always the best person because he was not treated the best. The thing is people sometimes do bad things if they are treated badly, but when treated with kindness, can change for the better. That is literally the whole thing about Cedric and Sofia's dynamic: Sofia is good towards Cedric, which makes Cedric want to be good, despite how people treated him in the pass. It's even thanks to Sofia convincing others to treat Cedric better and give him a chance to show what he's capable of that overall allows Cedric to be better off in his life.
While Cedric does change for the better, he still does some things that aren't justifiable. It depends on how much other characters are willing to forgive him, but the ending of Day of the Sorcerers shows how despite people like Roland not completely forgiving his actions right away are willing to give him another chance because Roland realizes there was a REASON why he did all of this, and that there could be something done to get to the root of the problem.
There's also this thing called "people aren’t perfect and they will make mistakes, but that doesn't make them completely evil," and I feel like the fandom forgets that a lot. Especially with Roland.
Oh my god, Roland is hung up on a crucifix for breathing. I can't fathom how people come to the conclusion that Roland is the worst father to Sofia, when he's actually one of the sweetest dads I've seen in fiction.
I feel there's a lot of reasons why people mischaracterize him so much like:
1) He treats Cedric a bit poorly (and yes, the things Roland said about Cedric were bad, but Roland doesn't come from hating Cedric. It's more of a pity he has towards him, which is still disappointing because Roland should've supported Cedric more, but because he grew up with the notion that Cedric isn't as capable as his father, doubts Cedric's abilities like everyone else. He still has good intentions and doesn't mean to hurt his feelings, could talk about Cedric's Apprentice but we'd be here all day, but he still does because he doesn't quite recognize how his words impact his confidence)
2) People watch and focus on the Cedric centric episodes and think that Roland isn't doing his job as a father, when there's so many reasons why he can't always be on screen.
Personally reason two sort of icks me out, because people don't recognize how the small moments with Sofia and Roland have as much value as with Sofia and Cedric, but also kind of strange why people make Sofia and Cedric have this extremely close relationship where Sofia only goes to Cedric for literally everything. There is little balance when it comes to who Sofia interacts with in fan stuff, and I can see why their bond is father-daughter coded. Just, man, it's like she doesn't have an entire family she can turn to for help, who've shown nothing but support for her, where Cedric is the only person that exists for her in this stuff that it's, man at least let her talk with Miranda who is the best character in the show and the best mother ever when she needs help like she does in the show. Or maybe have her figure things out with Amber and/or James, hell, even Clover could offer a few words, the worst thing that could happen is the advice doesn't help and everyone learns a lesson in the end like in the SHOW.
Anyways I'll just stop here and say I will always love the royal family as a whole and as individuals, despite how most of them are ignored or demonized. You are very swag HEHSHSISJHDUEJSBEIJD
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thelunarfairy · 5 months
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Hi, I had three questions about Teru's behavior in the last chapter. 1) Doesn't he act uncharacteristically naive, reckless and even childish? He is the one who talked about the school mysterie like gods. Why would he trespass into the realm of the gods and consider himself,an exorcist, welcome there? He isn't curious at all about the message that the watch keepers sent to Akane in this critical situation and he doesn't even notice the obvious change in Akane's face. 2) Why would Teru think Akane has the authority to make him their ally without consulting other watch keepers? Not only he is just a kid tricked into being the watch keeper, he's also their weakest and only half supernatural. Why would they listen to him? (I mean, from Teru's POV) 3) Why wouldn't the fact that Kou attacked him because of hanako make him pessimistic and destroy his trust in others? He's like, "oh my blood brother drew a sword on me because of a supernatural. It means I can trust a half-supernatural to have my back! I can even trust full supernaturals to be my ally! Hooray!" Thank you for your time and sorry for troubling you.
Teru is a character conveniently written to be useful at specific times.
What I mean?
Have you ever noticed that he threatens a lot, that he really fights against Hanako and other supernaturals, but he never actually "finishes" the job?
Since the beginning of the story Teru has been disturbing saying that Hanako is a spirit he wants to eliminate, he threatens, he fights against him, but he never finishes the job.
In arc number six, we saw that he was very angry to the point of threatening to kill Nene, but after everything was over and they returned to the world of the living, he simply left Hanako there. He didn't go after the ghost to finish what he started on the far shore.
Teru is that type of character. In the last chapter, he, Teru, the relentless one, who managed to notice Kokujoudai on Akane, "simply" let Hanako get away.
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Does it make sense to you?
So everything you said is strange because these attitudes are out of character for Teru, isn't he the incredible exorcist? The one who is ruthless and so easily destroys all types of supernatural? What reckless attitudes are these?
Not just his, but Tsukasa's as well. Tsukasa just went to the boundary without imagining the guardians would show up? Couldn't he have just pushed the bottom of the cage, as HE HIMSELF suggested to Nene, to free himself? Couldn't he jump from one cage to another to save himself like Hanako did?
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Yes, Tsukasa was weak because of the stamp and the handcuffs, but Nene was ALSO under the influence of the stamp and the handcuffs.
Teru and Tsukasa are out of character in this arc, perhaps to make things work more easily for the other characters, the well-known "script convenience" when the author creates facilities for the characters or plot so that the story moves faster.
Or there is something behind it.
Maybe Teru allowed himself to go through this to discover something forward, could it be? He seems to know a lot, he even asked Akane to listen to Kou when he needed it. Why did he say that? Does he know anything that will happen in the future? Why will he be judged by number one? Did he mess with the timeline?
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Sometimes it makes us understand this, that Teru knows a lot of things and that he pretends to be someone he is not, that sometimes he allows himself to fail on purpose for some reason that we don't know. He does a lot of threatening things as if he wants to maintain control over everything, but he allows himself to fall into situations like these.
We will only know in the future, there is still this doubt between the two possibilities, is Teru being careless on purpose or is it the convenience of the script?
Oh, you don't need to apologize haha thanks for the ask!
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postguiltypleasures · 17 days
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My Peak TV Journey *Better Call Saul*
This is an entry that took a while to write. I watched the first two seasons of Better Call Saul as they aired, not too long after I binged Breaking Bad, from which it spun off. I don’t remember why I didn’t watch the third season as it aired. I was busy with something. But I finally got around to the final four seasons around the one year anniversary of the final episodes. I never re-watched the first two seasons, nor BB. This probably did come at the expense of some appreciation for the series. I know there were some characters and sub plots that I forgot in my hiatus. But I never felt I had the time, and frankly, I didn’t like either series enough to rewatch. 
Which isn’t to say that I don’t think it is good. I think it’s good, but it fills me with dread, and not all of it seems intentional. I think As someone who watched and presumably liked BB, the various references to things that would happen there should have excited me more than they did. I found myself resenting that I promised myself to finish it before starting some shows that I also want to see, (the list is endless).
I like the characters of Jimmy and Kim. I like them better than most of the characters from BB, which is why I think the feeling I of dread I got from BB character was unintentional. (I completely forgot about some of the characters from the earlier series between viewings. This includes the Salamanca twins who I think should have left more of an impression on me.)
As I went on I started thinking about how many things that make television television, as opposed to a series of movies. TV runs off the tension between something familiar that the viewer wants more of and the desire to know what is next, and sometimes it felt like BCS was actively going against these things. For example, I often find that I amorally attached to certain sets. BCS ran through various great office and apartment sets, only to make the familiar Saul’s office from BB seem extra unpleasant. Then there were subplots, especially with Gus, where knowing how it wraps up in BB, just made it feel slack. Knowing Gus and Hector die in a murder-suicide made the scenes where Gus was tormenting Hector after his stroke seem pointless. 
There were other times when I wondered about how much I could hate most of the main characters. In particular, I found myself hating Mike more and more as the series as it went on. Or maybe I always hated him, and just got over the sense that I was supposed to like him, or at least see him as somewhat sensible. After all the things between Mike and Werner I think the former deserved to be murdered by Walter White and have to listen to Walter yammer on while he died. Mike’s essential to the plots of both shows, but I hate everything he stands for. He’s smug, cynical know it all. I can’t tell if I was supposed to dislike him, but the fact that I did makes it seem like I should have given up on this earlier.
My fixation on “what does it mean that I hate Mike this much?” is because I am under the impression that he is a well liked character amongst fans. I am also under the impression that Jimmy’s brother Chuck is generally a hated character. I can understand it. Depending on your point of view he either doomed Jimmy to become Saul, or at least refused anything helpful. But I liked Chuck and was less engaged by the show after he died.  His dynamics with Jimmy, Kim and Howard were interesting to me in ways that none of cartel stuff was. I was also amused that Chuck apparently wanted to write a book about the Commerce Clause. The Commerce Clause has fascinating history with American Civil Rights Movements and seems pretty controversial with the current Supreme Court of the USA. But I doubt Chuck would write a book that is engaging for most readers, because he tend to be in his own, intellectual world and doesn’t engage with the masses. And that’s the kind of tragedy that fascinates me.
Jimmy’s potential to be something other that Saul is traced with the class action suit he starts after some discovers at The Sandpiper Senior Residence. I was kind of shocked by how long this plot lasted, especially as it seemed to be dropped for episodes at a time. I made a note for myself about how the beginning and the beginning-of-the-end of the Sandpiper storyline involves Jimmy in a toilet stall making unconventional use of toilet paper. The first is desperate but optimistic. The second is cynical and much more destructive. It ends tragically, which shouldn’t be a surprise as the set up reminded me of Anthony Trollope’s The Warden, and that was a rough read. But how it ended, with the two worlds of the show colliding and making the lead to BB inevitable was exciting and dreadful. It also involved lots of name dropping and heavy foreshadowing with the assumption that we remember it from however long ago we watched BB. It’s really well done. It’s connected aspects of today’s media, where every series in an intellectual property that can go on forever. And I really don’t like that. 
I want to talk about about the show’s other corporate plot in the series, the Mesa Verde plot, the one that Kim is involved in. It’s her big get, and something of a boring prison. It started half way through the second season and ends near the end of the fifth, so it was easy to dismiss as not that important to the general direction, but it does have some interesting things about how most lawyering is tiring paperwork not what we want from a TV show. It shows that Kim gets risky in her games with Jimmy because of how unengaged she is with work that is otherwise going well. Because of the amount of time between the debut BB and now, I found myself wondering if the housing market bubble will affect the Mesa Verde plot? Which I guess made me more engaged than Kim? 
The main idea in this is that after finishing the series, I don’t think I liked it enough to justify the amount of time I spent watching it. But I need say, I do think it’s well made. It was always great to look at, especially with some of their more metaphoric shots, like the ants on the abandoned ice cream cone signaling JImmy’s future as Saul. All the performances were well done. I can tell there was some hard work in this. It wasn’t for me. I need to be better at giving things up that aren’t for me. 
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beanieman · 1 year
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Traffic cone lore post when /hj
(Before I Wrote Anything: The more I thought about making a twenty-paragraph post about the traffic cone Sara sits on, the funnier the idea got, so this happened, and I have no regrets. Later me: I actually have a lot of regrets and only managed to write fifteen paragraphs which is still way to many.)
The traffic cone Sara sits on has some plot relevance and is a good addition to the game. Not only does it help establish the bond between Sara and Joe, but the symbolism of a traffic cone also serves as foreshadowing.
It's an important story because it establishes that Joe and Sara spend time together outside school hours. They aren't just two acquittances who only hang out because they're in the same building. They're friends who make the active choice to spend time together. It's vital that the audience understands this so Sara's grief for Joe hits harder.
Thirteen More Paragraphs Undercut
It also shows that Joe feels comfortable enough around Sara to tease her. He's not careful to bring up an embarrassing story. Instead, he tells it with a smile because he knows it won't actually bother Sara that badly.
We know this because Joe never does anything to hurt her. All he wants is to see her smile, so it would be out of character for him to bring up a humiliating topic for the sake of it. Instead, his motives seemed to be cheering her up after what happened with Mishima by reminding her of carefree days. It worked as Sara responded with playful anger.
For a brief moment her mind is taken somewhere far away from the death game, and that's why their friendship is important. While the other participants need Sara to keep her head in the game for their survival, Joe doesn't need that from her. He allows her to be a teenage girl who sometimes does embarrassing things that wouldn't usually be expected of a leader.
It's good for characterization to hear that Sara sat on a traffic cone as well. It's so short sighted and dumb that it reminds you how goofy of a girl Sara can be. She's not always pointing fingers and heroically yelling "This is it!" Sometimes she's just a person who makes decisions that aren't well thought out. Much like the logic route choice.
The danger seems clear if you keep Shin alive, but much like the traffic cone, Sara doesn't consider the consequences of her action properly. She sees an easy solution to her problem on paper: keeping Shin alive equals survival, and a traffic cone could be a good chair. Yet both of those things could so easily backfire on her, as she learned when the cone tipped over and as she's yet to learn with Shin but no doubt will.
The symbolism of a traffic cone itself could be tied into the death game. Much like anything if you tried hard enough, which is definitely not what I'm doing in this post. Nor am I using this paragraph to help fill the twenty paragraph criteria. We both know I'm lying, but I doubt anyone has read a post about a traffic cone this far anyway, so y'know.
Traffic cones encourage people to proceed with caution and be aware of their surroundings. Something the participants should have been as they were being watched by ASU-NARO their entire lives. Of course they could never fully understand the danger they were in, but if they had known they likely would have kept their eyes more open.
The fact that Joe was with Sara during this incident symbolizes how Sara should be cautious and aware even with other people. They won't always register the danger for her, even when it's right in front of their face. It's up to her to be aware or else she'll face consequences.
Then we have the colors and shape to consider! While the shape of a cone itself has no symbolism, a pine cone carries the interesting meaning of human enlightenment, resurrection, eternal life and regeneration. Since a pine cone is close enough to a cone shape this is clearly a reference to the dolls and how they're able to be resurrected and granted eternal life .
Orange symbolizes energy and optimism. A color filled with irony considering Sara's exhaustion lead to her sitting on the cone and me writing this post for some reason. It's a strange butterfly effect that no one could have predicted.
The butterfly effect is sensitive dependence on initial conditions in which a small change in one state of a deterministic nonlinear system can result in large differences in a later state according to Wikipedia. A great example of this would be Sara walking home on a route with a traffic cone. If she had walked a different road that way things would be different and Joe wouldn't have a story to embarrass her with.
Back to the color symbolism though, white symbolizes purity, simplicity, and cleanliness. It's a good color that correlates to Sara living simple days when she sat on the traffic cone, each of her hours spent with her best friend without a care in the world.
I can't believe I managed to write fifteen paragraphs about a traffic cone. I didn't think I'd be able to make it through five much less ten more than that. I over complicated things so so much for a funny Tumblr post that isn't even that funny. Though I appreciate how much of a leap of logic I was able to make with the pine cone thing. Anyway post finally over.
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