Saw an anon questioning whether they were nonbinary or transmasc, and in my opinion it can be really helpful to view transmasculinity as something that isn't just an identity, but also something that covers presentation and transition and personal life experience too. You can be nonbinary and transmasc, and you can be transmasc without having a masculine gender identity at all, and you can be transmasc no matter your desire to transition. Transmasc can include everyone from he/him butches who relate to us but still identify as cis women to binary trans men, all as long as they personally choose the label transmasc. Basically if anyone is questioning if they're transmasc, it's a lot better to ask "do I relate to the community and want to call myself that" rather than "is my gender identity technically masculine/male". Signed, your friendly local genderqueer/genderfluid transmasc
this!
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ok ok what about
timeloop as a metaphor for obsession
your entire life grinding to a complete halt as it revolves around a singular event, or concept, or person, or whatever else. An inability to stop thinking about your fixation, to move or love or run or accomplish anything that does not pertain to it. Your life is just… stuck, in this one point, forever, against your will.
.
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war god sukuna has no need for you. you know this as intimately as you know yourself.
he is a monstrous god, well-suited to the mantle he was given from birth; two pairs of muscular arms as thick as the average man’s torso, two cruel faces, a gaping maw carved into the hardness of his stomach. to peer into sukuna’s eyes is to see death and famine and destruction — wars raged long before you and long after you — and live through it all.
he has no need for you. he is perhaps more powerful than the entire pantheon, even the six-eyed-one and the curse-consumer, who swallows the sky every day to bring night. you have little understanding of the sheer magnitude of his power — your pathetic human brain can only fathom so much — but you know that sukuna, undoubtedly, is the very meaning of the word. and yet, he keeps you.
you are not a concubine, though he shirks those he has in favour of your company. you are not a general, nor an admiral, nor a soldier, and yet he seeks your counsel. you are not a mage, and hardly a grand priestess, and yet sukuna finds your door instead of that of his great temple, where hundreds live and breathe to serve him.
you had only reached the status of alter-maiden before your own temple was crushed to dust; little responsibility was given to you beyond tending the hearth, studying, and occasionally helping with chores. but sukuna dresses you in the finery of high priestesses — gauzy crimson dresses that bare your stomach and chest, fine golden jewellery and garnets that appear almost black in low light — and instructs you to dance in the way your superiors did. dances of worship, dances that he does not need, because he is already all-powerful.
the dances fit you like armour fits the weedy frame of a young boy — your legs don’t quite stretch far enough, your arms can’t move with a fluidity only gained by experience — but sukuna watches you like you are a sorceress, enchanting him with each step. he hushes uruame as they try to speak, insisting on remaining undisturbed during your worship — and when you finish, panting and glistening with sweat, your god only hums in satisfaction, grin all sharp-toothed and feral.
it must be blasphemous, you think, to perform such revered dances so clumsily—
but perhaps even more blasphemous, though, is the lingering touches your god fixes upon your waist; the hunger in his eyes as you dance; the scrape of his pointed nails against your jawline; the tent in his robes at the sound of your laboured breaths after dancing.
you fear the god of war means to have you in more ways than one — and worse still, you can’t find it within you to care.
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I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)
the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!
and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL
I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔
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So this was kinda inspired by your morax massage post and I hoped you might enjoy it. Fem reader as usual, they're married, extensive mentions of somno but they don't actually do it(morax loves those noises). I suppose this isn't full porn, just thirst, but bon appetit.
You loved him dearly, you really did, but your husband was an insatiable lover. Every night he fucked your brains out, left you gasping and gulping for coherence. So, in an endeavor to go to sleep at a reasonable hour, you'd suggested that he fuck you while you slept.
"Do you like the idea? Doing whatever you might want to your pure, innocent wife's pliant little body while she's none the wiser?"
A disapproving growl rumbles from his chest, and when he speaks, his tone is sharp with derision.
“Any common whore off the street can lie unconscious while I use her. You are not a common whore. You are my wife.” Morax lifts your chin up as he presses you into the pillows, chest to chest. “My wife is my beloved, the apple of my eye. My wife is not something to be used.” He moves to your jaw as he begins to mouth the skin under your ear, and you gasp at the press of his fangs on your skin. He hums in approval. “My wife makes the most beautiful sounds, when she is awake,” he nips your skin, and you give a strangled whimper, “and alert.”
“Calling yourself ‘pure’ and ‘innocent’. How absurd. Do you expect me to forget how you beg me every night, weak with desire? You may be my cute little wife, but you are not pure.” He kisses you again, long and passionate enough to steal the air from your lungs. Your foreheads knock together as he speaks, hot breath brushing your lips, voice deliciously hoarse with arousal. “And I wouldn’t have you any other way.”
“You and I have a contract. A marriage contract, to be specific, which establishes that each of us have certain duties. One of my duties is to satisfy you, and vice versa.” His voice drops, even further than it usually does when he’s dirty talking. “And I will not be satisfied unless my darling wife is screaming my name loud enough to deafen while she creams all over my cock.”
I'm looking through my inbox rn and dear god this is a gem <33 it's been sitting win my box for so long I'm actually ashamed with myself ;;
If you're reading this nonnie please know that you're super talented and this morax piece brought me great joy and thirst for my dragon hubby <33
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
These scenes are near-identical to each other.
Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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