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ottiliere · 1 year

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what are your go-to resources for phantom blood fashion historical accuracy...... ...

ok I'm glad you asked this because I've been writing up a whole other post on dio's fashion sense and i wasn't sure how much of the period's fashion trends to explain since I didn't want to make an assumption that nobody knows anything about late victorian fashion. this will be a good reference post for me...and you... and anyone else who wants to use it.

regardless; I hate to say it but the best way to start drawing period clothing is to do a little reading on the fundamentals of [late] victorian dress because it will seriously assist you in the long run, e.g., you won't have to scratch your head and spend time wondering why you keep coming across two different lapel types on tailcoat fashion plates if you're aware that both peak tips and shawl collars were in vogue in the late 1880s and the '90s.

I'll put some basic information that I've collected for myself here so you don't have to go looking for it; I'm going to write this assuming you're a newborn baby deer poking your nose into the victorian era for the first time in your life fully unaware of the customs.

reference links for the wayfarer so you don't have to scroll all the way to the bottom:

Etiquette books. Look for anything written in the 80s/90s; again, period trends change. There's usually always a section on how men should be dressing on different occasions (weddings, funerals, daily casual travel, etc.) in these. In an ideal world one would only have to reference books written/published in London, however I've found that there are many more from US. This is fine though IMO, there was a lot of cross-talk between countries due to the implementation of the telegraph and hence a lot of etiquette standards are "universal" (it's why fashion between EU/US/AU can look pretty similar at the same time--they were all talking to each other). If there's a difference between the "New York" way of doing things and the "London" way of doing things, the authors usually point this out. kind of funny. I love reading these, they're also very good for understanding the general quirks of late Victorian society and how the standards at the time characterize their behavior.

The National Portrait Gallery (link is an advanced search; you can change the dates. I set the results to be located in "london")

Victoria & Albert museum online gallery

The Met museum online gallery (in general for clothes on mannequins, but they also list an archive of fashion plates here, separated by year. A lot of them are misfiled though so be wary of that)

Alamy website. genuinely one of the most all-encompassing resources I've used, I use it for everything and especially when I'm into period pieces. "boy 188*" "man 1880s portrait" "man 188* suit" etc. you find a lot of illustrations from the time period this way too. it fucking rules. my computer is on the brink of crashing 24/7 because I keep too many alamy tabs open at all times. A lot of really good Vanity Fair illustrations are on here too, just plug it in with a year and see what pops up.

Sites like this (Gentleman's Gazette) with little articles giving a run-down of period clothing can be helpful...... to an extent. idk. I don't really trust them. GG is solid for the most part and so is The Black Tie Blog and Victorian Web, but I've spotted too many errors on other sites to trust anything they say wholesale. Fashion Institute of Technology is worth mentioning as well, though, despite their coverage on men's fashion being pretty brief. Goes by decade, though, with a lot of information on women/children's fashion, too (it's very interesting! I linked their 1880s fashion rundown, highly recommend going through it, especially the Aestheticism segment). TL;DR: My advice when it comes to website hopping is "stick with primary sources".

How to Read a Suit (A Guide to Changing Men’s Fashion from the 17th to the 20th Century) by Lydia Edwards. Look this up on libgen. It's broken down into chunks of decades; REAAALLLYY recommend reading the introduction to "Chapter 4: 1860-1899". Probably the most historically informative consolidation of relevant fashion information in one place. Very interesting writing, pretty short too. If you're gonna read one thing out of this whole list, make it this.

The Dictionary of Fashion History by Valerie Cumming. look this up on libgen. for when you don't understand what some article or book is talking about and google will not give you answers. as it is it wont to do. (could not wrap my head around top frocks until this point; the wikipedia article for it is quite frankly embarrassing.)

here's my google drive of fashion for this time period, I had just been keeping these on local folders but I think drive would be better so I started transferring them here... compiled myself. this is a "work in progress" and will be updated.

I am going to write a bit about men's fashion at the time period under the cut because I think it's important to understand, if you don't know much about the victorian period, that the dress decorum was heavily emphasized and if you wore the wrong ensemble in the wrong setting everyone WOULD think you were ill-bred and would not invite you back into their home again. because just seeing you exist like that was impolite and quite frankly very embarrassing to witness. these resources are great but not if you don't know where and when these guys would be wearing these things... for instance i know the fashion plate archive there are some drawings of men in livery and you may be tempted to put dio in something like this because WOW! they do look kind of cool. with the big brass buttons... but I think he would more readily batter another human being physically than dress up like a butler at a dinner party and get mistaken for a butler. it's the little things.

first thing: you were expected to dress differently for different times of day. This consists of: morning dress, afternoon dress (semi-formal; not really "mandatory" except at special events, like weddings, at least for men), and evening dress (anything past 6 o'clock or "by candle light" is the general rule).

here are overview excerpts from Modern Etiquette in Public and Private published by Frederick Warne and Co. in 1887:

and excerpts from The Complete Bachelor: Manners for Men by Walter Germain, written in 1896:

Cecil B. Hartley states in his Book of Etiquette and Manual of Politeness (1860) that "by dress we show our respect for society at large, or the persons with whom we are to mingle".

He advised men that there were “shades of being ‘dressed;’ and a man is called ‘little dressed,’ ‘well dressed,’ and ‘much dressed,’ not according to the quantity but the quality of his coverings.”

Black was "the" color. As Lydia Edwards writes in How to Read a Suit (2020), "while it is unrealistic to imagine that all men everywhere only wore black, the acceptable color palette was certainly more limited at this point than it had been for the first half of the century. The rising professional middle classes seemed to embrace a centuries-old association with black for certain professions, which perhaps made this an inevitable choice for the evolving and expanding world of work in the nineteenth century."

I'm going to add illustrations now; humbly request you ignore how terrible the paint canvases i threw things in. Things to note moving forward:

there were three different types of shirt collars in vogue at the time: stiff, high stand collars that hugged your neck, wing-tip collars, and one that's closer to the "regular" collars you typically see nowadays (banker collar). don't really see the last one in any of the fashion plates but you do see it in portraits.

Do note that walking sticks were commonplace and in fact expected to be touted around, hence why they (in addition to umbrellas) keep reappearing in the illustrations;

(1890)

Frock coats were the most "formal" of the daywear. When going through the National Portrait Gallery website you'll notice that most men are wearing either a morning coat or frock coat; the lounge coat was still too informal to be considered for how much money you'd spend to get a photograph taken. Don't you want to look nice?

Lounge suits, again, were the ultimate "informal"; they were viewed with distain by the frock-coat. (here's a good thread on this, actually; i love this fucking guy lol). really, really don't think Dio would be wearing one that often. maybe a double-breasted one? i really think he's too much of a snob to wear what he sees as filthy poor people rags. appearance is everything, etc.

~~~

waistcoats you have a lot of freedom/liberty with, at least in regard to design (except for evening waistcoats). different lapel shapes, no lapels... unfortunately shifting into the later decades of the 19th century it was pretty much expected that the fabric of your waistcoat match the fabric of your suit (along with your trousers; called a "ditto suit"). jonathan would conform to this mode IMO, i don't think it stops dio. he has a vision & his waistcoats are likely very extensively detailed. actually I just remembered that we do see one as depicted by araki's tenuous grasp of historical fashion and it is. awesome. i, too, love to wear cravats directly underneath my shirt

(1891 / 1892)

~~~

Evening dress is (comparatively) much more simple & men had much less artistic freedom in their choice of dress: black tailcoat, white gloves, white tie, waistcoat in either black or white, black button boots. Regardless, it was its own beast in the fact that this was something that you really weren't supposed to dick around with. (Dio would've found a way, but that's a discussion for a post that isn't crashing every 3 minutes.) From A Gentleman by Maurice Francis Egan (1893):

If a young man is invited to a dinner or to a great assembly in any large city, he must wear a black coat. A gray or colored coat worn after six o’clock in the evening, at any assembly where there are ladies, would imply either disrespect or ignorance on the part of the wearer. In most cities he is expected to wear the regulation evening dress, the “swallow-tail” coat of our grandfathers, and, of course, black trousers and a white tie. In London or New York or Chicago a man must follow this last custom or stay at home. He has his choice. The “swallow-tail” coat is worn after six o’clock in the evening, never earlier, in all English-speaking countries.

(1885 (misfiled) / 1888 / 1888 / 1890)

MET evening suit ca. 1888; different aspects of the ensemble displayed solo at this link.

In the 80s the "dinner jacket" ("tuxedo" in US) was introduced. It was used for more informal occasions.

final evening dress "tips":

~~~

Outerwear was pretty varied… you can get a pretty wide dynamic of form depending on choice of coat, so keep that in mind. chesterfields tended to be pretty formless, top frocks a bit more fitted. Length/density would change depending on season, too.

~~~

Children's fashion:

end notes:

everyone would be wearing suspenders, not belts; belts were pretty much only worn with military uniform at this time (except in america)

sweater vests were really only considered sportswear until the first few decades of the 1900s. they would not be wearing these casually under jackets, they'd be wearing waistcoats

button boots were buttoned using a special button hook. video demonstration

NOTE: trousers being "creased" began to be more in vogue in the 90s; this is because they finally invented the trouser press. read article for more information--you sometimes see creases in the 80s, really not before then though. look at how they bunch at the knee (c.1880s)!

When it comes to gloves, different colors denoted different occasions to wear them. In the text screenshots provided in previous sections, it usually states which colors are appropriate for whichever situation. The paragraph I am about to end this on is relatively useless, but I thought I'd include it anyway:

#ask #dio brando #jonathan joestar #phantom blood #I make myself sick going through fashion plates and the costume archives on museum websites identifying dio outfits regularly #that one image in the frock coat graphic reminds me so much of jeremy strong...kendall will get his day on ottiliere someday. but not today #I'll probably add to this post as I remember or discover more things to add. we're all on a journey of learning...together #posts that crashed one million times while editing #there was a lot more I wanted to add to this but every time i click something in here the entire post crashes. so i am leaving it #also FYI: i don't have a degree in this or nothing. I am a hobbyist victorian enthusiast. don't think anything is wrong in here especially #considering I cite sources but yaknow. <-disclaimer

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saetoru · 10 months

Text

✩ ‧₊˚ ✩。i know you still think about the times we had

synopsis. satoru will always comes when you call him, he just never thought you’d stop calling

— word count. 5.2k (where did i go wrong)

— contents. college au, rich boy! gojo, break ups and make ups <3, it’s the cliche trope where the rich guy’s parent forces you to leave him aka gojo’s father is the villain, angst with a happy ending—i don’t want my cause of death to be angry rb! gojo stans, emo gojo ft. marvin’s room (iykyk), cliche rain scene—this fic is so cliche i’m sorry, reader is gn! but gojo is mentioned to like pics of girls on instagram (he was being petty)

— notes. well, it finally happened. the long awaited break up. this one’s for you niku 🤞🏽 AND DABITEE ANON

you open the door when satoru knocks—just barely, though. it’s just enough to hand him the bag with the remaining things he’s left at your apartment. it feels familiar, being here, but it feels so different too. it’s always been happy knocking on your door—he never thought he’d dread letting his knuckles meet the cool wood. it’s like taking the last bite of something sweet when you’re too full. when the sugar is too decadent on your tongue and your head spins and your stomach twists and it’s too much even though it used to be so good.

it’s too much being here. it’s too much trying to meet your gaze and get nothing in return. it’s too much being handed back that sweater he basically let you keep. and yet, it’s good to see you. he wants nothing more than to be here with you, wherever you are, even if you don’t want him to stay.

“that should be everything,” you murmur, still looking down. “let me know if there’s anything missing.”

satoru would never tell you if there’s something missing. he’d never come back and demand back something he gave you, he doesn’t think he could ever take back something he gave you—being handed back his heart after pressing it to your palms is hard enough. but then again, maybe he should look for small things you probably missed. just so he can come back. just so he can see you—how else will he see you now?

“no, it’s alright,” he says quietly. he doesn’t miss the way you quickly let go as soon as his hands grab the bag, almost like you’re being careful enough not to let your fingers meet each other. “you can uh…you can just keep them. or…throw them out if you don’t want them,” he mumbles.

you nod, standing there silently. it’s quiet, and then it’s quiet some more. and finally, you look up at him for the first time since he got here, staring at him a little expectantly. oh, right. now would be the part where he leaves.

“can i…can i just know why?” he croaks. fuck. he’s not supposed to cry. you ripped his heart out and threw it at his feet, you didn’t even care to hand it to him even after you tore every artery apart. but he sniffles anyway, lips wobbling as he stares at you. “why are you leaving me?”

your fingers twitch, like you itch to reach over and wipe that tear that rolls down his cheek. in the end, you cross your arms instead. “i already told you, satoru—”

“that’s bullshit,” he clicks his teeth, shaking his head as he stares at you frustratedly, “you gave me some bullshit reason.”

satoru has worked so hard to be here—to be with you. hadn’t he done enough? hadn’t he told you about himself, things he didn’t want to? hadn’t he tried to become something, someone more than just a guy swimming in trust funds? hadn’t he worked for your attention, waited outside classes and walked opposite directions in the hall with you just to seem dedicated? fuck, he even burned his hand trying to learn how to make pancakes to impress you, let the maids laugh at him as he twisted the stove the wrong way to try and turn it on.

why wasn’t it enough? what more could he give you than everything? how can the guy who has everything not have enough to give? he doesn’t understand.

“satoru, we weren’t gonna work,” you pinch your nose—it’s like you’re the one who doesn’t understand why he’s being like this. “the sooner you accept that the more hurt you’re saving the both of us—”

“we were working just fine,” he says exasperatedly. it’s like you insist he’s crazy when he’s nothing but sane. like he’s trying to tell you the sky is blue, and you’re refusing to believe it’s anything other than green. it’s clear. it’s practically a fact. you were doing just fine—why don’t you see that? “we were happy,” he takes a step forward and cups your cheeks, pressing his forehead to yours, “was it someone? did they tell you something? just tell me who, baby—i’ll fix it. i’ll put them in their place, okay? no one can bother you if i get them to leave you alone—”

“then you leave me alone,” you whisper. he stills. you pull away from his hands. “sator—gojo. please just leave me alone. it’s better that way.”

you close the door, and he stands there. numb. maybe a little shocked. entirely ruined.

gojo. he laughs quietly after a moment at that—it’s a laugh meant for men who’ve lost the last thread to sanity. gojo. it’s like a slap in the face, being called the name he worked so hard to get you to drop. it took him weeks—months, even, to convince you to call him satoru. then he upgraded to toru. then it was baby. sometimes you teased him and called him pumpkin—he called you peaches in return. when you introduced him, you called him your boyfriend.

not anymore. now he’s back to gojo—that god-forsaken name with everything but what he really wants attached to it. his grandfather’s legacy. his future. business deals. fancy invites. more money than he knows what to do with. the name gojo comes with everything but you.

but he had you for a bit, didn’t he? when he was just satoru—but now he’s gojo again, and you’re gone. the only sign of you left is in the faint traces of your perfume in the sweaters you’ve returned.

and satoru still isn’t sure what brought the break up on. he thinks it’s the part that stings the most—when everything seems perfect one second, and then it’s not. had he not tried enough? maybe he was too much. maybe he didn’t understand you the way you needed him to. maybe he was too overbearing. maybe he asked for too much too fast.

he’s not sure. he tried asking when you broke it off—you only shook your head and said it wasn’t going to work out between the two of you, that it was a mistake to try at all. mistake? how could you call this a mistake? things were so perfect, weren’t they?

satoru doesn’t think there was even one second he wasn’t smiling when he was with you, and he used to think the same was true for you too. had you been faking it this long? or was it real at one point—had he really failed you so badly, seen past you so blindly that he didn’t notice when your smiles stopped reaching your eyes?

it’s too late, he figures. you and satoru are broken up.

you ask him to come over one morning, and he does—because he always comes when you call. he brings your coffee order from that cafe you like, the one you don’t go to often because the coffee is more overpriced than any other coffee shop you’ve ever seen. he’s grinning when you open the door, leans in to kiss your lips excitedly. you turn your head then, and his lips meet your cheeks instead—he supposes he should’ve known it at that moment. he should’ve seen that your lips weren’t smiling. your eyes were tired, a little red. you were hugging yourself in that way you do when you’re nervous. you didn’t let him kiss your lips, you made him kiss your cheek.

and then you sat him down on that worn-down couch of yours, took off that bracelet his mother gave him to gift you on your anniversary, and pressed it to his palm as you said we should break up. break up. you wanted to leave him—and satoru didn’t understand, still doesn’t understand.

he’s tried for so long, replayed the last month of your relationship in his head over and over and fucking over. you always smiled. you kissed him first. you held his hand, and even squeezed. you asked to see him. you laughed when he was around. you said i love you. you were happy. but then you weren’t—when did you stop being happy? and how could you have stopped feeling it with him?

—————

breaking up with satoru is the hardest thing you’ve ever done. how long can people live without the sun? you think not longer than a few minutes—that’s what it feels like without satoru’s warmth, anyway.

gojo satoru has always smiled as long as he’s been with you. he smiled smugly on your first meet, smiled bitterly after every rejection, smiled in pure glee when you finally said yes, and smiled like his fingertips could touch the sky every time he saw you after that.

satoru has never looked sad for long in your presence—you have that effect on him, you make his lips curl and his eyes brighten in that way that they deserve to shine. but for the first time ever, his eyes dim with you around, his lips curl into a frown at your words, and he cries for you. his eyes glisten with tears instead of wonder, and you think for a moment that you might be making a mistake.

but then you remember that this is for the best—that if you really love gojo satoru, you’ll let him go instead of clipping his wings.

“he’s picked up his things,” you speak quietly into the phone. you don’t sniffle even as you desperately need to—it’s the last bit of control you have left, and you intend to keep it. “i won’t be seeing him again.”

“good,” his father speaks, “that’s good to hear.”

satoru’s father is a cold man, you learn that on the first meet. he doesn’t look at his wife with a soft look that tells you there’s any love built between the decades of marriage, and he doesn’t look at his only son with any affection for the boy he raised. instead, he stares at satoru like any businessman would an opportunity—with a calculating gaze that tries to work out the best course of action for the most profit.

satoru is young, but he’s charming and conniving and knows how to get what he wants when he wants—he’s quick on his feet and rarely lets himself get cornered into a wall. in the last three generations of the family business, no heir has shown as much promise as gojo satoru. that’s what his father tells you, anyway. you believe him—satoru is smart and knows how to play his cards right, you won’t deny that. his future is set to be comfortable, and he’s never known anything outside of that, never built any other plans for himself.

you can’t rip that away from him—not for your own sake, not for your own happiness.

“you promised you wouldn’t freeze his trust funds once i ended things,” you remind him, “and that he’d keep his inheritance.” somehow, because the world grants you this one favor, your voice doesn’t shake—it’s steady and firm as it reminds the stone-cold man at the end of the line of your agreement—and he offers a slow chuckle that makes your jaw clench.

“yes, i do recall,” he hums, “i’m glad we could come to agree. you understand, don’t you? it is my job as his father to do what’s best for him.”

you know what he’s saying—what that means. you’re not what’s best for him. maybe he’s right—maybe satoru needs someone who’s equally as promising to build a successful company into even more success. maybe he needs someone who can take him out for a change to those fancy places he takes you every few weeks. maybe he needs someone who’s heard of half the brands he wears and doesn’t scold him to turn the lights off so the electricity bill isn’t high. maybe he needs someone who can keep up with everything that gojo satoru is—and that someone is not you, no matter how deeply you love him.

“—the offer still stands, should you change your mind. i’m willing to compensate you for the trouble this must all be.”

your lips curl into a scowl at his words. that’s the thing about rich people, you think—money is always enough to sugarcoat everything. why worry about the dead grass in your lawn when you can paint it green? but you don’t leave satoru for extra cash on your hands—nothing can be worth auctioning off the only man who’s ever made you feel anything. you leave satoru because he deserves to continue living comfortably, to make a name for himself that isn’t just a ghost of his father’s. if that means being cut from the corner of the picture, you’re willing to pick up the scissors yourself.

“no thanks,” you hiss, “i don’t need the money.”

“i would disagree,” his father sneers, “but suit yourself.”

the line ends, and for good this time, satoru is no longer yours. was he ever to begin with?

—————

you try to forget your ex-boyfriend—keyword, try. every hour of your life consists of you using your burner account to refresh his instagram page to see if he’s posted anything new. you unfollow satoru from every social media platform the same day he picks up his belongings—you know he’s noticed within the first thirty minutes because all of his pictures with you are gone, just like all your pictures with him.

in what you assume is an attempt to be petty, he likes every picture of every girl he sees, and he even blocks you on twitter—you know he picks twitter because twitter is the only social media that blatantly states you’re blocked. but then you’re unblocked in two days, and you know he must be missing you now that the initial anger is faded.

it makes you laugh a little, even through your tears. satoru is not satoru without petty fits of emotion, and you can’t bring yourself to be mad, not when it’s your fault he’s hurting like this. he’s extra sad today, you gather—if the way marvin’s room is posted to his instagram story on a blank screen is of any hint. it makes you scoff in amusement that in true gojo satoru fashion, he’s effectively told all eight-thousand-something of his followers he’s pathetically in his feelings.

you scroll through suguru’s story, too—he didn’t unfollow you even after satoru temporarily blocked you, but you figure suguru is the only person satoru really has. you shouldn’t keep yourself close to him, not when it could hurt satoru more, so you remove him too.

suguru is, as always, drinking at some fancy party with obnoxiously rich college students who have not a care in the world for midterms around the corner. who needs to pass when you’re swimming in money whether or not you have a degree? the first thing you learn about the rich is that most of them are only at college for the experience—they don’t see college as the stepping stone to better opportunities, there’s nothing education could offer that trust funds already don’t. but satoru attends college for himself—he enjoys business classes, you learn, and especially finance ones. for someone who spends money so carelessly, he understands it particularly well.

there’s no sign of satoru at whatever party it is suguru is at, there’s no trace of strikingly bright white strands anywhere in any corners—you do see naoya in a corner, though, and you crinkle your nose in distaste. if satoru were here, he’d say something bitterly under his breath about the asshole, and you would giggle. but satoru is not here, and even naoya the women-hating jackass makes you miss your obnoxiously whiny ex-boyfriend.

everything reminds you of satoru. that bear he won you at the fair (after maybe six tries) by your pillows, those polaroids at your desk that you can’t bring yourself to take down, that sticky note on your fridge he left promising to replace the creamer he finished (he’s replaced it more times than he’s needed to by now), that extra big blanket you keep on the couch because the old one barely covered his legs, that pair of silly matching mugs you both had for coffee in the mornings.

every corner of your apartment has something that reminds you that satoru was here, that he was yours, that for a short while, he was the best thing you ever had. it’s your fault, you think—that satoru and you are here in this mess in the first place. he’s always looked at life through a hopeful lens. having everything does that to you, makes you ignorant to the misfortunes of the world, makes you think everything is within the realm of your reach. you, on the other hand, knew this was bound to happen. the two of you together is like hot oil and cool water—what feels like sparks is just the oil shooting out to burn you. you should’ve known this would have never lasted.

in a way, you think you did. it’s why you hated him so fiercely at first—maybe deep down, you always knew you wanted him, that he would never be yours. maybe that’s why you were so adamant about rejecting him, that even when he was clearly trying, it would never be enough. satoru has always been enough, has always been what everyone has wanted—you’re not so sure you can say the same for yourself.

you love gojo satoru. he loves you too—he falls first, and you think maybe, he might have fallen harder too. no one loves like satoru. they say if you press coal hard enough, it turns to diamonds—you think if you gave satoru coal, he would hand you back the sun and all of her stars. it’s just the kind of guy he is, the one that turns everything dull into something bright and warm and worth it. you wish you didn’t have to break his heart, you wish you could’ve walked out of this the only one hurt. but maybe, at the very least, if you break him good enough that he hates you, he’ll move on quicker, maybe have something to look forward to while you continue to work your way up and cheer him on.

before you can refresh suguru’s page one more time to stalk his story, you’re pulled from your thoughts as someone knocks on your door—correction: pounds on your door. you jolt on your couch, standing up and making your way to the front door quickly and looking through the peephole.

satoru. of course.

he’s soaked to the bone—it’s raining outside, and of course, just as on brand as always, he must’ve rushed here without an umbrella.

you shouldn’t open it.

but you can’t just leave him in the rain, can you? but he’s not your problem anymore, you agreed to leave him, didn’t you? but how could he not be your problem when he’s all you think about? but this could cause him trouble if his father found out he was here, right? but can you really leave someone, ex-boyfriend or not, in the pouring rain? you can’t be that cruel can you?

before you can make up your mind, he speaks up, “i know you’re standing there. open the door,” he demands.

“satoru, go home,” you sigh, head pressing against the surface that separates you, “don’t make this anymore difficult than it has to be.”

“if it’s difficult, that means you don’t really want to do this,” he argues. he’s still as good as ever at sweet talk, still as persistent and charming as ever at getting what he wants. “please,” he croaks, “just let me in.”

you know it means more than one thing. you know it means more than just your home. but you shouldn’t, you can’t let him know why you did all this—how can you protect someone from something if they don’t let you? satoru would never let you if he knew, and that’s why you can’t let him know.

“satoru, if you don’t leave…i’ll…i’ll call the cops,” you warn.

“no you won’t,” he says instantly. “i’m not leaving until you open the door. and if i get sick, i’ll send you my bill for the emergency room visit.”

“you’re not going to the emergency room for a common cold, you idiot,” you scoff.

the rain doesn’t slow—in fact, you can hear thunder. satoru is still stubbornly outside, knocking away.

“i’ll start screaming,” he insists, “your neighbors will complain for noise again. do you want to be kicked out of this apartment? just let your cold, wet, heartbroken ex-boyfriend in if you have a heart.”

and because you are, and always will be, weak to the charms of gojo satoru, you open that damned door—even though you shouldn’t, even though you can’t, even though you said you would never again. but you do. because it’s satoru, and he always comes when you call, and you’ll always let him in when he’s here.

“you don’t come to your ex’s house less than one week after the break up,” you sigh once you open the door. he takes a step in, shutting the door behind him.

“why did you leave me?” he asks.

“satoru, you can’t keep bringing this up—”

“why? just tell me why.”

“i don’t have to—”

“tell me why and i’ll stop bothering you. i just need to know why,” he insists.

and then you break.

you’re only human. you’ve lost the man you’ve given everything to for over a year in the span of one week. you’ll never see his lovely mother again who spoiled you rotten, you’ll never hang out out with his funny best friend who treats you like family, and you’ll never be enough for gojo satoru, the rich, loud, sheltered, obnoxious, handsome jackass you met and had to do a project with and accidentally fucked over and over again until you fell in love.

so you shove his chest, once, then twice, then a third time, each time getting weaker and weaker than the last as tears slip down your cheeks as you simply break down. “just leave, satoru,” you sob, “why can’t you just leave? why do you keep coming back?”

you hate seeing him here. you want him gone. you never want to see him again. you hope he never leaves. you’re glad to see him. you hope this isn’t the last time. you hate that he seems to not be getting enough sleep. his eyes are hollow. he must not be eating properly. he probably hasn’t attended class. he has a quiz next week. he most likely forgot about that. his clothes are wrinkly. he definitely hasn’t showered in days.

“last month you said i was it for you,” he glares at you, his eyes red and swollen and every shade of heartbreak. you miss when they were blue—that beautiful, bright, perfect shade of blue. “last week you said we were a mistake. what the fuck do you mean, huh? what are you playing at?”

“you can realize a lot in a month—”

“not enough to erase over a year,” his voice booms. it makes you flinch and hug yourself tightly. tears slide down your cheeks, your vision is blurry. this might be the last time you see satoru, and even if he’s angry, you want to remember the curves of his features. so you wipe them away. they keep coming back. “so tell me,” he clenches his jaw, “did you string me along for a year or did something happen last week that you’re not telling me?”

“i realized you were bad for me,” you say quietly.

satoru stares at you. it’s a piercing gaze—his eyes are electrically blue and his lashes are unfairly long and every time he stares at you, you think he almost sees into your soul. they’re tired—there are purplish bags under them on that pale skin of his, and the whites of his eyes are concerningly bloodshot. he stares, and stares, and for a second, you think you’ll die like this. watching him stare at you as your heart bleeds out.

“i spent weeks,” his voice shakes, “i waited outside your class. i followed you to the next one. i memorized your fucking schedule.”

“satoru, you need to leave—”

“and then you fucked me and left every morning like i was nothing,” he glares, sniffling. you don’t know where the rain drops on his face start and where the teardrops end. “and then i begged you for a chance—begged. i burned my hand, got laughed at by the maids to learn how to make those stupid fucking pancakes for you.”

“i didn’t ask you to—”

“it took you two months to call me baby for the first time. did you know that? i waited two months to hear that. i thought it was the best two months i ever waited.”

“satoru,” you plead.

you’ve given up on trying to wipe away the tears—he’s given up on crying altogether. you’ve never seen him so hollow, so dead in the eyes and so, so tired.

satoru has never gotten tired—not when he’s fighting for you.

“and then you kept pushing me away, acting like i was some shallow guy who wanted to get in your pants and leave cause i had some money to my name. i took you everywhere, introduced you proudly, let everyone say what they wanted to say about me because i loved you, and…and i thought you loved me too,” he shakes his head.

his voice breaks, and god, so does your heart right along with it.

“i do love you,” you admit it before you realize what you’re saying.

“then why did you fucking leave me?” his voice is loud.

satoru never yells, not at you. his voice is always gentle, patient, like he worships the ground you walk on, like he’ll get on his knees if you ask him too. satoru never yells—but he does tonight.

“because i had to,” you sob, fingers digging into your temples as you shake. the words spill from your lips faster than the tears, like a swarm of angry bees, one following after the other. “or you’d lose everything. the trust funds, the inheritance, the company. i couldn’t let that happen to you—not for me,” you whisper.

it feels like defeat—in the end, you couldn’t keep satoru, and you couldn’t leave him either. you couldn’t love him like you wanted, and you couldn’t let him go like you should have. what else is there left to fuck up? what more can you ruin in less than a week? the bees feel like maggots in your mouth, swarming a dead carcass.

“so you left me because my old man threatened you with my trust funds?” he asks in disbelief. you think something in satoru dies at that—something in his shoulders falls and his eyes almost seem gray.

satoru gets his blue eyes from his mother—they’re bright and kind and deeper than the ocean. but unlike the ocean, they’re not scary to fall into, to lose yourself in no matter how far you are from shore. his father’s eyes are gray—cold and blank and not laced with a single hint of emotion.

you can’t help but think that blue suits satoru so much better than gray ever could.

“it wasn’t just that,” you shake your head, “that’s not fair, satoru. what was i supposed to do? know you were about to lose everything and stay?”

“you could have talked to me before you decided for me,” he hisses, “what do you want me to say? thank you? thank you for breaking my heart? thank you for making me feel like a worthless piece of shit who wasted a year for someone who didn’t seem to care? thank you for walking out on me?”

“you know i’d have stayed if i could,” you argue, voice breaking.

“then why didn’t you? why the fuck didn’t you?”

“because i couldn’t!”

“you could!” he screams—you realize, for the first time in your life, you hate when satoru screams. he never screams. “all my life, that old man has been making decisions for me. satoru, wear this. satoru, go here. satoru, don’t do that. satoru, put that away. satoru, stay away from them. satoru, come with me. that’s all he’s ever fucking done—make every choice for me. and now…now you’re just like him,” he breathes, lips wobbling as he stares at you with hurt.

it’s like that for a bit—you stare at him as he crumbles, and he stares at you like he doesn't know you anymore. you don’t know who leans in first, if it’s your hand or his face, but one second you’re feet apart, and the next second his face is cradled in your hands, thumbs swiping away at his tears. you catch them, one by one, waiting to wipe them away no matter how fast they come. because satoru always comes when you call, and you’ll always be there for him to find you.

“i don’t want to leave,” you mumble, “i never do. you are it for me, i meant that, you know. who else will melt extra chocolate in my hot chocolate?”

“then don’t leave,” he begs, voice cracking, “i don’t want you to. i’ll handle that old geezer—my grandfather will knock some sense into him. fuck, suguru and i can even hide his body, it’s fine. just don’t leave, okay?”

you let out a watery chuckle, pinching his cheek as you shake your head. “i don’t know if i’m worth homicide, satoru.”

“i think you’re wrong,” he huffs, “you’re wrong about a lot of things, you know. so wrong.”

“i never said i was perfect,” you pout.

he buries his head into your neck, clinging to you tightly—you cling back, because nothing is as safe as satoru’s arms. you’d melt into his skin if you could, live in that spot right where his heart is so you can make sure it’s always beating.

“you’re still perfect,” he mumbles, “but you’re always mean to me. this was the worst you’ve ever been.”

“i’m sorry,” you murmur, slipping your fingers into his hair—it’s still wet, you realize. he’s soaked, and he could catch a cold but you don’t care. satoru is back. he’s here in your run-down apartment with the mugs and the blanket and that toothbrush you forgot to return and that pair of socks you found in your drawer. satoru is finally home. “i’ll never leave you again.”

“promise?”

“yeah. as long as you don’t block me on twitter again.”

“you deserved that.”

“and for the love of god, toru, delete that marvin’s room story. that was so dumb.”

“are you stalking me?” he pulls away with a grin, making you glare with a huff. he chuckles, kisses your forehead as he murmurs, “missed me that bad, huh? yeah, i would too.”

“well, obviously not enough to post marvin’s room on my story.”

“you can’t be mean to me after you broke my heart!” he whines.

yeah, you think, satoru is home. he’s still that loud, obnoxious, pestering brat that he always was—and he’s still the only love you’ve ever known.

“i love you,” you press your forehead to his, kissing him slowly. you want to kiss him harder, you want to kiss him desperately like you’ll never kiss him again. like you lost him and miraculously got him back. like you’ll never see the sun again without him.

but there’s time for that—lots of it, in fact. because satoru is home.

“i love you too,” he whispers, “wanna shower with me? if you really love me, you would.”

read the makeup sex sequel ;) MINORS DO NOT INTERACT

if this fic was a person i would want it dead.

#teepods.writings #fics.#rich boy! au #gojo x reader #gojo x you #gojo angst #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu kaisen angst #jjk x reader #jjk x you #jjk angst #gojo satoru x reader #gojo satoru x you #gojo satoru angst

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