I just listened to The Children of the Future, and really enjoyed it (Sarah and the Brig were such a delight in it, and Tim Foley is definitely one of my favourite current regular Big Finish authors). But I found it interesting that Three seemed to think he was near the end of his current life, because that's a trope that turns up a fair amount in the Dr Who expanded universe. Basically every classic Doctor seems to know when they're in their final few years, (it sometimes feel like Seven spends half his EU life thinking about how he's going to die soon,) because the authors just can't help themselves. The stories are deeply rooted in the continuity of the TV show, and the emotions of the fans who are writing the new stories. So every time a Doctor reaches their final season they get a meta self-awareness about it, which is something that I don't think ever happens in Classic Who itself. Even in New Who, the melodramatic 'the end is coming' attitude only turns up when the Doctor is told so by someone else. It's just when authors are looking back on the show that authors add the knowledge in, as if it wouldn't have any affect on the character or stories.
I don't know where I'm going with this yet. It's not something I really dislike, because I'm a fan too, and I understand exactly the bittersweet place that the writers are coming from. And in some stories, like The Children of the Future, it works really well and adds an extra dimension to the character (which goodness knows is always welcome when it comes to a character as well-worn as the Doctors). But it's another instance where it feels like the Doctor is really in-tune with the timeline (or narrative) of themself and everyone around them. Things like that always puts me in mind of TV Movie Eight, who reads people's entire lives like a book just by being around them. Or even less deliberately than that: he instinctually, maybe even subconsciously, picks up on their destinies, like long-time audience members of a specific genre, passively recognising the tropes and character archetypes as they're introduced.
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It's time for me to unleash the inner crazy Metal Sonic lover within myself and talk so so much about this mother fucking fucker Chaos Sonic!!! (image taken off a post by @/littleaipom)
Ok so what I love so much about Sonic Prime is how much mileage it's getting out of the multiverse concept. It's a good multiverse cause it's surprisingly simple compared to the sort of MCU clusterfuck we associate the term with now. It's just Sonic AUS! And I really love that cause to me if anything screams Sonic media, it's AUs and canon divergence and wacky takes. I think this series is great at that, internally and with inspiring that in fans.
What also makes it so great in Sonic Prime is that it has so much confidence in that. In the entire show the only normal characters are Sonic and Shadow, everyone else Sonic makes a connection with is a whole new spin on the old cast and its GREAT. I love Nine to death especially, he's definitely one of the best shatterverse characters.
But I think I have a definitive new favorite character now in Chaos Sonic, because he is that fresh new confident take on an old character but with such an underutilized one in Metal Sonic. I adore Metal Sonic, he's my favorite Sonic character and in my opinion the absolute most slept on. Sonic's robot doppelganger should absolutely have as much love as Shadow - his more serious and hardened antihero rival - and Knuckles - the stubborn immovable object to Sonic's steadfast unstoppable force. But he doesn't!! And it's tragic!! There is so much to do with Metal, with the Sonic created by the man who hates him more than anything, one of his first true rivals who was made to be his perfect antithesis, yet we get so little.
But atleast in Chaos Sonic we get an awesome fucking take on him!! It's not Metal, but like I said about Sonic Prime as a whole, I LOVE how this show plays with the characters.
I see a lot of people pitting Chaos and Metal Sonic against each other or putting down one when talking about the other, but they're really just amazingly complimentary takes on the same character. The way it would be weird as hell to say either Nine or Tails is the better version of the character or something.
Chaos Sonic's personality is of course what stands out the most between him and Metal Sonic, and while for some people it makes him unbearable or insulting to the OG Metal, it's one of the things I love most about him too. It's the complete opposite of what Metal and most robo-doppelgangers in the series, and especially Metal, are known for. Metal Sonic is all of Sonic's deadliness but none of his heart - he is a Sonic stripped of everything that makes him that energetic blue hero and reduced only to his power, speed, and obedience. He's a very cold a serious take on the robo-doppelganger that encapsulates the theme of classic Eggman, which was to do what nature did but better and deadlier. He's a very dehumanizing take on what Sonic is to his enemy, a potential tool like the rest of the animals and natural resources he abuses.
Chaos Sonic is less like the (classic) Sonic Eggman wishes he had, but what (modern) Sonic is to him - this annoying, vain chatterbox who still manages to trounce you no matter how little he takes the situation seriously. Metal Sonic feel like a cold and calculated project driven by nothing but Eggman's frustration that something free and alive that he should have control over him still eludes him, and Chaos Sonic like just a project of pure spiteful mockery. Which I think very well represents how the relationship between Sonic and Eggman has changed to pit them more often as equals with their back and forths. And I really love how well both of them use this assignment to bring out these different aspects of Eggman and Sonic's relationship.
I think Chaos Sonic also specifically speaks to the New Yoke universe very well more than just being Sonic but more annoying. He is absolutely annoying and talkative just to mock Sonic, but stuff like his comments about Sonic being "smelly" and how he wants to be a brand star bring to mind really fun ideas about how he's like a commercialized version of Sonic too. I would love if he was integrated into New Yoke and you could see the Egg Council using him as a brand and he just loves it because he's an equally capitalistic jerk. It's a fun twist on Sonic's ego next to the more obvious one, that if Sonic didn't have his convictions he would very easily fall in line with the vanity of Eggman's worldview.
Those are the moments that kind of make me wish that normal Metal Sonic had more speaking roles where him being an anti-Sonic in ideology could show. We atleast have the funny projection of him torturing animals from Sonic CD. I do still think that through Metal's sole commitment to beating Sonic and proving himself superior he does an equally good job at being that ideological opponent though, just in a quieter way befitting his era. Chaos Sonic represents Sonic's vanity in a personality sense with his want to be in the spotlight, and Metal Sonic in purely mechanical sense - just wanting to prove nothing but the fact he is better. And that single-mindedness makes him a great foil to Sonic who is a very wild and free-spirited person and never lets his ego and need to be the best define him more than his loyalty to those ideals. Meanwhile Metal Sonic entirely defines himself by his abilities and need to be a specific identity created by others. Something that makes him really damn tragic in a way I wish for the life of me was explore more.
Chaos Sonic doesn't HAVE to be an existential tragic mess... but I mean if they're gonna bring him back, he should have moments of that on top of just being awesome to watch fight and emote. OH MAN I HAVEN'T EVEN GOTTEN INTO HOW EXPRESSIVE HE IS.
Once again, something totally different from Metal Sonic that only improves both characters in my eyes. I can't get enough of either of them! Whether it's Metal Sonic's intimidating silence or Chaos Sonic's "teehee giggle ^_^" attitude towards violence, I think both have some great chilling moments to them. Chaos Sonic's voice too is so good, it's probably my favorite voice performance in the show. It just has so much energy, and makes every line sound so genuine no matter how stupid. But at the same time he has good range too! When his voice gets low and serious or angry it's effective (atleast to me)! I mean that guy managed to make "You're too slow!" sound playfully venomous, I love it.
With Metal Sonic it's maybe a bit harder to pin down what makes his stoicism work so well. Every character in the classic era was silent to a degree, so it's hard to say his silence stands out. But that's actually I think where I'd say his lack of expressiveness is genius. He manages to mimic the look of Sonic in body and face so much more naturally than any of the other doppelgangers but still in this sleek and blank way that is just amazing. Like I stare in awe at the design of this beast. Classic Sonic is very good at providing character through expressive animation and sprites, and Metal Sonic's lack of any yet ability to still feel like he has the face of a character and not just some robot makes him intimidating.
Which brings me to their overall designs. Metal Sonic is such an enduring Sonic character despite the long list of robo-Sonics because as I was saying before, the design is just too good. It is beyond aesthetically pleasing, straight up gorgeous - which makes him so effective. He truly does feel like Sonic's equal and possibly even superior in mechanics and LOOK, he makes his mechanical and flesh peers look clunky and outdated by comparison. Sonic but polished to an unnaturally perfect finish, with those dead glowing red eyes that house none of his soul. Genius fucking design.
I woefully cannot say that I think Chaos Sonic is an equal in that, but it might be physically impossible to make a better Metal Sonic, and he does come damn close! Specifically because he does take the cue of the more natural eyes (every other sonic-robo has some sort of distinctly robotic visor), but still does something new and catching with it in the bike helmet-like screen. It takes everything perfect about that aspect of Metal and builds on it for this version of him, the dark void of blank pixels is replaced with a very beautiful yet icy blue that contrasts the red eyes very well. I've seen many fan designs that use those red eyes for expression, but it is best a choice here than on the original Metal for the reasons I said above. It's so clear how much fun the animators are having with using them to emote without making it feel too natural by giving him a mouth or something. I also really like his chest rocket, it feels a lot more streamlined than Metal's, which helps with how energetic and mobile he is. Metal screams sleekness and speed, but in a very artificial way with how much his rocket takes up his design.
Like I said, there's no beating Metal due to the sheer simple brilliance of his design that is totally a product of such a complex concept being perfected in the classic era. In general Sonic Prime tends to make designs a bit more complicated than what would pass as the peak of series design, but they still own in their own right. Chaos Sonic is a great example of this where he is noticeably more busy of a design than Metal but with very clear shapes and colors that make him fit in with the overall series style.
All this praising and blabbering to say. Metal Sonic is the most important thing to me, and Chaos Sonic is also the most important thing to me cause he and Metal just complement each other so fucking good. That's really what a good alternate take on a character should do! Feel fresh but still very flattering to the blueprint, explore different directions the original character could've taken to make you appreciate the execution of those aspects even more.
Chaos Sonic is the best example of the show next to Nine. When I think deeper about it some of the other shatterverse versions don't go AS HARD with this, but they all feel like fun takes that do feel like they came from aspects of the original characters. Plus, that's why Nine is the hook, he is a very well developed "what if" for Tails that explores how much of a difference a friendship can make in someone's life. I also just in general really enjoy it when a story says, "Yeah, sometimes people react to issues by being antisocial as easily as they react by being docile when they don't have the space to be sensitive". It's not like... handled explicitly with that much nuance, but the nuance is there in my heart.
Also damn, speaking of Nine I didn't even bring up how cool "Eggman (kinda) tricks Tails into making a Metal Sonic using his knowledge of the real Sonic" is. It's epic, and I actually really hope it's more explored, as well as Chaos Sonic in general. I feel like the writers, animators, and VA had way too much fun with him not to bring him back. I would love nothing more as a poor starving Metal Sonic stan-peasant...
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Hey, @neil-gaiman, sir, hello, hello, hello!
I was wondering, ever since I have finished lovely Season 2... where is your apology dance, sir?
You know, the cute one.
Don't be shy! We can even rehearse the steps together :)
And yes, I did adore the season as a whole. It was adorable, cute, and funny. Crowley and Azi were just EVERYTHING!! 💛💛💛💛💛💛
But you know... you know what the apology is for, sir.
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Plz explain then the travesty that is love and thunder
A trainwreck directed by an egotistical six-year-old in a leech of a man's body who thinks he's a screenwriter and still plays pretend with his uwu self-insert OC.
.... real talk, though, in short:
The real travesty of Love and Thunder is that Thor is already made of love and thunder, and simultaneously Jane is the love to his thunder, and the MCU, through taika wai-feck-off, decided he can be neither of those things, and have no nice things. Thor is the most tragic character in the ENTIRETY of the Marvel Cinematic Universe, and yes, I do think more tragic than Wanda.
He has lost :
his entire home planet
his people
his entire family of four (no hela does not count he was not connected to her and should have been odin's sister)
before which he lost his brother (his platonic soulmate, to boot) a total of 3 times emotionally, two of those physically
he lost his ENTIRE friend group because his half-sister murdered Volstagg, Hogun and Faendral; he never reconnected with Sif
his only good mentor/parental figure (heimdal) was stabbed through the heart in front of him
he lost his dignity, his crown, his birthright (voluntarily and otherwise)
he lost his self-worth, his sense of direction (bc the writers legitimately thought his arc was about stepping down from the crown instead of making it his own and growing into it in his own way, by his own merits, at his own pace and gave it to some literally no-name side character that showed up for one movie and never respected thor in the first place to even earn his title from him smh)
and taika's idea of rectifying any of this .... is to give him some random child he doesn't know, that he doesn't care for, and manipulate him into taking her under his wing not because of the kindness and limitless love of his own heart even after shutting himself down post!endgame, but because jane asked him to as her dying wish — and then say that THAT is his happy ending.
Tell me why Thor, the longest standing of the Big Three, the king of the stars, the hero who is by all respects the embodiment of love, gets no companionship, no friends, no home, no place to belong, when Tony got a hero's send off and Steve got to be with an alt!dimension Peggy.
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