It's nice to get some non-gross Mikuru content. I haven't talked much about Mikuru because she's...
She's hard to talk about.
Mikuru bonding with, uh... with... the sister....
Does she have a name?
Anyways, Mikuru bonding with Kyonsis is cute. I wish I could like the Kyon/Mikuru ship. Which is to say, they get enough cute moments and development together that I would totally support this ship if the show didn't also have Kyon grossly indulging in Mikuru's harassment too.
...in general, a lot of the way the show handles Mikuru is gross. Like. They even brought in Future Mikuru at one point to wax nostalgic about Haruhi's harassment.
That's the kind of move a creator makes when they know they're being gross and want defensibility. "It's okay, she secretly likes it; She'll look back on it fondly some day."
I'm never really sure what to make of Mikuru because this isn't, like, a Male Gazey kind of show. It doesn't have the typical background noise of camera shots lingering on objectified body parts or slow panning over female bodies that typify shows made from the perspective of the Male Gaze.
Even things like the bunny girl outfits or Haruhi aggressively beginning to change while people are still in the room as a power play aren't dwelt on to the extent you'd expect from the Male Gaze.
But Mikuru feels like a character from one of those kinds of shows. The recurring joke is Haruhi physically bullying Mikuru, forcibly stripping her, making guys molest her, making her dress in various fetishized costumes, forcing her to eat expired shit from that guy's fridge they broke into, etc. - often to the point of leaving Mikuru in tears, and... that's it. That's the punchline. LOL Haruhi objectifies her body and treats her like shit.
This is one of three main things Mikuru does. The second is to form a Love Corner of
Haruhi -> Kyon (<-?) -> Mikuru
And honestly? Like 90% of the time, Kyon and Mikuru's interactions are great. But then he does shit like saving those erotic Mikuru photos he made Haruhi delete to a private folder for his personal perusal. Or says shit like this.
Or the show does shit like this.
Future Mikuru literally telling Kyon, "For compensation, feel free to make out with my past self while she's drugged!"
He does not. Thankfully. But it's so fucking weird that she even said that. Why would you write this dialogue?
And then her third thing is time travel. Which isn't given the same level of gravitas as Itsuki and Yuki. She can't fight the battles like they can. She can't exposit information like they can because everything's classified. She isn't even very good at time travel; It's explicitly brought up that Yuki's better at it.
Essentially, she has no powers or abilities beyond being present in the group so Kyon can ogle her and Haruhi can molest her.
If this were a big Male Gaze type of show, I'd be like, "Oh, yeah, she's the Fanservice Girl. Got it." But it's not. So I just. I don't understand why she's handled like this. Why is this here?
Which is what makes it nice when the show isn't doing that, and instead we get nice Mikuru content where she's being happy and everyone's treating her well.
Less of... whatever all of that is and more of this please. She's great with kids! She plays Go Fish!
Which she took second place in, by the way. Mikuru beat God at cards and entertained the small child while doing it. So HA!
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i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one
his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.
ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication
ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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